Terre Pruitt's Blog

In the realm of health, wellness, fitness, and the like, or whatever inspires me.

  • I teach Nia, yoga and stretch!

    Nia: Thurs at 9 am

    Yin Yoga: Mons at 11:30 am

    Gentle Yoga: Tues at 10:30 am and Thurs at 6:00 pm

    Stretch: Thurs at 10:30 am

    Please see my website for details! I sub for the City of San Jose and the YMCA so check my website for dates and times!

    I am also available for private Nia / yoga / Personal Training!

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  • My Bloggey Past

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Posts Tagged ‘dance exercise class’

What Did Frankie Say?

Posted by terrepruitt on March 28, 2015

Dance Exercise, Nia, Nia in the City of San Jose,  Nia at the San Jose Community Centers, Nia classes in the South Bay, Nia Teacher, Nia Class, San Jose Nia, Nia San Jose, Nia workout, Nia, Gentle Yoga, Group Ex City of San Jose, San Jose Group Ex classes, YMCA, Zumba, PiYoLast night we had a visiting Nia teacher come to Campbell and present a routine that he has created.  Jason Alan Griffin is a First Degree Nia Black Belt and he created a routine he calls Frankie Say Nia.  He travels around to different places with his dog River and he brings Nia with him.  He has routines he has created and playshops.  Friday night was the Nia class where he did his 80’s Alternative New Wave music routine.  People were invited to dress in 80’s style – bright clothes, animal prints, whatever they think of as 80’s fashion.  It is difficult – for me – to think of dressing up at the same times as wearing clothes I can workout and move comfortably in.  Jason was wearing shorts that reminded me of Saint Patrick’s Day and I was wearing animal print with my hair up in a silly pony.  That was as far as I was able to take my dressing up.  I’ll have to check with Jason about the shorts.  I forgot to ask him about them today.  The dressing up and the clothes were not what makes it fun or 80’s, it was the music.

Dance Exercise, Nia, Nia in the City of San Jose,  Nia at the San Jose Community Centers, Nia classes in the South Bay, Nia Teacher, Nia Class, San Jose Nia, Nia San Jose, Nia workout, Nia, Gentle Yoga, Group Ex City of San Jose, San Jose Group Ex classes, YMCA, Zumba, PiYoJason had us dancing to many familiar tunes.  I was happy to hear all of them that I knew.  I knew all of them until we arrived at the Floorplay portion of the Nia class and then I was just mystified.  I kept thinking I would eventually recognize it, but it was out of my scope of knowledge.  And I don’t even remember what it was.  I believe there was mention of a bar.  It was odd to me.  And, later it was indicated that I had a look on my face (odd) matching what I was thinking.  As I said, I kept waiting to hear something that would spark some sort of little hint that I had ever heard the song before, but nothing came.

Dance Exercise, Nia, Nia in the City of San Jose,  Nia at the San Jose Community Centers, Nia classes in the South Bay, Nia Teacher, Nia Class, San Jose Nia, Nia San Jose, Nia workout, Nia, Gentle Yoga, Group Ex City of San Jose, San Jose Group Ex classes, YMCA, Zumba, PiYoJason’s playfulness and ability to match movements to music is so evident in his routines.  And they are just fun.  I can say that we all had a great time because every commented on having one!  His choreography and the music made for a great time.

I was very happy that he had some FreeDances in the routine because I was looking forward to gleaning some tools from them as he taught.  And I did.  Then the next day he took it to the next level with the FreeDance Playshop.  That has to be a post all of its own.  Perhaps more than one.  We will see.  I am still processing.

As I have recommended before to you, Dear Readers, if Jason comes to your town you should go to his class.  That is, if you like to have a great time while you are getting your dance workout in.  You can always check out his schedule on his blog.

I have included some pictures.  As I have said before, it is not easy to get pictures of moving bodies.  I had help from my hubby.  We had at least three devices taking pictures and videos.

Can you tell from the pictures that we are having a good time?

Dance Exercise, Nia, Nia in the City of San Jose,  Nia at the San Jose Community Centers, Nia classes in the South Bay, Nia Teacher, Nia Class, San Jose Nia, Nia San Jose, Nia workout, Nia, Gentle Yoga, Group Ex City of San Jose, San Jose Group Ex classes, YMCA, Zumba, PiYo

Dance Exercise, Nia, Nia in the City of San Jose,  Nia at the San Jose Community Centers, Nia classes in the South Bay, Nia Teacher, Nia Class, San Jose Nia, Nia San Jose, Nia workout, Nia, Gentle Yoga, Group Ex City of San Jose, San Jose Group Ex classes, YMCA, Zumba, PiYo

Dance Exercise, Nia, Nia in the City of San Jose,  Nia at the San Jose Community Centers, Nia classes in the South Bay, Nia Teacher, Nia Class, San Jose Nia, Nia San Jose, Nia workout, Nia, Gentle Yoga, Group Ex City of San Jose, San Jose Group Ex classes, YMCA, Zumba, PiYo

Dance Exercise, Nia, Nia in the City of San Jose,  Nia at the San Jose Community Centers, Nia classes in the South Bay, Nia Teacher, Nia Class, San Jose Nia, Nia San Jose, Nia workout, Nia, Gentle Yoga, Group Ex City of San Jose, San Jose Group Ex classes, YMCA, Zumba, PiYoI hope one day we will be able to dance together!

Posted in Nia | Tagged: , , , , , , , , , , , , , , , , , | 2 Comments »

Dancing Free

Posted by terrepruitt on February 19, 2015

Do you ever just dance?  You might be one to turn on the music and start dancing.  Perhaps you have a favorite song you like to dance to?  Or you might be one who breaks into dance spontaneously.  You could be in the house and a song comes on and you don’t even really think about it, next think you know you are moving to the music.  Perhaps you are one that is so gusty or you just don’t care so you dance in the aisle at the grocery store.  Music moves us.  It is easy to dance to a song we like.  Sometimes we “can’t help it”.  We just burst into a dance.  But dancing without choreography in a dance exercise class?  No one telling you exactly how to move?  Just move to the music?  Without having consumed any alcohol?  It is a concept not easily grasped by many.  It is a concept that we practice often in a Nia class.  We call it Nia FreeDance.

As I mentioned dancing without choreography in an exercise class is a new concept to many.  Moving without having a structured plan doesn’t sound like exercise to many people.  Some people are very resistant to Nia FreeDance because of this reason.  Some people cannot understand how you can “get a good workout” without having a structured plan, without moving the same way over and over again.  The way we have been programmed to exercise includes repetition and structure.  It includes traveling in a straight line from point a to point b, it includes being told how to move.  So just moving without any idea of what comes after the present movement is vastly alien to some.

Yet, I have people who actually let go and try it.  Those who push beyond their own skepticism and doubt come up to me and say, “Wow!  I am sweating.”  Those who let the music move their bodies without thinking about it have said, “Who would have thought that I would have gotten such a great workout?”  Some realize, “I might be sore tomorrow.”  They MIGHT be sore the next day because they moved their bodies in ways that their bodies are not accustom to moving.

Nia FreeDance is there to help stimulate movement creativity.  So if you do it with full abandon you might end up with muscles that talk to you the next day.  Your body will have moved in new and different ways.  So Nia FreeDance is not the dancing you would do at a club or a dance lesson.  It is just free movement.  Yes, some of those cool club moves or patterns you learned in dance class sneak in because we dance what we know.  We think about it and move in that way.  But there really is more to FreeDancing.  It might have a pattern for a moment, it might have structure for a moment, but it moves away and comes back.  It is free.

Dance Exercise, Nia, Nia in the City of San Jose,  Nia at the San Jose Community Centers, Nia classes in the South Bay, Nia Teacher, Nia Class, San Jose Nia, Nia San Jose, Nia workout, Nia, Gentle Yoga, Group Ex City of San Jose, San Jose Group Ex classes, YMCA, Zumba, PiYoTo assist with FreeDance and to deepen the practice there are eight stages that can be a guide, because as I said, it is not necessarily an easy thing to do.

Stage 1: FreeDance
Catch Phrase: Anything Goes, Movement-Wise

Stage 2: Being Seduced by the Music
Catch Phrase: Art of Listening

Stage 3: Feelings and Emotions
Catch Phrase: Pretend, Fake It, Act As If

Stage 4: The Creative Source
Catch Phrase: The Real You

Stage 5: Authentic Movement
Catch Phrase: Change!!

Stage 6: Witness
Catch Phrase: Interfere…Judge…Not! Observe

Stage 7: Choreography
Catch Phrase: The Accidental Click

Stage 8: Nia Class
Catch Phrase: Levels 1, 2, 3

The catch phrases have changed slightly since I participated in the Nia White Belt Intensive in 2008, but it is all basically the same.  The catch phrases give you a clue as to what the stage is for.  All the stages help you to FreeDance.  You can dance each stage separately or combine them in any fashion. Dance Exercise, Nia, Nia in the City of San Jose,  Nia at the San Jose Community Centers, Nia classes in the South Bay, Nia Teacher, Nia Class, San Jose Nia, Nia San Jose, Nia workout, Nia, Gentle Yoga, Group Ex City of San Jose, San Jose Group Ex classes, YMCA, Zumba, PiYo The idea is just to give you something to help get you moving and then give you something to keep you moving.  Moving in new and different ways.  The new and different active body, mind, emotions, and spirit.  FreeDance is one of the key things that makes Nia unique.  If you click on the stages above you will go to the post that I have posted for each stage.

I am very excited about the Special Nia Class and Nia Free Dance Playshop that I am producing next month.  So I have been thinking a lot about FreeDance and how great it is.  This post is a result of my excitement and my attempt at getting people excited and curious about FreeDance.  Reading about it is one thing, but getting up and actually DOING it is another.  These are the stages used to deepen your practice, but they are not what we will be covering in the Playshop.  As the flyer states, we will be learning Jason’s tools for FreeDance!  I hope you will join us!

Are you a dancer?  Do you break into dance?  What is the current hit that you can’t help but dance to?

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Some Basic Fitness Guidelines Found In The Nia White Belt Manual

Posted by terrepruitt on October 18, 2014

Sometimes when I need to write a blog post I am inspired. Sometimes I have an idea. Sometimes I have something to say. Sometimes I even have a few ideas lined up and I have to make a schedule of what I am going to post and when. Then sometimes, like today, like now . . . I got nothing. When I have nothing I usually look at all my books, all my pictures, all my notes on “things to blog about”, all my “stuff” and I usually can find some inspiration to come up with something, but today nothing is coming. I have been sitting here for hours and I’ve gone through what I have access to and I am not feeling a particular pull, so I am going to share some information from my Nia White Belt Manual.  I am going to remind you that I participated in the Nia White Belt Intensive in 2008.  My manual says, “The Nia Technique – White Belt Manual, March 2001, V3”  Which is not to say the information I am going to share is out of date . . . because a lot of it is pretty general to many, many, many fitness forms.  I state date and volume information for those of you that might have a Nia White Belt Manual but perhaps this information is no longer a part of it.  Or it is worded differently.  Because Nia is always adapting and, even though these guidelines are — for the most part — general, Nia might have changed the wording or taken this piece out of the manual.

These are the basics of Basic Fitness Guidelines found in the Nia White Belt Manual *directly from the manual*:

1.  *Do not eat for at least two hours before you work out.*

2.  Wear comfortable clothing you don’t mind sweating it.  Something that makes you FEEL good, but that you don’t mind getting down on the floor while wearing.

3.  *Start easy.*  As you become familiar with the moves you can add more intensity.  But, like all things, get the basics first – crawl before you walk, walk before you run, that type of thing.

Dance Exercise, Nia, Nia at the City of San Jose, Nia classes in the South Bay, Nia Teacher, Nia Class, San Jose Nia, Nia San Jose, Nia workout, Nia, Zumba, PiYo, Gentle Yoga, Group Ex City of San Jose, San Jose Group Ex classes, YMCA4.  *Move the way you walk, using your whole body.*  –  If that is not how you walk, practice it.  Move through the Nia workout using your entire body.  *Step heel to toe when you move to the side or to the front, and shift your weight from one foot onto the other.  Lead with your heel, gently rolling forward to the ball of your foot, and then push off to change directions as you feel your toes lightly touch the floor.*

5.  *Don’t force a motion.  Don’t strain.  Strive for a balance between control and relaxation as you listen to your body’s signals.*

6.  *Make the movements an expression of you.  This is your workout.*

7.  *Use “belly breathing.”  When you inhale, first feel your belly expand, then your ribs, laterally expand, and then your chest and clavicle rise.”

8.  *Step back onto the ball of your foot, keeping your knees soft and your heel high as you lower your body weight.*

9.  *Draw your knee up toward your chest before you kick out.*

10. *Use your arms to express your feelings, emotions, or mood.*

11. *Contract your abdominals to round the spine, don’t lean.*

12. *Get in as much non-stop movement as possible.*

13. *Take at least three classes a week.*

14. *Combine a good diet with internal and external exercise to balance your fitness program.*

 

Pretty basic stuff.  Some – perhaps – a little unique to Nia, but not so much so they can’t be applied to other fitness/dance exercise classes.

What do you think?  Do you follow these guidelines?

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Nia Crosses The Line

Posted by terrepruitt on September 27, 2014

I teach a cardio dance exercise called Nia.  But it is more than that.  At one point in its history Nia was NIA and stood for Neuromuscular Integrative Action.  I have mentioned this before.  I have also mentioned that I am not sure why the name has gone through many changes.  I personally think that Nia has changed its name trying to find a wide audience.  Trying to become more popular.  It is sometimes the way with things that there has to be a catchy name or something in order to get people’s attention.  Sometimes the name that best describes something is not catchy or marketable enough to attract people.   Neuromuscular Integrative Action is really a great name.  It describes Nia very well.  But I don’t think it is very catching.  It is difficult for some to remember, perhaps, and it might not come easy to understand to many people.  But it really is a perfect name for Nia.

The Merriam-Webster online dictionary states:

Full Definition of NEUROMUSCULAR:

of or relating to nerves and muscles; especially : jointly involving or affecting nervous and muscular elements

 

A Google search shows the following:

integrative:

serving or intending to unify separate things.

[In]  •    Medicine — combining allopathic and complementary therapies.

So the actions during the workout will have to do with nerves and muscles.  The movements, in addition to moving the entire body, also bring together the Body, Mind, Emotions, and Spirit (BMES).  So it truly is Neuromuscular Integrative Action.  But that truly is a mouthful.  Even though it is a great, descriptive name, I think it might have been decided it was too difficult.  I don’t know.  I am just speculating.

I mentioned in my post about Knee Sweeps how it is beneficial to the brain for our limbs to cross over the midline of the body.  I want to write a little more on that . . . . imagine you have a string that starts at the top of your forehead and it fall down the middle of your forehead, down the middle of your nose, in between your breast down the middle of your chest, over your belly button, continuing down in between your legs.  That is the MIDLINE of your body.  So when your cross your left hand/arm or foot/leg over to the right side of that line you are crossing the midline.  And vice-versa.  This type of action is good for your brain.  This type of action is good for your nervous system.  It is action relating to nerves and muscles.  You use your muscles in action and this stimulates your nervous system.

I often remind my class how we are “working” the brain when we cross the midline of the body, when it really is so much more than that.  Because, as you know, the each side of the body are controlled by opposite sides of the brain so when you cross the midline both sides of the brain are forced into working.  Both sides must communicate with each other.  This communication with the nerve-cell pathways linking both sides, but strengthening them.

Many exercise classes do this.  That is because it is important (I believe I have said this before.)  Even yoga does it in some of its asanas.  So the crossing does not have to happen in a cardio class or during a cardio exercise.  Crossing the midline in stretches also helps “stretch” the brain.  So even if you don’t participate in Nia, you can do things to help your brain.  But I just wanted to share again – I know I’ve mentioned some of this a few times – how Nia is a lot more than a dance exercise, it really is neuromuscular integrative action.

So, with the reminder that it is good for your brain and nervous system, are you gonna cross that line?

 

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Who Thinks About Their Knees?

Posted by terrepruitt on July 26, 2014

We do!  Today in the group exercise class I was subbing, I did a Nia class. Our focus was the knee, with the intent of bringing awareness to the main muscles that help move the knee. So with that intent we were thinking about the quadriceps and the hamstrings. There are other muscles involved in the knee’s movement and stability, but we were keeping it simple and just focusing on those two sets of muscles. There are four muscles that make up the quadriceps and three that make up the hamstrings. The quadriceps are on the “front” of the thigh and the hamstrings are on the back of the thigh. To see my brief post on the Quadriceps click here. To see my brief post on the Hamstrings click here. The muscles of the quadriceps help straighten the leg. So they extends it. They pull the lower leg forward. The muscles of the hamstrings pull the lower leg back, what we call bending the knee. The knee gets straightened and bent a lot in a Nia dance exercise class, but there might not always be awareness of the muscles that are doing it. Today we brought awareness to the knee bending and straightening muscles.

Bringing awareness to muscles can be done in many ways. Often time the choreography of a Nia Routine has us doing specific steps and arm movements. In the first few songs of the routine I am doing I did not have the class do any touching of our legs. I just suggested that the class think about their legs, while, in the first song we moved our chest down and lowered our hips. Everyone moves to their own depth so not all of us were in a bend with chest on our thighs, but we were still able to bring awareness to our thighs with knees bent. The next few songs have us aware of our knees as we sink a bit to activate hips and move with front, back, and diagonal steps.

When we were at a song that is a free dance we wiggled our knees, we knocked them, we straightened them. We touched the front of our thighs while we moved our legs, opening and closing the knee joint. We kicked forward and back. While we danced we touched the back of our thighs. The act of touching allows us to sense the muscles as it moves the leg, extending and flexing. The act of touching helps us bring awareness to the muscles as we use them.

While we do a punching and blocking sequence we are aware of the stability we have in the wide stance with the knees slightly bent. This pose allows the opportunity for awareness of the full thigh activation.   Even while standing still we are sensing the dance of strength and stability.

I love that Nia incorporates a focus and an intent as one of the workout cycles. This gives us a chance to focus on many things. In this case the movement of the knee. This is a great way to keep both the body and mind active while bringing awareness of how the body moves into our dance exercise class.

Do YOU think about your knees?  Do you think about how your leg bends?

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Common Dance Turn – Four Point / Aikido

Posted by terrepruitt on July 9, 2012

In Nia there are 52 Moves that run through the Nia Routines.  One move that we do quite often is not on the list of 52 moves.  I call it a four-point turn because we take four steps to do it.  In one of the routines I recently learned the instructor calls it an Aikido turn.  Since Nia borrows moves and ideas from Aikido and associates Aikido with circular, spiral, and spherical motion, it makes sense this turn would be called an Aikido turn.  As with many dance exercises the moves can sometimes be done fast or slow depending upon the music.  Sometimes in a Nia routine we can do the same move at different speeds.  With the four-point – which is four step – or Aikido turn – the best way to accomplish it is by starting with the first step being a “toes out” type of step.  Point the foot out, away from the body in the direction you want to turn.  Allow the entire thigh to turn out.  Whether you are going to do a fast or slow turn, this first step is key in making it all the way around.  Another key is to LOOK!  Look the direction you want to turn.  Also helpful is hands and arms.  Allow your hand to follow after the eyes.  The order would be eyes/head, hand/arm, foot/leg.  While this is one arrangement of the order, sometimes your arms might actually be doing something else and that is fine too.  It could be that the hands and arms lead, but whatever the case your eyes can be a part of the turn.  Nia is a dance workout so sometimes we might have our arms dancing in another way to the music.

For a beginner learning the turn, I would make the previously mentioned suggestion of the order.  Eyes/head, hand/arm, foot/leg.  The thigh bone/foot turned out.  Then step on that “toes out” foot, weighting it 100%, as you step all your weight on it your body will turn in the direction you want to go.  Your free leg can be swung around to what seems like in front of your “toes out” foot, but by the time you step onto it, it will end up being besides the toes out foot because you will put all your weight into your second step and take the weight off the “toes out” foot so for a moment they will be side-by-side.  Then you will swing your free leg behind to land about in line with the heel of your weighted foot.  You will weight the foot that just was swung, and turn the other foot to parallel . . . making that the fourth point or step.

Maybe left and right indications will work better for you:  The order:  Turn your head/eyes to the left , allow your hand/arm to follow.  Move your LEFT FOOT to “toes out” turning your left thigh bone to the left.  Then step on your LEFT FOOT in a “toes out” position, put your weight on it 100%.  As you are stepping all your weight on your LEFT FOOT, allow your body to turn to the left, in the direction you want to go.  Swing your RIGHT LEG (free leg) around to what seems like in front of your LEFT FOOT.  Step onto your RIGHT FOOT,  toes pointing to the back of the room (or what started off as the back of the room), take the weight off the LEFT FOOT (“toes out” foot).  Swing your LEFT FOOT (free leg) behind to land about in line with the heel of your RIGHT FOOT (weighted foot).  You will stand on the LEFT FOOT, and turn the RIGHT FOOT to parallel . . . making that the fourth point or step.

Right to left works the same but start with your right foot.

To me, it is actually easier to do it fast than slow.  But either way the hips get great rotation in the sockets.  I was taught that we do not slide on our feet or spin on our feet.  We dance barefoot so it is very different than if you have dance shoes on.  There is not a nice layer of material that allows for easy sliding and spinning.  We pick up our feet so as not to get blisters and to better condition the feet and the legs.  So when we turn we are not spinning on the balls of our feet.  That is one reason why I call it a four-point turn because we are hitting “points” in our dance.  Points, steps, either way it is not a spin on the foot.  This is another reason why it is important to start the turn with the toes already turned out because we also always want to be gentle on our knees.  Also in Nia we are always reminded to remember our own body’s way.  It is more important to protect and love our knees than it is to make it all they way around when doing a turn!

This is a pretty common dance move in dance exercise classes, but it is not always easy and can present a challenge.  I believe it becomes particularly challenging when the person doing it wants to keep their eyes on the instructor.  The best way to do it is to allow the eyes to move with the turn.

This is also a very fun move because you never know what we are going to do at either end (after the 4th step).    Now that you got the turn down come to a Nia class and see what could be waiting at the end!  You got the turn down, right?

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Homemade Hummus – Needs Some Work

Posted by terrepruitt on May 15, 2012

You know I started this blog to share things with you.  I wanted to share about Nia, exercises, things I think are healthy, and stuff I learn.  I don’t think I had thought about posting recipes, but I probably didn’t think I would limit myself from doing so.  It is funny that food posts get the most views and even more fun spark the most conversations.  (I love the bloggey conversations.)  We love our food, huh?  It is universal.  Everyone eats.  Not everyone works out, not everyone dances, not everyone goes to exercise classes, and not everyone does Nia, but everyone eats.  Even though we all eat different things it is still something that we all have in common.

Dance Exercies, Nia, Nia Campbell, Campbell Nia, Nia classes in Campbell, evening Nia, Nia Teacher, Nia Class, San Jose Nia, Nia San Jose, Nia workout, Nia,As you might have noticed, when I try a new recipe, or just try making something I sometimes like to share.   Even if the recipe still needs some adjustments I have to start somewhere.  I like to post my recipes because I find myself using my blog when I am going to make something.  I can even be at the store and get the idea that I want to make a certain recipe then I think, “Shoot I don’t know what it is in . . . . ahhhh, but I posted it on my blog!”  So I use my blog at the store to grocery shop sometimes.   Here is a recipe of something that I made that I need to work on.

I haven’t always liked hummus, but once I started eating it.  I really liked it.  There is a brand that my husband found that is really good.  It is smooth and creamy.  We used to eat it often.  But it has Canola Oil in it.  I prefer not to eat Canola oil.  I have always wanted to make my own hummus so I thought not eating our favorite brand would inspire me.  It did not.  My issue was tahini.  I don’t think of tahini.  So when I go to the store I am not thinking, “Oh yeah, I need tahini.”  I know you can make hummus without it.  I believe my friend makes hummus all the time and she never used tahini.  I haven’t tasted her hummus that I can remember so I don’t know if it is good without tahini or not.

The other day I was online and I actually bought tahini.  I decided on wanted to finally make some hummus.  There are a lot of recipes out there for hummus so I took some ideas from several of them.  I need to work on it.

Dance Exercies, Nia, Nia Campbell, Campbell Nia, Nia classes in Campbell, evening Nia, Nia Teacher, Nia Class, San Jose Nia, Nia San Jose, Nia workout, Nia,I used:

2 cups canned garbanzo beans (chickpeas), drained
3 teaspoons liquid from the beans
1/3 cup tahini
1/3 cup lemon juice
1 1/2 teaspoons salt
2 teaspoons minced garlic
1 tablespoon garlic flavored olive oil

I put everything in the blender and blended until smooth.

I prefer my hummus a little more smooth and actually creamy, but the blender was making odd noises so I didn’t want to push it too far.

First of all I think it is too salty.  Next time I am going to use less salt and less tahini.  I am also going to use less lemon juice.  I am also going to use fresh garlic.  I used some we have from a jar.

Not too bad for my first try, but not so great.  But sometimes I just need to get in there and do it — make the recipe — so I can see it is easy to do so then I can play with it and make adjustments.

Do you like hummus?  Do you make your own?

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