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Posts Tagged ‘A Stance’

Nia – Sink and Pivot Table Wipe

Posted by terrepruitt on June 22, 2013

One of Nia’s 52 Moves is the Sink and Pivot Table Wipe. Ha! Sounds funny. I always think of cleaning when I say this move in class, but not many people LIKE to clean so I don’t like to remind them of cleaning while we are in our Joy! There are many other ways to describe the movement, but “table wipe” really gets the point across. It could be a dramatic sweep of the table. Regardless of what spirit might have me say in the midst of the move there is a particular way to do it. As with all of Nia’s 52 Moves there is a specific way to do it. And . . . as I have said . . . often times the specifics are adjusted to work into the song and the moment’s choreography. To me the Sink and Pivot Table Wipe is a combination of an arm movement and a bow stance.

To practice the Sink and Pivot Table Wipe you start in an A Stance. Doing one side at a time, say the left, you would place your left arm out. As you lift up your left foot you turn your body towards the right, your left arm sweeps across the horizon to the right. Your left foot lands gently on the earth on the ball of your foot and your left leg is bent. Your right leg is also bent. The bent legs become the “sink” part of the move. Your arm sweeping is the wiping part of the move. That “table” part is the imaginative part of the move to assist in knowing how the arms sweeps. The arm is straight out and just moves parallel to the ground. Doing the other side, you would you would place your right arm out. As you lift up your right foot you turn your body towards the left, your right arm sweeps out and around to the left. You place your right ball of foot gently on the floor with your right leg bent. Your left leg is also bent. The legs are similar to a bow stance.

In most instances — the ones I can think of — in the choreography, I usually do a tiny hop so that my front foot ends up with the toes facing the same direction as the foot in the back, the foot that is “ball of foot”. So as I continue to say, the instructions in The Nia Technique book* show the exact perfect way to do a move. Which is the way to learn it, but then once you know the move the choreography dictates the exact way it is done.

The book recommends the word “Whoosh” be said while doing this move. Of course that is just one of many words and sounds that can be made. Sounds are dictated by so many things. The “Whoosh” can be used in the practice of the move, if you would like. When in a Nia class anything goes!

I believe this move is a great stability move because as I said I am normally moving both feet in order to sink, pivot, and wipe the table so I need to “land” stable. Also, I think it is great for the legs because any sink type of move helps condition them. It is also good for coordination because you are moving both the upper body and lower body at the same time, but in a little different manner.

Tee hee . . . . it is really great for a lot of things, depends on what you put into it. The last couple of times I did it in the current Nia routine I am doing I had the class stretching the arm as far as they could reach as they wiped that table. It was a HUGE table and we wanted to wipe it all in one pass!

So what do you imagine you are doing when you do this move?

*The Nia Technique written by Debbie Rosas and Carlos Rosas

Posted in 52 Moves (of Nia), Nia | Tagged: A Stance, Bow Stance, Carlos Rosas, Debbie Rosas, Nia, Nia 52 moves, Nia class, Nia routine, Sink and Pivot Table Wipe, The Nia Technique, The Nia Technique book | Leave a Comment »

Nia’s Routine Pamphlets

Posted by terrepruitt on June 1, 2013

Nia Technique’s Outstanding Routine DVDs (Part 3)

Nia Classes are led by Nia teachers who learn routines. It is kind that we are only obligated by license to learn four Nia routines a year, because if we dive into the depths of a Nia routine it could easily take three months. The training information they provide is incredible. It is multi-faceted and multidimensional. Three years ago I mentioned in a post that I would specify what came in Nia’s Routine for Teachers DVDs. Well, in the three years there has actually been changes in how the information is presented. I am using three posts to explain what I have in the routine packages that I have purchased and I am also sharing to the best of my knowledge what is in the newer ones. At the basic level you receive a CD and a DVD and a pamphlet is available online.

This is the third post in this series. In the first post I talked about everything that you get in the package and the sections on the DVD. I made it through two of the sections: the Focus and Move the Move. The second post took us through: Learn the Move, Energize the Move, and the Music. Here in this post I am taking a quick look at the pamphlet.

In addition to the wonderful Nia Class and explanations on the DVD there is a pamphlet. As I said in post one of this series, the pamphlet used to be included in the routine package. But now I believe you have to download it yourself. I am not certain if the older ones still come with the pamphlet or not. But if you look at the pamphlets online (must be a member) you can see how the material has changed. I am certain that along with the morphing of the DVDs there has been a greater change over the years than I have even seen. The routines that I own with pamphlets that came in the package have the focus and intent stated along with the “Routine Description”. It also contains “Suggested Alternative Foci”. It lists the 7 Cycles. Under each cycle is gives a little information. The cycles in which there is music it lists the song that is in that cycle and information on what it teaches you. As an example the routine I am looking at states:

“Track 1: Sexy Teaches You To —

Move through the stances of Closed, Open, A, and Riding to ground, warm up the back and core and move from the inside out”

That is one bullet, as you can see each track has more than three bullets with information regarding what the choreography teaches you. A lot of information!

The next section in the pamphlet gives you the 8BC’s. Just the bars of the 8BC’s. There is indicators as to what the sections are in the song, but no flowering, no dressing, no choreography. Just the bars. There is a lot left to still do with the bars.

With the new routines, the pamphlet is a bit different. In addition to what I’ve previously mentioned and a lot of information reminding us of what we learn in the Nia White Belt Intensive there is new information. Such as “Working With the Focus” and that the 7 cycles remain the same, but there is differences within each cycle depending upon different things, say the focus for example. There is also a section with the shorthand for Nia’s 52 moves because now the bars come with choreography notes.

Now the bars are in color which is used to show the different sections. The same colors taught in the Nia White Belt Intensive. And as I mentioned, they have choreography notes.

The pamphlet also states that as of 2012, “videos include on-screen 52 moves choreography text. You will see this appear at the beginning of each new choreography sequence, and repeat throughout the routine.” Which is great and news to me. At the time of this writing I have obviously not learned a routine that was created and filmed in 2012 because I have not seen the text on the videos. Cool.

The last thing that one of the “old” versions of the pamphlet had that I am not seeing on the new ones is the Music Credits. The ones I have list the name of the number of the track, the name, the artist, and information about each song. I find some of that information kind of interesting. For instance the track 1 on Oshun is Sexy, by Illumine which was actually recorded Live at Studio Nia.

So maybe now you can see why the description of a Nia Routine Teacher Training DVD needed to be three posts. There is a lot of training in each package. There is a lot of information to absorb in learning a routine. I will confess that I have not done all of this on all of the routines I lead. My intent is as I go back and complete more of these steps as I revisit the routines. Now that I basically know the music and the moves, I can watch the other portions of the DVD and I can read the pamphlet information. With each section of time I lead the routine I can add something new to my learning. Nia routines are very multidimensional. The training has many aspects. There is so much to learn and so many different ways to do it. Just like Nia.

I hope this gave you some information you might need or like to know in regards to Nia Routine DVDs for Teachers.

Do you have any questions? Is there any additional information you would like?

Posted in Nia | Tagged: 52 moves, 8 BC, A Stance, closed stance, Illumine, Nia CD, Nia choreography, Nia Classes, Nia DVD, Nia Intensive, Nia Routine DVDs, Nia routines, Nia teachers, Nia White Belt, Nia's 7 cycles, Nia's Routine Pamphlets, Studio Nia | Leave a Comment »

Review The Plank Form

Posted by terrepruitt on March 12, 2013

Let’s do a little form check on our planks. We are doing our month of daily planks (and beyond?) on our elbows/forearms. Let’s review how we are doing them.

–Rest on elbows and forearms
–Upper arm bones come straight down, so elbows should be directly under the shoulders
–Elbows are shoulder width apart, elbows are directly under the shoulders
–Shoulder blades are pulled down (putting them in your back pockets)
–Face is facing down, eyes looking at the earth (assisting with proper head alignment)
–Head is in line with shoulders, hips, knees, and feet
–The entire spine is straight
–Hips are not bowing up or sagging down (part of the “alignment” is that they are doing neither)
–Muscles are squeezing and active; abdominals, glutes, qudriceps
–Rest on the toes, heels off the ground
–Feet are in open stance, which is hip JOINT width apart*

*As with many exercises there are variations and modifications, but for this plank challenge we are keeping our feet in open stance. (For an “open stance” reminder, click here) With the feet in open stance it encourages the hips to stay in alignment. Also in open stance your bones are in alignment with your joints.

Try doing the plank with your feet apart (like in “A” stance) and you might notice how much “easier” it is for the hips to start to sag down.

If you are still learning and really want to focus on form, doing the plank on your knees is always another option. If you are doing the plank on your knees the stance is the same. The knees are straight out from your hip joints just as if you were standing in open stance. Your feet are also in “open stance”.

Be very conscious of your arm bones. You want to make certain they are perpendicular to the floor. Don’t allow your toes to push you forward. Check to see that your shoulders are directly over your elbows. An idea that might help with this is to press back with your heels. Your heels are in the air but imagine the bottoms of your heels are reaching out to press against something. This also helps with activating your thigh muscles, while on your toes. If you are doing the modified plank on your knees you can still press with your heels you just would not be using your thigh muscles to help.

As with all exercise remember to breathe. How you breathe is up to you, if panting helps you, then pant, if slow inhales and fast exhales help you, then do that. Breathe however it is best for you, but don’t hold your breath. Your muscles need oxygen so give it to them.

Remember to keep your form every time and through out the duration of your plank. If your form starts to “suffer” then stop. No use doing a minute of “planking” if your bum is high in the air or your hips are on the ground. Let’s make sure we are doing quality over quantity. So every time you plank, review your form!

Do you have any questions? Is this clear for you?

Posted in Exercise and Working Out, Planking | Tagged: A Stance, abdominal muscles, glutes, hip joints, month of planks, open stance, plank, plank challenge, plank modifications, plank variations, planking, Quadriceps, thigh muscles | Leave a Comment »

Nia’s Cat Stance

Posted by terrepruitt on January 10, 2013

There are six stances in the 52 Moves of Nia. Closed Stance, Open Stance, “A” Stance, Riding (Sumo) Stance, Bow Stance, and the Cat Stance. Each stance has a sound associated with it for practice. There are benefits to doing each stance. All of them help with balance. With the cat stance the balance is on one foot. The cat stance is a stance in which you stand on one leg, using your whole foot. The leg you are standing on is not rigid, but the knee is soft, as if you were going to pounce. The spine is upright, hips are level, not pointing down nor up. The foot that is off the ground is pressing with the side against the standing leg, the foot relaxed, toes hanging towards the earth. Elbows are bent, relaxed. Either both elbows are at the sides or one slightly forward. The arms and hands are engaged. The cat stance is done on alternating legs. These are the specifics of Nia’s Cat Stance.

There are specific ways to do a stance, the body’s way. But your body’s way is also recognized. So different bodies will do it different ways. Some will do it their own way until the body can adjust to the specifics and some bodies will continue in their own way. For instance some bodies will use the power finger/balance finger hand technique to assist them in standing on one leg. In addition to each body having its own way to do each move sometimes the way the move is done in a routine alters the specifics. The specifics stated above are according to The Nia Technique book, however in the routine Birth, the cat stance in one of the katas consists of hooking the bent leg’s foot around the standing leg. In this particular dance, while we are in the cat stance with our foot hooked around the standing leg, our hands and arms are different from is described in the ideal cat stance stated above. One of our hands “hooks” around our face.

This is often the case. There is a specific way to do each of Nia’s 52 Moves, but each individual has their own body’s way that adjust the specifics AND the specifics are sometimes adjusted according to move in the routine. But it is important to know the specifics and the basics. It is also fun to practice the specifics and the basics.

The basics of the cat stance help with balancing on one leg. This can also be considered a strengthener, the standing leg’s muscles can be strengthened through the practice of supporting all of one’s weight. If this move is being done solely as a practice of the move, then agility can come into play. The practice of walking then stopping and moving quickly into cat stance would allow for the agility. Alternating with a light hop from whole-foot-cat-stance on one leg to the other is an exercise in agility. While this type of movement might also be something we do in a Nia routine it is not always the case. Sometimes we move into cat stance and from there do kicks.

As with all of Nia’s 52 Moves we play with them. All of Nia’s routines consist of playing with movement and music. With the cat stance you have the specific way to do it, then just like a cat you can play as you practice. You can “meow” and use claw hands. The cat stance is a fun way to play with balance and sounding. Practice the specifics then let the animal in you out!

Posted in 52 Moves (of Nia), Nia | Tagged: 52 Moves of Nia, A Stance, Balance Finger, Bow Stance, closed stance, hand technique, Nia katas, Nia Practice, Nia routine Birth, Nia routines, Nia's 52 Moves, Nia's Cat Stance, open stance, power finger, Riding Stance, standing on one leg, Sumo Stance, the body's way, the Cat Stance, The Nia Technique book | 2 Comments »

Nia Stance Sounds

Posted by terrepruitt on January 5, 2013

There are a few posts on my blog about sounding in Nia. I even have a separate category for it. See over there to the left under categories, under Nia? Sounding is what we call making noise in a Nia class. Sounding is great for many reasons. Sounding is a release. It can help release tension, emotions, spirit . . . whatever needs “releasing”. Sounding is fun. Sounding can assist in the stabilization of the torso. Sounding can help ground you . . . physically, emotionally, and your spirit. Often times when I am doing Nia both when I am teaching and when I am a student, my spirit just makes a sound. I don’t plan it, I don’t think about it, a noise just comes out. I “woo” a lot. But sometimes other sounds comes out. Sometimes the sound I make makes me laugh because I really don’t think about the sound, something just comes out. I could be thinking of something, for example, maybe the move we are doing reminds me of a swirling skirt, so then the sound could be a “whosh” as in the sound of a skirt, or it could be a giggle of a girl twirling in a skirt. I don’t always think about the sound I just let it out. Sometimes I do think of the sound. Sounding can be purposeful. The noise can have a purpose. I have posted about healing sounds and sounds associated with the chakras. This post is about the sounds that are associated with Nia stances, which are part of Nia’s 52 moves.

The picture in this post is an approximation of how MY feet would be placed in the various stances. Remember that your stances would probably be slightly different. The width would be according to YOUR body and your body’s way. The picture is just to give you an idea and maybe help remind you of the various stances. At this time I have a post associated with four of the six stances.

In Nia’s closed stance the sound is the vowel sound “o”. The sound is made to “create volume in your chest cavity”.

In Nia’s open stance the sound is (to say) “balance” or “ground”. Saying the word “balance” can assist you in your balance. The word “ground” can assist with allowing you to feel grounded and sense balance.

The sound for Nia’s “A” stance is “aaaaahh!”. You say it on an exhale. Letting out all your breath until you are ready to inhale.

Sumo stance or riding stance (feet as wide apart as if you were riding a horse) has an explosive sound. Say “ha!” To me this helps with stabilization.

The bow stance has a sound of “u”. The bow stance is done with either foot in front, not just with the left foot in front as shown in the example.

The cat stance (standing on one foot, with the other foot pressed against the standing leg) has the sound “wooooooo” associated with it. This is done on the exhale. This stance is also done on the other foot and not just the left one as in the example.

So as you are practicing the Nia stances you can use the sounds associated with them for added benefit and fun. It is just fun to make noise. To me it adds to the experience. In my classes I encourage people to make any noise they want. I also like to play with the noises, sounds, and words associated with the move.

Do you attend a dance exercise class or exercise that encourages you to make noise?

Information regarding the sounds made with the Nia stances can be found in The Nia Technique book written by Debbie Rosas and Carlos Rosas (NKA, Carlos AyaRosas). The book can be purchased from Amazon.

Posted in Nia, Sounding | Tagged: A Stance, Amazon, Bow Stance, Carlos AyaRosas, Carlos Rosas, Cat Stance, closed stance, core stabilization, Debbie Rosas, making noise is fun, Nia, Nia class, Nia Sounds, Nia Stances, Nia Teacher, Nia teaching, open stance, Riding Stance, sounding, Sumo Stance, The Nia Technique book | Leave a Comment »

“A” Stance – One Of Nia’s 52 Moves

Posted by terrepruitt on September 6, 2012

Another one of the 52 Moves of Nia is the “A” Stance. This is the stance where the position of the legs allows the body to look somewhat like the capital letter A. The legs are placed wider than hip distance apart, even wider than shoulder width. The legs are far enough apart and wide enough for them to appear to be as the bottom “legs” on a capital letter A. The feet are parallel, the upper body is relaxed. The Nia Technique Book states the benefits as: “Practicing “A” Stance improves hip flexibility and leg strength, which improves agility and mobility.”

I would like to add that it improves or at least allows the practice of balance. Not balancing on one leg which we do a lot in Nia, but balance between the body and the legs, balance between both legs, and balance between the legs and feet. Also balance of weight between the two feet. This is a stable and balanced stance. The weight is not on one foot more than the other. The weight is not on the front or the balls of the feet more than on the heels. This is a great stance to practice balance in. To allow the body to rest onto the whole foot.

Not only having the feet be parallel but even. If you were to stand at a line would your toes be even, both up to the line? I had noticed with myself for a while now that when I step into an “A” stance my right foot is ALWAYS slightly back from where my left foot is. I have been noticing this since I injured my foot in November of 2010. Just last week as I was teaching my regular Nia Class in Willow Glen, I noticed I stepped into “A” stance and my left foot was the tiniest bit back from the line on which my right foot landed (had there been a line). I thought that was funny. I giggled, but I hadn’t thought of it again until now. I don’t always think about my uneven landings until I have the opportunity to land in a stance where I see my feet several times in a routine. Then during the routine I focus on having my feet land even. There are times, of course in a dance where they don’t need to be or aren’t supposed to be even, but when doing a regular closed, open, A, or sumo stance I think the feet should be even. The “A” stance is a great stance to practice that because you can clearly see your feet and the pose is relaxed enough that there are not other things you might be thinking about. I feel the “A” Stance is a great way to practice balance.

As with all stances one way to practice the “A” stance is to simple stand in one place and move through the stances. Another way to practice is to walk and then stop in the “A” stance. Walking and stopping into an “A” Stance would be a great way to work on landing “even” — as I mentioned before. Walk, then stop, then look at your feet, notice the sensation in your hips, if your feet are even then that is the sensation you want to replicate, if not, then adjust your feet, notice the sensation in your hips and try to replicate it again as you step into “A” Stance.

The “A” Stance is just one of the six stances in the Nia 52 Moves.

What do you sense when standing in the “A” Stance? When you step into the “A” Stance do your feet land “even”?

Posted in 52 Moves (of Nia), Nia | Tagged: 52 Moves of Nia, A Stance, balance of weight, closed stance, Nia 52 moves, Nia class, Nia Dance, Nia in Willow Glen, Nia Practice, Nia Stances, open stance, Riding Stance, Sumo Stance, The Nia Technique book, Willow Glen Nia | Leave a Comment »

Closed Stance in Nia

Posted by terrepruitt on May 3, 2012

Nia has a different closed stance than some other dances and exercises I know. In Pilates the stance is heels touching and toes apart. I’ve heard it called a Pilates V. The Pilates V is done in more positions than standing. Sometimes there are exercises done while on the reformer where we will place our feet in Pilates V. It is nice to have positions that are specific. It helps a lot. I as a teacher can just say, “Closed stance.” and the Nia students will know what that means. Instead of forming a V as in the Pilates stance we form more of a rectangle. A basic closed stance is simple. It is stable. Nia’s closed stance is the side of the big toes touching and heels apart. It is as if all four corners of a rectangle are in contact with the edge of the foot. This allows for a very stable base. In the basic closed stance the arms hang. The back is straight, we are standing tall, lengthening the spine. Knees are relaxed as well was the feet. Weight is balanced evenly on both feet. Simple closed stance.

Closed stance is one of the six stances in the Nia 52 Moves. There is Closed Stance, Open Stance, A Stance, Sumo (or Riding) Stance, Bow Stance, and Cat Stance. I believe that in its basic form closed stance is the easiest. But when other elements are added that might not hold true.

We can practice our agility by walking quickly then stopping in closed stance. We might choose to be in closed stance while we allow just our arms to be agile . . . moving around in a starting and stopping fashion. We could just let our closed stance be stable as our arms are mobile. We could do an entire body dance . . . close stance dance. For some this is a challenge, even though our feet are formed into a rectangle and the idea is of a stable base it is still a practice in balance to have your feet secured to the earth while the rest of your body moves around. As I said, what we do with a close stance might not be so simple.

Practicing walking and stopping in closed stance is a good check to make certain you are not landing in “toes in“. The heels shouldn’t be that far apart as if you are doing toes in. Yet the toes should be touching. Coming from other stances to closed is good for conditioning the legs. Moving from Sumo to closed, or from at to closed is something to practice. Again we don’t want our heels to land too far apart making us pigeon toed.

I know of several routines that have us going through the stances. We start out in closed, then go to open stance, then go to A stance, then go to sumo. In some routines we work back through the stances, but in some we do move right into closed from sumo. I can’t think of one where we go from closed to sumo, but I bet there is one and I just can’t put my finger on it. Nia loves to mix up the moves to get the most out of the workout.

Can you sense the stability in the Nia Closed Stance?

Posted in 52 Moves (of Nia), Nia | Tagged: A Stance, Bow Stance, Cat Stance, closed stance, dance exercise, dance positions, Nia, Nia Dance, Nia Moves, Nia participants, Nia Teacher, Nia workout, Nia's 52 Moves, open stance, Pilates, Pilates reformer, Pilates V, Riding Stance, Sumo Stance, workout | 2 Comments »

Terre Pruitt's Blog

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