Terre Pruitt's Blog

In the realm of health, wellness, fitness, and the like, or whatever inspires me.

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Posts Tagged ‘three different ways to cue’

Shavasana Three Different Ways

Posted by terrepruitt on May 31, 2017

This will be the fourth post that is showing an example of three different ways to cue. The three basic ways to cue that I’m talking about are: just referencing body parts and how to move them, that is Anatomic. Then there is where you talk about how the pose or movement is sensed in the body, that is Sensory. A third way is using images and known movements to help people to get into a pose, that’s Imagery. I am confident that most teachers do a mixture and most students probably aren’t even aware of the three different ways. There really is no need to be aware of them and see the difference. I just think it is interesting. It is really interesting – to me – as a teacher to see how different students respond to different cues. Sometimes I find that I have to cue a movement with more than one way in order to get everyone to move. But that doesn’t happen often. For now, this will be my last “Three Cue” post. I can see myself picking more asana in the future to cue the three different ways, but for now I am going to end with Shavasana.  I don’t know how to add just audio to a post, so I did it as a video.  Just me talking while filming a candle burning.  But they are short, so hopefully you’ll listen.

Savasana (Corpse Pose)

Anatomic
Lie on your back and close your eyes. Before you relax lengthen your spine, reaching the crown of your head away from your neck, and your ribs away from your hips. Allow your legs to relax, your feet falling comfortably as they may. Let collar bones move away from each other, opening your chest. Your arms are on the floor running the length of your body. Your hands are at hip level wider than shoulder width, so somewhat away from your body. Palms are up. Fingers are relaxed so they might curl. Breathe and relax. Becoming heavy on the floor.

Sensory
Lie on your back gaze toward the sky even with your eyes closed. Sense your head moving away from your shoulders. Sense your shoulders relax. Create space between your ribs and your hips. And create space between each rib. Sense your spine lengthen. Your legs are soft so your feet may fall gently outwards. Your arms feel the earth down their entire length, because they are straight and resting comfortably on the earth. Feel the ground with the back of your hands, as your palms face the sky. Your hands are down near your hips but away from them, wider than your shoulders. Breathe, let the relaxation be a sense of pleasant heaviness.

Imagery
As you lie down close your eyes and imagine you are floating on a cloud. Everything is comfortable. Your entire body is happy because of the practice you just did. Your elongated spine has a lot of comfortable space between each back bone. Your legs are relaxed allowing your feet to gently fall where they may. Your arms are straight with back of palms on the cloud. There is space between your hips and hands. As you float your arms become heavy, sinking into the softness of the cloud. Your breath is even and relaxed. Every muscle from your head to your toes relaxes into the fluffiness of the cloud.

So there you have it.  Perhaps bringing a new awareness to your practice and your poses with knowing about the three different ways.  Perhaps not.  As I said, not something you really need to know, just something cool, if you are interested in that type of stuff.

Any thoughts on the three different ways to cue?  Any thoughts on the cuing of this pose?

Posted in Yoga/PiYo/Pilates | Tagged: , , , , , , , , , | 4 Comments »

Cobra Three Ways

Posted by terrepruitt on May 24, 2017

I am continuing to share three different ways that the same pose can be cued.  I am talking about cuing via Anatomic way, Sensory way, or a way using Imagery.    The first one is just using body parts as in “move your hand to your foot”.  Or the sensory way where you might say “allow yourself to feel your foot”.  Or the cues using imagery you might say, “start to untie your shoe”.  Each way appeals to different people.  Often times we aren’t even aware of what works best.  We just hear and do.  I think it is fun to see the different ways clear cut and separated out from each other.  These are just examples of what could be said to cue Cobra pose.

Bhujangasana (Cobra)

Anatomic
Lie on your stomach with your forehead on the floor.  Legs together, tops of your feet are on the floor, big toes together, heels slightly apart allowing for a slight inward rotation of your thigh bones.  Place your palms on the floor next to your chin, wrists right under your shoulders.  Slightly tuck your tail bone.  Using your back muscles raise your upper chest off the floor into a small back bend.  Your back muscles pull and hold you up.  Your elbows are close to your ribs, they can be bent.  Your arms are supporting, but not doing all the work.  Shoulders are down away from your ears.  Your shoulders are solid.  Your chest open.  The arms do not necessarily straighten in Cobra. For a bigger stretch in the abdominals and a deeper bend in the back you can straighten your arms, but since the back muscles are primarily doing the work, straight arms are not necessary. Your legs remain together with firm thighs and glutes.

Sensory
Lie on your front side, spine/neck in neutral position, forehead on the ground.  Feel the ground on the front of your legs and feet, as they lengthening out behind you.  Place your palms on the ground next to your chin.  Sense the earth between your open fingers.  Feel your wrists at your shoulders.  Your hands remain rooted, grounded to the earth.  The crown of your head is reaching away from your shoulders.  Sense the space between each vertebra.  When you are ready push, activate your back muscles and let them pull your shoulders and chest off the ground as you push gently down with your pelvis connecting to the earth. Sense the small bend in your back.  The sense is of the strength in your back, you are using your arms lightly.  They are not the strength in this pose.  Feel the slight pressure from your elbows as they hug your ribs.  Your heart space is opening your collar bones moving away from each other.  Your shoulder blades are gently reaching towards each other and down your back.   Your forearms are off the ground, but the arms do not necessarily straighten in Cobra, you have a bend in the elbows.  For a bigger stretch on the front side of your body you can straighten your arms, but since the power and energy are coming primarily from the back, straight arms are not necessary.  Straightening your arms would also create more of a bend in your back, but again, sense the work coming from the back.

Imagery
Lie on your belly like a snake.  Your legs are your tail, they remain together, tops of feet on the earth.  Place your palms on the earth with your wrists at your shoulders.  Gently press down with your pelvis.  When you are ready, think of a cobra. Think of how they raise themselves off of the earth, they don’t have any arms.  So let the power come from your back.  Your arms are supporting you, but not doing all the work.  You feel the scales of your snake body with your elbows.  Let your shoulders travel down towards your tail.   Let your neck lengthen, stretching out your cobra hood.  The arms do not necessarily straighten in Cobra, your back is doing the work, but if you want a bigger stretch in the front and a deeper bend in the back you can straighten your arms, but remember cobras don’t have arms.

Which one helps you get into the post better?  Which one is your favorite?

Posted in Yoga/PiYo/Pilates | Tagged: , , , , , , , , | 2 Comments »