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Posts Tagged ‘Nia 52 moves’

“A” Stance – One Of Nia’s 52 Moves

Posted by terrepruitt on September 6, 2012

Another one of the 52 Moves of Nia is the “A” Stance. This is the stance where the position of the legs allows the body to look somewhat like the capital letter A. The legs are placed wider than hip distance apart, even wider than shoulder width. The legs are far enough apart and wide enough for them to appear to be as the bottom “legs” on a capital letter A. The feet are parallel, the upper body is relaxed. The Nia Technique Book states the benefits as: “Practicing “A” Stance improves hip flexibility and leg strength, which improves agility and mobility.”

I would like to add that it improves or at least allows the practice of balance. Not balancing on one leg which we do a lot in Nia, but balance between the body and the legs, balance between both legs, and balance between the legs and feet. Also balance of weight between the two feet. This is a stable and balanced stance. The weight is not on one foot more than the other. The weight is not on the front or the balls of the feet more than on the heels. This is a great stance to practice balance in. To allow the body to rest onto the whole foot.

Not only having the feet be parallel but even. If you were to stand at a line would your toes be even, both up to the line? I had noticed with myself for a while now that when I step into an “A” stance my right foot is ALWAYS slightly back from where my left foot is. I have been noticing this since I injured my foot in November of 2010. Just last week as I was teaching my regular Nia Class in Willow Glen, I noticed I stepped into “A” stance and my left foot was the tiniest bit back from the line on which my right foot landed (had there been a line). I thought that was funny. I giggled, but I hadn’t thought of it again until now. I don’t always think about my uneven landings until I have the opportunity to land in a stance where I see my feet several times in a routine. Then during the routine I focus on having my feet land even. There are times, of course in a dance where they don’t need to be or aren’t supposed to be even, but when doing a regular closed, open, A, or sumo stance I think the feet should be even. The “A” stance is a great stance to practice that because you can clearly see your feet and the pose is relaxed enough that there are not other things you might be thinking about. I feel the “A” Stance is a great way to practice balance.

As with all stances one way to practice the “A” stance is to simple stand in one place and move through the stances. Another way to practice is to walk and then stop in the “A” stance. Walking and stopping into an “A” Stance would be a great way to work on landing “even” — as I mentioned before. Walk, then stop, then look at your feet, notice the sensation in your hips, if your feet are even then that is the sensation you want to replicate, if not, then adjust your feet, notice the sensation in your hips and try to replicate it again as you step into “A” Stance.

The “A” Stance is just one of the six stances in the Nia 52 Moves.

What do you sense when standing in the “A” Stance? When you step into the “A” Stance do your feet land “even”?

Posted in 52 Moves (of Nia), Nia | Tagged: 52 Moves of Nia, A Stance, balance of weight, closed stance, Nia 52 moves, Nia class, Nia Dance, Nia in Willow Glen, Nia Practice, Nia Stances, open stance, Riding Stance, Sumo Stance, The Nia Technique book, Willow Glen Nia | Leave a Comment »

Common Dance Turn – Four Point / Aikido

Posted by terrepruitt on July 9, 2012

In Nia there are 52 Moves that run through the Nia Routines. One move that we do quite often is not on the list of 52 moves. I call it a four-point turn because we take four steps to do it. In one of the routines I recently learned the instructor calls it an Aikido turn. Since Nia borrows moves and ideas from Aikido and associates Aikido with circular, spiral, and spherical motion, it makes sense this turn would be called an Aikido turn. As with many dance exercises the moves can sometimes be done fast or slow depending upon the music. Sometimes in a Nia routine we can do the same move at different speeds. With the four-point – which is four step – or Aikido turn – the best way to accomplish it is by starting with the first step being a “toes out” type of step. Point the foot out, away from the body in the direction you want to turn. Allow the entire thigh to turn out. Whether you are going to do a fast or slow turn, this first step is key in making it all the way around. Another key is to LOOK! Look the direction you want to turn. Also helpful is hands and arms. Allow your hand to follow after the eyes. The order would be eyes/head, hand/arm, foot/leg. While this is one arrangement of the order, sometimes your arms might actually be doing something else and that is fine too. It could be that the hands and arms lead, but whatever the case your eyes can be a part of the turn. Nia is a dance workout so sometimes we might have our arms dancing in another way to the music.

For a beginner learning the turn, I would make the previously mentioned suggestion of the order. Eyes/head, hand/arm, foot/leg. The thigh bone/foot turned out. Then step on that “toes out” foot, weighting it 100%, as you step all your weight on it your body will turn in the direction you want to go. Your free leg can be swung around to what seems like in front of your “toes out” foot, but by the time you step onto it, it will end up being besides the toes out foot because you will put all your weight into your second step and take the weight off the “toes out” foot so for a moment they will be side-by-side. Then you will swing your free leg behind to land about in line with the heel of your weighted foot. You will weight the foot that just was swung, and turn the other foot to parallel . . . making that the fourth point or step.

Maybe left and right indications will work better for you: The order: Turn your head/eyes to the left , allow your hand/arm to follow. Move your LEFT FOOT to “toes out” turning your left thigh bone to the left. Then step on your LEFT FOOT in a “toes out” position, put your weight on it 100%. As you are stepping all your weight on your LEFT FOOT, allow your body to turn to the left, in the direction you want to go. Swing your RIGHT LEG (free leg) around to what seems like in front of your LEFT FOOT. Step onto your RIGHT FOOT, toes pointing to the back of the room (or what started off as the back of the room), take the weight off the LEFT FOOT (“toes out” foot). Swing your LEFT FOOT (free leg) behind to land about in line with the heel of your RIGHT FOOT (weighted foot). You will stand on the LEFT FOOT, and turn the RIGHT FOOT to parallel . . . making that the fourth point or step.

Right to left works the same but start with your right foot.

To me, it is actually easier to do it fast than slow. But either way the hips get great rotation in the sockets. I was taught that we do not slide on our feet or spin on our feet. We dance barefoot so it is very different than if you have dance shoes on. There is not a nice layer of material that allows for easy sliding and spinning. We pick up our feet so as not to get blisters and to better condition the feet and the legs. So when we turn we are not spinning on the balls of our feet. That is one reason why I call it a four-point turn because we are hitting “points” in our dance. Points, steps, either way it is not a spin on the foot. This is another reason why it is important to start the turn with the toes already turned out because we also always want to be gentle on our knees. Also in Nia we are always reminded to remember our own body’s way. It is more important to protect and love our knees than it is to make it all they way around when doing a turn!

This is a pretty common dance move in dance exercise classes, but it is not always easy and can present a challenge. I believe it becomes particularly challenging when the person doing it wants to keep their eyes on the instructor. The best way to do it is to allow the eyes to move with the turn.

This is also a very fun move because you never know what we are going to do at either end (after the 4th step). Now that you got the turn down come to a Nia class and see what could be waiting at the end! You got the turn down, right?

Posted in Nia | Tagged: Aikido, dance exercise class, dance exercises, Nia, Nia 52 moves, Nia class, Nia Dance, Nia instructor, Nia Music, Nia routines, Toes Out, turned out toes | Leave a Comment »

Nia Might Not Be Pretty — To Some

Posted by terrepruitt on October 20, 2011

Nia routines are choreographed movements to music. Nia’s choreography is pretty. In fact in many cases it is beautiful. Most Nia katas are based on the 52 Nia moves. Steps and moves have been carefully selected to fit with the music, for the most part. There are times when we are invited to just dance without a design. No matter the choreography we are always encouraged to dance in our own way–and that just might not be “pretty” to some people. The body — our bodies — the human body is put together in a specific way. Our parts are connected in a specific way. Movement is allowed and restricted by the way the body is constructed. Some bodies cannot move as was intended. Some bodies might have actual physical limitations that do not allow for soft, fluid, “pretty” movement. For some lifting their arm over their head might cause discomfort. It could be that they are not accustomed to lifting their arm that high so it might not be easy—at first. Some might have tight hamstrings or other muscles so their movement might be less than natural. But Nia is a journey, a practice. Over time the joints will loosen with practice and/or the muscles will become more flexible and be able to move with ease. It could become “pretty” or not. Nia might not be pretty, but it is authentic. It is not a performance. It is how our bodies move. Your body, my body, not the same body so we will move differently and it could be pretty or not. What I might think is pretty you might not. Let it be authentic.

Some bodies have other types of restrictions, could be mental or emotional. It could be, having been taught all her life “ladies” don’t move their hips “like that”, there is an automatic stop placed in her mind so her hips don’t thrust or gyrate. It could be that she thinks that movement is “ugly” so she won’t allow her body to do it. It could be that chipping away at that barrier will take time. And the learning might not be “pretty”. It might be choppy and not happen all at once. It could be that there is an emotion attached to a particular movement. An emotion can act as another type of mental block and not enable or allow the Nia participant to move as the body was designed. And that could, in turn, result in something that isn’t “pretty”. Nia might not be pretty, but it is authentic.

It could also be as previously mentioned — some have an idea of what moves are “pretty” and what moves are not, so for them maybe the “ugly” moves should be kept off of the dance floor, but Nia is not a performance. It is authentic movement of the body.

It could be an arm-raising, hair-whipping, sweat-dripping, face-reddening, body-jiggling, foot-stomping, voice-howling, eyes-crying, heart-softening, spirit-raising, mind-opening, body-moving dance exercise which, to some, just might not be pretty. It is not a show, it is not a performance it is a movement, it is a practice, it is a dance, it is an exercise, it is a workout, it is an experience, it is authentic. It is what you allow your body to do. It is what you want it to be. It is what you sense.

When we allow our bodies to move in an honest way we defer to the body’s intelligence. The body speaks to us, but we need to listen. It will tell us if what we are doing is causing pain so we can tweak the movement and move towards pleasure. Also we can learn which areas of our bodies would benefit from more flexibility or more strength if we listen. All the while, to someone who is expecting a performance this might appear “not pretty”. But to those who have experienced the freedom of listening to the body’s intelligence we see it as beautiful. We know there is a path, there is a journey.

I personally feel that it is beautiful when a participant moves to the music in a way that only s/he can move. Sometimes I might catch a glimpse of one of my Nia students and I have to remind myself that I too need to move according to the sense of the music because otherwise I would stop and watch. It is an amazing wonder to witness a surrender to the music. To some it might not be “pretty”, but it is truly beautiful. So dance your dance. Dance in your body’s way. Don’t judge. Don’t worry about if it is “pretty”. Movement is a glorious and beautiful gift to be enjoyed and not stifled. Let your movements be authentic and don’t worry about those who might think it is not pretty.

Posted in Nia | Tagged: body intelligence, dance exercise, dance performance, Dance Workout, Nia, Nia 52 moves, Nia choreography, Nia katas, Nia Music, Nia Practice, Nia routines, Nia students, the body's way | 4 Comments »

Putting Students to Work

Posted by terrepruitt on October 5, 2010

I teach Nia in the San Francisco Bay Area. One thing I am trying to do is increase awareness of Nia and also, at the same time, increase my class sizes. So recently I hosted a Playshop in San Jose at the studio in Willow Glen where I hold my Nia classes. My topic for the Playshop was some of the 52 Moves of Nia. It was a success. I felt good about it, even though I put my students to work.

I had spent a day and a half or so preparing what moves I wanted to go over in the Playshop and what Nia katas from the various Nia routines I wanted to use in the Nia Class. I wanted the class routine to include all the various moves we explored in the Playshop. I spend a couple of days between doing other things reviewing to make certain I was comfortable with my presentation and to make certain I could get through it within the allotted time. So I was confident the Playshop and the Nia Class would go smooth. What I was nervous about was being able to get in and set up.

If you are a teacher of almost anything, you know that here is time needed to set up. Showing up early to set up and be ready to greet your students is not always possible with the time allowed in between workout classes. In exercise class situations sometimes there is NO time in between classes. They are scheduled to end on the hour and start at the same time. So I had scheduled 15 minutes in between, but there was still things that needed to be done and I wasn’t wanting to rush the class before us out.

So I came up with an idea . . . . now, I would bet I am not the only one to come up with this and I bet if I were to do minimum research I would find all the “Planning a workshop” information to tell me exactly this, but I am still going share it.

I realized that I could put my students to work! So I did. Most of the time people are more than willing to help. One of my students showed up really early—before me even. So I knew she was ready to do something. So I set her on one task. Then two of my students who I had been plotting to do this work all along were assigned tasks.

This assigning of tasks can also be connected to my post about “If You want something done right“. Because I had to be willing to “let go” and let my students do the tasks. And I have to say they did them beautifully. I was so proud. I was proud of myself for having thought of having them do it and I was proud of myself that I just let them do it. And I was especially proud that they did it so well. I believe they did better than I could have–it was awesome.

It was a great learning experience for me.

My hubby (thanks, Hubby!) also came to help. With him mopping the floor and some of my students setting up the room, I was able to concentrate on the participants coming in that needed to sign waivers and get settled. All of this allowed us to start on time . . . which allowed us to end on time — for the Playshop at least. The Nia routine I put together was a little longer than an hour so we went over on that. But all-in-all it was my students that allowed me to have a successful Playshop.

(Thanks Students!)

Posted in 52 Moves (of Nia), Nia | Tagged: exercise class, katas, Nia 52 moves, Nia class, Nia exercise, Nia exercise class, Nia katas, Nia participants, Nia Playshop, Nia routines, Nia San Francisco, Nia San Jose, Nia students, Nia Teacher, Nia Willow Glen, Nia workout, Nia workshop, San Francisco Bay Area Nia, San Francisco Nia, San Jose Nia, San Jose Nia class, SFBay Nia, Willow Glen Nia, working students, workout class | 4 Comments »

Can I Do Nia?

Posted by terrepruitt on August 31, 2010

People can contact me about Nia through my website at HelpYouWell.com. Here is a communication that transpired:

Dance Exercise, Nia, Nia at the City of San Jose, Nia classes in the South Bay, Nia Teacher, Nia Class, San Jose Nia, Nia San Jose, Nia workout, Nia, Zumba

(click for CURRENT schedule! Thanks!)

A consumer has submitted the Contact Terre Pruitt form on your website.
The details are given below:

I am looking to: obtain information about Nia classes

[Personal information deleted for privacy]

Comments: How does one learn Nia? If the classes are drop in but if I have never done this before how will I know the moves? Do you have classes for beginners? If so, when do they start? How many classes must one attend in order to learn all of the moves? What is the nearest cross street to your location on Lincoln Ave.?

My reply:

Dear Lovely Spirit Interested in Nia:

Do you like to move? Do you like to dance? Do you care what others think of you? You are a Lovely Being and I invite you to let go of caring about that.

Nia is not about “the moves”, Nia is about fun. And moving and learning and not caring what others think. Do you think you might like something like that? Do you think you might like to remove your shoes and just get down and shake your groove thing? What makes Nia different than other exercise classes (well, ONE of the things that makes it different) is that we don’t judge. If you are not causing yourself or others harm then it is ok.

If one person goes left, and the other person goes right—as long as there is not a collision—it really does not matter. We are not performing. Nigel, Mia, and Adam are not there. It is just us. Those who want to move. We have fun. We don’t mind if and when we don’t do it “right”.

You, Lovely Spirit, will know the moves because you will be listening to the best, most perfect, most honest teacher there is—-YOU! YOU will be in charge. You will be the one that tells you what to do and how much to do. I might say, “raise your arm” and your arm might say, “No Lovely Spirit, not today.” And you will be moving PERFECTLY because you will have listened, and I and everyone in the class will know that you respected yourself and did what YOUR body needed. That is part of what makes Nia great.

ALL of my classes are for beginners. All of my classes are for experts. Because all of us are beginners and experts. Nia is about YOUR BODY’S WAY!

Come and see. Try not to be concerned about learning the moves. If you have looked at Nia’s 52 Moves, and are thinking about having to know all of them—don’t! We move as the body was designed to move so when you come you will be amazed at how your body just moves on its own. And because of that,
it will feel fabulous!

The NEAREST cross street is Garfield (it is where Rotten Robbies is), the “biggest one” with a light is Coe. The studio is between Coe and Willow in Willow Glen. Does that help?

I want you to come and feel comfortable. Nia is about JOY and comfort and feeling good. It is not about “moves” and “perfection” and performing. We listen to the music and I lead a routine, but you are not required to do exactly what I do. You are encouraged to move as YOUR BODY WANTS TO MOVE!

Sorry, my reply was so lengthy, but I was hoping to help you understand that it is more fun than form. Our bodies were designed to move, in society we sometimes restrict movement, so when you participant in Nia . . . it is
fun!

So, when can I expect to see you? 🙂

Posted in Nia | Tagged: Adam, exercise class, Garfield Avenue, helpyouwell.com, Lincoln Avenue, Mia, Nia, Nia 52 moves, Nia Classes, Nia Dance, Nia exercise, Nia for beginners, Nia fun, Nia Moves, Nia Spirit, Nia website, Nigel, Terre Pruitt, Willow Glen classes, Willow Glen Nia | 2 Comments »

Bow Stance – Nia 52 Moves

Posted by terrepruitt on October 10, 2009

Here is the bow stance. Now there are a lot of practices and movement arts that do the bow stance—at least I knew it before I came to Nia, so . . . please keep in mind that I am presenting it as one of the Nia 52 Moves because we do it in Nia and that is what I teach primarily.

I consider this somewhat of a deep bow. One does not need to come down this low. Usually with the bow stance we are placing a leg back, placing the ball of our foot on the ground and leaving the heel up. But there are times when we will step forward into a bow stance. Even if we are stepping forward into the bow stance, we are leaving the heel of the foot that is in the back off the ground. It is somewhat like a lunge, but the back foot remains on the ball of the foot.

The bow stance can be deep or not, and it can be a stance that we move quickly into or out of or a stance where we settle in and move our arms. It all depends on the music and the workout routine. It is great exercise for increasing balance and strength in the core and lower body.

Keep in mind that the feet are not in line. There is stability by keep the apart, at least hip joint distance apart.

Posted in 52 Moves (of Nia), Nia | Tagged: Bow Stance, deep lunge, exercise workout, hip joint, increase balance, increase core strength, increase strength in the lower body, lunge, movement arts, movement practices, Nia, Nia 52 moves, Nia exercise, Nia Practice, Nia routine, Nia Teacher, Nia workout, routine music, stability, teach Nia, workout routine | 2 Comments »

Nia Spear Fingers

Posted by terrepruitt on August 15, 2009

Here is a picture of the Nia spear fingers, one of the 52 Nia moves. You pose your hand as if you are going to salute someone.

The benefits according to The Nia Technique book (page 161) are that it will help with tension that “tends to build up in your wrists, elbows, shoulders, neck, and jaw.”

Also pictured is a modified version of the spear finger. At this point I use this version in a song that I lead. Throughout the entire song our hands/fingers are in the spear finger position and I find that is too stressful on my wrists. And Nia is about exercising and working out in a pleasurable manner so, I have adapted the spear finger to a more comfortable position for me. In other instances where we use spear finger for not such a long time, I employ the actual technique.

Nia is about so many things, but one thing we want to ensure participants do is modify and adapt to their own body’s way. My body’s way for that move is to cross my thumb over my bent ring finger and little finger. When you come to class you will be encouraged to listen to your own body and move the routine as your body wants to move. You will be encouraged to sense pleasure. Come experience it for yourself.

Posted in 52 Moves (of Nia), Nia | Tagged: exercise classes 52 Nia Moves, Nia 52 moves, Nia Classes, Nia exercise, Nia spear fingers, Nia Technique, Nia workout, The Nia Technique, The Nia Technique book, workout classes | 2 Comments »

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Terre Pruitt's Blog

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I teach yoga, Nia, and stretch online!

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