Terre Pruitt's Blog

In the realm of health, wellness, fitness, and the like, or whatever inspires me.

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Posts Tagged ‘dance performance’

Authentic Movement – Change – FreeDance Stage 5

Posted by terrepruitt on January 14, 2012

Nia, the dance exercise that I teach, is a great cardio workout.  Classes are fun and full of energy.  To become a Nia teacher one must take the White Belt Intensive.  It is 40+ hours of intense learning, discovery, play, dance, reading, listening, moving, sitting, and so much more.  A person that is just interesting in learning more about Nia as a practice may also take the intensive.  One does not have to have the intention of teaching to participate in an intensive.  In the Nia White Belt there are 13 Principles.  These principles are what teachers and practitioner use to expand their Nia practice.  Working and playing with the principles actually help bodies to move “better”.  Nia is a body centered exercise so these principles actually help us move our bodies.   The fourth Nia White Belt principle is FreeDance, this principle has eight stages.  The list of the eight stages is in my post Nia Class – Levels 1, 2, 3 – FreeDance Stage 8.  The fifth stage is Authentic Movement – Change.

Nia is “about” many things.  One thing Nia is about is Authentic movement.  Our dance is not a performance.  It is not meant to be pretty.  It is meant to allow us to move in our own body’s way.  The idea is that we will move in our own body’s’ way and we will move as we need to move.  With freedom and authenticity we will be working our bodies as they each individually need to be worked.  Yes, we do have specific steps in a kata or song.  But everyone’s body does the steps maybe a little differently — to their own body’s ability.  With practice the body will be able to do the steps and the moves in the Body’s Way, moving the way the body was actually designed to move.

With authentic movement we are letting the body move to the music in its own way.  We don’t think of how to move it, we just let it sense the music and it moves.  If one is practicing the Nia White Belt Principle #4, stage 5, then the authentic movement is done for two bars, two measures of how we count our music.  After two bars change the movement.  Do this for each song.  The idea is that after a few songs the body will have gone through all of its “normal” movements.  You will have danced out all of your movement tendencies.  You will have danced all of your bodies patterns and your body will seek new moves.  Your body will do things it does not usually do.  You might be one that often moves your hips a lot, but after a few songs and continually changing the way you move your hips you might realize that you are out of hip moves, so your body plants your feet and you end up kicking up one leg at a time.  Maybe kicking is not part of your typical dance move repertoire.  Maybe once your legs start kicking your arms start punching.  And this was not thought out or planned it just seemed natural.  Leg kick, arm punch.

So the idea is to exhaust the normal and journey into new territory.  If you have never done anything like this I want to warn you, you might be a little sore the next day.  If you are a booty shaker and you change to a “how-low-can-you-go-er” you will feel it the next morning.  If you always keep both feet on the ground and you start kicking or even just doing knee lifts to be different, your body will remind you the next day that you did something different.

If you let your body just dance to the music and switch it up, your body will give you great feed back on how you have never moved your foot/arm/head/butt/ankle/knee/whatever-you-moved-that-was-new the next day.  You will go to move foot/arm/head/butt/ankle/knee/whatever-you-moved-that-was-new and probably sense it.  This information will help you learn your movement tendencies and you can learn what new moves might help you improve your body’s movements.

Try it!  Put on some music and dance with Authentic Movement, then change.  Keep doing this through at least five songs and see where you end up.  See what new moves your body comes up with.  Ready?  Go!

Posted in FreeDance, Nia | Tagged: , , , , , , , , , , , , , , , , , , | Leave a Comment »

Nia Might Not Be Pretty — To Some

Posted by terrepruitt on October 20, 2011

Nia routines are choreographed movements to music.  Nia’s choreography is pretty.  In fact in many cases it is beautiful.  Most Nia katas are based on the 52 Nia moves.  Steps and moves have been carefully selected to fit with the music, for the most part.  There are times when we are invited to just dance without a design.  No matter the choreography we are always encouraged to dance in our own way–and that just might not be “pretty” to some people.  The body — our bodies — the human body is put together in a specific way.  Our parts are connected in a specific way.  Movement is allowed and restricted by the way the body is constructed.  Some bodies cannot move as was intended.  Some bodies might have actual physical limitations that do not allow for soft, fluid, “pretty” movement.  For some lifting their arm over their head might cause discomfort.  It could be that they are not accustomed to lifting their arm that high so it might not be easy—at first.  Some might have tight hamstrings or other muscles so their movement might be less than natural.  But Nia is a journey, a practice.  Over time the joints will loosen with practice and/or the muscles will become more flexible and be able to move with ease.  It could become “pretty” or not.  Nia might not be pretty, but it is authentic.  It is not a performance.  It is how our bodies move.  Your body, my body, not the same body so we will move differently and it could be pretty or not.  What I might think is pretty you might not.   Let it be authentic.

Some bodies have other types of restrictions, could be mental or emotional.  It could be, having been taught all her life “ladies” don’t move their hips “like that”, there is an automatic stop placed in her mind so her hips don’t thrust or gyrate.  It could be that she thinks that movement is “ugly” so she won’t allow her body to do it.  It could be that chipping away at that barrier will take time.  And the learning might not be “pretty”.  It might be choppy and not happen all at once.  It could be that there is an emotion attached to a particular movement.  An emotion can act as another type of mental block and not enable or allow the Nia participant to move as the body was designed.  And that could, in turn, result in something that isn’t “pretty”.  Nia might not be pretty, but it is authentic.

It could also be as previously mentioned — some have an idea of what moves are “pretty” and what moves are not, so for them maybe the “ugly” moves should be kept off of the dance floor, but Nia is not a performance.  It is authentic movement of the body.

It could be an arm-raising, hair-whipping, sweat-dripping, face-reddening, body-jiggling, foot-stomping, voice-howling, eyes-crying, heart-softening, spirit-raising, mind-opening, body-moving dance exercise which, to some, just might not be pretty.  It is not a show, it is not a performance it is a movement, it is a practice, it is a dance, it is an exercise, it is a workout, it is an experience, it is authentic.  It is what you allow your body to do.  It is what you want it to be.  It is what you sense.

When we allow our bodies to move in an honest way we defer to the body’s intelligence.  The body speaks to us, but we need to listen.  It will tell us if what we are doing is causing pain so we can tweak the movement and move towards pleasure.  Also we can learn which areas of our bodies would benefit from more flexibility or more strength if we listen.  All the while, to someone who is expecting a performance this might appear “not pretty”.  But to those who have experienced the freedom of listening to the body’s intelligence we see it as beautiful.  We know there is a path, there is a journey.

I personally feel that it is beautiful when a participant moves to the music in a way that only s/he can move.  Sometimes I might catch a glimpse of one of my Nia students and I have to remind myself that I too need to move according to the sense of the music because otherwise I would stop and watch.  It is an amazing wonder to witness a surrender to the music. To some it might not be “pretty”, but it is truly beautiful.  So dance your dance.  Dance in your body’s way.  Don’t judge.  Don’t worry about if it is “pretty”. Movement is a glorious and beautiful gift to be enjoyed and not stifled.  Let your movements be authentic and don’t worry about those who might think it is not pretty.

Posted in Nia | Tagged: , , , , , , , , , , , , | 4 Comments »