Posts Tagged ‘Nia routine’
Posted by terrepruitt on March 15, 2014
Sometimes after a Nia Class or even a yoga class a student will come up to me to explain why they weren’t doing something I said to do. This is a HUGE education for me because some times what they say they can’t do is not what I intended for them to do. When my students share with me it helps me teach them better. Their understanding of what I am instructing them to do helps me hone my teaching skills and at times has me finding different ways to say things. Could be an entirely different way of saying something or it could just be a matter of me explaining it a little better. Either way, I am always learning from my students.
As an example, one day after one of my yoga classes a students explained to me that she has a very high arch so she cannot use her whole foot. Many standing poses in yoga require you to stand on the entire foot and in Nia we also use our whole foot at times. Whole foot meaning your weight is distributed over the entire foot. Not standing on the toes or leaning back on the heals, or even to either side of the foot, but to use the “whole foot”. Since I say whole foot all the time it didn’t even dawn on me that someone could take it as the WHOLE foot. To be fair, she is correct. When I say whole foot, I actually mean your whole foot PRINT. I don’t mean to include the arch of the foot which would actually be covered in the term “WHOLE foot”. I am not certain if this was ever a thought for any of my Nia students, but just to be clear, I throw whole foot PRINT out there every once in a while in all of my classes so people understand when I say whole foot, I mean the foot PRINT. Not the arch. Flash! I learned something.
There was another time when we were on our hands and knees doing the cat pose. In this pose I have my students look “down” into their lap. If the individual’s neck allows and they are comfortable with that, I go for the big stretch all the way down the spine. So when we arch down with belly towards the earth, I tell them to look up since I consider looking into the lap looking “down”. After class one day, one student told me she can’t look up because of a neck issue and when she said it we were standing and she looked up at the sky. At that moment, I just said, “Ok. Good for you for recognizing a position your body cannot do and not doing it.” I wasn’t exactly certain what she was talking about because I hadn’t instructed anyone to look up at the sky, but if her neck can’t do that, is great that she not do it. The next time I was doing the combination, I thought “look up” and – FLASH! (the light bulb again) – I understood what she was talking about. When I said look UP, she thought I meant UP at the SKY and not just up from the “down”. So, again, I learned something. I can still say look up, but I clarify that I mean up from your lap (or the other options I give).
It always amazes me and make me happy that I learn so much AS I TEACH. I think I have shared before in a post that there comes a time in my process of learning a Nia Routine where I just have to take it to the class. No matter how much time I spend at home by myself learning it, I always learn more in that hour of teaching it than all of that before time. Awesome. I might have even posted something similar to this before. It just goes to show that I am always learning something from my students! Ta-da! Students are teachers too.
Do you ever talk to your teacher about stuff? Did you ever thing that you could be teaching them something?
Posted in Nia | Tagged: cat pose, foot print, Nia, Nia class, Nia routine, Nia students, Nia Teacher, whole foot, Yoga, Yoga class | Leave a Comment »
Posted by terrepruitt on March 11, 2014
In other forms of exercise I learned the dead bug. Where you lie on your back and put your limbs up in the air as if you were a dead bug. In Nia one of our 52 moves is called Creepy Crawlers. I ALWAYS call it Creepy CrawlIES and sometimes I say, dead bugs. In Nia the move is part of the Upper Extremities in the Nia 52 moves, the hands to be exact. It is where we turn our hands to allow the palms to face up and we wiggle our fingers. Truly NOT a dead bug because dead bugs don’t wiggle there legs . . . in general. I will work on calling it by the correct name Creepy CrawLERS.
This is a simple, simple move that provides great benefits. I don’t know how often you are around the elderly if ever, but losing the use of their hands, losing the dexterity is a very common issue. So as the Nia Technique Book says, “Practicing Creepy Crawlers helps your fingers, hands, and forearms remain strong, flexible, and agile.” It is very important to move your hands. And not all of the things we do in everyday life allows for that type of flexibility and agility. So this move is so great.
To practice it according to the Nia Technique Book you just wiggle all of your fingers, including your thumb. Keep the elbow bent which helps keep the shoulders and next relaxed. Change palm directions.
This is one of those moves that is pretty much always teamed up with another move. Usually we have a foot pattern while we do the Creepy Crawlers. Or we are moving around the room. Usually, but not always. Sometimes it is nice to concentrate on the movement on the fingers. Really wiggle them with intent. Make certain ALL ten fingers are moving. Notice how it affects the tendons in your hands and arms. Watch the movement in your arms.
If you are constantly moving your fingers in a wiggly motion while doing choreography with your feet you are allowing that brain to work. Most people understand that the brain needs to stay active . . . just like the body . . . in order to function well, so we consider it fun to get our brains going as part of our movement, as part of our dance.
So as with all of the Nia 52 Moves that I have explained. Sometimes we do them a little different from perfect as described in the book. Doing Creepy Crawlers in a routine might have us straightening our arms. Or we might even be moving the hand all around while the fingers are wiggling. But the point is the fingers. Moving the fingers, wiggling the fingers. Bending each and every joint in the finger.
This is also a really fun move to do with kids. They love the idea of Creepy Crawlers, bug legs. You know kids? So many of them love anything to do with bugs.
So, I encourage you to do some Creepy Crawlers. Especially if you work at a computer or do repetitive motions with your hands. This will help keep them moving in different directions/ways.
So, did you try it? See how easy it is?
Posted in 52 Moves (of Nia), Nia | Tagged: Creepy Crawlers, Dead bugs, exercise, hand dexterity, Nia 52 moves, Nia Benefits, Nia class, Nia exercise, Nia Practice, Nia routine, repetitive motion, The Nia Technique book, the Upper Extremities | Leave a Comment »
Posted by terrepruitt on January 7, 2014
I had a new to Nia person come to class today. She called me yesterday to ask about it and showed up to class today. I like that. Of course, I asked her about it after class. She said she liked it because it made her think. She said that is what she needed. Nia is amazing because it is one of those exercises that DOES make you think. There are differences in a Nia routine. There are times when there is Free Dance, a time where you don’t think. You just let your body move to the music. You let it go and see where it takes you. It is not a trance dance, you are not in a state of trance, but you are letting your body move to the music without thinking. There is no thinking of what others think or how you look, or of a pattern, you just move. There is also the choreographed steps. Some of those steps are described as the actual dance steps there are, say a Jazz Square, a grapevine, a ball change, etc. And when learning them or even when incorporating them into a routine there may be thinking involved. There is also the imagery used in Nia. Where instead of saying reach up we might say pick an apple, instead of just saying walk we might say walk Jazzy, instead of saying get down on the ground we might say melt onto the earth . . . .these things might cause you to have to think for a moment. What are the movements involved in picking an apple? What does “Jazzy” mean? How does a body melt? Sometimes a routine will have us doing a movement that is out of the ordinary. Say against the normal “flow” of movement. And again that is where we have to think. So sometimes, yes, we do think in Nia.
Right now I have just begun teaching a routine, I have only taught it once and it is making me laugh because when I first saw Debbie Rosas do it on the DVD I didn’t understand why she said left hand on one section and right hand on another. To me it looked as if she was alternating. So the first few times I did it, I alternated my hands that I started with. When I was barring the song and I went to write down the arm choreography I stopped to watch it closely. She says left when we start with the left ONLY and right when we ONLY start with the right. There is alternating hands in between, but not alternating starting hands. This is one of those funny moves that makes me think. I love that the other teachers on the DVD didn’t quite get it either. Makes me feel better. Makes me remember that it is a practice and my brain and body will have to think about this move until I have it engrained.
I love that Nia is Body, MIND, Emotions, and Spirit (BMES). I love that new people come in and see all that it is and say they love it. I love it even more when they come back.
I always say that there was a reason Nia was once named Neuromuscular Integrative Action . . . . because that is really what it IS. I don’t know why they abandoned that, but I can imagine. It is a mouthful. And to some perhaps it sounded intimidating. Once people come to class they get to see it for themselves. It really was/is an ingenious name, just a bit much, I guess. As we are thinking we are using our nerves and our muscles.
So, what do you think?
Posted in Nia | Tagged: a ball change, a grapevine, BMES, Body-mind, dance choreography, dance exercise, dance patterns, dance steps, jazz square, Neuromuscular Integrative Action, Nia, Nia choreography, Nia class, Nia Dance, Nia exercices, Nia Free Dance, Nia Music, Nia routine | Leave a Comment »
Posted by terrepruitt on November 23, 2013
Bummer. I was so determined to remember every check in to the end of the year and, alas, I got distracted. Yesterday I forgot to post a Good Things Jar check in. It was supposed to be Goodie Jar – Check In #39. Sigh. I do hope you are still filling your Goodie Jar. I will only forgive myself because I was off doing things that actually are notable for the Good Things Jar! I was so excited to be subbing a Nia class in Santa Cruz and I ended up having such a beautiful day, that I just plumb forgot. We had a great focus in class, but I lost my blog focus when I arrived home. The plan is usually something like Nia, breakfast, chocolate, beach, home. This time we weren’t exactly sure of our plan. Turned out to be a fabulous day. As I said, one for the Goodie Jar.
I feel less wasteful when I have someone with me driving “over the hill”. If you live in the San Francisco Bay Area we often call going to the beach “driving over the hill”. It is about a 40 mile drive and–depending on the traffic–can take anywhere from 45 minutes to 90 minutes. If there is a lot of traffic or an accident it can take hours and hours. When I go, I feel as if I should have at least one other person with me. So when I get asked to teach a Nia class over there I like to take someone with me. I have one student who usually is game. She has a favorite chocolate shop over there so when she is “over the hill” she likes to drop by. This last trip I was lucky enough to have TWO students join me.
The wonderful studio where I sub is in the Tannery and there used to be a great little cafe next door. My student and I would dance then go get breakfast, then hit up the chocolate shop, then drive to the beach. We have never actually walked on the sand . . . I don’t need to do that, I just need to be at the ocean. Sadly the cafe is closed — although the sign says temporarily, we missed it. So this trip we went to another place to eat, still got to the chocolate shop then went to the ocean.
A
ll week long it had been raining, both on our side of the hill and over the hill, but on Friday it was as pictured. It was awesome. We were blessed. The place we visited is called Natural Bridges. It is no longer has a “natural bridge”, but the beach is still wonderful.
Also, in regards to the focus, as you might be familiar with, in Nia classes we have a focus and an intent. Well, I had been concentrating on learning a new routine, creating a gentle yoga class, and working out my schedule I hadn’t even settled on what we were going to dance, much less a focus. I often ask my students what they might think or feel they need to focus on. So I turned to my student and said, “Oh snap! I haven’t even thought about a focus. What do you got? Do you have anything?” She said, “I feel I need some healing. I feel kinda uuughhh.” And I said, “Thanks. We can do that.” I turned to one of the other students and gave her a questioning look because she was pressing on her ribs. She said, “This is my first class back after having been in a bicycle accident.” Ah-ha! Healing was perfect as a focus.
It always amazes me and warms my spirit that it happens that one focus needed or desired by one person turns out to be the perfect focus for so many. So often we are able to apply it to what is going on and find an intent that compliments it.
After class one the other student that came with me said that she enjoyed that focus. I shared with her the way it came about and she was surprised because she had thought the woman who was touching her ribs had suggested it. So she too was amazed that it was a focus that was appropriate for all. But that is just how it always seems to happen. It is so great. It is —-ahhhhhh!
We shared a great focus although I was so focused on the Joy from class and my morning in Santa Cruz that I forgot about my Goodie Jar post. But I think you will agree it was worth it.
So, do you think I had a good reason to forget? Are you still filling your Good Thing Jar?
Posted in Good Things in the Goodie Jar, Misc, Nia | Tagged: beach, gentle yoga, good things jar, Goodie Jar, Natural Bridges, Nia, Nia class, Nia focus, Nia intent, Nia routine, Nia San Francisco Bay Area, Nia Santa Cruz, Nia sub, Nia Teacher, over the hill, Santa Cruz, Santa Cruz beach, Tannery, teach Nia, Yoga | 2 Comments »
Posted by terrepruitt on November 5, 2013
Nia is a cardio dance workout. Come to a class, dance, sweat, get a workout. Nia is also a practice, like yoga is a practice. Just like yoga you can go to a class, participate, and get a good workout in and go home. Or you can take some of the ideas and principles with you into your daily life. If you chose, you can decide to apply some of the body mind “stuff” to your daily life. All up to you. Now the reason I explain all that is because – keeping in mind that Nia is a practice (for those that want to take it that far) – there are a lot of things to, well, practice. And Nia HQ is great about creating and supplying continue education for its members. Also, it is great about writing articles to help people learn more about the practice of Nia. One such article that was recently posted is Move Beyond Your Comfort Zone.
It talks about how each individual has different comfort zones so that “moving beyond” would be something different to each individual. It reminds us that moving beyond the place where we feel comfortable is “the best thing to keep the body and brain strong”. It shares a story and gives examples of comfort zones. I do hope you click the link above and pop over to NiaNow to read it.
Here I am going to share other ways that Nia helps us do “the best thing to keep the body and brain strong” by helping us out of our comfort zone. One way is dancing to music we don’t like. I know . . . I can hear a lot of people say, “But WHY?” Well, that is part of moving out of our comfort zone. There seems to be some beats that just call to everyone. That one song that is popular on the radio that gets everyone’s foot tapping and head bobbing. Those songs are easy to dance to. The universal dance song. But the songs that come on that you might find yourself reaching for that tuning knob are great songs to step out of the comfort zone to dance to. They are the ones that your regular, normal, COMFORTABLE dance moves just might not fit with. The song that might have you using different muscles than you are used to. The song that might have you moving in an entirely different way . . . . away and out of your comfort zone. That is one reason why that Nia routine might have one of THOSE songs in it.
Then there is the song you just love. The second it begins to play in class you are so ready to just sink into it, then your teacher says to move in a way that is in COMPLETE contradiction to the tone of the song. “WHAT? You want me to do a strong block to this sweet, sweet melody?” Moving in a way that seems opposite from what the music is “telling” you can be WAY out of some people’s comfort zones. It is a great way to keep the body and brain strong.
Playing with emotions and acting “as if” can be beyond some comfort zones. Allowing yourself to just let go and dance without caring what you look like or if your “form” is perfect can be a big step away from some people’s comfort zones. In one of my posts recently, I wrote about “messing up” . . . . . that can be MILES away from some people’s comfort zones. Sounding can really be a big stretch for some individuals. Not everyone is used to making noises while they workout.
These are just a few examples of what we do in Nia classes to help us step out of our comfort zones. As stated, the reason is to work the brain as well as the body. Moving out of our comfort zone helps mix it up. Keeps the body and brain moving in different ways. So the next time you feel resistance, let go and know you are doing something good for your body and brain.
Are you ready to step out of your comfort zone?
Posted in Nia | Tagged: cardio dance workout, cardio workout, comfort zone, Mind-body practice, mind-body workout, Move Beyond Your Comfort Zone, Nia, Nia class, Nia HQ, Nia Practice, Nia principles, Nia routine, sounding, Yoga, Yoga class, Yoga Practice | 6 Comments »
Posted by terrepruitt on October 25, 2013
Ha, ha, ha. Seems like “The Fox” will not go away. Two weeks ago I posted a video of a “live” version Ylvis did on Late Night. Today I received word that some of my fellow Nia teachers are going to use the song in their Halloween Nia Routine. They even printed out the words so that people can sing along. I love it. So funny. I posted the words here: I Give Up, What Does The Fox Say?
I am still filling my Goodie Jar with good things. Remember this is a practice to help us recognize things that we might not stop to notice normally. Also it is something to help us remember the good things even when there are things that are not good happening. So . . . . really . . . . anyone can do it. It is not too late to start, if you have not already. There are two full months left of the year!
So . . . . how is your jar coming along?
Posted in Good Things in the Goodie Jar | Tagged: good things, Goodie Jar, Goodie Jar – Check In #35, Halloween, Late Night, Nia routine, Nia teachers, Practice, The Fox, Ylvis | 2 Comments »
Posted by terrepruitt on October 12, 2013
I took dance lessons when I was young. I cannot remember a time when I didn’t know the Jazz Square. Of course there had to be a time because one is not born knowing what a Jazz Square is much less how to do one. But I don’t remember not knowing how to do it. So I actually must have learned it prior to my dance lessons, because I was young when I took my lessons but not THAT young. Whatever the case . . . . unfortunately it was all too long ago for me to truly know . . . I knew what a Jazz Square was when I entered my first Nia Class and when I took the Nia White Belt Intensive. While the Jazz Square is not included as one of Nia’s 52 Moves it is something we do a lot in our routines. It could be considered part of the Jazz Dance that is one of the Nine Movement forms that make up Nia. Well, not everyone has had dance lessons or knows how to do a Jazz Square. So we can use the clock to help them.
Nia has a core set of moves called Nia’s 52 Moves. Three of them actually have “clock” in their names. One is Rock Around the Clock, another is Slow Clock, and another is Fast Clock. So it makes sense that with those moves we would use a clock image to do the move and/or help explain and instruct the move. I have posted before about how we use the clock to help direct other moves. Well, the Jazz Square is one of them. While it is called a square it sometimes might be more of a rectangle, but the idea is to use the four corners.
First thing to know is that the Jazz Square is just four steps. So often I will just have my students march or step four counts. Sometimes we will get the dance going with that and then move to the square. Some people stay with the marching and that is fine. Another VERY important thing to know AND DO is to weight each step. As in, put all your weight onto each step you take. When you are learning the jazz square this is of the utmost importance. This will ensure that you are taking a left, right, left, right (or right, left, right, left) approach and not trying to use the same foot – as in left, left, right, left – and just getting tangled up.
Let’s do a Jazz Square left-over-right. So we will be starting with our left foot and having it cross over the right foot to the right side. The left foot comes over to the right and lands on 2 o’clock, the right foot comes back to the back right corner and lands on 4 o’clock. Then the left foot steps back to the back left corner – 8 o’clock, then the right foot steps over to the upper left corner – 10 o’clock. That is one jazz square. To keep going the left foot swings around the right foot to the upper right corner – 2 o’clock and you continue on.
So right-over-left is: right foot to upper left corner (10 o’clock), left foot to back left corner (8 o’clock), right foot to back right corner (4 o’clock), left foot to upper right corner (2 o’clock). To keep going the right foot must swing around the left foot back up to the upper left corner (10 o’clock).
Sometimes when we are doing a fast jazz square my square turns into a diamond with step one being more at 1 and the corners a little askew. But I have corners!
As with many things sometimes it is easier for a person to do it one way than the other. So it might be easy to do left foot over right foot, but when you switch it is not as easy. Sometimes that is when a student will march. Or they will do the jazz square but not the hand or body movement that we pair with it. Continuing to move is the key so whatever they do is great. Eventually with practice, the can do it!
Perhaps this will help.
Key things to remember:
- FOUR steps
- Put your weight on every step
- Step to 2, 4, 8, 10 – left, right, left, right or
- Step to 10, 8, 4, 2 – right, left, right, left
- Marching is an option
- Have fun
Do you do the Jazz Square? Does this help? Can you do the Jazz Square and a shimmy? Both ways?
Posted in Nia | Tagged: core moves, dance class, dance lessons, dance moves, Jazz Dance, jazz square, Nia class, Nia Dance, Nia Intensive, Nia routine, Nia White Belt, Nia's 52 Moves, Nine Movement Forms, rock around the clock | 4 Comments »
Posted by terrepruitt on September 24, 2013
I have stated in previous posts that we do moves in Nia that are not exclusive to Nia. Since Nia is three different arts; Martial Arts, Dances Arts, and Healing Arts, with three different movement forms in each art there is a large possibility that you have experienced the move before if you have participated in any of the movement forms. The nine basic Nia movement forms are T’ai chi, Tae Kwon Do, Aikido, Jazz Dance, Modern Dance, Duncan Dance, Feldenkrais, the Alexander Technique, and Yoga. Even if you have not practiced any of the movement forms you still might have found yourself doing the cha-cha, a jazz square, a side kick, or sitting cross legged. Nia does however have moves that are a part of Nia, say the core movements. We call them the 52 Moves of Nia or Nia’s 52 Moves. Two of the 52 moves are crosses. There is the Cross Front and the Cross Behind. The action of the cross is done with the feet.
The Cross Front is where you step across your body to the other side. Some what like taking a diagonal step forward. To practice this you can stand in an open stance and use one leg to step in a forward and diagonal direction. The ideal of the Cross Front is with a heel lead. Practice is done with arms and hands swinging freely.
The Nia Technique book states that benefits from this move is the strengthen of your inner thigh muscles.
This is a great practice in stability. Especially since often when we are doing the cross front it is combined with another move. We do not normally cross front continually from a standing still open position. So the cross front often takes on a personality of its own. Knowing how to do it in it simplest form allows for the energy and playfulness that it is normally supplied while dancing to come out. This is often a move used to play with agility because in the dance we are moving and there is a start and a stop as we cross front.
The Cross Behind, like all moves, even the one mentioned above, has its proper way to be done. To practice the cross behind start in an open stance then step with one foot back/behind on the diagonal so the moving foot comes behind and to the side of the stationary foot. The moving foot lands on “ball of foot“. The end result is the ankles look like an “x” is being made. With this further practice can be done to allow for you to sink into a lower position . . . just a little bend in the knees. But you keep the foot that crossed behind on the ball of foot. Further practice has you rising on BOTH feet onto the ball of your foot. This move helps with mobility and stability in the legs.
Again, that is the way to do it in practice. While moving, practicing, and playing with all the moves. There are routines that call for the movement to be done exactly like stated. We have our ankles crossed in the X and we are on ball of foot. That is a true cross behind. But in dancing it is often adjusted into looking a little different.
It could be that the ankles do not land that close together as we start to sense the music and dance it in our own bodies way. Could be we land on whole foot. There are many ways to dance and find this move adjusted. But as with many things, it is important to learn the base, the correct way to do it and then play from there.
So as you can tell we do a lot of moves in Nia that are familiar. I would not be surprised at all if you have done these on the dance floor at a club or a wedding reception. Maybe not exactly as we do in Nia when executing them with precision to allow us the flexibility, agility, mobility, strength, and stability available, but in a way that would make doing it in a Nia class familiar.
So where have you done the Cross Front? And the Cross Behind? Are you a grocery store dancer?
Posted in 52 Moves (of Nia), Nia | Tagged: Aikido, Ball of foot, core moves, Duncan Dance, Feldenkrais, Jazz Dance, modern dance, Nia, Nia class, Nia routine, Tae kwon do, Tai Chi, the Alexander Technique, Yoga | Leave a Comment »
Posted by terrepruitt on September 17, 2013
I am not certain “touching” is included in any other workout. I am not certain if it is included in any other cardio dance exercise. Now I am not talking about “putting your hands on your hips as you shake them” or “putting your hands behind your head as you advance forward” or “touch your elbow to your knee” or “putting your hands on your shoulders”. I am not talking about that type of touching. I am talking about touching. Touching for the sake of touching. Touching to gather sensation from your hands. Gathering information from the nerves in your fingers, palms, and the backs of your hands. In Nia we touch.
Touching gives us a lot of information. A Nia Routine might have us touching the air around us. We touch to sense the air. We touch the space around us. All around us. Above our heads, behind us, below us. We use our open palms and webbed spaces. We use the backs of our hands. We push and pull the energy. The Nia Technique book, by Debbie Rosas and Carlos Rosas, states “Practicing Touching is excellent training for increasing your Sensory IQ and for improving body awareness.” Touching the space that surrounds the body also moves the energy around — as mentioned the push and the pull. In addition to moving the energy you can draw energy in through the touch or send it out.
There is also the touching we do to things. We can touch things while we dance in a Nia class or throughout our day. In a dance class we can touch the floor, the walls, the mirror, the other things in the room. They give us information through touch.
We can also touch our skin and our own bodies to gather information. We can touch to create heat. We can touch to supply energy to a specific body part. We can touch to heal. We can touch to allow for sensation or attention. Touching brings awareness. If you are touching your elbow, as an example, with the touch you receive information from two sources. One is your hand that is doing the touching. It senses your elbow. It might feel dry skin, causing you to think you need lotion. The second source is your elbow. Your elbow senses the hand. You might think, your hand is soft/warm/moist. Exchange of information. Awareness. Attention. Touch is amazing.
No matter whether we are touching the space around us, the things around us, or our own bodies we can use fingers, palms, and back of hands. With different “touches” we are exchanging different information. Moving and/or releasing and/or gathering energy. Touch is a powerful tool in the Nia toy box.
Another way touch can be applied is in the common way of touching as measurement. In the beginning of class, say, before your body is warmed up, you can only touch as far as your shins. Then after was have moved warming the muscles all of the attachments you can easily bend all the way over to touch your toes. Touch. It is a great thing to use for many reasons. In Nia we use touch. Touching is one of Nia’s 52 Moves.
What sensations have you received today from things you have touched?
Posted in 52 Moves (of Nia), Nia | Tagged: cardio dance exercise, Carlos Rosas, Debbie Rosas, Nia, Nia Dance, Nia routine, Nia workout, Nia's 52 Moves, The Nia Technique | Leave a Comment »
Posted by terrepruitt on September 10, 2013
I know this is very far from health and fitness. I know this is not even in the realm . . . . but it is in my head. It is stuck. I get songs stuck in my brain and they just play over and over. Does that ever happen to you? Do you get that ear worm? Right now I have two songs stuck in my head this one (The Fox) and one that is in the Nia Routine I am current learning/”teaching” in my Monday and Wednesday morning Nia classes. The song is Sexy from the Nia Routine Oshun. It has no words, as this group/woman often “sings”, no words. But the woman makes noises. She hums, moans, groans, hisses, and vocalizes. It is a hauntingly addicting tune and you I find myself moaning and vocalizing along with the song or just singing it out of the blue. But I always find it odd to “sing” the non-words. I had, at one time, a link to a video of it, but I can no longer find that. But the The Fox is all over the internet, including in my last post. In regards to lyrics, “The Fox” also has a lot of “non-words” but I guess that is because that is what the fox says. Because really that is what foxes says, according to recordings made by researchers. The recordings can be found on The Cornell Lab of Ornithology’s Macaulay Library website.
The the information regarding the one recording states it is a recording of Red Foxes in Ontario, Canada. It can be found here:
http://macaulaylibrary.org/audio/55363/vulpes-vulpes-red-fox-canada-ontario-william-w-h-gunn
I think the voice on the recording says, “Young cross fox or black fox still in the puppy stage.” The recording is labeled red fox, but I it really sounds like he say black fox. I think the sound the foxes make is more comparable to the “Joff-tchoff-tchoffo-tchoffo-tchoff! Tchoff-tchoff-tchoffo-tchoffo-tchoff! Joff-tchoff-tchoffo-tchoffo-tchoff!” Although the Wired blog post titled “What Does the Fox Say? The Viral Music Video Isn’t Totally Wrong” states it is “clearly . . . . a low-key version of Chacha-chacha-chacha-chow”.
The recording of a female and male arctic fox sound to me like a mixture of Ylvis’ Chacha-chacha-chacha-chow and Wa-pa-pa-pa-pa-pa-pow! On this recording the fox noises stop at 1:18 then the researching talks about the foxes and the conditions of recording.
http://macaulaylibrary.org/audio/138274
Whereas I think the common gray fox recorded in Sierra County, California is saying “A-hee-ahee ha-hee! A-hee-ahee ha-hee!” That recording can be heard here:
http://macaulaylibrary.org/audio/60087
Devon Maloney, the author of the Wired Post I mentioned above, and I don’t exactly agree on what the foxes on the recordings say in connection with what Ylvis says, but I do believe we do both agree that Ylvis was onto something. They did get “What the Fox Say” pretty darn accurate. Hopefully my obsession with this song will be done by week’s end. But I won’t be surprised if it resurfaces. It is just so very funny. Very entertaining. I think the two that make up Ylvis are really interested in knowing what their guardian angels are saying. They asks “what is your sound”, but I actually think they have the sounds down pretty well. I am happy that their longing to know what the fox say has led to such hilarious entertainment.
So have you seen the video yet? What do you think?
Posted in Entertainment, Misc | Tagged: artic fox, Cornell Lab, ear worm, fitness, Fox song, gray fox, guardian angel, health, Macaulay Library, Nia, Nia Classes, Nia routine, Oshun, recordings of foxes, red fox, researchers, Sexy, song stuck in your head, The Fox, Wired, Ylvis | Leave a Comment »
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