Archive for the ‘Yoga/PiYo/Pilates’ Category
Posted by terrepruitt on July 16, 2013
A post or two ago I wrote about how breathing is good. I mentioned that it is very common to hold your breathe while exercising and/or concentrating. I shared that I was reminded of that recently by my husband (and Remo Williams). I briefly shared a few situations in which people might breath differently. Of course, I had to mention Nia Sounding. In my post What IS PiYo?, I mentioned yoga breathing and Pilates breathing. Generally they are a bit different.
Simply put yoga breathing is done through the nose. Both the inhale and the exhale. Depending on what type of yoga you are doing, you may move as you inhale and exhale in a flow. It is almost as if the breath can work as your metronome. Or the flow is done where on certain moves you just inhale or exhale, timing your breath to your moves instead of your moves to your breath. You can just breath normally and move through the poses as you want with no regard to the pace of your breath, but you still move with your breath. As with most exercising the exhale is on the effort whether you are doing poses in a flow or at your own pace unrelated to your breathing pace. While breath and breathing is related to movement in yoga, it does not always set the pace. In addition to the breath entering and exiting through the nose the breath affects the belly. On the inhale it is the belly that expands. On the exhale the belly compresses. This is called diaphragmatic breathing.
To put Pilates breathing simply, it is done through both the nose and the mouth. Inhaling through the nose and exhaling through the mouth. And even though ALL breathing utilizes the diaphragm Pilates breathing expands the thoracic/chest area. When I was first learning Pilates I was taught it was called “Back breathing”. This name helped me to concentrate on the change in shape of my upper body and not pull the breath down into my belly. As with yoga, breathing is a large part of Pilates and breath relates to movement, but the area of the body with which the breathing is done is different.
Both yoga and Pilates breathing are done fully and completely. So whether the air is flowing into the lower part of lungs and you are allowing your belly to expand or whether the air is going into all of the “corners” and your chest is expanding it is a full breath. I like to practice allowing all the air that my lungs can hold to enter, to the point where I know there is no more space, then exhaling completely, until I know there is no more air left in my lungs. This expelling completely is done with either type of breathing practice.
So in general that is the difference between yoga breathing and Pilates breathing. As you practice either yoga or Pilates there are many details that you will learn and experience but that is it in a nutshell.
As I said, I like to practice full and complete breathing. In addition I like to practice BOTH types of breathing. I think they each have different benefits. I think it is very important — no matter which type of breathing you are doing — to make the breaths FULL and COMPLETE – as much in as you can as much out as you can.
If you were to report on your breathing you are doing right now, which type would you say it more closely resembles?
Posted in Yoga/PiYo/Pilates | Tagged: back breathing, belly breathing, breathe while exercising, diaphragmatic breathing, holding your breath, Nia, Nia sounding, Pilates, Pilates breathing, Remo Williams, thoracic breathing, Yoga, yoga breathing, Yoga/PiYo/Pilates | Leave a Comment »
Posted by terrepruitt on July 9, 2013
I am very shocked and somewhat embarrassed that I have had this blog for over four years and I have never written a post explaining PiYo™. PiYo is a combination of Pilates (Pi) and Yoga (Yo), brought to us by Chalene Johnson. Chalene is the creator of Turbo Jam®, Turbo Kick®, TurboFire®, Hip Hop Hustle®, and ChaLEAN Extreme®. These programs are put out by either Beachbody or her company, Powder Blue Productions. With PiYo the idea is to combine the two mind/body practices in order to appeal to a large audience. Pilates and yoga are somewhat similar to begin with, both have a component of connecting the mind and the body in conscious movement. Both have ideals on breathing and breath. Both are a way to improve flexibility, stability, strength, and balance. Depending on which type of yoga practice there could be agility and mobility involved as in Pilates. Now this might sound familiar if you know about Nia. In Nia we have the five sensations flexibility, agility, mobility, strength, and stability (FAMSS) which we play with in our dance. In PiYo the same sensations can be experienced. The manual states: “PiYo is considered a ‘Western’ approach to the practices of mind/body fitness.”
I believe that many people think yoga has been “Westernized”. Since there are so many types of yoga there might not always be a spirituality in the yoga class or chanting, meditating, or even the Sanskrit terminology. That is true with a PiYo class. It is more about the physical with an awareness.
PiYo combines yoga breathing and Pilates breathing. In general a yoga pose is done with yoga breathing and a Pilates exercise is done with Pilates breathing. Of course, students are encouraged to breath in a way that is comfortable to them and that works with their individual body, the aforementioned is just a general guide.
The PiYo class follows the tried and true module of a typical exercise class. There is a section for warming up, a section for general strength and balance, a section with more of a focus specific area of the body (say a core, upper body, or lower body), then a cool down and relaxation section. While yoga poses could meet all the requirement of each section and Pilates exercises could also, it is often the case that each section will have a majority of one or the other. Although, you might be like me and think that there is such a huge cross over it is difficult with some moves to claim it is only a yoga move or only a Pilates move. While I am certain the move did originate from one or the other practice specifically it seems as though currently there is a huge cross over. That is one reason why I think Pilates and yoga marry ups so well. They can be considered very similar.
So throughout the class there will be yoga poses and Pilates exercises. It is up to the instructor and the make-up of the class as to whether the yoga poses will be held for a measured amount of time or done in a flow. No matter which is chosen it will be a sequences of poses. Whereas the Pilates exercises are done in repetition. Generally sequences of repetitions.
A PiYo class is allowed the freedom of design. As mentioned there is a class format, but then the way it is carried out is dependent on the instructor and students. The consistence of a PiYo class is that it is for the body and the mind using both yoga poses and Pilates moves.
Do you practice yoga? Do you practice Pilates?
Posted in Yoga/PiYo/Pilates | Tagged: agility, balance, Beachbody, ChaLEAN Extreme, Chalene Johnson, chanting, conscious movement, exercise programs, flexibility, Hip Hop Hustle, meditating, mind/body fitness, mind/body practices, Mobility, Nia, Nia class, Nia Dance, Nia five sensations, Pilates, PiYo class, PiYo manual, Powder Blue, Sanskrit terminology, spirituality, stability, strength, Turbo Jam, TurboFire, TurboKick, types of yoga, Western approach, Yoga, Yoga class, Yoga Pose, Yoga/PiYo/Pilates | 2 Comments »
Posted by terrepruitt on May 4, 2013
The Sun Salutation is a sequence of asanas. I have not yet included it in any of my Nia classes, but I am thinking about doing so. In general modern day usage “asana” is what people call a yoga pose. So the Sun Salutation is a sequence of yoga poses. Now, if you look up Sun Salutation on the internet you will find a lot of variations. There are certain asanas that you will consistently find in all of them, but then not all of the Sun Salutations will include the same EXACT ones. I’ve seen anywhere from 9 to 13 poses in a single salutation. Since yoga is considered a practice associated with religion, a meditation, a prayer, a movement form, and/or a straight out exercise it makes sense that there are so many difference ways to do the Sun Salutation. If you are chosing to do the movement as a form of worship it might have different movements than if you are doing it to get a specific physical benefit. Most of the instructions on how to do it agree that the movements are based on breath. Inhale here, exhale there. I have decided on a combination of what I have been trained with, what I have practiced in classes, what I practice at home, several applications, and things I have learned along the way. I have decided on thirteen movements. I move using the right leg through 11 asanas, then through them again using the left leg. Two of the poses making the sequence 13 are only used only in very beginning and the end.
I start in Anjali mudra then go to the
Mountain Pose, then arms move out and up into an
Upward Salute, then I swan dive into a
Forward Bend, up into a
Standing Half Forward Bend, then I place the left leg back into a
lunge then the right leg back into a
plank then I move down onto knees into
knees, chest, chin/Ashtanga Namaskara or chaturanga up into
cobra, then I push back into
downward dog, I stay here longer than any other pose. I breath. Then I bring my right leg forward, so I am in a
lunge, then I bring my left leg forward then I
forward bend, then I come up a little into
Standing Half Forward Bend then lift my arms out and up as I rise into an
Upward Salute which I consider the start of the right sun salutation. I go through the sequences again this time place my right leg back into the lunge. When it is time to lunge again, I bring my left leg forward.
I find that as I move through the salutation, I like to change my Upward Salutes into more of a little back bend. Only bending back as I warm up and it feels good.
Since this is my Sun Salutation, and I am not worshiping the sun . . . in fact I don’t even think of the sun at all, I just do it my way. I do it in the way I feel like doing it that day. Sometimes I time it with my breath inhaling on this move and exhaling on that move, sometimes I stay in each pose longer and while I am aware of my breath my movements are not dictated by it. I do somewhat feel that is WAAAAAY contrary to the way it is “supposed” to be done, but then again it is MY movement. It is MY practice. It is MY meditation. So I do it the way MY body feels like doing it that day. I don’t usually decide how I am going to do it when I begin, I just begin and however I seem to move is how I do it that day at that time. Sometimes I even time it to the music I am listening too. Sometimes, unfortunately, I am in a hurry and I just want to get a few in so I do them. It all depends. That is why I think it is nice because YOU can do it how you want to do it to match the reason you are doing it. After doing at least six, I end with the Mountain Post and the Anjali mudra.
Do you do a version of the Sun Salutation? What asanas do you include in your salute?
Posted in Yoga/PiYo/Pilates | Tagged: asanas, chaturanga, chest, chin, cobra, downward dog, Forward bend, knees, lunge, Mountain pose, Nia, Nia Classes, plank, sequence of yoga pose, Standing half foward bend, Sun Salutation, Upward Salute, Yoga, Yoga Pose | 2 Comments »
Posted by terrepruitt on February 23, 2013
Just as there are specific moves in Nia (Nia’s 52 Moves), there are different asanas or poses in yoga. There is an asana (pose) in yoga that is standing still, but it is called Mountain Pose. In Sanskrit, what I think of as the language of yoga, it is Tadasana. While this pose is a still pose and the body is standing erect, it is an active pose. The body is not just upright and relaxed, there are muscles engaged and energy moving. It is more than likely that there is no straining involved and one might look relaxed and even feel relaxed yet there is more than just standing there happening. Mountain Pose is an active pose often used as a transitional pose. Yet can stand on its own, no pun intended.
In Tadasana toes touch and feet are parallel. Of course, as with many things, there are many variations, and people have their own way of doing them. In this post in the pose our toes touch, feet are parallel forming a stable base. For some the heels might need to be fanned out a bit or feet may need to be separate. The goal is to have a stable base so adjust the feet as necessary in order to ensure stability. One way to assist with stability is to relax your feet allowing the toes to spread. Imagine your feet becoming wide and open. The feet do not grip the earth, they spread out. Weight is evenly distributed. Take time to sense all points of the feet.
The ankle joints remain open. The shins and calves are rooted into the floor. The knees are not locked, yet they sense stability because the quadriceps are reaching up lifting the knee caps. The thighs are turned ever-so-slightly in. The buttocks are lifted yet there is no arching in the lower back. The belly (abdominals) are engaged. The spine is long.
With the crown of your head reach for the sky, lengthening the entire back. Keep the chin parallel to the earth and your head in alignment with your chest, hips, knees, and feet. Shoulders are gently pulled back with shoulder blades down, the chest does not stick out, yet the sternum is presented up allowing the collar bones to open wide. Arms are along the side of the body, not hanging, not touching the body, not rigid, but active. Hands are active with fingers gently fanned open.
Energy is moving up allowing for the lengthening of the entire body, yet there is a sense of being rooted and stable. As I mentioned this pose is often used as a transition. You might see it performed in between standing poses. It is perfect to reset the body in order to correctly move into another position. It can also be used as a resting pose. Even though it is an active pose, it still can be a rest for the body.
As you can tell, if you got up to try it, this is not a passive pose. There is a lot of muscle engagement, so maybe you can see why this pose could be practiced on it’s own and not just used as a transition. It is not just standing still, it is a strong, stable pose, like a mountain.
So if you didn’t already do it, are you ready? Get up and try it!
Posted in Yoga/PiYo/Pilates | Tagged: active pose, asanas, Mountain pose, Nia, Nia's 52 Moves, poses, sanskrit, standing still, Tadasana, Yoga and Pilates, yoga poses, Yoga/PiYo/Pilates | Leave a Comment »
Posted by terrepruitt on May 24, 2012
Just a few posts ago I talked about simple stretches that could possibly bring relief to tight hip flexors and lower back pain. I referred to a yoga pose called the pigeon pose. This pose is where one leg is stretched out to the back and the front of the leg (the front of the thigh, the knee, the shin, and the top of the foot and toes) are on the ground, touching the ground, and the other leg is bent at the knee with foot towards the body, but the shin at a right angle to the body. The hand can hold the foot. The back is long and straight and upright. There are variations. Some are where the leg is bent more and the foot is more pointed toward the opposite hip. In some the back is still long and straight, but the body is lying over the bent leg.
In Nia the variation is called a Side Yawn. The leg is bent so the foot is near the opposite hip, as I mentioned above. The arm on the side of the bent leg is bent while the arm on the side of the outstretched leg is straight with palm on the floor. As the body lowers to the earth over the bent leg the outstretched arm moves on the ground reaching out further. Allow the entire body to sink into a comfortable fold. The lengthened side of the body yawns open.
For the more athletic version there is more weight on the bent leg and instead of just stretching out over the bent leg there are push-ups involved. Pushing away from the earth and sinking slowly back into it. After a few push-ups then allow your body to release to gravity and lay over the bent leg.
This is one of the moves that I mentioned were in the back of The Nia Technique Book. Both the classic version and the athletic version of this move open and release the hips. With the classic as you sink to the floor the side of the body is receiving a long stretch. The athletic version enables strengthen of the arms and core. This move is one where you would do as many repetitions as you would like and then switch to the other side. Or you could do one side then switch and do the other side. The point it to be sure that you do both sides. I would bet, as with most of us, one side is more flexible than the other.
In the Nia routines I do we are often in the pigeon pose or the side yawn pose, but we do not always sink into the yawn. Often we are dancing with our hands on the floor, not necessarily doing straight up and down push-ups, but using our arms to lower us to the earth and push-off again. As with all moves each individual is invited to do what is best for their body at that moment in the Nia class. So some might sink into the yawn. So usually in addition to stretching our hips we are using our core and our arms in our cool down or floorplay.
Do you ever sense your hips are tight and need stretching? Might you think to use this stretch to loosen up?
Posted in Nia, Yoga/PiYo/Pilates | Tagged: Athletic Nia, classic Nia, cool down, flexible, floorplay, Hip flexors, lower back pain, Nia, Nia class, Nia pose, Nia routines, Pigeon pose, side yawn, simples stretches, stretching, The Nia Technique book, tight hips, yawn the body, Yoga, Yoga Pose | 2 Comments »
Posted by terrepruitt on June 6, 2009
Even though the Adho Mukha Svanasana or in more familiar language, Downward-Facing Dog is often used as a resting pose or a transitional pose, you are working a lot of your body. It is a great pose for working your legs, back, shoulders and arms. More specifically your gastrocnemius (calves), hamstrings, retucs femoris (front of leg), gluteus maximus, latissimus dorsi, serratus anterior (muscles by the ribs), deltoids, and triceps.
As with a lot of yoga asanas the “working” is either a lengthening and stretching or a strengthening or both. This asana also helps strengthen the hands.
Recently I took a yoga class in Los Gatos and I am looking forward to going back because I realized something, I don’t like this pose that much. But what I have come to accept in my exercise workouts and Nia practice, is that if I don’t like something it is usually because I am not doing it correctly or it is something in which I need to improve. So the reason I am looking forward to my next class is because I hope to ask the instructor for a body check. If not in my next class I will ask the instructor in Willow Glen. I want an instructor to assist me in making sure I am doing it correctly. Then once I feel the correct way to do it, I will work on it.
So, as you can see I am taking this Down Dog thing seriously. Just because it is thrown in as a way to get to the next move and sometimes treated like a rest, I still want to use it to help strengthen my back, shoulders, and arms. I want to work at it to make sure I am getting the full benefit of the lengthening of my legs and arms, and the stretching of back. Do you work your Downward-Facing Dog or just let it lie?
Posted in Yoga/PiYo/Pilates | Tagged: Adho Mukha Svanasana, asana, Down Dog, Downward-Facing Dog, lengthen, Los Gatos Exercise, Los Gatos Nia, Los Gatos Workout, Los Gatos Yoga, strengthen, stretching, Willow Glen Exercise, Willow Glen Nia, Willow Glen Workout, Willow Glen Yoga, Yoga Pose | 4 Comments »
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