Terre Pruitt's Blog

In the realm of health, wellness, fitness, and the like, or whatever inspires me.

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Posts Tagged ‘Carlos AyaRosas’

Nia and the Core

Posted by terrepruitt on February 18, 2010

Nia thinks of the pelvis, chest, and head as the core of the body.  Nia is not defining the core muscles or a core muscle group, Nia just includes these three body weights as the core of the body.

The core is Nia White Belt Principle #8.

Alignment of these three weights affects so many things; energy, bones, muscles, organs.  If the alignment is not as it should be all of these things could be affected.

Movement can help properly align these three weights.  Often times some areas of our bodies are stiff and/or tight and by moving our body as it was designed to be moved the stiffness gets worked out and the tightness goes away.  Sometimes that is what is needed to assist in proper alignment.  Other times it might be strengthening or just moving your body in a way it is not accustomed to move.
 
As an example of how we guide a body to alignment, we utilize the bow stance in Nia routines.  A great exercise while in the bow stance is to move the pelvis in all directions.  Moving the pelvis in all directions while in this stance allows for the body to gain or retain mobility.  Mobility in the hips and the spine.  Movement of the pelvis releases energy and muscle tension.  This type of movement also requires strength in the torso and leads up to the chest and head.  While circling or waving the hips the body falls on and off balance and the chest and head must be used to stay upright.  All of this contributes to stability, flexibility, and strength.

We often dance our chest in Nia.  We move our ribs to open them and keep the muscles in between mobile.  We breath deep.  We makes sounds.  We use our chest to guide us in our workout, giving us a different way to move.  This releases blocked energy.

Nia encourages movement of the head in our routines.  We are often moving our head on its own or to lead us through a move.  We employ our hands and our eyes to help us move our head.  Not all cardio workout classes employ the use of the head and it seems as if a lot of people are just plain ol’ not used to moving their head.  So caution is always recommended.  Since moving the head stimulates two chakras it is sometimes very powerful and some people get dizzy until they are used to it. 

When these three body weights are in alignment sense calm.  When our body is strong yet flexible and capable of mobility it assist us in keep our body weights aligned correctly even when we move we feel confident and have a sense of wellness.
 
The Nia White Belt Manual* has over 15 pages addressing the pelvis, chest, and head.  I think that means that there will be more posts regarding the core and/or its parts, because Nia has a lot of information that I can share about the core.

*The Nia White Belt Manual was created by Debbie Rosas and Carlos Rosas as was Nia (the Nia Technique).  All of this information is based off of information from their trainings and the White Belt Manual and the Nia Technique Book

Posted in Core Muscles, Nia | Tagged: , , , , , , , , , , , , , , , , , , | Leave a Comment »

Nia Routines

Posted by terrepruitt on February 4, 2010

I always get questions about the Nia Routines.  Are teachers given the routines?  Do teachers make up their own routines?  How many routines are there?  And more.  In this post I’ll just cover those three questions.

At the time of this writing there are 18 Nia routines showing on the teacher website for purchase.  I know in the 26 years that Nia has been around there have been a lot more.  I believe back when Nia started having routines, music rights and all that big business part of music was not an issue.  Now, I think, that portion of life has affected Nia and the routines.  I think they had to remove some from sale.

A routine is group of songs.  I think 8 to 10 is the average, but it depends on the length of the songs.  An average Nia workout class is about 55 minutes, give or take a few minutes.  At the time of this post Carlos and Debbie were the creators of the routines.

As a teacher, we purchase a routine which includes a DVD disc, a music CD, and an information pamphlet.  It is an amazing piece of educational material.  This post is not about the fabulous package of material we receive or about learning the routine, it is just general information about Nia routines.  But whenever I talk about the Nia routine packages I feel compelled to exclaim how wonderful they are. I will save the explanation of them for another post.

Teachers are encouraged to use their own creativity when leading a routine.  Nia routines are very well thought out and put together.  It is my understanding that with higher belt levels choreography is discussed, but with White Belts, Nia encourages them to use the routines that Nia has created.  But at the same time we are encouraged to do the katas to different music than we are given.

With the encouragement of using our own creativity, I believe comes the impression that we can do things in Natural Time and to me, that means we can adjust routines.  A kata might be less aerobic, but if we want to help make it more so we can add cha-cha-chas in place of a regular step, or just do fast side steps instead of a grapevine.

In addition to changing simple steps we are empowered with all of the different Movement Forms.  When we employ the energies of the different movement forms they can change the routine dramatically.

I do mix up the katas from various routines to “create” new routines.  To me this gives the participants a feeling of doing something new, yet at the same time they are moving to familiar patterns.  Or once, I had an out of town friend attending my classes, after the first class, she admitted she couldn’t do turns.  Well, if she were going to be my student for any length of time, you know I would put those in and work with her on them, but since she was only going to be in one more class, I put together katas that didn’t have turns so she would enjoy her workout more.

When I do mix it up, I make certain I adhere to the seven cycles of Nia.  I also try to make it a well-rounded routine.  I love it when I put something together and afterwards the class says, “Ahhh, I really liked that routine, what was it?”

I hope this helped to answer some of the questions about Nia routines.  Please let me know if you have other question.

I am going to continue to you invite you, my reader to a Nia class.  If you are ever visiting the San Jose/South Bay Area or you are local to me, please, come to one of mine :-).  If you are not local, look up a class near you and try Nia in your area.

Posted in Nia | Tagged: , , , , , , , , , , , , , , , , , , , , , , | Leave a Comment »

Dynamic Ease

Posted by terrepruitt on January 21, 2010

With every Nia routine there is an original focus and intent.  On the Nia DVD either Debbie or Carlos* explain the focus and intent that was originally intended for the routine.  With the routine Sanjana Debbie explains the focus as being Dynamic Ease.

I remember Dynamic Ease as being Dynamic and Ease.  It can either be a stretch as one might do in Yoga or could be the sensation of the muscle squeezing the bone as in an isometric contraction.  When I do the routine with Dynamic Ease as the focus I often borrow Debbie’s words and explain it as: “the energy moving out as in flexibility or the energy packing against the bone as in strength”. 

The way we play with this is that we do a lot of the moves with one quality then the other.  So while we are moving arms upward we could be calling upon the dynamic energies of strength and really squeezing the bone with the muscle.  And the next time we can move our arms up with a big stretch move the energy out.  A punch could be done strong as if we were really punching something or could be done more like a stretch. 

The ease is just moving in a relaxed yet ready type of way.  When moving arms upward, as mentioned above, we can change the quality to a nice flowing easy movement.  Or a “punch” could just be the arms moving away from the body in a soft motion.  Its fun to play and try any exercise with the different energy qualities. 
 
We can do the same moves all three ways.  Practicing going back and forth between these qualities assists in both balancing the energy in the body and balancing the body itself.  An isometric contraction calls upon big muscles and small muscles and the combination is what is used in balancing. 

I believe that it helps with the flow of fluids and energy in the body.  I know that it leaves me feeling very energetic.  I did this routine with this focus twice this week, once for my San Jose class and once with my San Carlos class and both times I felt very great energy afterwards.  In addition to the energy I feel it brings me, I think dynamic ease can serve to add another element of challenge to the Nia workout.  Dynamic Ease is one of my favorite foci for this Nia routine.

*Debbie Rosas (Stewart) and Carlos Rosas (AyaRosas) the creators of Nia

Posted in Nia | Tagged: , , , , , , , , , , , , , , , , , , | 2 Comments »

Nia and Feldenkrais

Posted by terrepruitt on December 12, 2009

Now Feldenkrais in Nia is not so much a movement as it is the feeling, the sensation of movement.  With this technique as our guide we slow down, we become aware, we witness our movement.  The creators of Nia wanted a movement form that resulted in health, both physical and mental.

The Feldenkrais technique is specific and Nia does not claim to practice this technique, instead the idea of being able to create change in the body, by moving it and by focusing on the movement is what is incorporated into Nia.  The idea of change being possible.  The idea of slowing down and paying attention.   Or even if going fast—the idea is to pay attention.

I like to refer to Nia as a body-mind* practice/exercise/workout, because in White Belt we are instructed to go to the body.  Moving in the body’s way and in our own body’s way in particular is one reason why I think of it as body-mind.  But even though we go to the body that does not mean that we are not being aware.  We need to use our mind to listen to the body.  If a movement is being done in class and you copy it exactly, you need to be aware of the sensation your body is returning back to you.  Is doing the move EXACTLY how the teacher is doing it really what YOUR body needs?  Do you need to do it bigger?  Or smaller?  What is it that YOUR body is telling you?

Adding some of the concepts of Moshe Feldenkrais adds body awareness to Nia.  We feel the body as it moves.  We respond to it, we are aware of it.  We are connected to our bodies.  It is somatic movement.  It is movement with ease.

This is how a Nia workout includes elements from Feldenkrais.

The Nine Basic Movements Forms of Nia

*I think that is how Carlos Rosas (AyaRosas) refers to Nia also

Posted in Movement Forms of Nia, Nia | Tagged: , , , , , , , , , , , , , , , , , , | 12 Comments »