Posts Tagged ‘Nia Dance’
Posted by terrepruitt on May 26, 2012
Don’t you love three day weekends? I remember when I worked a corporate job, three day weekends were looked upon as revered things. I had been in the mortgage business all my working life and for some reason there was a practice of companies closing a bit early the Friday before a three day weekend. Rarely was it announced too far in advance, but just sprung upon us a little before lunch. The management would let us know we would be getting out at 2:00 pm or 3:00 pm. We would get to start our holiday early! Eventually it became such a common practice that we kind of began to expect it. And some companies would even be so kind as to announce the early departure time the day before so that people could actually make plans. Ahhh, yes, the three day weekend is something corporate America loves. Sometimes the actually Holiday is forgotten in the joy of having an extra day off. Forgotten in the excitement of the prospect of gathering with friends. Forgotten in the moment. Usually there is a mention of it somewhere and we say, “Oh yeah, THAT’s why we have an extra day off.” In the case of Memorial Day it really is more than an extra day off, isn’t it? Because of the people who have served and died in the United States Military, we, in America, have so much more than a day off.
Memorial Day is actually May 30th. In 1968 an Act was signed into law that changed the federal observance of some holidays to be on Mondays so that federal employees could have a three day weekend. The Uniform Monday Holiday Act took effect on January 1, 1971. According to the all-knowing Wiki:
“The Act moved Washington’s Birthday, Memorial Day, Columbus Day, and Veterans Day from fixed dates to designated Mondays.
The Monday holiday dates this act established are:
Washington’s Birthday: third Monday in February (formerly February 22)
Memorial Day: last Monday in May (formerly May 30)
Columbus Day: second Monday in October (formerly observed on October 12)
Veterans Day: fourth Monday in October (formerly November 11 and subsequently moved back to November 11 effective 1978)
Though the holiday was not in existence at the time, Martin Luther King, Jr. Day (established 1983) is celebrated on the third Monday in January, instead of King’s actual birth date, January 15, for the same reasons.”
So it is no wonder we might sometimes forget what the holiday actually was created for, because at one point it DID become about having a three day weekend.
I do hope that you take advantage of the time off and I hope you do enjoy yourself. I really believe that having time off from work is necessary to help recharge the body, mind, and spirit. While you are sharing good time with family and friends maybe you can take a minute to remember those that died serving in the military. In fact, in 2000 there was a White House Memorandum issued that would be a wonderful thing to participate in. It encourages “Americans everywhere, to pause for one minute at 3:00 p.m. (local time) on Memorial Day, to remember and reflect on the sacrifices made by so many to provide freedom for all.” Will you join me?
Since Nia is a workout/dance/practice that recharges the body, mind, and spirit I am not taking Memorial Day off. I will hold both my morning Nia class and my evening Nia class which will allow those that are normally working to participate. The focus will be sacrifice and freedom, the intent will be to express gratitude for the sacrifices made for our freedom.
I hope you enjoy your weekend. If you have a three day weekend, I hope you take advantaqge of that extra day off. I also hope you will join me for a minute at 3:00 pm this Memorial Day and every Memorial Day and take a moment to remember.
Posted in Misc | Tagged: body, Columbus Day, corporate America, February 22, focus and intent, freedom, gratitude, January 15, Jr. Day, Martin Luther King, May 30, Memorial Day, mind, mortgage business, National Moment Of Remembrance, Nia, Nia class, Nia Dance, Nia Practice, Nia workout, November 11, October 12, sacrifices, spirit, three day weekend, United States Military, Veterans Day, Washington's Birthday | 4 Comments »
Posted by terrepruitt on May 3, 2012
Nia has a different closed stance than some other dances and exercises I know. In Pilates the stance is heels touching and toes apart. I’ve heard it called a Pilates V. The Pilates V is done in more positions than standing. Sometimes there are exercises done while on the reformer where we will place our feet in Pilates V. It is nice to have positions that are specific. It helps a lot. I as a teacher can just say, “Closed stance.” and the Nia students will know what that means. Instead of forming a V as in the Pilates stance we form more of a rectangle. A basic closed stance is simple. It is stable. Nia’s closed stance is the side of the big toes touching and heels apart. It is as if all four corners of a rectangle are in contact with the edge of the foot. This allows for a very stable base. In the basic closed stance the arms hang. The back is straight, we are standing tall, lengthening the spine. Knees are relaxed as well was the feet. Weight is balanced evenly on both feet. Simple closed stance.
Closed stance is one of the six stances in the Nia 52 Moves. There is Closed Stance, Open Stance, A Stance, Sumo (or Riding) Stance, Bow Stance, and Cat Stance. I believe that in its basic form closed stance is the easiest. But when other elements are added that might not hold true.
We can practice our agility by walking quickly then stopping in closed stance. We might choose to be in closed stance while we allow just our arms to be agile . . . moving around in a starting and stopping fashion. We could just let our closed stance be stable as our arms are mobile. We could do an entire body dance . . . close stance dance. For some this is a challenge, even though our feet are formed into a rectangle and the idea is of a stable base it is still a practice in balance to have your feet secured to the earth while the rest of your body moves around. As I said, what we do with a close stance might not be so simple.
Practicing walking and stopping in closed stance is a good check to make certain you are not landing in “toes in“. The heels shouldn’t be that far apart as if you are doing toes in. Yet the toes should be touching. Coming from other stances to closed is good for conditioning the legs. Moving from Sumo to closed, or from at to closed is something to practice. Again we don’t want our heels to land too far apart making us pigeon toed.
I know of several routines that have us going through the stances. We start out in closed, then go to open stance, then go to A stance, then go to sumo. In some routines we work back through the stances, but in some we do move right into closed from sumo. I can’t think of one where we go from closed to sumo, but I bet there is one and I just can’t put my finger on it. Nia loves to mix up the moves to get the most out of the workout.
Can you sense the stability in the Nia Closed Stance?
Posted in 52 Moves (of Nia), Nia | Tagged: A Stance, Bow Stance, Cat Stance, closed stance, dance exercise, dance positions, Nia, Nia Dance, Nia Moves, Nia participants, Nia Teacher, Nia workout, Nia's 52 Moves, open stance, Pilates, Pilates reformer, Pilates V, Riding Stance, Sumo Stance, workout | 2 Comments »
Posted by terrepruitt on February 21, 2012
Seasonal Affective Disorder (SAD) per the U.S. National Library of Medicine is “episodes of depression that occur at a certain time of the year, usually during winter.” Interestingly, “Like other forms of depression, it occurs more often in women than in men.” According to Wiki “Although experts were initially skeptical, this condition is now recognized as a common disorder”. I remember when it was declared a “real” disorder. It really sounds as if this type of disorder can become very serious. There are general symptoms that are common when someone is depressed; difficulty sleeping, difficulty waking, sleeping too much, not sleeping, over eating, not eating, gaining weight, losing weight, not socializing, lack of energy, difficulty concentrating, and so on. It seems as if any depression, if left untreated and it continues, could become serious. This type of depression is no different.
I was surprised to see that it is treated somewhat the same way as other depression with both drugs and therapy. Since it is caused by lack of sunlight I hadn’t thought of using medication or talking about it to help it. But I guess that if you are depressed and antidepressants make you not depressed they would work no matter what the cause. And talk therapy helps with all types of depression too. The Mayo Clinic states the causes for SAD to be possibly your body’s rhythm being “off” due to the lack of light, so your body doesn’t know when to sleep and when to be awake, the serotonin levels being low, this is the chemical in the brain that affects your mood, so low levels could be a cause of depression, then there is melatonin levels which regulates sleep so this hormone can be off balance and affect one’s mood.
With that said, I would think that doing things to help make certain your clock stays regular would help. Make certain you keep to a strict bedtime and rising time in the morning. Also eating foods that can increase levels of serotonin might help. Good foods to eat include bananas, papayas, walnuts, and dates. (Mmmm, sounds like a recipe for a smoothie!)
I found the following list on: Muscle-Health-Fitness.com
1) Free Range Turkey
2) Flaxseed/ Flaxseed oil
3) Buckwheat
4) Wild Fish and Sea food
5) Whey protein
6) Bananas
7) High quality Eggs
8) Sour Cherries
9) Free Range Beef
10) Dark Chocolate
According to Livestrong foods that boost your melatonin are rice, barley, bananas and tomatoes. Melatonin is also found in tart cherries, sunflower seeds, almonds, and red radishes. Which again, if low levels of this hormone are thought to play a role in SAD, then increasing the levels would seem to be a logical step.
The thing I see most is light therapy. But it doesn’t work for everyone. It needs to be a bright light, one that is like the sun. I found a variety of lights on Amazon ranging from $60.00 to $600.00. With this type of therapy you sit in front of the light for a prescribed amount of time per day.
Another way to fight depression is to exercise. Exercise is always going to help because it increases your endorphins. The endorphins create a positive feeling in the body. Feeling positive helps with depression. For me dancing is both a great exercise and a great way to get happy. That is one reason why I love Nia because it really does make me happy. But, of course there is all types of exercise to help get those endorphins up. So anything that you will actually do . . . is GREAT!
I think SAD is much more widely accepted as an actual disorder than it once was. There are so many things and ways that we are educated and allowed to see how people live and feel. We probably all know at least one person living in an area where they might be susceptible to SAD. Even if you don’t feel you have felt depression because of the weather, maybe you have things you do that make you happy and get you out of a funk. What are they? What do you do that help make you happy? Share with us here and maybe they can help someone who is SAD.
Posted in Misc | Tagged: chemical in the brain, dance exercise, depressed, depression, endorphins, exercise, Mayo Clinic, melatonin, Nia, Nia Dance, Nia exercise, S.A.D., SAD, Seasonal Affective Disorder, serotonin | 12 Comments »
Posted by terrepruitt on February 9, 2012
In Nia we have FreeDance. FreeDance allows for so many things. One way we FreeDance is we dance to the music with no choreography. We let our bodies sense the music and allow it to move us. When we let our body move freely without thinking and without judging it is a great workout. Many of the Nia Routines have songs where there is no choreography and we just FreeDance, and many of the routines have choreography in addition to FreeDance. Our feet might have set patterns, but our arms and hands are free. Or our arms and hands might have the pattern and our feet are free. Many combinations of dance, choreography, and body parts. Nia FreeDance also has stages. A Nia teacher can call upon these stages for many things. The stages in FreeDance are used for learning a new routine, they might be used as a focus in a class, they might be used for a playshop, we have many options. In Nia FreeDance the fourth stage is The Creative Source – The Real You.
With this stage during the White Belt Nia Intensive I participated in, we were instructed to remember a situation and tell ourself the story of the situation and allow ourself to feel the emotion of that situation. We all walked around the room telling ourselves a story. Some of us talked out loud, some of us were silent. All of us used the emotion the story evoked to move. Our movements might not have been considered a dance by some, because in this stage we are not necessarily dancing. We are not moving our bodies with the intent of dance, we are allowing the emotion from the story to move our bodies. Depending upon the story it could appear as if our movements were a dance. Yet, since we do “dance through life” in Nia, all of our movements are a dance . . . just not the typical dance. In this stage we are not intent upon dancing.
The purpose of FreeDance is to the purpose of stimulate movement creativity. So we use the stages to assist in that. So using a story and the emotions along with the story can really allow for movement we might not have thought to bring to the dance floor. Some stories we use to practice stage 4 might be happy, some might be sad, some might be filled with anger, whatever the story and the emotion it is what moves us.
In the intensive there was all types of movements when we practiced this stage. There was stomping, jumping, running, rolling, skipping, punching, kicking, screaming, laughing, smiling, frowning . . . . all types as you can imagine would occure with a group of people with many different stories. As stated this is a tool to awaken different movement.
When we dance I think that we have a tendency to move in the same pattern. We might move in different patterns to different types of music or different beats, but there might just be a handful of different patterns. When we are challenged by using the different tools of Nia, when we practice and play with the eight stages of FreeDance we move in different ways. Sometimes muscles that don’t normally get to join us in our dance come alive. They are happy to be allowed to join in on the dance.
Using different muscles than we normally do in our dance fuels the creativity even further. When you let go and FreeDance you will be surprised. Here I invite you to try this fourth stage of FreeDance. I suggest choosing music without lyrics. Sometimes lyrics and interfere with FreeDance when trying to practice specific stages because lyrics can sometimes compel certain movements or emotions. So music without lyrics allows for you tell the story and listen to your body’s response to the emotion.
Well, what story are you going to tell?
Posted in FreeDance, Nia | Tagged: dance pattern, Nia, Nia choreography, Nia class, Nia creativity, Nia Dance, Nia FreeDance, Nia FreeDance stage 4, Nia Intensive, Nia Playshop, Nia routine, Nia Teacher, Nia White Belt | 2 Comments »
Posted by terrepruitt on February 2, 2012
In a post in which I spoke about learning a Nia Routine I said we need to know it perfectly. I would like to explain. First of all I have written before about how when I am learning a Nia routine there comes a point where I just can’t learn any more by myself and I have to take it to class. Always fascinates me how I can spend weeks working on learning it then in one hour in class I learn more than all the time I had spent on it previously. Dance exercise is like that. Teaching something is always different learning, it is a different level. Anyway I had recently said we have to know a routine perfect and what I mean by that is the better we know the music and the choreography, the closer to perfect we can get it, the better. I can do a routine without flaw in my living room then when faced with trucks driving by, kids screaming at the school, people laughing in the lobby I can get distracted. If I don’t know my music perfectly, if I don’t know the choreography perfectly then I will obviously mess up. But when I know it “perfectly” then I can not do it right, but still dance and lead the routine fine. I can mess up without saying, “Oops!” If I know where I am and what is coming I can keep going. Maybe I missed my cue to change movement, but when I know the music I can decide if I just want to stay with the move we are on or go to the next one. If I decide to go, do I want to cut the amount of times short because I was late or do the correct amount because it too fits perfectly with the music? When I KNOW it perfectly, I am free to play and really let the dance of Nia show. I can be perfect in my imperfection.
I might not teach the routine exactly as it is taught on the DVD, but I know what I am doing different and I know where I am going with the music. We teach tight, but loose. I know the moves, I execute them correctly, I do the choreography exactly as the DVD — when I can :-), but, when I mess up I am loose enough to keep going. I am loose enough to see my students enjoying one particular combination of steps, so I can elect to stay and let them enjoy their movements. I know my routine tight enough that when my earring falls off and I get a bit distracted, I can keep going AND expertly step over and around it as it lays on the dance floor. I am loose enough to be able to change the choreography by having to HOP over the fallen jewelry instead of exectuing the normal step. I am loose enough to have fun but tight enough that even when I mess up, I might be the only one that knows. It could be that there are students in class who know the routine well enough that they recognize I am not doing the choreographed move, but they can keep following and dancing because I am tight enough to be able to lead and dance in the now.
Because Nia is about dancing in the moment and having fun we are allowed a lot of freedom. I say this often because Nia allows for people to move in their own body’s way and that is an important part of Nia. But I also like to remind people that Nia IS choreographed. The moves fit the music well and there are proper and safe ways to do them. I like to express the fact that Nia is not just a room full of bodies flaling about. We are all encouraged to be perfect in our imperfection. Our bodies might not move exaclty as they are designed, but we can move with awareness. We can move with purpose. That is how I teach. I like it best when I know the routine so well that I can play and be perfect in my imperfection.
Posted in Nia | Tagged: dance awareness, dance class, dance exercise, dance floor, dance routine, exercise class, Nia choerography, Nia Dance, Nia DVD, Nia Music, Nia routine, Nia Teacher, perfect in imperfection, tight but loose | 6 Comments »
Posted by terrepruitt on January 14, 2012
Nia, the dance exercise that I teach, is a great cardio workout. Classes are fun and full of energy. To become a Nia teacher one must take the White Belt Intensive. It is 40+ hours of intense learning, discovery, play, dance, reading, listening, moving, sitting, and so much more. A person that is just interesting in learning more about Nia as a practice may also take the intensive. One does not have to have the intention of teaching to participate in an intensive. In the Nia White Belt there are 13 Principles. These principles are what teachers and practitioner use to expand their Nia practice. Working and playing with the principles actually help bodies to move “better”. Nia is a body centered exercise so these principles actually help us move our bodies. The fourth Nia White Belt principle is FreeDance, this principle has eight stages. The list of the eight stages is in my post Nia Class – Levels 1, 2, 3 – FreeDance Stage 8. The fifth stage is Authentic Movement – Change.
Nia is “about” many things. One thing Nia is about is Authentic movement. Our dance is not a performance. It is not meant to be pretty. It is meant to allow us to move in our own body’s way. The idea is that we will move in our own body’s’ way and we will move as we need to move. With freedom and authenticity we will be working our bodies as they each individually need to be worked. Yes, we do have specific steps in a kata or song. But everyone’s body does the steps maybe a little differently — to their own body’s ability. With practice the body will be able to do the steps and the moves in the Body’s Way, moving the way the body was actually designed to move.
With authentic movement we are letting the body move to the music in its own way. We don’t think of how to move it, we just let it sense the music and it moves. If one is practicing the Nia White Belt Principle #4, stage 5, then the authentic movement is done for two bars, two measures of how we count our music. After two bars change the movement. Do this for each song. The idea is that after a few songs the body will have gone through all of its “normal” movements. You will have danced out all of your movement tendencies. You will have danced all of your bodies patterns and your body will seek new moves. Your body will do things it does not usually do. You might be one that often moves your hips a lot, but after a few songs and continually changing the way you move your hips you might realize that you are out of hip moves, so your body plants your feet and you end up kicking up one leg at a time. Maybe kicking is not part of your typical dance move repertoire. Maybe once your legs start kicking your arms start punching. And this was not thought out or planned it just seemed natural. Leg kick, arm punch.
So the idea is to exhaust the normal and journey into new territory. If you have never done anything like this I want to warn you, you might be a little sore the next day. If you are a booty shaker and you change to a “how-low-can-you-go-er” you will feel it the next morning. If you always keep both feet on the ground and you start kicking or even just doing knee lifts to be different, your body will remind you the next day that you did something different.
If you let your body just dance to the music and switch it up, your body will give you great feed back on how you have never moved your foot/arm/head/butt/ankle/knee/whatever-you-moved-that-was-new the next day. You will go to move foot/arm/head/butt/ankle/knee/whatever-you-moved-that-was-new and probably sense it. This information will help you learn your movement tendencies and you can learn what new moves might help you improve your body’s movements.
Try it! Put on some music and dance with Authentic Movement, then change. Keep doing this through at least five songs and see where you end up. See what new moves your body comes up with. Ready? Go!
Posted in FreeDance, Nia | Tagged: 13 White Belt Principles, Authentic Movement, cardio workout, dance class, dance exercise, dance performance, dance practice, freedance, FreeDance Stage 8, kata, Nia, Nia class, Nia Dance, Nia energy, Nia Practice, Nia student, Nia Teacher, Nia White Belt Principle #4, White Belt Intensive | Leave a Comment »
Posted by terrepruitt on January 10, 2012
I think this is one of the most difficult stages of Nia FreeDance. And there is a reason they are numbered one through eight, and I don’t know why I started my postings about them backwards, but when I’m done they will still be here and they will tie together. On its own Stage 6 is a powerful tool, but it can also be applied when dancing Nia FreeDance stage one (FreeDance) and five (Authentic Movement). Stage 6 of Nia FreeDance is witness. We witness our movements. While we are dancing we acknowledge how we are moving. We observe our tendencies. We observe our structure. We are witness to all that our body can and can’t do, yet we do not interfere. We just let go and move. For many Nia FreeDance is a challenge because we are set free to dance without structure, we are set free to move as we sense the music. In stage 6 we do so — move without structure and as our own body senses the music — without interfering or judging. We are to just observe.
While you are dancing and witnessing, interfering would mean to change what you are doing maybe because you judged it to be a certain way. As an example, say you heard a specific stand-out beat in the music and your body sensed it as little hops so you started hopping. As you are hopping you start thinking and judging, you think, “Why am I hopping? I must look silly. No one else is hopping. I should stop.” While there was witnessing (YAY!), there was judging (not yay.) and then as a result interfering (not yay.). Movement was changed because of a judgement. Movement was changed not because your body sensed something maybe a new move from the music it was changed because you judged. This is what Nia FreeDance Stage 6 is about witnessing but NOT interfering or judging.
Even if we observe our tendency to do the same type of move over and over. This witness does not have an opinion, it just observes. If you are dancing just stage 6 of FreeDance then you just keep going. Observe, don’t judge or interfere. Now is not the time to change. Just dance.
This is not an easy stage. It is not easy to witness, just observing and not judge or interfere, but this stage is a huge eye-opener. This stage can tell us many things about our dance and our bodies. We can see our tendencies and our comfort zones. We can learn our strengths and weaknesses. We can embrace the sense of self. This stage is not easy, but it is powerful. It is a great tool in the Nia tool box for both a Nia Practitioner and a Nia Teacher.
So while you are dancing in the shower, in the kitchen, in the living room — wherever it is you get to truly dance — try stage 6 of Nia FreeDance; Witness – Do Not Interfere of Judge. Observe. And see where this takes you. See what you learn. You could learn things like, you don’t allow your neck free movement, your hips don’t get to dance, you are always bent at the knee, you can do a great shimmy, your hands are like graceful birds . . . . so many things. What have you witness in your FreeDance?
Posted in FreeDance, Nia | Tagged: Authentic Movement, Nia, Nia Dance, Nia FreeDance, Nia FreeDance Stage 6, Nia Movement, Nia Practice, Nia practitioner, Nia Teacher, Nia witness | 6 Comments »
Posted by terrepruitt on January 5, 2012
The principles of the different belts in Nia provide a foundation for our Nia practice. There are 13 Principles in the Nia White Belt. The fourth principle is FreeDance, this principle has eight stages. Eight things you can focus on that can become a part of FreeDance. When I attended my Nia White Belt Intensive we danced through these stages when we danced FreeDance. Dancing through the stages is something that can be done for fun. It doesn’t have to be because you do Nia. It can help you express yourself by turning on some music and applying the stages to the music. Dancing through the stages is also used as a technique for Nia teachers to become better aquainted with the Nia music. It is a tool that can help in learning a Nia routine. The seventh stage of FreeDance is Choreography, the tagline is: The Accidental “Click”.
I mentioned in my post about the eighth stage of FreeDance, Nia Class – Levels 1, 2, 3, that I often skip over dancing the first six stages of FreeDance when learning a Nia routine. Part of the reason is because I actually forgot about it being a step. I don’t skip them entirely, I do FreeDance about four of the stages to the music, but I don’t do all of them. I do believe that doing all six can be a great tool, so as I mentioned, I am working on implementing this action back into my “learning of a Nia routine”. Today in fact I started employing it with a the next routine I am learning.
Stage 7 of FreeDance, Choreography – The Accidental “Click”, is something that probably happens to all dancers and group fitness teachers alike. It kind of seems to happen in more than just dance actually, but with dancers the “click” is to the music. Often with the eight stages of FreeDance you are using more than one stage at a time. With experiencing the accidental click there is going to be stage two going on. There is going to be a lot of listening. The listening is to ALL of the music; the silences, the beat, the tempo, the instruments, the words the vibrations–all of it. With Nia we are taught to dance to all music, not just the kind that we turn on and can’t help but move too. We are taught to move to music we might not actually like. Many people are the type that when you turn music on something on their body starts moving. A foot might start moving, a head might bob, fingers might tap, this happens often. There seems to be some songs that EVERYBODY moves to, they just can’t help it. But then there is music that often clears the dance floor. The “everybody move to” music is easy to dance to. But the floor clearing kind sometimes can be difficult to dance to. In Nia we are taught to dance to it all. We are taught to listen to it all.
I will be the first to admit that sometimes there are songs I don’t like in a Nia routine. Sometimes there is just one noise that is to incessant or a beat that feels off, whatever the reason, I don’t like it all. Sometimes I like the music but not the moves. Sometimes I just can’t get the choreography and the music to mesh—in my head or in my body, whatever it just doesn’t work. So I keep doing that kata until it “clicks”. Eventually it will because Debbie Rosas Stewart and Carlos AyaRosas are great at creating routines, but sometimes it takes me a bit. The “click” is what state seven is about.
Stage seven is connecting to the sensation of your body. I think that often times I “don’t like it” (it being either the music or the move or whatever it is that is hanging me up) is all in my head. So if and when I stop thinking and get into the sensation of the body, I will find that the moves DO go with the music, I was just thinking they didn’t. Amazing how the thinking gets in the way of moving so often.
Here you have it the seventh stage of Nia FreeDance. Yes, I am posting about them backwards, from 8 to 1. It just happened that way. The days I went to type up a post my eyes fell on “Nia Class – Leve 1, 2, 3 for inspiration. So now I am going through the stages backwards. I bet even if you aren’t trying to learn a dance routine you can think of or recognize things in your life that click. Could be you are trying to remember a way to do something and you do it over and over and keep referring back to the instructions then one day “click”. In Nia it’s Choreography where we eventually find The Accidental “Click”, but in life it could be with anything. “Clicks” happen all the time. Even if you aren’t learning a dance routine, you’re familiar with that click, right?
Posted in FreeDance, Nia | Tagged: 13 White Belt Principles, Accidental click, Carlos AyaRosas, choreography, dance class, dance routine, Debbie Rosas Stewart, Free Dance, freedance, levels of intensity, Nia, Nia choreography, Nia class, Nia Dance, Nia foundation, Nia Practice, Nia routine, Nia student, Nia Teacher, stage eight, Stage seven | 2 Comments »
Posted by terrepruitt on December 27, 2011
In Nia there are 13 White Belt Principles. The principles provide a foundation, something we can learn, practice, explore, and build on. One Nia White Belt Principle, Principle number 7 has two parts. The second part of the principle is levels of teaching. I wrote about this when I was sharing about each Nia White Belt Principle. The three levels of teaching come up again as the eighth stage in Nia FreeDance. The eighth stage is Nia Class – Levels 1, 2, 3.
The eight stages of FreeDance are:
1-FreeDance
2-Being Seduced by the Music
3-Feelings and Emotions
4-The Creative Source
5-Authentic Movement
6-Witness
7-Choreography
8-Nia Class – Levels 1, 2, 3
In addition to learning, practicing, exploring and building on the 13 White Belt Principles, Nia teachers are taught to use the eight stages of FreeDance to learn our routines and also to expand our Nia Practice and to have fun with Nia. FreeDancing to the music is often a step I skip. So is might go without saying that dancing the first six stages of FreeDance is something I often don’t do when I learn a routine. I am going to work on using this tool, FreeDance and its stages, to learn my routines going forward. I am also going to use this tool when I go back and practice and delve deeper into the routines I already teach.
In regards to Stage 8 – Nia Class – Levels 1, 2, 3, this is something that Nia teachers need to be able to share in a class. As I stated in my post about the second half of the 7th Nia White Belt Principle, everyone’s levels might be different, but the point is that I need to be able to show you different levels. The move itself does not change, it just might be done bigger or covering more floor. If the move is a cha-cha step, then my level 1 is a cha-cha, as well as my level 2, to make it more challenging in level 3 I don’t change it to a jazz square, I just make it bigger. Or I might even show the example of it being more bouncy. There are different ways to change the level and we all have different levels so we have different needs when it comes to changing the level.
Level 1, 2, and 3 does not necessarily mean “planes” as in low, middle, high, it means level of intensity. Now how “intensity” is interpreted DOES depend on the move. As I just mentioned it could mean bigger or more bouncy. It all depends on the move itself, but either way the spirit and the energy remains the same.
I do find that sometimes I don’t have enough time to show all three levels for all of the moves. Sometimes I just stick to level one if it appears that the move is challenging to most students. Then I might briefly demonstrate level two, but go quickly back to level one because I can sense I am going to be leaving most of the class behind. In that case, what happens is if there is a student that is ready for level three they get their on their own. It is fabulous.
I do think that it is really good for me to continue to remind my students that EVERYBODY has a different level 1, which automatically means that their level 2 is different, which dominoes into the level 3 being different. When playing with dancing freely to music it is fun as a student and a dancer to experiment with different levels of intensity of a move. Sometimes the music dictates the intensity as the music itself might change intensity. Sometimes it is just amusing to change it up to challenge the body, brain, and spirit. So, even as a student of Nia or dancer that dances because you love to move you too can also experience different levels of dancing free. This is a brief look into Nia’s FreeDance and Stage 8 Nia Class – Levels 1, 2, 3.
Ready to turn on some music and dance?
Posted in FreeDance, Nia | Tagged: 13 White Belt Principles, Authentic Movement, dance class, freedance, levels of intensity, Nia, Nia class, Nia Dance, Nia routine, Nia student, Nia Teacher, Nia White Belt Principle #7 | 4 Comments »
Posted by terrepruitt on December 13, 2011
I teach Nia at a studio in San Jose. The studio is in a part of San Jose called Willow Glen. In January (2012) I will have been holding Nia classes there for three years. It is a studio that is owned by two women who teach and perform belly dancing. One woman is named Hala and the other Amanda. The name of the studio is Halanda. See how they did that? Well, every year they have a Holiday Party which is like Christmas Parties at offices once were, a BIG thank you. The teachers come together to display their talent in front of the audience made up of students, other dancers, and neighborhood people. It was an awesome show and a great party.
As I mentioned in a previous post, this is the first year that I have been able to attend. I was very amazed and impressed. I am going to spend from now until the next party telling my students they really want to attend next year. It is a busy time of the year, but it is so great to come and see all the beautiful dance we have going on in the studio.
There was a lot of food. As you can see there were vegetables, fruit, meat, and cheese. There were several types of crackers. Someone brought sandwiches. Someone brought spanakopita! There were trays of cookies. You can see the huge trays of turkey wraps. There was so much food. As one dish was emptied something else would replace it. The table was like the never ending table of food.
As you may know it is difficult to watch something AND take pictures at the same time. So I really rushed through taking pictures. I was using my phone and my camera. I was taking pictures on my phone and posting them to various social networks, like Facebook, Twitter, and Streamzoo. In addition to this being a “thank you” party, it is also a networking party and a way to try to get people interested in taking classes at the studio. So I was trying to watch at the same time I was Facebooking, tweeting, and posting to Streamzoo. All of this in addition to the fact that the subject(s) are shaking, shimmying, bouncing, and jittering caused me to have mostly very blurry shots.
The first dance shot is of Farima and her Students performing a Silk Road Fusion.
Then there is Marie Manila showing us what Hot Hula is. It appeared to be hula dance, with her telling you what muscles you are working. Maybe they repeat some moves more than they would in a typical hula dance.
Then there is a picture of Farima and some more of her students. They are doing a Persian Dance and they are dressed like princesses. I think the costumes are one of my favorite things about belly dancing. They can be very sparkly and shiny. I love that.
Here is a shot of my friend Laura Thompson. She is multi-talented. Here she is dancing under her stage name, Setareh , with a sword. I have known here for years and I have never seen her dance. It was awesome. Her other passion is jewelry making and her talent lies not only in the beautiful pieces she creates, but in the way she can tweak one of her creations to match you perfectly.
Here is Amanda, a co-owner of the studio, doing a Turkish Dance. 
Below is photo of Vy performing an Egyptian Oriental Dance.
Next is Hala, the other co-owner, doing Egyptian Bellydance.
And then a shot of Michelle and her students. Michelle teaches something called No Rules Dance, which I believe is for belly dancer who have belly dancing experience, but want to learn new things and “break” the rules.
I didn’t take pictures of all the performers, plus some that I did take were too blurry to post. Every dance was a delight to see. So much talent at the studio!
I did a two song Nia demo and many people joined me. It was awesome. We had a great time. I was so happy to be able to share Nia with so many people.
Well, I will probably point you to this post as NEXT December nears so that you can be reminded of what a GREAT time the party is and maybe (if you are around) you will attend. It really is a treat to be able to see so many different types of dance and belly dance all in one show. Thanks always to Hala and Amanda for having such a great little place we all can dance!
Posted in Exercise and Working Out, Nia | Tagged: Amanda, Belly Dance, Certified PiYo Instructor, Christmas party, CPT, exercise, Facebook, Hala, Halanda Dance Studio, Holiday party, http://www.HelpYouWell.com, Los Gatos Nia, Nia, Nia class, Nia Dance, Nia San Jose, Nia studio, Nia Teacher, Nia White Belt, No Rules Belly Dance, Performance, Pilates, PiYo/Pilates/Yoga, San Jose exercise classes, San Jose Nia, San Jose Nia classes, San Jose Nia Teacher, San Jose Workout, social networks, Streamzoo, Terre Pruitt, Twitter, Willow Glen Nia, workout, www.HelpYouWell.com, www.NiaSanJose.com, www.TerrePruitt.com, Yoga | 6 Comments »
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