Posts Tagged ‘the body’s way’
Posted by terrepruitt on August 24, 2020
Ahhhh, Nia White Belt Principle 7, here is where we can really get into YOUR BODY’S WAY. The body was made to move in a certain way – THE BODY’S WAY, but for various reasons not all of us can move as perfectly as the body was designed, so we move in our own way, so we call it Your Body’s Way. Nia White Belt P7 – Planes + Intensity Levels allows us to individualize ALL movement – from everyday getting dressed and doing the dishes (Dancing Through Life) to our Nia practice.
There are three triads for this principle. The main triad has Range of Motion, Speed, and Optimization as the three points with CPT in the middle and movement and measure as wings. The CPT is the Conscious Personal Trainer, this is your body telling you what to do, just like you can hire a Certified Personal Trainer (a CPT) to tell you want to do, you can listen to your body which can tell you want you need. You have movement and the measure of it where you are always observing and adjusting according to what you need. Your range of motion and the speed of the movements are done to optimize your sensations and workout.
Triad one is used to illustrate the Nia Planes. It’s points are High, Middle, and Low, with gravity in the center and sink and rise as wings. Most any movement can be done high, middle, and low. Your whole body can be high, middle, low – standing, sitting, being on the floor. Or you can be on the floor and experience high, middle, low there too. The current Nia White Belt Training book refers to the Hara or body center as a way to measure high, middle, and low.
In Nia there is the smile line. It is up on the ends and down in the middle, like a smile. I think in a routine recently I experienced a FROWN but she called it a smile line, but we were down then went up and down again, like an upside down smile line (frown). You can achieve the smile line by stepping forward – let’s say – and softening at the knees through the step then ending up. Neither the start nor the end need to be in the HIGH plane, but they are higher than the dip of the smile. You can “smile” in an A Stance . . . soft knees and let hips move up on one side, with a little dip in the middle, then up on the other side. So a smile line CAN help you practice both planes and intensity levels.
Intensity levels are additional guides to YOUR BODY’S WAY, this is the third triad with the levels at each corner. In Nia we label the levels, 1, 2, and 3, going from least intense to most. The middle of the triad is YOUR BODY’S WAY with choices and CPT as the wings. You control the intensity of a movement depending upon what you need. It could be that the intensity level is linked with the plane . . . perhaps it is really intense for you to reach really high, but not as intense when you are in the middle and really easy for you to go down or that could be reversed. So intensity is not always tied to planes. Intensity can be applied to in and out It could be that having your arms in and closer to the body is a level 1 intensity, and a little further ways is a level 2, and out far is a level 3. Typically the further away more intense but that also depends on what you are doing. It could be thought of in respect to energy whatever requires less energy would be a level 1 and so on.
With Nia the idea is NOT to always be at a level 3, that is really no way to do a workout or live, in Nia we want to experience ALL the planes and levels. Also, the understanding is there that your high may not be the same every day. Your level 1 can change. Your level 3 may be your level 2 some days. We like to encourage our students to play with all the planes and levels and we understand that everyBODY’s planes and levels are different and that they can be different every time we dance.
Do your workout vary planes and intensity levels?
Posted in 2020 Nia White Belt Principles, Nia | Tagged: certified personal trainer, Conscious Personal Trainer, CPT, Nia CPT, Nia Intensity levels, Nia Planes, Nia White Belt Principle #7, smile line, the body's way, your body's way | Leave a Comment »
Posted by terrepruitt on July 8, 2020
I kind of figure I will be posting a bit about each of the “re-languaged” Principles as I go along, but we will see. Some of them might not need another entire post . . . but we will see. In looking back at my original post regarding Nia White Belt’s Principle 1 not much has changed. The way it is written up in the book and the way she talks about it may have changed, but – two things – the main brunt of it is the same and I don’t want to share everything exactly anyway because if you are the slightest bit interested you have to experience for yourself. The first Principle is the Joy of Movement. Sometimes referred to as JoM or maybe even JOM.
Back when I took the training originally the fact that sometimes you just aren’t feeling happy, was discussed and, of course that is going to happen. It came up this time, too, because that is reality – no one is happy all the time. And that is somewhat what this is about. You don’t have to FEEL happy to dance the Joy of Movement. It might help. Moving when you are happy definitely has a different energy. Try it. You can dance when you are happy and it will be different than when you are not. But when you feel happy that is an emotion, a feeling, when you dance the Joy of Movement that is a sensation. Something that comes from the body. Something that many people may need to learn (as in it doesn’t necessarily come naturally) and we need to practice.
The Joy of Movement allows you to dance no matter what. For some it is relaxing the body and letting it move. A body that moves in its own way pretty much can’t help but find joy. So that means even if you have aches, pains, and an injury, if you move in the way your body is able to move at that moment, you can find joy. So, for example, if your foot is injured and standing, walking, jumping on it would cause it pain, doing that would not be YOUR BODY’S WAY (at the moment), but maybe sitting down and moving would be the way your body could move and movement will make your body sense joy.
Note, that one key is moving in YOUR BODY’S WAY . . . if your body does not like to move fast then doing so will not allow you to find that Joy of Movement. Moving in ways your body is not able to is not going to allow you to find it either, you have to move in ways that bring you the sensation of joy.
If you are feeling sad, but you move in your body’s way, you may still FEEL sad, but your body and its sensation will be joyful and perhaps you will end up feeling less sad. Now dancing away your sadness is not the point of the Joy of Movement, going back to when I mentioned the fact that sometimes we feel sad, that is ok. This is not a practice that preaches to ignore your sadness (feelings), just dance them away . . . it is just a practice that is body center and is teaching that you can find joy in movement. It is a tool that can help you deal with life.
There is always going to be situations that make us sad, upset, out of sorts, angry, grumpy, whatever, but if you want a tool to help this is one of the many tools in the Nia toolbox. Again, this is not to say I am not allowed to be upset and it isn’t even saying when I dance or move I have to be happy, this is just saying I have the CHOICE. I can CHOOSE the SENSATION of joy and tap into the UNIVERSAL JOY that is out there and available to anyone and everyone. It is not an emotion, but a sensation. With those three things I have . . . . . the Joy of Movement.
So what do you think? Do you move for the joy of it?
Posted in 2020 Nia White Belt Principles, Nia | Tagged: 2020 White Belt Principles, feelings vs sensations, JOM, Joy of Movement, Nia Technique, Nia White Belt, Principle #1, the body's way, your body's way | Leave a Comment »
Posted by terrepruitt on June 12, 2017
I want to share something with you that I imagine not everyone thinks about. But when you attend a training — at least the ones that I have attended — it is part of the training. Many people will easily admit to knowing that an instructor or teacher of an exercise class is responsible for instructing the students on how to do an exercise correctly. In Nia we talk about the Body’s Way . . . the way in which the body was designed to move and also YOUR body’s way . . . the way in which YOUR (each individual) body moves. So we encourage people to move in their own way, but we also keep in mind the general safety guidelines. In keeping with the way the body was designed a lot of safety is built in. As an instructor in a class we instruct the students on how to move and exercise safely. Part of our jobs as instructors is to watch the participants to make sure they are doing things – moving – in a safe way. That is something that all of my trainings have included and something that most people are aware of. Another thing, the thing that some might not think about, is that we are responsible for the students’ safety in other ways. We are responsible for ensuring that other things and other people do not affecting the safety of our class. So in other words, when someone comes into the room where the class is being taught to grab equipment. The instructor is responsible for making certain that the person does not drop equipment on or in the path of a student. So we have to adjust our attention away from teaching and away from our own students to keep an eye on the person that has come into the room. We are responsible for what goes on in the class we are teaching.
I feel that some people don’t think about that or perhaps they don’t understand it. Perhaps they have never taken a class where you are concentrating on what you are doing, so they don’t realize what a distraction it is when someone comes into the room. Also, they might not realize that the teacher is responsible for the students and their safety so the teacher gets distracted from their teaching when people come into the room to get equipment for another class. It happens often when an exercise room is also where the equipment is kept. I’ve even taught at places where there has been Audio-visual equipment kept in the room and it – apparently, needed to be retrieved during the middle of the class.
In many cases the instructors are instructed to not let people just take equipment out of the room, so not only are we responsible for the safety of the students, but for the safety of the equipment. Most venues don’t want people just walking in and removing equipment from the room. We, as instructors, are asked to keep that from happening. So not only is the teaching being interrupted, but the teacher is supposed to not let the person who has entered the room take equipment. It is completely disruptive. In addition to interfering with the class that is being taught, it puts the students safety at risk. The teacher has to turn her attention away from what the students are doing in order to give attention to the person that is removing equipment from the room. Even if it is a staff member it is completely disruptive. Despite the fact the person entering the room has authority to do so AND is allowed to move equipment, the instructor has to refocus away from the class onto the person that has entered the room.
One thing I am pretty certain about, the students in a class that is continually interrupted, they know. They know that the instructor has to stop teaching them to figure out what it going on. They know that the person entering the room is disrupting their focus and their class. It could all be chalked up to a lesson in living in the moment and focusing, but when it happens all the time they feel disrespected. They have paid to be in the class, they have taken time out of their schedule to be there, and then it gets interrupted. They know it is not right, because they too refocus, but for different reasons than the instructor.
If you’ve left a class and accidentally leave something behind and have to interrupt the next class to get your item, that is understandable. Ya run in, ya look apologetic, ya grab your item, and ya run out. That happens. We all forget things. It is when someone enters to remove equipment – even if it is quick, but especially if they have to move things and decide what they are taking – that the disruption occurs.
Sometimes it can’t be avoided that equipment is stored in the class. Often times there are classes that use the equipment, but when the equipment is needed for a different class than is being held in the room, the equipment should be removed from the room beforehand. The students deserve the respect of an uninterrupted class. They also deserve to have the teacher watching to make sure they are moving safely for the entire class.
What do you think? Have you ever had a class you were in be interrupted?
Posted in Misc | Tagged: class interruptions, exercise class, exercise instructor, exercise safely, Nia, Nia Teacher, safety guidelines, teacher trainings, the body's way | Leave a Comment »
Posted by terrepruitt on February 6, 2014
My last post was about the Garland Pose or Malasana. That is a yoga pose. The Garland Pose post was long enough so I didn’t talk about the advanced positions of that pose. In Nia the pose could be compared to “Standing” which is the fourth stage in Nia’s 5 Stages. In Nia it is also a little different. Nia’s 5 Stages is a movement practice through the five stages of human development. While I have mentioned Nia’s 5 Stages before in my blog I have not written about them in depth and this post will not be in depth either. I am just touching upon the fourth stage, including it in my little series about squatting. Squatting is important and Nia knows that. Nia recognizes it as a stage of human development. Although Nia does not believe it should be abandoned and that is why we have the 5 Stages as a movement practice and why we include squatting in many of our routines. As I said standing is the fourth stage and it is somewhat like a squat.
The Nia 5 Stages are the stages we go through in development. Stage one is Embryonic. Stage two is Creeping. Stage three is Crawling. Stage four is Standing. Stage five is Walking. First we are in the womb, then most of us creep, then we crawl, we stand (squat), then walk. Stages of human development. Stage four, “Standing”, is a low or full squat.
I have posted about squats before. In fact when I did I mentioned that we don’t do them in Nia. And we don’t — or I hadn’t done the type of squats I was writing about. I was writing about squats done in a way that is more in line with weight training. Using weights and other equipment. I believe there are weight lifting competitions where people do really low squats with weights, but . . . I am not going to go there. There are a lot of things that elite athletes do that I would STRONGLY recommend the average person NOT do . . . . EVER.
I DO recommend full squats (without weights) . . . providing your body is able to do them I believe you should. And by able I mean there is no medical reason you can’t, you have joints and body parts that will allow you to do them. Doing squats will help you in so many ways.
With Nia’s fourth stage – standing – we are coming from a crawling position. The way we move from crawling to “standing” is we open our feet wider than our knees while our knees are still on the ground. Then curl our toes then push back onto our feet. Since the 5 stages of human development are based on the way the body was designed to move and how we develop ideally, the idea is to push back onto feet that are flat on the ground. However, Nia is a practice done in YOUR OWN BODY’S WAY so it is possible that both feet cannot be flat on the ground. So we take the stages in stages. What works for many is to have ONE foot flat on the ground while the other one has a heel up. Then we just alternate. This allows for each foot to engage in ankle flexibility.
The next stage in this stage is to raise the torso up, have the chest facing forward and not down . . . if you are doing the alternating of the feet. If both feet are flat on the earth the chest is probably already facing mostly forward because the buttocks are lowered and the legs are folded over so the chest is somewhat up against the thighs. In both positions lift the chest up further, sternum to the sky. When ready the arms also come up, reaching to the sky.
We stay in this stage as long as the present workout dictates. Could be just a second or two . . . could be a bar (of a song) . . . whatever is appropriate for the moment. Then we rise up – nose leading the way – onto our toes and into the fifth stage which is walking.
Squatting is important because of the benefits it provides. Being able to come up from a squat provides even more benefits. Like push-ups and/or planks, squats could easily be one of the “must haves” in ANY workout or exercise program. Nia understands the benefits. So when I said we didn’t do squats in Nia, I wasn’t talking about this type of squat or what Nia’s 5 stages calls standing.
What benefits can your body receive from Nia’s standing/squatting?
Posted in Nia | Tagged: advanced poses, Creeping, deep squat, Embryonic, exercise program, five stages of human development, full squat, Garland Pose, Malasana, movement practice, Nia, Nia Practice, Nia standing, Nia's 5 Stages, planks, push-ups, squat, squatting, the body's way, weight lifting competitions, weight training, workout, Yoga Pose, Yoga Practice | Leave a Comment »
Posted by terrepruitt on September 28, 2013
We dance Palm Directions all the time in my Nia classes. It is an easy thing to do. Palm Directions is a great move to incorporate into freedance. It is also often one of the moves choreographed into a Nia routine. Palm Directions is one of Nia’s 52 Move.
It might not be something you think about, but the direction the palm is facing affects the shoulder joint. When the palm is facing down (or towards the body) the shoulder joint is closed and when the palm is facing up (or away from the body) the shoulder joint is open. When your arm is straight that is when the shoulder joint gets the open and closed action. Along with the shoulder joint, the entire arm is affected. The arm bones are twisted with the movement of the palm.
It really is as simple as facing your palms in one direction then another. Unlike Webbed Spaces – another move in Nia’s 52 Moves (you can read about it by clicking here) – in Palm Directions the fingers are kept together. If practicing to affect the shoulder joint, lengthen the arm straight out in front of your body or straight down next to your body, then turn the palms up/face them out away from the body to open the shoulder, then turn the palms down/turn them towards your body to close the shoulder joint. You can observe the radius untwisting as it switches places with the ulna. You can sense the movement of your humerus, the upper arm bone.
In addition to opening the shoulder joint, the Nia Technique book reminds us that, “Palm Directions also express emotion. Palms up, for example, is a universal body language indicator of openness.” So it can open things other than the shoulder joint. Changing palm directions also moves the energy around. In Nia classes we move the arms all around the space around us, changing the palm directions, pushing and pulling and mixing up the energy. Also, while we are dancing and our arms are moving around us with the palms facing different directions we vary the speed of our movement. When Varying the speed that are arms are moving and our palms are changing direction allows us to play with agility – one of Nia’s five sensations (click here for more information on that).
This type of movement helps us connect with the space around us. Palm Directions, the Nia Move, also helps with keep the shoulder joint mobile.
This move is also a great move with which Nia participant’s can practice their own body’s way. The body was designed so the humerus rotates in the glenoid fossa or shoulder socket. But life sometimes affects the body so that it cannot move the way it was designed, so all of us have different levels of how much we can move the arm. So while playing with Palm Directions and dancing the arm around the space each individual can do it in their own body’s way. This will allow them to get the work that their body is capable of and needs.
Ready? Straighten your arms then change the direction of the palms. Are you able to sense your arm bones twisting/untwisting? Are you able to sense the action in the shoulder joints? What do you sense when you move your arms around while playing with Palm Directions?
Posted in 52 Moves (of Nia), Nia | Tagged: choreographed dance, freedance, mobility in the shoulder joint, moving energy, Nia, Nia book, Nia Classes, Nia Dance, Nia routines, Nia Technique, Nia's 52 Moves, Nia's Five Sensations, Palm Directions, shoulder joint, the body's way, The Nia Technique book, ulna, Webbed Spaces | 6 Comments »
Posted by terrepruitt on January 24, 2013
Regular reader? Familiar with Nia? Then you know that Nia has different levels and that they use belt colors to distinguish between. White, Blue, Brown, and Black. Each belt has thirteen principles (except Green Belt*). The trainings for the levels are called intensives and the intensives can be attended by people who just want a to explore self growth and/or learn how the body is connected to many things. If you are a new reader and/or not familiar with Nia . . . . there you have it. In November 2011 I took the Nia Blue Belt Training and I am using my blog to make notes on it. It is taking me some time to get through the principles, but I am jotting down my thoughts that come to me as I thumb through my notes. My intent is to continue to work and play with the 13 Nia Blue Belt Principles after my initial posts and come back to some of them and share some more. The principles can be deep because they are very rich. So like many things they have layers and the layers can be peeled back to expose more and more. This post is about Nia Blue Belt Principle #11, Music, Movement, Magic – Manifesting the Ultimmmate Nia Experience. Yes, ultimate is spelled with three m’s, representing music, movement, magic.
One of the ways we learn to bring this to class is to use objective and subjective descriptions. We can do this for many things. We can do this when stating the class focus and intent. We can do this when leading the class through a move. We can do this when talking about music. The following are examples:
Focus and Intent:
Objective – Today we are going to focus on the rhomboid muscles. These are muscles in your upper back that assist with shoulder blade movement. They pull your shoulders back and down.
Subjective – I like pay special attention to my rhomboids so I feel as if I am standing upright and not hunched over. I feel they need extra love. We can give them that during class with the intent to stand tall.
Move:
Objective – Pull your shoulder blades down.
Subjective – I feel as if my shoulder blades are in my back pockets!
Music:
Objective – This music was part of an Oscar Winning Score.
Subjective – This music makes me want to close my eyes and ride the peaceful notes to happy.
This objective and subjective way of looking at things is a key to Nia. It can be compared to THE Body’s Way and Your Body’s Way. There is a way the body was designed to move — objective. There is a way that YOUR body, and my body moves — subjective. There are specific ways to do the Nia 52 Moves — objective. There is a way that each individual Nia participant does the Nia 52 Moves — subjective. All of this helps to create the “magic” that is part of Nia.
The Music is the core. We dance to the music. The Movement is what we do. We move. We dance. We play. The Magic is what we bring, which with all of it put together there is resulting magic.
This is just a tiny portion of Nia Blue Belt Principle #11, just off the top of my head. There is much, much more to Music, Movement, Magic – Manifesting the Ultimmmate Nia Experience and I look forward to delving into it more.
Have you experience the Nia Music, Movement, and Magic yet for yourself?
*Green Belt is specifically for Nia teachers.
Posted in Blue Belt, Nia | Tagged: 13 Nia Blue Belt Principles, Black Belt, Green Belt, Magic, Nia, Nia 52 moves, Nia Blue Belt Principle #11, Nia class, Nia experience, Nia Intensives, Nia Music, Nia participant, Nia student, Oscar, rhomboid muscles, rhomboids, the body's way | 7 Comments »
Posted by terrepruitt on January 10, 2013
There are six stances in the 52 Moves of Nia. Closed Stance, Open Stance, “A” Stance, Riding (Sumo) Stance, Bow Stance, and the Cat Stance. Each stance has a sound associated with it for practice. There are benefits to doing each stance. All of them help with balance. With the cat stance the balance is on one foot. The cat stance is a stance in which you stand on one leg, using your whole foot. The leg you are standing on is not rigid, but the knee is soft, as if you were going to pounce. The spine is upright, hips are level, not pointing down nor up. The foot that is off the ground is pressing with the side against the standing leg, the foot relaxed, toes hanging towards the earth. Elbows are bent, relaxed. Either both elbows are at the sides or one slightly forward. The arms and hands are engaged. The cat stance is done on alternating legs. These are the specifics of Nia’s Cat Stance.
There are specific ways to do a stance, the body’s way. But your body’s way is also recognized. So different bodies will do it different ways. Some will do it their own way until the body can adjust to the specifics and some bodies will continue in their own way. For instance some bodies will use the power finger/balance finger hand technique to assist them in standing on one leg. In addition to each body having its own way to do each move sometimes the way the move is done in a routine alters the specifics. The specifics stated above are according to The Nia Technique book, however in the routine Birth, the cat stance in one of the katas consists of hooking the bent leg’s foot around the standing leg. In this particular dance, while we are in the cat stance with our foot hooked around the standing leg, our hands and arms are different from is described in the ideal cat stance stated above. One of our hands “hooks” around our face.
This is often the case. There is a specific way to do each of Nia’s 52 Moves, but each individual has their own body’s way that adjust the specifics AND the specifics are sometimes adjusted according to move in the routine. But it is important to know the specifics and the basics. It is also fun to practice the specifics and the basics.
The basics of the cat stance help with balancing on one leg. This can also be considered a strengthener, the standing leg’s muscles can be strengthened through the practice of supporting all of one’s weight. If this move is being done solely as a practice of the move, then agility can come into play. The practice of walking then stopping and moving quickly into cat stance would allow for the agility. Alternating with a light hop from whole-foot-cat-stance on one leg to the other is an exercise in agility. While this type of movement might also be something we do in a Nia routine it is not always the case. Sometimes we move into cat stance and from there do kicks.
As with all of Nia’s 52 Moves we play with them. All of Nia’s routines consist of playing with movement and music. With the cat stance you have the specific way to do it, then just like a cat you can play as you practice. You can “meow” and use claw hands. The cat stance is a fun way to play with balance and sounding. Practice the specifics then let the animal in you out!
Posted in 52 Moves (of Nia), Nia | Tagged: 52 Moves of Nia, A Stance, Balance Finger, Bow Stance, closed stance, hand technique, Nia katas, Nia Practice, Nia routine Birth, Nia routines, Nia's 52 Moves, Nia's Cat Stance, open stance, power finger, Riding Stance, standing on one leg, Sumo Stance, the body's way, the Cat Stance, The Nia Technique book | 2 Comments »
Posted by terrepruitt on November 15, 2012
I recently participated in the intensive that is the second level of training in the Nia practice. Nia trainings are called intensives which is a great thing because it gives you an idea of what the training will be like —– INTENSE! The second level is Blue Belt. Nia borrows from other practices and uses belts and colors to signify levels. The levels are White, Blue, Brown, and Black. There is a Green for teachers that can be taken at anytime after white. Part of the reason the trainings are intense is that they are over 50 hours of instruction. The instruction includes lectures, dancing, participatory exercises, and workout classes. Each level of the practice has its own focus, intent, and principles (except Green). The Blue Belt focus is Communication, Relationship, and Intimacy. While the concentration is on how these things relate to Nia it is probably easy to imagine how lessons involving these three things can be related to everyday life. Since the training CAN be related to life outside of teaching Nia there are many people who take the intensives with no intent of teaching. You might also be able to imagine how the focus can apply to many things in relation to Nia. One way is how a Nia teacher communicates with a class, the teacher’s relationship with the choreography, and intimacy to the music. This is just one little facet of the focus. I am sharing it to give you an idea of what the focus of “Communication, Relationship, and Intimacy” means.
The intent of the focus is to energize personal connection through self-discovery and communication by following The Body’s Way. Since Nia is a body based practice we do our learning through the body. As I mentioned in my I’m Blue, But No Tears Here post we were shown how to use the Nia 5 Stages or the Developmental Anatomy to answer questions about what stage we are in when learning something new. Very amazing. This is the part that I need to practice — really listening to my body and believing what it is telling me. The believing part will take examination time . . . I’ll have to really figure out why my body says I am in one stage where I might THINK I am in another. I might think I am in the beginning stage, embryonic, but my body might say I am in the crawling stage. For me this means I need to pay attention to the details of what I actually know and what I still need to learn. I could know 11 out of 15 things, but since the 15th thing seems to be so big to me, I might think I am just beginning whereas it turns out I know over 73%. All part of the communication, relationship, and intimacy!
Also this training has familiar things you might have heard of in other trainings, for instance: pay attention to what you sense, feel, think, and have within you then communicate accordingly. I know that this type of idea has been taught in corporate trainings as an effective way to communicate. A Nia related example would be: Knowing the choreography and really know how to do the 52 moves, then having an intimate relationship with the music which will allow you to clearly communicate to the Nia participants.
I can almost talk myself into circles because it is all relates so well and ties in together and just connects. The more I type the more things I think of so I really have to concentrate on just a tiny portion so my sharing does not get so confusing. I am trying to share to clarify. I want you to want more. I want to understand that in addition to a great workout, Nia has stellar training and continued education.
Can you see how Communication, Relationship, and Intimacy is important for a teacher?
Posted in Blue Belt, Nia | Tagged: Blue Belt Focus, communication, Developmental Anatomy, Green Belt, Intimacy, Nia 5 Stages, Nia choreography, Nia class, Nia Intensive, Nia Music, Nia Practice, Nia Teacher, Nia trainings, Nia workout, Relationship, the body's way | Leave a Comment »
Posted by terrepruitt on December 31, 2011
Not all of my posts on my list of Year End Review Of Terre’s 2011 Important Posts are Nia posts, but some of them are, Here are the remaining four of nine that I thought were important enough to re-share. This is the second half of my Year End Review Post. When I wrote it as one post, it just seemed too long so I split it up. Thanks for checking in. As with the first half, I am just going to give a little summary so you can have the main point right here and you don’t have to go to the original post. But if you WANT to go to the original post (and comment even) please do! I am listing these in order of when they were posted.
I think of this post Muscle Weighs More Than Fat as being something we all need to be reminded of. Muscle DOES NOT weigh more than fat. The saying that muscle weighs more is one of those things that a lot of us say, but it is not correct. A pound of muscle weighs as much as a pound of fat. A pound of anything cannot weigh more than a pound of something else. A pound of muscle will take up a lot less room than a pound of fat as you will see in the picture on this post if you click over. 😉
If you are interested in a dance class that is pretty, a class that produces a performance then Nia is probably not what you are looking for. Nia Might Not Be Pretty — To Some. Nia is about authentic movement. Nia is about moving the body the way it was designed to be moved. Not everyBODY can move the way it was designed. There might be injuries, defects, tightness, or just plain ol’ non-use involved so it might not be pretty as we learn to move. But it is beautiful. This post reminds you that it is what it is and what it is not is a performance. A Nia class is freedom of movement, something to be enjoyed from the angle of the participant and not someone watching.
I have a post about listening with love, but the title is Let Love Be Your Ears. Ya know sometimes titles need to intrigue a potential reader, I was hoping that is what this title was. But the post is about listening with love. We all have heard and some of us might try to live by the old “if you don’t have anything nice to say, don’t say anything at all.” But LISTENING with love is different. Not that common of a “golden rule”. We are not always taught we need to love ourselves, so we might not listen as if people are talking to us with love and not accusations and criticisms. This might be something we have to practice. Also listening with love can include giving the person talking a lot of “benefit of the doubt”. Trying to see where they might be coming from.
Another post is about dance being exercise. It is a reminder that you can have fun and get exercise at the same time. Nia is just that!
So that is the last four on my list of posts I think really could use repeating. I know I picked a few because I need to work on some of them/it myself. I hope that you enjoyed either the summary or the posts themselves. I thank you very much for taking the time to read this. If you have been reading my blog and you recognize some of these I thank you. I really appreciate you taking the time to read. If you take the time to read and comment, I am really grateful and I very much appreciate it.
And, of course, I wish you a very happy and safe New Year’s Eve. I wish you many, many, many opportunities to embrace happiness and experience joy in 2012. Happy New Year.
Posted in Exercise and Working Out, Misc, Muscles, Nia | Tagged: 2012, 30 minute meals, dance exercise, fat is light, Happy New Year, listen with love, muscle is heavy, New Year's Eve, Nia, Nia balance, Nia class, Nia exercise, Nia freedom, Nia is for everybody, Nia Movement, Nia participant, Nia posts, Nia Practice, posts about Nia, ten minute exercise, the body's way, Year End Review | 2 Comments »
Posted by terrepruitt on December 29, 2011
Many bloggers are posting end of the year posts. Some posts are the best, some posts are their favorites, everyone has a different take on it. Some are a review of the year, either in posts or pictures. I thought about doing a post about my favorites, but I was afraid they would all be my Nia posts. As I was going through my posts from the last year I came up with an eclectic bunch . . . . just like my post. I can’t say they are my favorites, but I can say they are ones that I want to point out again. I actually found twenty-three posts that I wanted to re-share. TWENTY-THREE! But that is way too many to summarize and share. I narrowed it down to nine. These nine are ones I think are the most important of the ones I’ve posted this past year. I still think nine is a lot so I am going to do this year in review in two parts. I am just going to give a little summary so you can have the main point right here and you don’t have to go to the original post. But if you WANT to go to the original post (and comment even) please do! I am listing these in order of when they were posted.
One of the most important things I have posted about is Balance. The post is called Nia Balance and I was sharing about how balance was challenging because of my injured toe, but the main point of the post is that balance is really important and that our Nia routines are full of opportunities in which we can practice our balance. Since balance is so important you can practice it throughout your day without really changing the way you do things too much. Balance is so important, especially as we age.
It’s Out There is my post about how great Nia is! Ha, ha! Well it is a little bit about Nia, but a lot about the fact that there are many, many, many other movement forms out there. There are so many different forms of movements that there really has to be something for everyone. Nia is for everyBODY as it was created to move the body in the body’s way, but it is not for everyone. There is something out there for everyone! If you look you can find a class for you!
I posted about Feeling Vs. Sensing. Feeling is emotion. Feelings are how you FEEL. Sensing is what your body does. You FEEL happy. Your body senses heat. You FEEL sad. Your body senses cold. Knowing the difference can help you give your body and/or your emotional self, your spirit the workout it needs.
I made up a list of ten exercises that can be done in ten minutes. There is actually a lot of different ways you can do the list of ten exercises, but the idea was to get a full body workout in ten minutes. The hope was that the ten in ten would be an inspiration and a catalyst for actually doing more.
This past week I had company and they were here through the dinner hour. I didn’t know that they would be here that long so I didn’t have anything planned for dinner that would feed all four of us, but I still wanted to feed my husband when they left. So about the time they were talking about leaving I went into the kitchen. I was in the kitchen all of seven minutes. I washed the rice, turned on the rice maker, chopped the end off the asparagus, rinsed them, put them in a pan then put them in the oven, and dumped the marinated chicken in a pan and put it in the oven. I then set the timer for 20 minutes at which time dinner would be ready. I achieved a 30 minutes meal. All because when I froze the chicken I made a sauce for it at the same time. So when I took it out to defrost it was already marinating or doing so as it defrosted. So it really took seven minutes for me to make dinner. My friends didn’t even miss me because I was only gone seven minutes. This post is about Shopping Step to help Dinner Prep. After shopping before you freeze the meat make your marinade right inside the bag. It has really helped me get dinner ready much faster! Love it!
So this is five on my list out of nine post I think really could use repeating. I hope you check back Saturday to see the rest of the list. I thank you very much for taking the time to read this. If all of these or some of these are “repeats” to you, then I really thank you. Thank you so much for being here. I really appreciate you reading and if you are a commenter . . . I appreciate you even more!!! See you back here on Saturday for the rest of the review of my Year End Review!
Posted in Food, Misc, Nia | Tagged: 30 minute meals, dance exercise, fat is light, listen with love, muscle is heavy, Nia, Nia balance, Nia class, Nia exercise, Nia freedom, Nia is for everybody, Nia Movement, Nia participant, Nia posts, Nia Practice, posts about Nia, ten minute exercise, the body's way, Year End Review | 4 Comments »
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