You might have read my post about Sounding in Nia. That is what we call it when we make noise in a Nia class — sounding. You might have read my post about Reasons for Sounding in a Nia Class. Even if you did not read that post, I bet you are aware of some of the reasons to make noise in an exercise class. One of the biggest ones is to ensure breathing. If you are making noise you are breathing. Knowing the students are breathing is a HUGE relief to an instructor. Some of the other reasons sounding is good are it can help stabilize your core, it can act as an emotional, spiritual, or physical release, and it can be really fun. Sounding can be noises/words such as HA, HI, HEE, HOO, WAH, WAHOO, etc. Sounding can also be singing. With “Nia Music” sometimes singing is just sounds.
I always invite the Nia participants to sing. Often times I tell them it is really easy because there are no words. I have often wondered how the singer sings. I have often pondered how it is done. Then Nia put out this video*. It is an interview with Carl Tietze whose song Am I The One, is on the Sanjana Album. Sanjana is the first Nia routine I learned. In the interview Carl talks about how he invited a vocalist, Jen Folkner, to listen to the song. He said he put the headphones on her and most of what we hear on the song is from her first time hearing the music.
She is sounding. Granted, she is doing is beautifully. I don’t want to put the pressure on and say this is what we do or need to do in a Nia class. No, not at all. I am just saying that it is fine to MAKE NOISE. I did laugh when I heard this interview because I kind of imagined that songs that have no real words but are just a singer making noise was done like this. I imagined the musicians just saying, “Go!” and the singer just letting her/his voice come out.
I was recently very amazed and in awe of a woman who had never been to a Nia class before – in fact, before class she asked me what it was. So she didn’t even know what type of exercise/workout it was. And yet, while she was moving to moves she had never done, she was singing. The song was one of those songs without words, but she was just making noise in a “singing voice”. It was great! I was very impressed.
Making sounds or singing in a group workout class is not something that comes easy to everyone. Sounding while learning moves doesn’t come easy to people who normally make noise, so it was especially fun to have her in class. Plus she had that much more fun and received the benefits of sounding.
I hope this interview helps give you a glimpse into making sounds. I hope you are able to experience the benefits of making noise while do your cardio dance. You know it is fun.
Do you sing while you dance in your fitness dance class? Don’t you love the way singing and dancing makes you feel?
*Click here to go to Nia’s website to sign up for the monthly newsletter!
I know I have mentioned before that I teach Nia as a substitute Group Exercise teacher for the City of San Jose. What that means is when a teacher can’t teach a class s/he will send out a message saying that a substitute is needed. In order to give our clients/students what they want we work to keep the substituted class close to what the original class is. If a Boot Camp teacher needs a substitute the first choice to have instead would not be yoga. Or vice versa. As you can imagine, when someone plans on going to a class and shows up and it is not what was expected it can take a little wind out of someones sails. Sometimes in order to keep the class from being cancelled a different format will be allowed, but that is rare. Usually someone is able to step in with a similar format. It is a real challenge when people have not even heard of the type of dance exercise that you are going to do in substitution for their normal class.
It seems like with many people the first time they hear of something they are a little resistant. To me this is understandable. It seems like a natural thing to shy away from something that is unfamiliar. And as I said, it really can be disheartening when you are looking forward to a specific thing/type of workout and you walk in and find it to be a class of something you have never heard of. I don’t take it personal when people decide not to stay or leave in the middle of class. I’ve learned a long time ago that Nia is for everyBODY it is just not for everyone. It can be a HUGE step for some people. It can be a huge switch in thinking and moving and a lot of things, I understand. So when someone comes in not knowing what they are in for and completely embraces it — I love it. I find myself thinking, “YES!” I admire the person and their openness.
I have been teaching a class where I am listening to the music, dancing, cueing, sensing, and looking out into the room and as my eyes survey the students I will see someone who is completely new to Nia and utterly unfamiliar with it, dancing with all of their body, mind, and spirit. It is so amazing. For someone to come in and not having even heard of Nia before the class to just embrace something so fully–it is so wonderful. That is one of the best moments ever. The challenge for me is to keep going myself. There are times when I just want to stop and watch because it is such a beautiful thing to see someone dance with all of their heart. It is as if they are glowing and all of a sudden they are all I can see. It is so incredible.
I appreciate the people who say, “I’m open to anything.” Or even, “What the heck? I am here. I might as well try it.” But it is really amazing to look out and see the ones that are just INTO it. In a Nia class where people come to DO Nia, it is typical to see people dancing with everything they have, but to see it in a class that is usually not Nia . . . . ahhhhhhh!
I felt like sharing this today. Thank you for letting me share a bit of joy with you. Today has been a GREAT day. Nothing spectacular or even note worthy has happen but there has been a lot of laughing and any day with a lot of laughing is a great day. Don’t you think?
I have a huge favor or request. I know I have mentioned it before, but I don’t think I have done a single post on it, but recently I, myself, was confronted with this situation so I really want to make a serious plea. I am going to go out on a limb and say this is a plea for many fitness instructors/dance exercise teachers. If you go to a class and you don’t like it, please, please, please try it at least two more times. If you are ok with the instructor, but the class is just not that good in your opinion, give it another chance. There are a million reasons why you might not like that particular class on that particular day. It could be the routine or exercises you were doing that day so ask the instructor when s/he will be changing to a new one. Or it could be the music, so, again talk to the instructor. Maybe ask if the class you just experienced was the norm or the typical class. Sometimes instructors decide to change it up and try something new but after taking it to the class they might decide they didn’t like it either. So ask. Also ask the other students. Don’t give up on something after just one class.
If taking three classes from the same instructor sounds like a waste of time and money to you, try a different instructor. We are all different and we strive to represent the brand/technique/practice to the best of our ability, but we also add out own style and it could be that the style is not something that you connect with. It could also be — if you don’t like the class — that the instructor is not necessarily sticking to the program. You might enjoy the class with an instructor that is more closely following the idea of the fitness brand/technique/practice.
I had been to a few fitness classes recently and I felt some elements that I believe should be included in this type of class were missing. Plus in a couple of classes I felt as if it was not all that the brand promised. But I attended a few more classes with different instructors and I began to see a big difference. I also took it upon myself to become educated a bit in the type of class and now I understand why I like one class over the other. One instructor was following the program more closely than the other one and it actually is more enjoyable. I actually went to four or five classes with three different instructors. I walked out of one class saying, “Dang, I really hate that.” Whereas the other two I thought, “Now that is what it is all about!”
So if you walk out of a class thinking you really don’t like it, that is ok, you obviously didn’t like THAT particular class, but it could be the brand/technique/practice wasn’t represented correctly. So try again. Maybe the instructor was having a bad day. Yes, it is our job to instruct and hold a good class, no matter what, but . . . c’mon we are only human. Sometimes we just have “off days”. There are all types of reasons to give an instructor another chance.
I know I have mentioned this before, but if I HAVE done an entire post on it before and I am repeating myself I apologize, but I really feel strongly about this. Because, as I said, twice I walked out of a class saying, “No way!”, but then the two other instructors showed me a “Yes way!”
Now keep in mind that I am not just talking about Nia, I am talking about ANY class you try; Zumba, Jazzercise, Barre Fitness, Turbo Kick, whatever.
If you end up giving it a good try and still end up not liking it at least you will have burned some calories in the process. But I bet if you were drawn to the class in the first place you will end up finding a class and an instructor that you like. Just don’t give up after the first class, do yourself a favor and keep at it and you’ll end up finding something to allow you to gain all the benefit of an exercise workout.
Have you ever gone to a class and not gone back because you didn’t like it after only one class?
When I first discovered Nia I bought The Nia Technique Book to see if I would be able to do it. I don’t mean do it as in do the moves and participate in a class, I mean do it as in “get into it”, as in understand it. It sounded a bit “woo-woo” to me. Listening to your body, voices of the body, energy this, moving energy that. I wasn’t sure I could sync it up with my beliefs. But as I studied it more I realized that it is based on science. It involves human kinetics. Most of the moves, although called the 52 Nia moves are quite common and are seen in many other types of exercises and workouts. The ones that I consider unique are probably part of some other dance I am not familiar with. And the “woo-woo” part, well, I realized that it is woo-woo – at least that is how many people think of certain things like energy, chakras, mind-body, and body-mind practices. I mean look at yoga, when I was young that was one of the “woo-wooest” things around and now people have embraced it. There are so many types of yoga it is difficult to keep track. For some they just ignore the woo-woo while others embrace it because they realize it makes sense. I mean cultures have been using “woo-woo” stuff for centuries. There is meditation, herbs, chanting, drumming — all types of other things that some people think of woo-woo. The woo-woo must not be too far off base though because it seems to work. Recently my posts have been about healing sounds and making sounds, this post is about the vowel sounds related to the chakras and I am sure to some people it sounds a little, or maybe even a lot, “woo-woo”. But I like to imagine that if you are reading this you are somewhat open to new things — even woo-woo things. So you might be willing to try the healing sounds or even the vowel sounds of the chakras.
The vowel sounds related to the chakras are as follows:
CROWN CHAKRA: EEE as in “me”
BROW/THIRD EYE CHAKRA: AAA* as in “say”
THROAT CHAKRA: EYE as in “my”
HEART CHAKRA: AH as in “ma”
SOLAR PLEXUS CHAKRA: OH as in “go”
PELVIC CHAKRA: OOO as in “you”
ROOT CHAKRA: UH as in “cup”
The idea is to say these sounds in a specific note. If you have a keyboard or a phone with an app that has a keyboard or an app that can give you examples of the notes it might help you. Or you might be musical and know what the notes sound like.
EEE is to be made in the B note AAA is to be made in the A note EYE is to be made in the G note AH is to be made in the F note OH is to be made in the E note OOO is to be made in the D note
And UH is to be made in the C note
These sounds are to help open and heal the chakras. Or to keep them balanced, all depends on your needs and your practice.
As with everything there is a wealth of information out there on how to “do” the vowels. The commonalities I am seeing is to sit comfortable with a lengthened spine. Be relaxed. Use a normal breath. Repeat each sound seven times.
I have used these sounds in my Nia classes when we are using a chakra as a focus. I am going to take this list and use the vowels sounds just as I did the healing sounds. The focus can be the chakra vowel sounds and we can create an intent from there. Yay! I love thinking of things to use as focuses in my classes. I also think that sitting down to make these sounds as a specific exercise is a good idea. What do you think about chakra vowels? Might you try the exercise?
*Many places note this as “AYE” but to me that is AYE, as in what a pirate says. So I noted it as AAA, like Fonzie would say. 🙂
In a Nia class the participants are encouraged to make sounds. There are many reasons to make sounds while you are working out. One, is to ensure breathing. As you are making a sound there is air going out, and in order to repeat it, there has to be air that was inhaled. So making sounds during an exercise class is a great way to let the teacher know there is breathing going on. There are also specific sounds related to specific things, but we don’t always have to be so particular. Sometimes just any sound will do. I did a post on Sounding in July of 2009. That is when I was brand new to Nia and new to teaching. I was still learning to be vocal. I had no probably being vocal as I was teaching but as a student I didn’t always participate. So I believe I understand some of the reasons a person might not want to sound and some of those reasons are the very reasons we SHOULD be making noise. All of these points can easily lead to additional posts, and they just might (a sounding series?), but for this post I am going to share what I found a while ago about healing sounds.
There are sounds associated with the chakras so a while back I was thinking I could bring a list of them to my Nia classes and I could use them to encourage my Nia students to sound. But I found a different list instead. Before I share the information with you I want you to play along with me. Pick one sound from the six below. Just pick one that appeals to you right now as you are reading it. Don’t think, just pick one.
SHOO, HAA, HOO, SSS, FOO, and SHEE.
Now keep playing along with me. Inhale and then say the sound you picked out loud on the exhale. Now do that six times. How do you feel?
Well, according to Sales Creators, a business problem solving company, the above sounds are healing sounds related to specific problems or issues. As I mentioned I had wanted to find some sounds that we could make in my Nia classes that would be fun and associated with chakras. As I was looking I discovered this information. At the time I didn’t know it was from a company that helped with business problems, I just discovered that now as I tried to locate the source of my information. In glancing quickly at the website, it looks pretty interesting. They actually speak to wellness of the entire person. What? REALLY? On a sales and marketing consulting company’s website? Yes.
Anyway here is what the information said in summary.
SHOO is a sound that helps alleviate problems associated with a sense of depression. The information states that you will feel better after having repeated it six times. The liver and the gall bladder is positively affected by the vibration of this sound.
HAA helps alleviate anger and helps calm the heart and regulate the small intestine.
HOO is a body temperature regulating sound. It helps one to not become too cold and balances the spleen, pancreas, and stomach.
SSS is a balance sound. SSS helps to regain equilibrium in the nervous system and the body. The vibration of this sound cleanses the lungs and regulates the large intestine.
FOO is another body temperature regulating sound but this one helps with a high body temperature. So to me is sounds as if you are typically hot making this sound will help cool you down. This sound is said to stabilize the kidneys, bladder, and adrenal glands.
SHEE helps relieve stress, tension, and anxiety. The instructions say that if you are under stress make this sound 36 times. It helps with regulating the blood circulatory systems and the central nervous system.
I truly believe that vibrations affect us, so to me it makes sense that certain ones would affect us in certain ways. I was hoping that without your knowledge, without you thinking about it you would gravitate to one of the sounds that would help you.
So, did the sound you randomly picked match up to what you were feeling? And now that you know what is associated with each sound are they a few you might want to try out?What do you think about vibrations and healing sounds?
It is difficult for me to do Nia at home. In Nia we actually move our head. “Huh?” You say. Well next time you are in a cardio workout out class or an exercise class you might notice that you don’t often (or at all) move your head around purposefully. In Nia we look up, we look around, we look down, we out. We could just be moving our head to sense the sensation of it, or we could be doing it to allow action to follow intention or . . . well, whatever idea we are using at the moment to move our head, we move our head. ALL AROUND. Which, makes it difficult for me to workout at home. When I look up I see spider webs. When I look around I see dust. When I look down I see Spot. When I look out I see squirrels.
We have cathedral ceilings, so there is never a time when we don’t have spider webs or something way up there. When I see it I start thinking, “I need to get the duster and the ladder and get that.” Then there is the dust. The dust never seems to NOT be there even right as I am dusting. Then there is the cat. She either wants to go out, or be pet, or she just chooses to lay right in the middle of my workout floor. And I have learned that I absolutely have to keep my curtains closed. I don’t care what the weather is, I don’t care what the temperature is, I have to keep my curtains closed because I get REALLY distracted when I don’t. Here are two examples of what I see.
First he comes to the door. Tentative. Then he will stand that like that for a long time. I have tried to just keep on going and just let him watch me dance, but after a while I feel bad. He will just stand there with his paws at his chest and look at me. He has stood like that for at least an entire song. I always end up stopping and giving him or, more accurately, them nuts. When one gets peanuts the others come along.
Then this is what they do. This was taken on a very hot day. The mat was in the shade and had been for a while so he just plopped down. I think he was enjoying the shade. A little snack in the shade. He just looked at me while he ate his snack.
They have come up to the doors and windows and put both paws on the glass and looked inside. I imagine I hear, “Hey, you in there! Where are the peanuts?” It is rather funny. I am not certain, but I think it is one in particular that does that. My hubby named him Brutus. When he comes up to the door, he will stay there and take a peanut from me. Sometimes he barely lets me put the peanut out the door.
Yes, one of the things we do in Nia is to not think about things like spider webs, dust, the grocery list, the things we need to do after class and when I am outside of my home I can do that much better. In my house I get distracted. There are so many distractions. So one way I eliminate at least one is I keep the curtains shut. On the days that I took these pictures I had obviously not done so.
I have my Los Gatos Nia class today. I have this idea (before I go to bed) that I will get up and do my Ten Minute Workout before I go to my class. We will see. Even if I do, you know that I can’t (I just can’t because I will get sucked in to the vortex of the internet) turn on my computer to do my check in.
But you can check in. That is why I do this post shortly after midnight so it can be here for the “other staters” and early morning people to check in. So, go ahead, share something. 🙂
I decided to do my ten minute workout this morning. I didn’t do two sets of the lunges because the first set confirmed for me why I usually do it after my class. I have my foot in ice water as I type. I am not sure I will turn on my computer. I am putting this in the comments and will copy it into the post when I do turn on my computer. I might have to turn it on this AM for something.
Well? How is it going? Are you seeing any changes? Have you had to make any adjustments? Are you seeing any improvements?
Today and yesterday I actually did the workout from exercise 10 to 1. I started with the stability ball pass and ended with lunges. I like it that way too.
As I was putting Christmas Ornaments away (yes, I am still putting “Christmas” away) I was reminded of Nia. My thoughts then morphed to working out and exercise. Ya see, I was trying to put an ornament in its box. I have trouble with this ornament every year. Do you have any of those ornaments where you store them in the box they came in? I have a lot of those ornaments and every year there are some that give me trouble. I try putting it in this way, then I have to take it out and turn it, then try again, and try again, and after a few tries finally get it in the right way with a resulting “Ahhh . . . . . .”
That is what made me think of Nia. Nia is made for everyBODY. The exercises we perform, the movements we do, the entire workout is designed around the design of the body. Often times people are not accustomed to moving their body in the way it was designed. Some people don’t turn their heads which can loosen the spine and muscles in the back or gyrate their hips which can loosen the hips and possible allow you to stand up taller. It might not be for everyONE, because in Nia participants are not told exactly how to move. It IS one of those things that you have to ACTUALLY try. It also helps to try it more than once. Try going to classes when they have different routines. Try it with different teachers. Try treating it differently; treat it as a cardio workout, treat it like an exercise, or treat it like a dance. Try all different ways. If you don’t love it instantly, then don’t give up, try again. You could find that when you keep trying and do it a different way you’ll be saying, “Ahhhh . . . ”
If not, Nia, there are so many other things that you can try. Find something you like. Keep trying. Don’t give up and think you don’t like exercise or working out because it comes in so many different forms, I am sure you can find something you would like. You can always contact me and we can talk about it.
Recently in my San Jose Nia Class we used elbows as our focus for the class. The intent was to sense the connection that our elbows have to our entire body. As we moved we connected them to our hips, our ribs, our thighs, our knees, even our toes. An easy and almost automatic connection is elbows to shoulders. Well, for me, this focus allowed me to move my joints to a state of complete and utter looseness. I felt very loose and relaxed all day long.
That same evening I went to an Ecstatic Dance class and I almost felt as if I could bend like a contortionists. Notice I said ALMOST. In reality I could not bend like that, but I was sensing a greater flexing in my joints than normal. Since I was actually aware of this and sensing it I decided to move with caution. When I get the opportunity to just Free Dance with others that are doing their own thing I really end up moving. I work up a sweat and get a really great workout. But this time since I felt my joints might be able to bend more than normal I kept reining myself in. I didn’t want to end up injuring myself.
I thought of my former dance teacher who used to do very deep stretches with her legs. Since she COULD stretch so deep she would do it all the time thinking she was doing her body good. But it turned out that all of that stretching ended up putting too much strain on her ligaments. She ended up having to have several surgeries on her knee. She was double jointed or had knee joints that hyperextended. If you are double jointed it is good to use caution when moving because just because you CAN move like that doesn’t mean it is good for you to do so repeatedly. The focus of this post is more about loose joints and not double-jointedness.
It is very important to stretch and be flexible, but there sometimes is a point when we are too loose or more accurately too loose to just let loose. We need to know when to rein it in and take it easy. Listening to our body and using body knowledge and awareness we can help from allowing ourselves to get injured. If you normally cannot do a particular move but today you sense that you can, stop and think can you really? Is your body ready? If you are sure then by all means do it because doing what we couldn’t do before but can do now, is how we grow and progress. But if you are not sure then maybe you want to wait until you are certain because you don’t want to end up having to start all over if you injure yourself. If your joints are not used to a deep stretches then work slowly into it. If you have done a juicy yoga class or Nia has all your joints open and saying “Ahhh!” but your joints are not always that loose – proceed with care doing any additional exercise. Be sure to enjoy the sensation of happy joints.
Have you ever sensed the sensation of loose joints?
I teach Nia in the San Francisco Bay Area. One thing I am trying to do is increase awareness of Nia and also, at the same time, increase my class sizes. So recently I hosted a Playshop in San Jose at the studio in Willow Glen where I hold my Nia classes. My topic for the Playshop was some of the 52 Moves of Nia. It was a success. I felt good about it, even though I put my students to work.
I had spent a day and a half or so preparing what moves I wanted to go over in the Playshop and what Nia katas from the various Nia routines I wanted to use in the Nia Class. I wanted the class routine to include all the various moves we explored in the Playshop. I spend a couple of days between doing other things reviewing to make certain I was comfortable with my presentation and to make certain I could get through it within the allotted time. So I was confident the Playshop and the Nia Class would go smooth. What I was nervous about was being able to get in and set up.
If you are a teacher of almost anything, you know that here is time needed to set up. Showing up early to set up and be ready to greet your students is not always possible with the time allowed in between workout classes. In exercise class situations sometimes there is NO time in between classes. They are scheduled to end on the hour and start at the same time. So I had scheduled 15 minutes in between, but there was still things that needed to be done and I wasn’t wanting to rush the class before us out.
So I came up with an idea . . . . now, I would bet I am not the only one to come up with this and I bet if I were to do minimum research I would find all the “Planning a workshop” information to tell me exactly this, but I am still going share it.
I realized that I could put my students to work! So I did. Most of the time people are more than willing to help. One of my students showed up really early—before me even. So I knew she was ready to do something. So I set her on one task. Then two of my students who I had been plotting to do this work all along were assigned tasks.
This assigning of tasks can also be connected to my post about “If You want something done right“. Because I had to be willing to “let go” and let my students do the tasks. And I have to say they did them beautifully. I was so proud. I was proud of myself for having thought of having them do it and I was proud of myself that I just let them do it. And I was especially proud that they did it so well. I believe they did better than I could have–it was awesome.
It was a great learning experience for me.
My hubby (thanks, Hubby!) also came to help. With him mopping the floor and some of my students setting up the room, I was able to concentrate on the participants coming in that needed to sign waivers and get settled. All of this allowed us to start on time . . . which allowed us to end on time — for the Playshop at least. The Nia routine I put together was a little longer than an hour so we went over on that. But all-in-all it was my students that allowed me to have a successful Playshop.
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