I have a huge favor or request. I know I have mentioned it before, but I don’t think I have done a single post on it, but recently I, myself, was confronted with this situation so I really want to make a serious plea. I am going to go out on a limb and say this is a plea for many fitness instructors/dance exercise teachers. If you go to a class and you don’t like it, please, please, please try it at least two more times. If you are ok with the instructor, but the class is just not that good in your opinion, give it another chance. There are a million reasons why you might not like that particular class on that particular day. It could be the routine or exercises you were doing that day so ask the instructor when s/he will be changing to a new one. Or it could be the music, so, again talk to the instructor. Maybe ask if the class you just experienced was the norm or the typical class. Sometimes instructors decide to change it up and try something new but after taking it to the class they might decide they didn’t like it either. So ask. Also ask the other students. Don’t give up on something after just one class.
If taking three classes from the same instructor sounds like a waste of time and money to you, try a different instructor. We are all different and we strive to represent the brand/technique/practice to the best of our ability, but we also add out own style and it could be that the style is not something that you connect with. It could also be — if you don’t like the class — that the instructor is not necessarily sticking to the program. You might enjoy the class with an instructor that is more closely following the idea of the fitness brand/technique/practice.
I had been to a few fitness classes recently and I felt some elements that I believe should be included in this type of class were missing. Plus in a couple of classes I felt as if it was not all that the brand promised. But I attended a few more classes with different instructors and I began to see a big difference. I also took it upon myself to become educated a bit in the type of class and now I understand why I like one class over the other. One instructor was following the program more closely than the other one and it actually is more enjoyable. I actually went to four or five classes with three different instructors. I walked out of one class saying, “Dang, I really hate that.” Whereas the other two I thought, “Now that is what it is all about!”
So if you walk out of a class thinking you really don’t like it, that is ok, you obviously didn’t like THAT particular class, but it could be the brand/technique/practice wasn’t represented correctly. So try again. Maybe the instructor was having a bad day. Yes, it is our job to instruct and hold a good class, no matter what, but . . . c’mon we are only human. Sometimes we just have “off days”. There are all types of reasons to give an instructor another chance.
I know I have mentioned this before, but if I HAVE done an entire post on it before and I am repeating myself I apologize, but I really feel strongly about this. Because, as I said, twice I walked out of a class saying, “No way!”, but then the two other instructors showed me a “Yes way!”
Now keep in mind that I am not just talking about Nia, I am talking about ANY class you try; Zumba, Jazzercise, Barre Fitness, Turbo Kick, whatever.
If you end up giving it a good try and still end up not liking it at least you will have burned some calories in the process. But I bet if you were drawn to the class in the first place you will end up finding a class and an instructor that you like. Just don’t give up after the first class, do yourself a favor and keep at it and you’ll end up finding something to allow you to gain all the benefit of an exercise workout.
Have you ever gone to a class and not gone back because you didn’t like it after only one class?
So, you know what kind of day I had? I awoke to a kiss from my hubby. Then before I could get out of bed I had a sweet little cat rolling around on the floor meowing for attention. She was very affectionate and spent a lot of time visiting with me. My hubby said she spent a lot of time with him too, about twenty minutes. That is a long time, usually she wants to get her morning hugs in then rush off to a bed for her morning nap. Then my day proceeded with me teaching a Nia class. We had a great time. Afterwards my students and I chatted a bit. The conversation ended on a high – a compliment to me and Nia.
The weather was nice in the morning.
I stopped by the grocery store. I came home and made a really yummy sandwich using the panini press. I received a few e-mails from friends and family. I talked to a good friend. We had a nice phone visit. I even took a little nap.
So it was a very wonderful day. I am very blessed. See? I had one of THOSE kinds of days, the ones that I am grateful for, the ones that sometimes get lost in the mix. When I judge my day or talk about it, I don’t condemn the entire day just because there might be a few bad moments. If you ask me about my day, I will tell you it was good. I appreciated it. If you want to hear I will share about the other moments, but I won’t proclaim my whole day BAD or one of “THOSE DAYS”.
I won’t let the fact that when I got downstairs after visiting my cat I noticed that she threw up in four different places, dictate the whole day’s label. For those of you that have cats, I know you understand (Why do they do it in several places??). For those of you that don’t have cats, cats throw up. Sometimes a lot and sometimes not. Sometimes is it just a hairball and sometimes it is just them not feeling well. It seems that no matter WHY they are throwing up they have to do it in three (at least) different places.
I won’t claim it “one of those days” even after I went into the bathroom to get my vacuum cleaner hose out of the tub (yeah that is where I keep it) and noticed that the other stuff I had in there was damp. It wasn’t gonna get that label even after I came back from the garage with a basket to put the stuff in and the entire tub was full of water, then the toilet started to over flow as I was standing there. Yeah, it still wasn’t a bad DAY. I still can’t negate all the good of my day by calling the entire day bad when I realized we don’t have a mop. I use those disposable type of floor cleaners and our mop died a long time ago. So I had nothing to soak up the water with. I had to go to the store.
Even when my hubby didn’t get a call back from the plumber before 5:00 pm and we ended up getting one late at night. I still couldn’t and can’t condemn the entire day. And I hadn’t had a chance to take a shower all day and it was hot and I got really hot and sweaty bailing out the tub. We did eventually get water. It was 10:30 pm. So the laundry had piled up because there was the initial cat blankets and bedding, then the towels to ensure the leak did go past the bathroom, and all the stuff in the tub (I had clothes in the bottom of the tub, ya know the ones I am going to get around to donating? Geez.).
So even though all of that happened it could have been worse. I could have not discovered what the cat did behind the TV in her window seat until there was a stench and a trail of ants leading to it. It was really hot yesterday so it would have baked in the sun. (Gross I know, but think of how thankful I am!) I could have not been standing there when the water started coming in and it could have kept coming. We could have not had water all night. I would not have been able to make it through the night.
It could have been worse AND I had a lot of great points to the day so I don’t like to say I am having a bad day, or a day from hell, or any of those things. I had a day for which I am grateful, it had some moments that were kind of icky, but still those were just moments. The bad moments are not what make up our lives. We all have bad moments. We all have things to deal with and “crosses to bear”. But me, I don’t condemn a whole day for those moments. I fell asleep thinking about the beautiful moments of my day.
How about you? Do you have bad DAYS? Do you let the trying moments dictate the day?
I wrote a post about a four-point turn, that is what I call one of the turns we do while we are doing Nia. In Nia it is sometimes called an Aikido turn. But it is a turn that is done in many dance exercise classes, including Zumba. I realize that even if you are reading the post while trying to do it, it could be a bit confusing so . . . . . voila! A video.
The first clip is of me facing away and I start with a RIGHT turn, then alternate. Then the second clip is of me facing the camera.
As with my Aikido turn post maybe right and left indications will work better for you. In my other post I decribed the left turn, so here I will write out the right turn. And as stated, the right turn is the first turn I demonstrate. Turn your head/eyes to the right, allow your hand/arm to follow. Move your right foot to “toes out” turning your right thigh bone to the right. Then step on your RIGHT FOOT in a “toes out” position, put your weight on it 100%. As you are stepping all your weight on your RIGHT FOOT, allow your body to turn to the right, in the direction you want to go. Swing your LEFT LEG (free leg) around to what seems like in front of your RIGHT FOOT. Step onto your LEFT FOOT, toes pointing to the back of the room (or what started off as the back of the room), take the weight off the RIGHT FOOT (“toes out” foot). Swing your RIGHT FOOT (free leg) behind to land about in line with the heel of your LEFT FOOT (weighted foot). You will land standing on the RIGHT FOOT, and turn the LEFT FOOT to be parallel with the right foot. . . making that the fourth point or step.
Even though in the first clip on the right turn you can’t see my right foot “toes out”, I do the turn enough times in the video for you to see how the first step is a “toes out” move. Starting the turn with the “toes out” and already turning the direction you want to go will go a long way in enabling you to get all the way around. Even if it takes a lot of practice to get all the way around, starting that first step with the leg in outward rotation will help a lot. I also said in my last post that I think it is easier to do this move fast as opposed to slow. So it might be a good idea to not try it really slow at first because it is not easy slow. Just go. Right toes out, left, right, left. Or left toes out, right left right. Remember we do not spin on our feet. We need to pick the feet up off the ground to avoid blisters and strengthen the leg. Also you might notice that this turn is done on the balls of the feet. You put all your weight on the ball of the foot.
While my fourth “point” or step I am exaggerating and pointing my toe in that might not always be the case. When we are moving to the music the fourth “point” could end up being any number of things depending upon many number of things. The choreography sometimes calls for different things. Plus there is the individual body that is doing it to consider. Sometimes people can’t get all the way around, it could be that the music is really moving and there isn’t enough time to get around and settle into that fourth step or it could be that this is one of those moves that will take practice.
It’s a great move that allows us to use ALL five Nia Sensations. Flexibility on the “toes out” and as we place our feet, mobility in our joints, strength to get us around and stop, agility to stop, and stability to stay stopped. Cool, huh?
In Nia there are 52 Moves that run through the Nia Routines. One move that we do quite often is not on the list of 52 moves. I call it a four-point turn because we take four steps to do it. In one of the routines I recently learned the instructor calls it an Aikido turn. Since Nia borrows moves and ideas from Aikido and associates Aikido with circular, spiral, and spherical motion, it makes sense this turn would be called an Aikido turn. As with many dance exercises the moves can sometimes be done fast or slow depending upon the music. Sometimes in a Nia routine we can do the same move at different speeds. With the four-point – which is four step – or Aikido turn – the best way to accomplish it is by starting with the first step being a “toes out” type of step. Point the foot out, away from the body in the direction you want to turn. Allow the entire thigh to turn out. Whether you are going to do a fast or slow turn, this first step is key in making it all the way around. Another key is to LOOK! Look the direction you want to turn. Also helpful is hands and arms. Allow your hand to follow after the eyes. The order would be eyes/head, hand/arm, foot/leg. While this is one arrangement of the order, sometimes your arms might actually be doing something else and that is fine too. It could be that the hands and arms lead, but whatever the case your eyes can be a part of the turn. Nia is a dance workout so sometimes we might have our arms dancing in another way to the music.
For a beginner learning the turn, I would make the previously mentioned suggestion of the order. Eyes/head, hand/arm, foot/leg. The thigh bone/foot turned out. Then step on that “toes out” foot, weighting it 100%, as you step all your weight on it your body will turn in the direction you want to go. Your free leg can be swung around to what seems like in front of your “toes out” foot, but by the time you step onto it, it will end up being besides the toes out foot because you will put all your weight into your second step and take the weight off the “toes out” foot so for a moment they will be side-by-side. Then you will swing your free leg behind to land about in line with the heel of your weighted foot. You will weight the foot that just was swung, and turn the other foot to parallel . . . making that the fourth point or step.
Maybe left and right indications will work better for you: The order: Turn your head/eyes to the left , allow your hand/arm to follow. Move your LEFT FOOT to “toes out” turning your left thigh bone to the left. Then step on your LEFT FOOT in a “toes out” position, put your weight on it 100%. As you are stepping all your weight on your LEFT FOOT, allow your body to turn to the left, in the direction you want to go. Swing your RIGHT LEG (free leg) around to what seems like in front of your LEFT FOOT. Step onto your RIGHT FOOT, toes pointing to the back of the room (or what started off as the back of the room), take the weight off the LEFT FOOT (“toes out” foot). Swing your LEFT FOOT (free leg) behind to land about in line with the heel of your RIGHT FOOT (weighted foot). You will stand on the LEFT FOOT, and turn the RIGHT FOOT to parallel . . . making that the fourth point or step.
Right to left works the same but start with your right foot.
To me, it is actually easier to do it fast than slow. But either way the hips get great rotation in the sockets. I was taught that we do not slide on our feet or spin on our feet. We dance barefoot so it is very different than if you have dance shoes on. There is not a nice layer of material that allows for easy sliding and spinning. We pick up our feet so as not to get blisters and to better condition the feet and the legs. So when we turn we are not spinning on the balls of our feet. That is one reason why I call it a four-point turn because we are hitting “points” in our dance. Points, steps, either way it is not a spin on the foot. This is another reason why it is important to start the turn with the toes already turned out because we also always want to be gentle on our knees. Also in Nia we are always reminded to remember our own body’s way. It is more important to protect and love our knees than it is to make it all they way around when doing a turn!
This is a pretty common dance move in dance exercise classes, but it is not always easy and can present a challenge. I believe it becomes particularly challenging when the person doing it wants to keep their eyes on the instructor. The best way to do it is to allow the eyes to move with the turn.
This is also a very fun move because you never know what we are going to do at either end (after the 4th step). Now that you got the turn down come to a Nia class and see what could be waiting at the end! You got the turn down, right?
Nia is both a dance exercise and a life practice. Kind of like yoga. You can go to a class and get the exercise you want and have it end there or you can learn about its principles and take them into your life. There are levels of the practice. Nia has chosen to use a “belt” system as their levels. Instead of just having numbers or names, they have assigned belt colors to the levels. There are five levels; White Belt, Green Belt, Blue Belt, Brown Belt, and Black Belt. The intensives to gain the belts can be taken and enjoyed by people who aren’t teaching. Each belt has 13 principles, except Green. Green does not have its own set of principles because green is the belt level that is actually designed specifically for teachers and helps them hone their teaching skills. It delves into the 13 principles of the White Belt. The White Belt’s principle #4 is FreeDance. FreeDance as a practice has eight stages. I have posted about eight through two. This post is about stage one. Stage #1 of Nia’s 4th White Belt Principle is Freedance – Anything Goes (movement wise).
While you are dancing any movement is great if it is authentic movement. With Nia there is choreographed moves, but within the patterns of movement there is the ability to freedance. Also with many routines there is sometimes just freedance where we are allowed to dance free to the music without any choreography. Stage one: Freedance, anything goes, allows us the greatest of freedoms. You can dance using the wall, the mirror, a chair, the floor, or a ballet barre that might be in the room. You can dance fast, slow, high, low, or in the middle. Anything that you sense your body wants to do to the music. It is up to you.
The idea with freedance is to just let the body go. Don’t think about it. When you think about it often comes the judgment. Sometimes the judgment can interfere with movement, especially if it is judgment along the lines of, “Oh I must look silly doing this.” “Oh that probably isn’t pretty.” “Oh, I am not graceful enough to spin.” “Oh, I need to do this or that.” This is all inner dialog that clogs up the muscles and their movements.
Freedance also, as I believe I’ve mentioned before, in not club dancing. We are NOT just bouncing or undulating to the beat, we are moving to the music. We are moving our bodies towards as pleasurable sensation of health and well being.
Freedance is also not patterned dancing, we save the patterns for our choreographed movements. Freedance is just free. It is spinning twirling, diving and whirling. It could be hopping or dropping. It really is whatever your body does.
Freedance is not easy. It takes practice. It is not easy to just be on the floor and not think about how you are going to move and just let your body go. It is a challenge. But once you can stop thinking and talking in your head you will find yourself moving to the music. Sometimes you might even notice that you are moving in a way that you didn’t think about and it is really amazing to have that sensation. But don’t think too much, just keep moving.
I would like to invite and encourage you to make some space in your home or if you are so inclined find a space to dance outside . . . find a space turn on some music and just dance. Let yourself go. Let yourself be free. Allow the time, space, frame of mind and spirit to freedance. Remember, anything goes!
Wahoo! I have to add that in the middle of typing this up I secured another class to sub for the City of San Jose. So exciting to be able to share Nia through the city! Yay!
I often get e-mails and phone calls from people who say they have injured themselves and they ask if they can do Nia. Well, I am not a doctor and I don’t know the extent of their injuries, but I explain to them one of the core philosophies (if you will) of Nia. You do what YOUR body can do. EveryBODY is different. EveryBODY has something going on in their body and something going on in their life. EveryBODY will be different every day. So we encourage everyBODY to do what they can. Of course, depending upon the injury, people should check with their physician and be cleared for aerobic activity and movement and when they get to class how much they do is up to them.
It is important to remember that each individual is responsible for his/her own body. When someone has had a recent injury it is very important to remember to be their own Conscious Personal Trainer (CPT). It is up to you to move in a way that is healthful. You are the one that knows the extent of the injury and you are the one that has worked with a medical professional to be healed. So here is where you really get to be aware of your body and do only what it can do.
I’ve also posted before about the levels of intensity. In Nia we say that there are three levels of intensity and Nia teachers demonstrate three levels, but really there are many, many, many levels due to the fact that everyBODY is different. My level one (which is deemed the lowest level of intensity) might be someone else’s level two. My level three could be someone else’s level two AND in addition to that, it could change the very next day! EveryBODY has different levels of intensity. I might take BIG steps to the side, whereas the person right behind me might take little steps, and the person next to her medium steps, and the person behind him HUGE steps. We all move in our own way. It is up to each individual participant to do what works for them at that time. If there is an injury involved maybe the level that used to be intensity level one, has now changed to level three intensity. It could take some time for the body to adjust and heal and get back to its original levels of intensity.
Nia believes you do what your body can and by doing what you can you will feel good. And when you feel good you will realize that you can do a lot. So the next time you do it you might do more, then the next time more, then the next time—might be a rough day, you might do less—and Nia rejoices in that. It is important to do what you can at the moment you are doing it.
I always encourage Nia participants in my classes to play with different levels. I also encourage them to try new things, to not always do the same move they are comfortable with. This could be something that one is required to do if they have injured a body part. Any injury sometimes can be a chance to grow in other areas. It doesn’t have to be a stopping point. So I encourage people to keep moving – if they can – so, yes, people can do Nia if they have been injured. As long as they have been cleared to do so by a doctor. If they are fit to move Nia can easily be adapted to help them move in their new state and get them back to dancing with joy.
I teach Nia. I have been teaching Nia for three and a half years. Not as many people who I talk to have heard of Nia as have heard of Zumba so I am constantly being asked the difference between Nia and Zumba. Since I am often asked I am often thinking about them and comparing them. First, they are actually the same in that music is played and participants dance to it. Second, in both the instructor leads the participants through the various dance moves. Third, participants of both claim they are both fun. One difference is Nia is an experience in five sensations, Zumba seems to concentrate on one.
The experience is such a big part of Nia we actually call them the five sensations of Nia. I have posted about them before (FAMSS). They are the sensation of flexibility, of agility, of mobility, of strength, and of stability. In a Nia class your body will move in a way that allows you to sense the energy moving out and away. You will bend and stretch to play with flexibility, either retaining what you have or improving upon it. There are moves in the routines that require the start and the stop. The movement that is agility could be done with our feet, our arms, our hands, our bodies, our heads or a combination of body parts but we sense the start and the stop. With every routine there is a lot of mobility, some routines have more than others, but all of them that I have experienced have a lot. With mobility it is just the same as agility in that it could be a body part that is moving or our whole body. Whatever the case there is a lot of movement from each joint that helps create a healthy joint by allowing the fluid to move to it and within it. Then we also play with strength. We might squeeze our muscles sensing the energy moving in as if the bones are being hugged by the muscles. We might do squats or sit-ups, punches and/or kicks, but there is time where we play with strength. I say Nia is very big on balance because we do many moves that requires us to be stable. Many of our moves are balancing on one leg, could be a kick, could be a stance, but it requires stability. Moving from one move to the next often requires us to call upon our stability. In a Nia routine we experience all of these sensations. I’ve reached the conclusion that Zumba is primarily agility.
In Zumba the moves are always fast. So it is a constant state of start and stop. The only sensation I sense while doing Zumba is agility. Fast start, fast stop . . . . even when there is a stretch where your muscles are yearning for a second to move to their fullest length, it is a fast stretch that does not allow for the muscle to be fully stretched. Doing a full hour of agility is not a bad thing at all. It can be fun and it can produce a lot of sweat. And many of us are programmed to think that sweat equals a good workout. I think that if you are adding Zumba to a stretching program that has some balance practice in it that is great.
I am also a believer that there are a lot of things that compliment Nia too. I actually think that if you like Nia and Zumba and you are able to do both that is a nice combination. You get two different types of cardio. One that is a workout in the sensation of agility and one that can move you through more use of the entire body to get that heart pumping.
I really believe that whatever gets you moving is GREAT. I think that you have to like what you do in order to make it a constant in your life. So Zumba, Nia, Jazzercise, U-Jam, yoga, kickboxing, bootcamp, weight training, whatever works for you is great. Do what you will do! That is the key!
It is that I am always asked about the difference between Zumba and Nia that I am always thinking about it and this was my latest thought after I did a Zumba class. I think I posted before about how I am left wanting to extend and finish my moves in Zumba and it dawned on me that it is the sensation of agility that is predominant in Zumba. Some Zumba classes I have attended do take a song to stretch at the end, but not all of them. So I guess it depends on the instructor. Nia instructors are encouraged to infuse their classes and the routines with their personalities, so I am sure that every Nia class has a few differences too.
Both Nia and Zumba are great cardio workouts. It just depends on what you want to do during your workout and what you want to get out of it. Do what you will do!
I am not a marketing expert or guru or anything, I am just a Nia teacher trying to get the word out about Nia to as many people as possible. As I go I realize that my past experiences have helped me learn a lot. Plus I learn a lot as I go. I have a lot of people who encourage me, and help me learn even more. Here are a few things that I have learned that maybe you don’t know. Or maybe you forgot, or maybe, like me, you need encouragement to do/use.
1–When posting a flyer or a poster make certain there is contact information on it. Make certain the information stands out – whether it be a phone number, an e-mail address, or some other way to communicate.
Recently I received a call from someone wanting to take a different class (not Nia), but she claimed there was no phone number for the instructor she wanted to take a class from. I took her name and number, looked up the instructor on the internet, called the instructor and gave her the prospective student’s name and number. When I was able to look at the poster myself I saw the phone number on it, but it was somewhat camouflaged. It blended in with the other text on the flyer. Make your contact information stand out. Make it bold, make it a different color, make it a different font, make it larger than the rest, or circle it. Something that makes it the first thing people see. Flash a sample at a friend and see if the contact info is the first thing they see.
2–Send e-mail.
I am hesitant to send out e-mails because I don’t like to “bother” people. I don’t like to clog their in box with a lot of stuff. I know we all get a lot of e-mails and I don’t want mine to be the one you don’t read because there is an e-mail from me all the time. I try to keep my e-mail down to “need-to-know” stuff. I work to only e-mail once a month. With this past e-mail I sent out a handful of my students thanked me for the updates. That made me feel better. People appreciate being updated.
3–Use the subject line (when e-mailing) to get the info across.
When a fellow Nia teacher told me she sends e-mails reminding people to come to class, I shared I didn’t like sending out too many e-mails. She gave me a great tip. She said to put the information in the subject line. If it is just a quick reminder of one thing then the subject line can hold all the info and the recipient doesn’t even have to open the e-mail. “See you at class tomorrow.” I thought that was brilliant. I have employed that method and I love it. Otherwise, I use my subject line to announce all the items contained in the e-mail. As an example my last e-mail subject line was: “Monday Evenings are cancelled / Subbing classes for City of San Jose / Fourth of July” I bet you can guess without even having received the e-mail what it was about. Big important news – class is cancelled. Then exciting news – I’m subbing classes. Then a note about Fourth of July. This gives the recipient a chance to decide if they need to open it right away. I know that sometimes I don’t have time to read all my e-mail in one sitting so I prioritize. I usually have a few I have to come back and read.
4–Remind people.
In the e-mail I mentioned above, I did take the time to remind people of my regular class schedule, since I was sending out an e-mail anyway. People get busy, people forget, people need to be reminded of what is happening. I can keep track of MY schedule, I can have that in my head, but I can’t have other people’s too. So when they remind me of what classes they have and when I appreciate it. The same goes with blogs. I have a few blogs I read consistently, but sometimes the ones I want to read don’t have consistent postings so I need to be reminded that they are there. This is another thing I need to work on because, again, I don’t want to “bother” people, but when I DO post a link to my blog on FB people read it and they thank me for reminding them. It’s ok to remind people. If it truly bother’s them they will let you know.
5–Send Thank you Notes.
One Nia teacher I know would send out a thank you e-mail every once in a while after class. Made me happy. I was thankful to be able to attend her class, but she would send an e-mail thanking us all for attending. Since it made me so happy, I figured it made others happy too. Of course, you can also send an actual note via the US Post Office. So many of us seldom get actual mail a thank you note would be a nice surprise. I appreciate that my students take the time to come dance with me every week, sometimes twice a week. So sending a note letting them know is important to me. I didn’t even think of this as a marketing tool until I was writing this. People liked to be thanked. Clients deserved to be thanked.
So this is just a short list. It is not trail blazing information, you probably already know these things. It is just a reminder or maybe a little encouragement. I have learned that I write and post things as much for me as for you. I will probably stumble across this in the future and say, “Yeah, that’s right, sending an e-mail is not as bothersome as you think.”
So what do you think? Even if you are not a business owner you are probably a customer on the receiving end of some of these things. What do you think? Do you have ideas you can share?
I have posted before about the 13 Principles in the Nia White Belt. The fourth principle, FreeDance, has eight stages. I am working my way backwards posting about each stage. This post is about second stage: Being Seduced by the Music – The Art of Listening. In the second stage of Nia FreeDance the exercise we perform is stillness. We keep our bodies still while we listen to the music. We allow ourselves to be seduced by the music and practice the art of listening. When listening to a song that is not familiar or doesn’t have that “get-up-and-dance” beat it is not so difficult, but when the song is one that makes every part of your body want to move, when it is familiar, or one you love it is not easy sitting still. It is not easy to sit with a tall spine that does not gyrate to the beat. But when we do practice the art of listening with only our ears we might hear sounds we had not been aware of before. While we are listening the idea is to name instruments and sounds that you hear. Sometimes you might not know what you are hearing, either you don’t know the name of the instrument or it isn’t really an instrument at all, so you can give them their own names. For instance something might sound like rushing water or trash can lids. I know a Nia teacher whose husband is in a band and she is familiar with a lot of different instruments and the sounds they make. She is very good at naming them when she hears them. Me, if you look at my bars you will see a lot of spaceships. There is a sound that I think of as a spaceship so I use that symbol to signify that sound. I HEAR a spaceship.
This stage might sound a bit like RAW, where we are Relaxed, Alert, and Waiting while we listen to the music, but it is not. Our bodies might be in the same position, of a lengthened spine and a relaxed state but in RAW we are just listening without opinion or too much thought. We have no inner dialogue so there is no naming of sounds. In RAW we are just waiting to receive. With Being Seduced by the Music we are practicing the art of listening and naming what we hear. We are engaged in the music even though we are not moving.
For me this stage of FreeDance might even produce a few pearls. It could be that I don’t know the instrument so I think of what it sounds like which allows us to move “as if we are sloshing in mud”. Or it could be that the sound just makes me think of a certain movement such as “throwing your arms in the air with a burst of sound”. While I might not be purposefully trying to think of pearls with the seduction I just let my mind flow. If there is a dialog then there is, if not, that is fine. I just let the music flow and I listen giving names to this sound and that sound.
Listening to the music without giving it dance or without it allowing to move us in dance allows us a deep relationship with it. We are not imposing our own ideals onto it as we move or we are not interpreting it, we are just letting it in. We are just listening. With that we learn about it. We hear things we might have missed while floating about the space. It is nice to be able to have that connection with the music.
Stage two of FreeDance, Being Seduced by the Music – The Art of Listening is just another toy in our toy box that Nia has given us to play with to become better teachers and better dancers.
Have you ever been sitting still listening to a song you have heard many times before and heard something you hadn’t heard before?
I don’t think I really knew that the zucchini is a hybrid of the cucumber. I do sometimes have trouble telling them apart when they are cut up in a salad, but I never really thought about their relation. I guess I figured they were related somehow. Since zucchini and cucumbers are related that makes zucchini a fruit. Geez louise. I would be in so much trouble if my life depended upon knowing the difference between what actually is a fruit and what isn’t. Most of the vegetables I think of as vegetables are actually fruits. The culinary world and the world of botany doesn’t always match up. Wiki describes the zucchini in the following appetizing way: “swollen ovary of the zucchini flower”. Yeah thanks, I want to eat swollen ovaries. 🙂 I am mostly familiar with the green zucchini, however, it is called a summer squash. I call yellow zucchini squash, not zucchini.
You might see recipes calling for courgettes . . . that is zucchini.
In regards to nutrition, zucchini are low in calories. They are a great source of antioxidants. In about 100 grams of zucchini there is 17 mg of vitamin C. It seems the best way to get the most antioxidants out of the fruit is to steam them. I am not sure I’ve tried them that way. I like to roast them, but the time involved to get them the way I like them usually keeps me from making them that way. As I mentioned in my Grated Zhuccini is GREAT post I actually like to grate them and mix them into other foods. I think they go great with linguine and rice. Not linquine and rice together, but one or the other. A comment made on that post was asking if they are stringing when they are grated, but they are not, after it is cooked it has the consistency of cheese. My last mix was turkey . . . . which is yummy too. I also like them raw, sliced paper-thin, in green salads.
My mom makes them into cheese boats. That’s a great way to cook them too. Kind of like the eggplant I did, but she takes a little out from the middle and then puts cheese in them. I only did that once. That was really good.
Zucchini has a few of the B vitamins, as you can see below.
Also since the seeds contain Omega 3, zucchini might be one of those anti-inflammatory foods that can help with the inflammation of the body. So many other foods (sugar, dairy, foods with transfat, refined grains) ADD to chronic inflammation it is always nice to get the foods into our diet that help combat it. I say “might” because the information I read had said that studies have yet to prove . . . but if the seeds have Omega 3 the might help in the battle.
According to WHFoods, 1 cup (113 grams) of raw zucchini contains:
vitamin C 32%
molybdenum 18%
vitamin B6 12.5%
manganese 10%
vitamin B2 9.4%
potassium 8.4%
folate 8.1%
fiber 4.9%
magnesium 4.8%
vitamin A 4.5%
phosphorus 4.2%
vitamin K 4.2%
vitamin B1 3.3%
tryptophan3.1%
copper 3%
vitamin B 32.7%
protein 2.7%
omega-3 fats 2.5%
Calories (18) 1%
Since is it summer time here and they call zucchini a summer squash, it’s a good time to post about it. Especially since I received some in my organic produce box.
How do you prepare zucchini? Which color do you use? Which is your favorite?
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