Posts Tagged ‘dance class’
Posted by terrepruitt on December 27, 2011
In Nia there are 13 White Belt Principles. The principles provide a foundation, something we can learn, practice, explore, and build on. One Nia White Belt Principle, Principle number 7 has two parts. The second part of the principle is levels of teaching. I wrote about this when I was sharing about each Nia White Belt Principle. The three levels of teaching come up again as the eighth stage in Nia FreeDance. The eighth stage is Nia Class – Levels 1, 2, 3.
The eight stages of FreeDance are:
1-FreeDance
2-Being Seduced by the Music
3-Feelings and Emotions
4-The Creative Source
5-Authentic Movement
6-Witness
7-Choreography
8-Nia Class – Levels 1, 2, 3
In addition to learning, practicing, exploring and building on the 13 White Belt Principles, Nia teachers are taught to use the eight stages of FreeDance to learn our routines and also to expand our Nia Practice and to have fun with Nia. FreeDancing to the music is often a step I skip. So is might go without saying that dancing the first six stages of FreeDance is something I often don’t do when I learn a routine. I am going to work on using this tool, FreeDance and its stages, to learn my routines going forward. I am also going to use this tool when I go back and practice and delve deeper into the routines I already teach.
In regards to Stage 8 – Nia Class – Levels 1, 2, 3, this is something that Nia teachers need to be able to share in a class. As I stated in my post about the second half of the 7th Nia White Belt Principle, everyone’s levels might be different, but the point is that I need to be able to show you different levels. The move itself does not change, it just might be done bigger or covering more floor. If the move is a cha-cha step, then my level 1 is a cha-cha, as well as my level 2, to make it more challenging in level 3 I don’t change it to a jazz square, I just make it bigger. Or I might even show the example of it being more bouncy. There are different ways to change the level and we all have different levels so we have different needs when it comes to changing the level.
Level 1, 2, and 3 does not necessarily mean “planes” as in low, middle, high, it means level of intensity. Now how “intensity” is interpreted DOES depend on the move. As I just mentioned it could mean bigger or more bouncy. It all depends on the move itself, but either way the spirit and the energy remains the same.
I do find that sometimes I don’t have enough time to show all three levels for all of the moves. Sometimes I just stick to level one if it appears that the move is challenging to most students. Then I might briefly demonstrate level two, but go quickly back to level one because I can sense I am going to be leaving most of the class behind. In that case, what happens is if there is a student that is ready for level three they get their on their own. It is fabulous.
I do think that it is really good for me to continue to remind my students that EVERYBODY has a different level 1, which automatically means that their level 2 is different, which dominoes into the level 3 being different. When playing with dancing freely to music it is fun as a student and a dancer to experiment with different levels of intensity of a move. Sometimes the music dictates the intensity as the music itself might change intensity. Sometimes it is just amusing to change it up to challenge the body, brain, and spirit. So, even as a student of Nia or dancer that dances because you love to move you too can also experience different levels of dancing free. This is a brief look into Nia’s FreeDance and Stage 8 Nia Class – Levels 1, 2, 3.
Ready to turn on some music and dance?
Posted in FreeDance, Nia | Tagged: 13 White Belt Principles, Authentic Movement, dance class, freedance, levels of intensity, Nia, Nia class, Nia Dance, Nia routine, Nia student, Nia Teacher, Nia White Belt Principle #7 | 4 Comments »
Posted by terrepruitt on July 9, 2011
It is difficult for me to do Nia at home. In Nia we actually move our head. “Huh?” You say. Well next time you are in a cardio workout out class or an exercise class you might notice that you don’t often (or at all) move your head around purposefully. In Nia we look up, we look around, we look down, we out. We could just be moving our head to sense the sensation of it, or we could be doing it to allow action to follow intention or . . . well, whatever idea we are using at the moment to move our head, we move our head. ALL AROUND. Which, makes it difficult for me to workout at home. When I look up I see spider webs. When I look around I see dust. When I look down I see Spot. When I look out I see squirrels.
We have cathedral ceilings, so there is never a time when we don’t have spider webs or something way up there. When I see it I start thinking, “I need to get the duster and the ladder and get that.” Then there is the dust. The dust never seems to NOT be there even right as I am dusting. Then there is the cat. She either wants to go out, or be pet, or she just chooses to lay right in the middle of my workout floor. And I have learned that I absolutely have to keep my curtains closed. I don’t care what the weather is, I don’t care what the temperature is, I have to keep my curtains closed because I get REALLY distracted when I don’t. Here are two examples of what I see.
First he comes to the door. Tentative. Then he will stand that like that for a long time. I have tried to just keep on going and just let him watch me dance, but after a while I feel bad. He will just stand there with his paws at his chest and look at me. He has stood like that for at least an entire song. I always end up stopping and giving him or, more accurately, them nuts. When one gets peanuts the others come along.
Then this is what they do. This was taken on a very hot day. The mat was in the shade and had been for a while so he just plopped down. I think he was enjoying the shade. A little snack in the shade. He just looked at me while he ate his snack.
They have come up to the doors and windows and put both paws on the glass and looked inside. I imagine I hear, “Hey, you in there! Where are the peanuts?” It is rather funny. I am not certain, but I think it is one in particular that does that. My hubby named him Brutus. When he comes up to the door, he will stay there and take a peanut from me. Sometimes he barely lets me put the peanut out the door.
Yes, one of the things we do in Nia is to not think about things like spider webs, dust, the grocery list, the things we need to do after class and when I am outside of my home I can do that much better. In my house I get distracted. There are so many distractions. So one way I eliminate at least one is I keep the curtains shut. On the days that I took these pictures I had obviously not done so.
Posted in Just stuff, Nia | Tagged: cardio dance, cardio workout, dance class, entertaining squirrels, exercise class, exercise distractions, Nia, Nia at home, Nia class, Nia Dance, Nia exercises, Nia workout, peanuts, squirrel pictures, squirrels, workout class | 5 Comments »
Posted by terrepruitt on January 22, 2011
So, I have been teaching my Nia classes with my injured toe. I love it! It is such an awesome lesson, an amazing reminder. I have very good balance. I have such good balance I am always shocked that there are times when I get off balance. At those times — when I am standing on a BOSU using dumbbells, or doing squats — I am reminded that there is always room for improvement. Because I DO understand there is always room for improvement I always try to work on my balance. Nia is so, so, so, so good for balance. With the challenge of my injured toe I am reminded what a great job Nia does in allowing for balance practice.
While walking around the room if you engage your arms in a constant dance of movement you can sense how your full foot is used. Lower leg muscles can be sensed. Walking on the balls of your feet, moving fast then slow, moving your arms requires you to engage your core. All of the movements in Nia help to increase your balance and also require you to use so much of your body that we don’t always exercise throughout our day. All the movements also serve to remind you that your entire body is connected. Such as I mentioned before – walking and moving your arms you can sense your entire foot working to balance your body.
It is amazing to add the extra challenge of balance by moving your arms or moving fast then slow, or walking on a different part of the foot, or standing taller or moving lower. I am thinking that I have said this or something similar in previous posts, but since I am being challenged with my balance lately it is coming up again. I am using my whole left foot, but only the inside of my right foot. With this unstable base every action of my arms requires a great test of balance. It is a great reminder to me. Nia is a great way to practice balance and since it is a dance and we are moving so much, it never feels like work.
Even though I would love for you to join me in one of my Nia classes, I know that is it not possible for some. But it is possible for you to work on your own balance while going about your day. Easy things you can do; stand on one foot while cooking/taking a shower/vacuuming/whatever, move your arms about while you walk around, walk on the balls of your feet, hop on one leg, what else? What can you come up with to help practice your balance?
Posted in Nia | Tagged: balance practice, dance class, dumbbells, exercise class, Nia, Nia balance, Nia Classes, Nia Dance, Nia exercise, Nia Lesson, Nia Movement, Nia Practice, squats for balance | 6 Comments »
Posted by terrepruitt on January 11, 2011
As I was putting Christmas Ornaments away (yes, I am still putting “Christmas” away) I was reminded of Nia. My thoughts then morphed to working out and exercise. Ya see, I was trying to put an ornament in its box. I have trouble with this ornament every year. Do you have any of those ornaments where you store them in the box they came in? I have a lot of those ornaments and every year there are some that give me trouble. I try putting it in this way, then I have to take it out and turn it, then try again, and try again, and after a few tries finally get it in the right way with a resulting “Ahhh . . . . . .”
That is what made me think of Nia. Nia is made for everyBODY. The exercises we perform, the movements we do, the entire workout is designed around the design of the body. Often times people are not accustomed to moving their body in the way it was designed. Some people don’t turn their heads which can loosen the spine and muscles in the back or gyrate their hips which can loosen the hips and possible allow you to stand up taller. It might not be for everyONE, because in Nia participants are not told exactly how to move. It IS one of those things that you have to ACTUALLY try. It also helps to try it more than once. Try going to classes when they have different routines. Try it with different teachers. Try treating it differently; treat it as a cardio workout, treat it like an exercise, or treat it like a dance. Try all different ways. If you don’t love it instantly, then don’t give up, try again. You could find that when you keep trying and do it a different way you’ll be saying, “Ahhhh . . . ”
If not, Nia, there are so many other things that you can try. Find something you like. Keep trying. Don’t give up and think you don’t like exercise or working out because it comes in so many different forms, I am sure you can find something you would like. You can always contact me and we can talk about it.
Posted in Nia | Tagged: cardio dance class, cardio exercise, cardio workout, Christmas Ornaments, dance class, exercise, exercise class, Nia, Nia class, Nia Dance, Nia dance class, Nia exercise, Nia Moves, Nia particpants, Nia teachers, Nia workout, Working Out, workout class | 8 Comments »
Posted by terrepruitt on January 8, 2011
On Wednesday after my Nia Class in San Jose I was talking to one of my students. Some how we ended up on a subject that had her telling me about a friend of hers who is blind but has no issue navigating the step that is not too far from her front entry way inside her home. She was explaining that people have no problem with it on the way in, but on the way out they forget about it and usually stumble on it when leaving the house. This led to many other tangents in our conversation but one thing it had me thinking about was sight/seeing and our focus.
I was thinking that the sighted people were focusing on the door on the way out of the house. For me, I imagined myself leaving her house, part of my focus on her and saying our goodbyes, then another part on the door—–but with the door a multitude of other things would come into my mind and into my focus. I would see the door and begin to think about my car, which would make me think about my drive, which would lead me to think about what I need to do on the way home, which (depending upon the hour of the day) might have me thinking about what to cook for dinner and if I needed to stop at the store on the way home—-all of which would make me trip. I would not be focused at all on my feet and on the step and I am sure that I would stumble into the door.
With that in mind I had a focus and an intent for my next Nia class which was the one in Los Gatos. The focus was Awareness, the intent was to connect to one’s body. While I have used awareness as a focus before, and I have probably even used the same intent before, and I have even invited the participants to close their eyes, this time I did it more frequently. With this routine there is a song where we are completely stationary so closing one’s eyes to allow for complete focus on one’s body is perfect. There is also a song where we turn and face different walls (in line dancing it would be called a four-wall dance). When we turn it often takes me and other people out of the line of sight which can often lead to one “having” to be aware of one’s own body.
To me one of the fundamentals of Nia is being in one’s body and dancing in your own body’s way, but I think that we often get distracted by the things we see. I know that while I teach sometimes I will get distracted because I see my hair sticking up or I see something else I should not be concentrating on. So I think that having Awareness, with the intent of connecting to the body and adding “eyes closed” to be a great tool. We did not dance the entire routine with our eyes closed, just when it was safe to do so, when our movements were not far from our spot and there was no chance of bumping into someone. Also, it was just an invitation to assist with the focus and intent it is not something that was required.
As the teacher I do not close my eyes as much as I would if I were the student because I am teaching and making certain that all is well in the class, but I know that the few times I did I was able to really embrace the focus and the intent.
What do you think? Do you think that if you close your eyes you can focus more on your body?
Posted in Nia | Tagged: body's way, dance class, focus and intent, four wall dance, fundamentals of Nia, line dancing, Los Gatos Nia, Nia, Nia class, Nia dancing, Nia fundamentals, Nia Los Gatos, Nia participant, Nia San Jose, Nia student, San Jose line dancing, San Jose Nia | 6 Comments »
Posted by terrepruitt on January 4, 2011
When I first started teaching my Nia classes I was doing it three times a week, Mondays, Wednesdays, and Fridays at the studio in Willow Glen. Not every class had many students. I remember talking to different people about the low numbers. Some of them suggested not having that many classes in a week, not having that many dance lessons a week. Understandable. Most people didn’t know what Nia was. Since it is dance many people thought of it as a dance that you learn. But Nia is not like Salsa or Tango where you are shown steps, then asked to mimic them, then instructed to practice, then allowed to practice to music. Nia is not a dance lesson type of dance.
Even though Nia incorporates nine different movement forms, Nia is more comparable to Zumba or Jazzercise where the music is playing and the participants follow the lead of the teacher. No experience in or with any of the movement forms is required. Nia is a cardio dance workout, it is exercise so it is GREAT to do it three times a week. It is recommended to participate in a form of cardio exercise at least three times a week to maintain heart health. Depending upon your individual needs and goals cardio more often might even be in order. So Nia three times a week is great.
When I had the opportunity to hold a third class in a week that is exactly what many of my Monday and Wednesday students said, “Nia three times a week is great!” Now I have a third Nia class on Fridays in Los Gatos. (I know I have said that before, but I am excited. Plus I need to get the word out!)
Another point about Salsa and Tango is a partner is needed. Nia does not require a partner so it is often easier to actually do it three times a week since you are not trying to coordinate with another person to meet and dance three times a week.
Participating in Nia with any regularity participants will learn, but it might not be dance steps. There are many things to learn when participating in Nia, but it is not taught as steps and or patterns are taught in a dance lesson. Instead of Nia being a dance lesson, you will learn lessons as you dance Nia. 🙂
Posted in Nia | Tagged: cardio dance, cardio dance workout, cardio exercise, cardio workout, dance class, dance class Willow Glen, Exercise classes in Willow Glen, heart health, Jazzercise, Nia, Nia class, Nia Music, Nia participants, Nia Practice, Nia students, Nia studio, Nia Teacher, Nia three times a week, Nia Willow Glen, Salsa, Salsa partner, Tango, Tango partner, Willow Glen Jazzercise, Willow Glen Nia, Willow Glen Salsa, Willow Glen Tango, Willow Glen Zumba, Workout in Willow Glen, Zumba | 2 Comments »
Posted by terrepruitt on November 16, 2010
Nia is a non-impact aerobic exercise. I often get a quizzical look when I explain that to people. It is done to music so maybe that might make it a challenge for people to understand. It’s almost as if it is difficult to imagine a dance exercise class that is non-impact. Or maybe it is the idea that we have been programmed with–you have to jump to get a good cardio workout. But that’s when I need to remind them about:
—bicycling
—walking up hill
—elipical
—roller skating
—ice skating
—cross country skiing
—swimming
—rowing machine
—punching bag
All of these things can get your heart rate going without impact on the body. It is a matter of intensity. That’s what non-impact cardio is; getting your heart rate up with the level of intensity. With the aforementioned exercises eight of them involve your legs, four of them involve your arms AND legs. One of them doesn’t involve legs at all. intensity–enough to bring the heart rate up–can be done by moving your arms only. So, this is just a reminder, using exercises that most of us are familiar with, that you CAN have a cardio workout without the impact. So if you have knees that prefer not to jump, tender feet, or delicate ankles you can still find something to do that is a cardiovascular workout.
Posted in Exercise and Working Out | Tagged: aerobic exercise, aerobics class, bicycling, cardio workout, dance class, exercise class, Nia, Nia class, Nia dance class, Nia exercise, Nia exercise class, Non-Impact Aerobics, swimming | 3 Comments »
Posted by terrepruitt on November 11, 2010
Recently in my San Jose Nia Class we used elbows as our focus for the class. The intent was to sense the connection that our elbows have to our entire body. As we moved we connected them to our hips, our ribs, our thighs, our knees, even our toes. An easy and almost automatic connection is elbows to shoulders. Well, for me, this focus allowed me to move my joints to a state of complete and utter looseness. I felt very loose and relaxed all day long.
That same evening I went to an Ecstatic Dance class and I almost felt as if I could bend like a contortionists. Notice I said ALMOST. In reality I could not bend like that, but I was sensing a greater flexing in my joints than normal. Since I was actually aware of this and sensing it I decided to move with caution. When I get the opportunity to just Free Dance with others that are doing their own thing I really end up moving. I work up a sweat and get a really great workout. But this time since I felt my joints might be able to bend more than normal I kept reining myself in. I didn’t want to end up injuring myself.
I thought of my former dance teacher who used to do very deep stretches with her legs. Since she COULD stretch so deep she would do it all the time thinking she was doing her body good. But it turned out that all of that stretching ended up putting too much strain on her ligaments. She ended up having to have several surgeries on her knee. She was double jointed or had knee joints that hyperextended. If you are double jointed it is good to use caution when moving because just because you CAN move like that doesn’t mean it is good for you to do so repeatedly. The focus of this post is more about loose joints and not double-jointedness.
It is very important to stretch and be flexible, but there sometimes is a point when we are too loose or more accurately too loose to just let loose. We need to know when to rein it in and take it easy. Listening to our body and using body knowledge and awareness we can help from allowing ourselves to get injured. If you normally cannot do a particular move but today you sense that you can, stop and think can you really? Is your body ready? If you are sure then by all means do it because doing what we couldn’t do before but can do now, is how we grow and progress. But if you are not sure then maybe you want to wait until you are certain because you don’t want to end up having to start all over if you injure yourself. If your joints are not used to a deep stretches then work slowly into it. If you have done a juicy yoga class or Nia has all your joints open and saying “Ahhh!” but your joints are not always that loose – proceed with care doing any additional exercise. Be sure to enjoy the sensation of happy joints.
Have you ever sensed the sensation of loose joints?
Posted in Helpful Hints | Tagged: dance class, Dance Workout, dance workout class, Ecstatic Dance, flexible joints, focus and intent, joints, Nia class, Nia class focus, Nia class intent, San Joe workout, San Jose Nia class, San Jose Workout class, San Jose Yoga, San Jose yoga class, workout class, Yoga | 4 Comments »
Posted by terrepruitt on September 4, 2010
Nia, at one point, was called NIA or Neuromuscular Integrative Action. Neuromuscular pertains to both nerves and muscles. Our movements involve both muscles and nerves. In a Nia cardio class, we stimulate and activate both during the workout. While leading a group of elder adults in a mobility-enhancement exercise (in a job unrelated to Nia) an observer commented, “It is like kindergarten.” My response was, “Yes, and isn’t it fun?” As I continued to watch these 90+ year olds toss around the ball, she said, “Yeeaaaahhhh!”
Adults just lose it. The stigma that comes with adults playing just to play is too great. Yes, there are competitive teams that adults can join, and those that do are exercising their inner child and having fun, but what about playing just to play.
If a suited adult were to skip down the cubbed corridor they probably would be put on leave of absence. If an adult were to be alone, without children, and were to walk down the street balancing on the curb, they would receive stares from others. Breaking out in song is only acceptable for children and actors in musicals. As adults society does not generally allow us to let out our inner child in everyday life without thinking we are a little off balance.
That is where Nia comes in. In a Nia class we get to play. Also our dance is something that allows you to release that inner child. Nia invites and encourages you to skip, jump, run, walk, shout out, crawl, and move as you did when you were a child. In a non-judgmental freely accepting atmosphere we get to play.
Does that sound like something you could enjoy? Doesn’t it sound like something your body longs to participate in again? Come to a Nia class and find out.
Posted in Nia | Tagged: dance class, inner child, Muscles, nerves, Neuromuscular, Neuromuscular Integrative Action, Nia, Nia cardio class, Nia class, Nia Dance, Nia play, Nia workout | 4 Comments »
Posted by terrepruitt on June 26, 2010
Using the whole foot is another one of Nia’s 52 Moves. The whole foot is used for secure stability. It is a powerful base.
Moving on the whole foot or just standing on the whole foot–either on both feet or just one foot allows for the bones in the feet to act as support for the entire body. Stepping or standing on the whole foot can bring rest to either the heel or the ball of the foot. The whole foot stance or movement calls different muscles in the foot and the leg into play. If you are accustomed to standing and/or walking on the balls of your feet, this technique might be a challenge to your leg muscles.
Stepping onto the whole foot encourages a gentle flex in the knee so as to help absorb any shock that might be felt as the whole foot touches the ground.
There are times in a Nia class when we actually dance on the whole foot—you might recognize the whole foot dancing as what Carlos (Rosas now known as AyaRosas) called micro dancing. We use the whole foot to gently slap the earth. Moving around the space. We might stomp, bringing the foot to rest gently on the ground.
The whole foot is the middle of a stride in the heel lead walk. We sometimes will step onto the whole foot instead of the heel or the ball, this as I mentioned, can be a restful for the heel or ball if you normally step on it either. The whole foot can be used in all of the stances.
While you move through your day, be aware of your feet. Notice when you are on your whole foot. Take a moment to shift your weight from foot to foot. Sense the stability and power in your base, in your whole foot.
Posted in 52 Moves (of Nia), Nia | Tagged: Carlos AyaRosas, Carlos Rosas, dance class, Heel lead, micro dancing, Nia, Nia class, Nia Dance, Nia movements, whole foot | 3 Comments »
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