When things that don’t actually get done are charged for, I don’t have a problem with making them do things correct… twitter.com/i/web/status/1…1 day ago
Everyone is so different. We all have different ways of doing a lot of things. Sometimes we can see things the same way in order to function. We can get along or just go along with ideas and customs to just have peace. Or we can do it for a loved one. But it seems like when it comes to death and our beliefs around it there is sometimes a huge separation. You can be going along in life completely meshing up with everyone around you and then someone dies and BAM! You suddenly don’t agree on anything. The way we all handle death is so different. I understand the five stages of grief*, “popularly known by the acronym DABDA”, (although, I have never heard it called that). I am not saying that I understand each stage in the sense that I have experienced them, I am saying I understand that someone has identified these as stages people grieving might go through. But what people do during these stages and after is still very individualized. Everyone deals with grief differently, I understand that, although I do not agree with how everyone deals with it as you might have guessed if you read Grief Is a Very Personal Thing, where I say people grieve differently and as long as they aren’t mean or causing harm I don’t like to label their behavior unacceptable. This post is not so much about behavior, I don’t think. I know that many people want their loved ones near or they want to be able to visit their loved ones, but I am not one of those people. I think of my loved ones as being gone . . . so having their remains near by is just odd to me.
Today I was trying to concentrate on learning a Nia routine and it is one that has the Nia participant turning to face all four walls. So that means I turn to each four walls in the room. I found myself facing the ashes of loved ones at two of the walls. The first and second wall, so by the time I got to the third and fourth wall I was lost in other thoughts. I had been avoiding the room upon my travels through the house. Normally I walk into this room to get to the back rooms because it is the softer path, but I had been avoiding it. But this is the best, the largest room to practice in so I was doing my Nia practice in it. But it just happens to have three of my relatives in it. I don’t care for that.
As I type all three of them are at my back. I bet I would not be as conscious of it had I not seen a post on Facebook from a friend who is pretty confident she did not receive the correct ashes of her pet. She posted a picture of the paw print of what she received compared to the pet she had. She has similarly sized pets still so she compared paws. The mold she received was at LEAST four times larger. And she went onto say that she has about three cups of ash. She said she thought her pet would be about one. AHHHHHHHHHHHHHHHHH!
It got me thinking. AHHHHHHHHHHHHHHHHHHH! How many cups of people are in this house. WHAT???????????? Sigh. Breathe. Breathe. Breathe. Breathe.
Whew. People are so different. Many people have loved one’s ashes. In fact, they sell beautiful urns to contain these ashes. We’ve (probably) all seen those horrendous comedy TV shows where someone has accidentally spilled the ashes all over. Breathe.
I just don’t know what to think about that. I am working on letting people do what they need to do. But, I personally don’t need to do it. I think that tomorrow I will workout in another room — and probably from here on out. I — don’t care to have THAT kind of reminder of my loved ones around. To each their own. And let everyone be . . .
Donna, thanks for always making me laugh, even if it is particularly in horror.
Thoughts? What are your thoughts about this? Are you an ashes and urn type of person? Please feel free to share your feelings. I’ve shared mine.
*The five stages of grief (according to Wiki):
Denial — As the reality of loss is hard to face, one of the first reactions to follow the loss is Denial.
Anger — “Why me? It’s not fair!”; “How can this happen to me?”; ‘”Who is to blame?”; “Why would God let this happen?”
Bargaining — “I’ll do anything for a few more years.”; “I will give my life savings if…”
Depression — “I’m so sad, why bother with anything?”; “I’m going to die soon so what’s the point?”; “I miss my loved one, why go on?”
Acceptance — “It’s going to be okay.”; “I can’t fight it, I may as well prepare for it.”
You might have read my post about Sounding in Nia. That is what we call it when we make noise in a Nia class — sounding. You might have read my post about Reasons for Sounding in a Nia Class. Even if you did not read that post, I bet you are aware of some of the reasons to make noise in an exercise class. One of the biggest ones is to ensure breathing. If you are making noise you are breathing. Knowing the students are breathing is a HUGE relief to an instructor. Some of the other reasons sounding is good are it can help stabilize your core, it can act as an emotional, spiritual, or physical release, and it can be really fun. Sounding can be noises/words such as HA, HI, HEE, HOO, WAH, WAHOO, etc. Sounding can also be singing. With “Nia Music” sometimes singing is just sounds.
I always invite the Nia participants to sing. Often times I tell them it is really easy because there are no words. I have often wondered how the singer sings. I have often pondered how it is done. Then Nia put out this video*. It is an interview with Carl Tietze whose song Am I The One, is on the Sanjana Album. Sanjana is the first Nia routine I learned. In the interview Carl talks about how he invited a vocalist, Jen Folkner, to listen to the song. He said he put the headphones on her and most of what we hear on the song is from her first time hearing the music.
She is sounding. Granted, she is doing is beautifully. I don’t want to put the pressure on and say this is what we do or need to do in a Nia class. No, not at all. I am just saying that it is fine to MAKE NOISE. I did laugh when I heard this interview because I kind of imagined that songs that have no real words but are just a singer making noise was done like this. I imagined the musicians just saying, “Go!” and the singer just letting her/his voice come out.
I was recently very amazed and in awe of a woman who had never been to a Nia class before – in fact, before class she asked me what it was. So she didn’t even know what type of exercise/workout it was. And yet, while she was moving to moves she had never done, she was singing. The song was one of those songs without words, but she was just making noise in a “singing voice”. It was great! I was very impressed.
Making sounds or singing in a group workout class is not something that comes easy to everyone. Sounding while learning moves doesn’t come easy to people who normally make noise, so it was especially fun to have her in class. Plus she had that much more fun and received the benefits of sounding.
I hope this interview helps give you a glimpse into making sounds. I hope you are able to experience the benefits of making noise while do your cardio dance. You know it is fun.
Do you sing while you dance in your fitness dance class? Don’t you love the way singing and dancing makes you feel?
*Click here to go to Nia’s website to sign up for the monthly newsletter!
Nia is a cardio dance exercise that I teach. It is more than that, but that is one way to describe it. One of the ways it is more than that, is, it is a practice. If you chose to treat it like a practice, as one might treat yoga as a practice, one would become aware of Nia’s 52 Moves. There are 52 moves that get choreographed into the Nia Routines. One of the moves is Traveling in Directions. This is a great move for many reasons.
One reason Traveling in Directions is great is because it is very easy. Another reason it is great is because it is very adaptable and can be used in almost every song and in every routine. The main way to travel in a direction is to simply walk. Using the Heel Lead technique just walk forward, then change the direction you are walking, then change the direction, etc. With the simplest of forms you look where you want to go before you move in that direction. So before your feet actually start going a different direction — LOOK. There is a little bit of thinking involved because we look before we go. Allow your arms to move freely. Step confidently in whichever direction you choose to look. Move your body as a whole.
The Nia Technique book states: “Practicing Traveling in Directions keeps your body agile for moving through space in all directions, able to change direction with ease.”
When we use this move in our routines we have a lot of fun playing with it. The move really is as easy as stated, the fun comes when changing directions quickly. You can be the leader of your own movement or sometimes you are being directed by the teacher. This makes agility one of the Nia sensations we practice with this move. Moving one way then quickly stopping and going another way. Stopping, changing, starting. Varying the speed at times will allow for additional Nia sensations such as strength and stability to come into play.
When Traveling in Directions on your own you become aware of the direction you want to go, then you look, then you go. As I said, there are times when you might be listening to the direction of the teacher, which would still mean you would need to become aware of the direction you want to go, but when being told where to go your body’s reaction is quicker. There is a quick look then a move in that direction. Less thought is involved for you as the participant because someone else thought of the direction you were going to go.
Often when this move is done in a class, quick thinking, quick moving, and quick reacting are additional skills that receive attention because we are dancing with others on the floor so we might have to switch our trajectory quickly to avoid a dance floor collision.
Modifications of the traveling can be done by going backwards or sinking low or even rising high. So many ways to travel in directions. All of them are great opportunities to try out the Nia Sensations, the more you do, the more ways you move your body. If you want you can even skip. Skipping in different directions adds a new dimension to the move.
Sometimes this move is choreographed into the Nia routine with specifics and sometimes is allowed more of a Free Dance. However it is added to the Nia workout it is a wonderful way to dance.
How would you Traveling in Directions to your current favorite song?
Ooooo! Only TWO months left to fill up the Goodie Jar. It is never to late to note the good things so if you haven’t started yet, why not start NOW!?!?! I have a few good things to put into my jar today.
I had a fabulous conversation with a potential Nia student. I talk to a lot of potential participants, some actually do end up attending one of my Nia classes and some do not, but I have always had wonderful conversations. While I would love to have everyone I talk to come to one of my Nia classes and I would love to meet them, I still feel fortunate to have been able to talk to them on the phone. I love sharing about Nia and listening to their stories. So many are inspirational.
Also, I received a wonderful e-mail. The subject alone made me so happy. (“Nia rocks my world!”) How could it not? The rest of the e-mail made my face hurt (from SMILING)!!!!!!! I loved it so much, I printed it out and it is going in the goodie jar!
And, as some of you may know, our cat has Inflammatory Bowel Disease (IBD) which is a chronic condition. Basically it means that the intestines are not working properly so the body does not absorb the required nutrients. When the body does not absorb what it needs it does not function the way it should. And when the intestines are not healthy there are other issues. So it is a matter of controlling symptoms and getting the body to a comfortable and a close-to-normal state as possible. It has been about three months since we started treating this and today is a good day. I think – as with many things – there will be days where she doesn’t feel as good as others. I think that is just the way it will be. But today we are half-way through our fifth day without vomit. When I wrote my post Spot Update we were almost up to a three day vomit-free period, but that was as long as we got. Now we are on our fifth day. That is really huge. Even if she throws up now we still made it almost FIVE DAYS! I am sure she is as happy about it as I am! To me four and half days vomit free is a darn good thing. See there really is no rule as to what you can put in your jar. THIS is a good thing for me. THIS makes me happy.
When I read about it on December 31, 2013, I will be happy.
What are you putting in your goodie jar? Any good things happen yesterday on Halloween?
Recently a Nia student came up to me after a Nia class to ask me a question. She said that she had talked to another woman about attending a Nia class but the woman didn’t want to because we said “Om!” My student asked me if Nia was religious. I shared with her what happened in the Nia White Belt Intensive I attended and my thoughts on it. What happened in the Nia White Belt Intensive I attended in December 2008, was Carlos Rosas asked one of the intensive participants what was in Nia. Her answer was “God.” Carlos said, “NO! There is no God in Nia!” I don’t know Carlos’ religious beliefs, if he has any, or how he feels about God or religion, but I think he was saying that there is no religion in Nia. It is not associated with any type of religion. It is meant for everyBODY and everyone and people of all faiths and all belief systems can participate and enjoy Nia. It truly is based on the design of the body. It is not based on ANY religion or God.
I personally feel that if you have God or any belief system in you then you will bring Him/it into whatever it is you are doing. But that is not a reflection on the event or activity. With any belief if you believe it you are going to carry it with you. So if you believe in God, Gods, Buddha, Allah, or whatever that will come with you into Nia. But Nia has none of that as a part of it. What Nia DOES have as a part of it is spirit. But that should not be confused with any type of religious spirit or supernatural spirit. Wiki states: “The English word spirit comes from the Latin spiritus, meaning ‘breath'”. And an online dictionary says: “The vital principle or animating force within living beings.” Yet some people often think of spirit as religious, as in the Holy Spirit, or otherworldly, as in ghostly spirits.
Because of that conversation I had with one of my students I had been thinking of this and in a class I said, “Let your spirit out.” And I noticed a few students stiffen. And I continued on, saying, “That is not to be meant religious or supernatural, I mean spirit as in ‘your school spirit’, when people say ‘show some school spirit no one gets all wiggy’. It’s like that. THAT type of spirit.” And I saw people relax. I saw some say, “Oh.” And then I saw some spirit.
I think of spirit as a passion or your inner child. It is the part of you that wants to slide down the banister, run up the down escalator, balance on a curb, jump in the puddles, take your shoes off and slide in stocking feet across the length of the mall, or say “WAAAAHOOOOO!” It is the breath that we often hold in. If your beliefs have your spirit saying or doing something in class then that is fine, but that is not to say that your beliefs are a part of Nia, that is a part of YOU that you bring to Nia.
The type of spirit you would have with school spirit, class spirit, and/or team spirit that is the spirit Nia calls upon and what Nia invites to be released in a Nia class. Let your inner essence dance and be free, don’t be afraid . . . . . . let go.
This is Nia Blue Belt Principle #12, Observe, Listen, Guide, Co-Creating Movement. This is something that we can do as part of the practice of Nia. This is something we can do in a live Nia class or even while doing a Nia DVD. Observe the teacher, listen-observe ourselves, then guide our own bodies to match what the teacher is doing. So watch and follow. Then really pay attention to what it is you are doing. Sometimes we might think we are doing the same thing but we are not. Then guide yourself to match what the teacher is doing. It does not have to be rushed. The moves do not have to match right away.
All of it is done with X-Ray Anatomy which is principle #10 of the Nia White Belt. X-Ray Anatomy does not mean we have X-ray vision, but it does mean that we see the way the body moves. We look at the body and observe the movement of the bones. As we dance and observe the teacher we see the placement of the bones. We see the vertical and the horizontal. We see the different planes.
Then, with X-Ray Anatomy, we listen to our own bodies. We acknowledge where our bones are. We notice the alignment. We pay attention to the structure. We monitor our vertical and horizontal. We discover how our bodies do the move. We witness it. We can stay here until we are ready to guide ourselves to match the teacher. If we are playing with the principle in a live class it is recommended to speak with the teacher beforehand so that they understand that we might not move onto the move they are doing until we are ready. It is also a good idea to stand in the back of the class so as not to distract the other students. Most people will move on to the next move, following the teacher, within one or two repetitions, but with practicing, play with, and the dancing of Nia Blue Belt Principle #12, Observe, Listen, Guide an entire sequence of moves could possibly be “missed” while in the “listening” stage.
Then when you are ready — no rush — you move onto matching the teacher. Have your bones and your angles match hers/his. Have your alignment match, your vertical and horizontal match.
This also works as a teacher observing the student. We can observe the student. We can watch the way they are doing a move. Then we listen to our body. We pay attention to how we are doing it. Then without rushing we can model our student’s move. It is a way of Co-Creating Movement. The practice of this principle also entails Nia Blue Belt Principle #6, because there is going to be some Split, Ellipt, Blend with this. But the order would be more of an Ellipt, Split, Blend. We would be ellipting onto the teacher or student to observe. Then splitting into self to listen. Then blending in the guide portion.
This is another interesting aspect of the practice of Nia. This is another way that Nia is unique. We Co-Create Movement to dance with our students. With music as our main guide we have all these principles to play with.
Can you see how the practice of Observe, Listen, Guide is a way to Co-Create Movement in a class?
Regular reader? Familiar with Nia? Then you know that Nia has different levels and that they use belt colors to distinguish between. White, Blue, Brown, and Black. Each belt has thirteen principles (except Green Belt*). The trainings for the levels are called intensives and the intensives can be attended by people who just want a to explore self growth and/or learn how the body is connected to many things. If you are a new reader and/or not familiar with Nia . . . . there you have it. In November 2011 I took the Nia Blue Belt Training and I am using my blog to make notes on it. It is taking me some time to get through the principles, but I am jotting down my thoughts that come to me as I thumb through my notes. My intent is to continue to work and play with the 13 Nia Blue Belt Principles after my initial posts and come back to some of them and share some more. The principles can be deep because they are very rich. So like many things they have layers and the layers can be peeled back to expose more and more. This post is about Nia Blue Belt Principle #11, Music, Movement, Magic – Manifesting the Ultimmmate Nia Experience. Yes, ultimate is spelled with three m’s, representing music, movement, magic.
One of the ways we learn to bring this to class is to use objective and subjective descriptions. We can do this for many things. We can do this when stating the class focus and intent. We can do this when leading the class through a move. We can do this when talking about music. The following are examples:
Focus and Intent:
Objective – Today we are going to focus on the rhomboid muscles. These are muscles in your upper back that assist with shoulder blade movement. They pull your shoulders back and down.
Subjective – I like pay special attention to my rhomboids so I feel as if I am standing upright and not hunched over. I feel they need extra love. We can give them that during class with the intent to stand tall.
Move:
Objective – Pull your shoulder blades down.
Subjective – I feel as if my shoulder blades are in my back pockets!
Music:
Objective – This music was part of an Oscar Winning Score.
Subjective – This music makes me want to close my eyes and ride the peaceful notes to happy.
This objective and subjective way of looking at things is a key to Nia. It can be compared to THE Body’s Way and Your Body’s Way. There is a way the body was designed to move — objective. There is a way that YOUR body, and my body moves — subjective. There are specific ways to do the Nia 52 Moves — objective. There is a way that each individual Nia participant does the Nia 52 Moves — subjective. All of this helps to create the “magic” that is part of Nia.
The Music is the core. We dance to the music. The Movement is what we do. We move. We dance. We play. The Magic is what we bring, which with all of it put together there is resulting magic.
This is just a tiny portion of Nia Blue Belt Principle #11, just off the top of my head. There is much, much more to Music, Movement, Magic – Manifesting the Ultimmmate Nia Experience and I look forward to delving into it more.
Have you experience the Nia Music, Movement, and Magic yet for yourself?
I learn A LOT when I teach Nia. I learn a lot when I teach anything, but since my focus now is teaching Nia, I say I learn a lot when I teach Nia. One thing I learn or I am reminded of is not everyone has taken a class that has taught them basic steps. It is like when I take a Zumba class and the teach calls out a basic Latin dance and I have no idea what she is talking about. I always laugh to myself and say, “I don’t know what the steps are to that basic Latin dance!” But then I remember my Nia training and my Nia practice and while I try to do whatever dance it is she says we are doing, I remain in Joy and just allow myself to move my body in a way that is dance to me. But not everyone has had Nia training and not everyone practices Nia so it is not as easy for them to just allow their bodies to move and not think so much. One of the tools that Nia uses to help teachers instruct the dance and to just help one dance in general is the clock. I posted about how we look at the clock in a Nia class — ok that is just me because I need the actual reference. I have posted about our step called the “Slow Clock” . This post is about the movement called the Fast Clock. The Fast Clock is one of Nia’s 52 Moves
The Fast Clock is similar to the Slow Clock in that we are stepping on the “hours” of a clock (oh, imagine that!), but with the fast clock we don’t return to center before stepping on another number/hour. So if you stand with your feet together imaging you are in the center of the clock, then step your right foot to 12 o’clock, then back to 6 o’clock (without stopping in the center) that is the fast clock. There are a lot of combinations that can be done when doing a fast clock. You could step to 12 o’clock, then 3 o’clock, then 6 o’clock, then return to center. Then your other foot could step to 12 o’clock, then 9 o’clock, then 6 o’clock, then return to center.
POP QUIZ: Which foot would step to 12 o’clock, then 3 o’clock, then 6 o’clock, then return to center? 🙂
Just the same as the Slow Clock you can actually take a step where you place the weight on the foot that is on the number/hour or you can touch or make it a tap. Sometimes you might even get fancy or really dancy and just do it in the air. But all that fancy stuff is obviously added after you learn the basic Fast Clock. As with many things, Nia does have basic steps and proper ways to execute them, then as we dance we add on to them to make them a more animated part of the dance.
As with many of the moves in Nia the participant is responsible for providing their own desired intensity. You can easily work up a sweat in Nia if you make your movements bigger or louder. We sometimes refer to it as turning up the volume. But again, that is up to you and how you are feeling during that class. A “louder” fast clock could have lengthier steps making the imaginary clock face you are dancing on very large. Or your “bigger” could be going deeper into the steps, bringing your body closer to the earth. Having tools like the face of the clock to assist in knowing where to step, allows the Nia student to focus on their body and what it needs and not be so caught up in whether they are “doing it right”. With the clock it makes it easy to teach and easy to follow!
Ok, now get up and practice your clocks! Which foot goes to 12 o’clock? Which foot goes to 9 o’clock?
Not all of my posts on my list of Year End Review Of Terre’s 2011 Important Posts are Nia posts, but some of them are, Here are the remaining four of nine that I thought were important enough to re-share. This is the second half of my Year End Review Post. When I wrote it as one post, it just seemed too long so I split it up. Thanks for checking in. As with the first half, I am just going to give a little summary so you can have the main point right here and you don’t have to go to the original post. But if you WANT to go to the original post (and comment even) please do! I am listing these in order of when they were posted.
I think of this post Muscle Weighs More Than Fat as being something we all need to be reminded of. Muscle DOES NOT weigh more than fat. The saying that muscle weighs more is one of those things that a lot of us say, but it is not correct. A pound of muscle weighs as much as a pound of fat. A pound of anything cannot weigh more than a pound of something else. A pound of muscle will take up a lot less room than a pound of fat as you will see in the picture on this post if you click over. 😉
If you are interested in a dance class that is pretty, a class that produces a performance then Nia is probably not what you are looking for. Nia Might Not Be Pretty — To Some. Nia is about authentic movement. Nia is about moving the body the way it was designed to be moved. Not everyBODY can move the way it was designed. There might be injuries, defects, tightness, or just plain ol’ non-use involved so it might not be pretty as we learn to move. But it is beautiful. This post reminds you that it is what it is and what it is not is a performance. A Nia class is freedom of movement, something to be enjoyed from the angle of the participant and not someone watching.
I have a post about listening with love, but the title is Let Love Be Your Ears. Ya know sometimes titles need to intrigue a potential reader, I was hoping that is what this title was. But the post is about listening with love. We all have heard and some of us might try to live by the old “if you don’t have anything nice to say, don’t say anything at all.” But LISTENING with love is different. Not that common of a “golden rule”. We are not always taught we need to love ourselves, so we might not listen as if people are talking to us with love and not accusations and criticisms. This might be something we have to practice. Also listening with love can include giving the person talking a lot of “benefit of the doubt”. Trying to see where they might be coming from.
Another post is about dance being exercise. It is a reminder that you can have fun and get exercise at the same time. Nia is just that!
So that is the last four on my list of posts I think really could use repeating. I know I picked a few because I need to work on some of them/it myself. I hope that you enjoyed either the summary or the posts themselves. I thank you very much for taking the time to read this. If you have been reading my blog and you recognize some of these I thank you. I really appreciate you taking the time to read. If you take the time to read and comment, I am really grateful and I very much appreciate it.
And, of course, I wish you a very happy and safe New Year’s Eve. I wish you many, many, many opportunities to embrace happiness and experience joy in 2012. Happy New Year.
Many bloggers are posting end of the year posts. Some posts are the best, some posts are their favorites, everyone has a different take on it. Some are a review of the year, either in posts or pictures. I thought about doing a post about my favorites, but I was afraid they would all be my Nia posts. As I was going through my posts from the last year I came up with an eclectic bunch . . . . just like my post. I can’t say they are my favorites, but I can say they are ones that I want to point out again. I actually found twenty-three posts that I wanted to re-share. TWENTY-THREE! But that is way too many to summarize and share. I narrowed it down to nine. These nine are ones I think are the most important of the ones I’ve posted this past year. I still think nine is a lot so I am going to do this year in review in two parts. I am just going to give a little summary so you can have the main point right here and you don’t have to go to the original post. But if you WANT to go to the original post (and comment even) please do! I am listing these in order of when they were posted.
One of the most important things I have posted about is Balance. The post is called Nia Balance and I was sharing about how balance was challenging because of my injured toe, but the main point of the post is that balance is really important and that our Nia routines are full of opportunities in which we can practice our balance. Since balance is so important you can practice it throughout your day without really changing the way you do things too much. Balance is so important, especially as we age.
It’s Out There is my post about how great Nia is! Ha, ha! Well it is a little bit about Nia, but a lot about the fact that there are many, many, many other movement forms out there. There are so many different forms of movements that there really has to be something for everyone. Nia is for everyBODY as it was created to move the body in the body’s way, but it is not for everyone. There is something out there for everyone! If you look you can find a class for you!
I posted about Feeling Vs. Sensing. Feeling is emotion. Feelings are how you FEEL. Sensing is what your body does. You FEEL happy. Your body senses heat. You FEEL sad. Your body senses cold. Knowing the difference can help you give your body and/or your emotional self, your spirit the workout it needs.
I made up a list of ten exercises that can be done in ten minutes. There is actually a lot of different ways you can do the list of ten exercises, but the idea was to get a full body workout in ten minutes. The hope was that the ten in ten would be an inspiration and a catalyst for actually doing more.
This past week I had company and they were here through the dinner hour. I didn’t know that they would be here that long so I didn’t have anything planned for dinner that would feed all four of us, but I still wanted to feed my husband when they left. So about the time they were talking about leaving I went into the kitchen. I was in the kitchen all of seven minutes. I washed the rice, turned on the rice maker, chopped the end off the asparagus, rinsed them, put them in a pan then put them in the oven, and dumped the marinated chicken in a pan and put it in the oven. I then set the timer for 20 minutes at which time dinner would be ready. I achieved a 30 minutes meal. All because when I froze the chicken I made a sauce for it at the same time. So when I took it out to defrost it was already marinating or doing so as it defrosted. So it really took seven minutes for me to make dinner. My friends didn’t even miss me because I was only gone seven minutes. This post is about Shopping Step to help Dinner Prep. After shopping before you freeze the meat make your marinade right inside the bag. It has really helped me get dinner ready much faster! Love it!
So this is five on my list out of nine post I think really could use repeating. I hope you check back Saturday to see the rest of the list. I thank you very much for taking the time to read this. If all of these or some of these are “repeats” to you, then I really thank you. Thank you so much for being here. I really appreciate you reading and if you are a commenter . . . I appreciate you even more!!! See you back here on Saturday for the rest of the review of my Year End Review!
Everyone is so different. We all have different ways of doing a lot of things. Sometimes we can see things the same way in order to function. We can get along or just go along with ideas and customs to just have peace. Or we can do it for a loved one. But it seems like when it comes to death and our beliefs around it there is sometimes a huge separation. You can be going along in life completely meshing up with everyone around you and then someone dies and BAM! You suddenly don’t agree on anything. The way we all handle death is so different. I understand the five stages of grief*, “popularly known by the acronym DABDA”, (although, I have never heard it called that). I am not saying that I understand each stage in the sense that I have experienced them, I am saying I understand that someone has identified these as stages people grieving might go through. But what people do during these stages and after is still very individualized. Everyone deals with grief differently, I understand that, although I do not agree with how everyone deals with it as you might have guessed if you read Grief Is a Very Personal Thing, where I say people grieve differently and as long as they aren’t mean or causing harm I don’t like to label their behavior unacceptable. This post is not so much about behavior, I don’t think. I know that many people want their loved ones near or they want to be able to visit their loved ones, but I am not one of those people. I think of my loved ones as being gone . . . so having their remains near by is just odd to me.
Terre Pruitt's Blog 