Terre Pruitt's Blog

In the realm of health, wellness, fitness, and the like, or whatever inspires me.

  • I teach Nia, yoga and stretch!

    Nia: Thurs at 9 am

    Yoga: Tues at 10:30 am and Thurs at 6:00 pm

    Stretch: Thurs at 10:30 am

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    I am also available for private Nia / yoga / Personal Training!

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Posts Tagged ‘Tae kwon do’

Additional Play With The Nine Movement Forms (of Nia)

Posted by terrepruitt on October 16, 2014

I am learning a Nia Routine and the focus is the Nine Movement Forms (of Nia).  All routines can be an opportunity to connect with the Nine Movement Forms, but when it is the designed focus of the routine it really helps to emphasize each one.  There are nine songs to the routine and each song was created with the specific movement form in mind.  It is an easy way to practice each form.  It is a wonderful way to learn more.  There are three arts and three movement forms from each art.  The Arts are Healing Arts, Martial Arts and Dance Arts.  The movement forms are the Teachings of Moshe Feldenkrais, Alexander Techinique, Yoga, T’ai chi, Tae Kwon Do, Aikido, Jazz Dance, Modern Dance, and Duncan Dance.

Each movement form can be used to guide the movements.  Each movement form can energize the moves.

The below is from the Nia Technique (page 101)

(Healing Arts)

“Teachings of Moshe Feldenkrais:  Reflective, healing, conscious.  Move with sensory awareness and feel life as it happens.

Alexander Technique:  Transformative, exploratory, natural.  Move as a whole person, connected up and balanced.

Yoga:  Timeless, linked, expansive.  Move in ways that link your body, mind, and spirit to the outer world.

(Martial Arts)

T’ai chi:  Flowing, tender, fluid.  Float like a balloon, and move like a willow tree in the wind.

Tae kwon do:  Sharp, powerful, active.  Move with confidence, and feel* your own speed and strength.

Aikido:  Harmonizing, peaceful, cooperative.  Connect and blend with everything around you.

(Dance Arts)

Jazz dance:  Playful, peppy, sexy.  Move with pizzazz and express your most passionate emotions.

Modern dance:  Languid, moody, balanced.  Create different shapes with your body.  Play with balance and contrasts.

Duncan dance:  Soulful, spontaneous, unbounded.  Move like a child enchanted by life.”

*I believe that should say “feel”

In the song matched up with the Teachings of Moshe Feldenkrais we move in the space.  Sensing our bodies and the space around us.  Sensing the space with our bodies.  The T’ai Chi song has us moving fluidly both slow and fast.  The movement is a flow.  The third song takes us to a dance art and it is jazzy.  We do jazz squares and move with pep and we snap our moves.  In the song where we are focusing on Modern dance we make shapes with our bodies.  We also sense the moods created by the different shapes.  In the Duncan dance focus song we play rushing in and rushing out.  The sixth song has moves that are to be done sharp and powerful.  It is presented first slow than fast.  And that gives the participant options to do either speed.  In the song that focuses on Aikido we do a lot of turns . . . Aikido turns or four point turns.  With the eighth song we are doing a cool down and use the idea of “long bones” and “short bones” which allows us to expand and stretch connecting to the sensation of yoga.  The last song inf our floorplay, we explore the Alexander Technique by moving from the top.

Just a different way to experience the Nine Movement Forms (of Nia).  A great way to delve deeper into Nia and its movement forms.

What do YOU think of when you think of these movement forms?  What do you think of when you think of Moshe Feldenkrais?  Are you familiar with the Alexander Technique?  What comes to mind when you think of Yoga?  What do you know of T’ai chi?  Have you ever done Tae kwon do?  Does thinking about Aikido make you dizzy?  What could you show me about Jazz dance?  Are you into Modern dance?  Do you know who created Duncan dance?

 

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More Dance Moves

Posted by terrepruitt on September 24, 2013

I have stated in previous posts that we do moves in Nia that are not exclusive to Nia.  Since Nia is three different arts; Martial Arts, Dances Arts, and Healing Arts, with three different movement forms in each art there is a large possibility that you have experienced the move before if you have participated in any of the movement forms.  The nine basic Nia movement forms are T’ai chi, Tae Kwon Do, Aikido, Jazz Dance, Modern Dance, Duncan Dance, Feldenkrais, the Alexander Technique, and Yoga.  Even if you have not practiced any of the movement forms you still might have found yourself doing the cha-cha, a jazz square, a side kick, or sitting cross legged.  Nia does however have moves that are a part of Nia, say the core movements.  We call them the 52 Moves of Nia or Nia’s 52 Moves.  Two of the 52 moves are crosses.  There is the Cross Front and the Cross Behind.  The action of the cross is done with the feet.

The Cross Front is where you step across your body to the other side.  Some what like taking a diagonal step forward.  To practice this you can stand in an open stance and use one leg to step in a forward and diagonal direction.  The ideal of the Cross Front is with a heel lead.  Practice is done with arms and hands swinging freely.

The Nia Technique book states that benefits from this move is the strengthen of your inner thigh muscles.

This is a great practice in stability.  Especially since often when we are doing the cross front it is combined with another move.  We do not normally cross front continually from a standing still open position.  So the cross front often takes on a personality of its own.  Knowing how to do it in it simplest form allows for the energy and playfulness that it is normally supplied while dancing to come out.  This is often a move used to play with agility because in the dance we are moving and there is a start and a stop as we cross front.

The Cross Behind, like all moves, even the one mentioned above, has its proper way to be done.  To practice the cross behind start in an open stance then step with one foot back/behind on the diagonal so the moving foot comes behind and to the side of the stationary foot.  The moving foot lands on “ball of foot“.  The end result is the ankles look like an “x” is being made.  With this further practice can be done to allow for you to sink into a lower position . . . just a little bend in the knees.  But you keep the foot that crossed behind on the ball of foot.  Further practice has you rising on BOTH feet onto the ball of your foot. This move helps with mobility and stability in the legs.

Again, that is the way to do it in practice.  While moving, practicing, and playing with all the moves.  There are routines that call for the movement to be done exactly like stated.  We have our ankles crossed in the X and we are on ball of foot.  That is a true cross behind.  But in dancing it is often adjusted into looking a little different.

It could be that the ankles do not land that close together as we start to sense the music and dance it in our own bodies way.  Could be we land on whole foot.  There are many ways to dance and find this move adjusted.  But as with many things, it is important to learn the base, the correct way to do it and then play from there.

So as you can tell we do a lot of moves in Nia that are familiar.  I would not be surprised at all if you have done these on the dance floor at a club or a wedding reception.  Maybe not exactly as we do in Nia when executing them with precision to allow us the flexibility, agility, mobility, strength, and stability available, but in a way that would make doing it in a Nia class familiar.

So where have you done the Cross Front?  And the Cross Behind?  Are you a grocery store dancer?

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Energy Type the Nia Way

Posted by terrepruitt on July 21, 2011

When we possess a better understanding of things it allows us to work better with them.  By “work” I mean anything from enhancing, to changing, to bettering, to “dealing with”, to molding, to melding, whatever.  It just is that the better we understand something the better “it” can be.  There are personality types, as an example Type A and Type B.  When there is an idea of how a specific personality acts, sometimes there can be ways of interacting with that personality to allow for harmony.  With any “typing” there is variation, so nothing is exact, it just can give us an idea.  In Nia, we have a little bit more in-depth approach to “types”.  It is energy type.  Now no energy is necessarily better than the other.  What is better or “best” is to have BALANCE of all the types.  So this form of “typing” can be utilized to allow you to learn what type you tend towards and give you a chance to work at balancing your types.  The system of energy typing Nia uses is connected with the nine basic Nia movement forms; T’ai chi, Tae Kwon Do, Aikido, Jazz Dance, Modern Dance, Duncan Dance, Feldenkrais, the Alexander Technique, and Yoga.

In The Nia Technique, a book written by Debbie Rosas and Carlos Rosas, there are questionnaires that can guide you to understanding what your particular energy type might lean towards.  They are “True/False” questions. Here are some examples from each energy type:

(T’ai Chi)  “I am often, soft, relaxed, and internally calm” and “I breathe with great ease”

(Tae Kwon Do)  “I love speed and power” and “I am physical, conscious, precise, focused, and directed in my life, getting what I want through hard work and precision”

(Aikido “In life, I am all about win-win” and “I move with grace and seamless dynamics, turning lines into circles”

(Jazz Dance)  “I am impulsive, lusty, sassy, demonstrative, showy, alive, fun, and electrifying to my friends” and “I love to shimmy, get dressed for the party, and be uninhibited”

(Modern Dance)  “I love playing with extremes and contrasts” and “I love contrasts, gravity, surprise, and the start and stop of life, as well as moments of continuity”

(Duncan Dance)  “I am all about the soul, and in life I move in childlike ways”  and “I flow spontaneously through my life”

(Teachings of Moshe Feldenkrais)  “I am all about sensation”  and “I am healthy and love anything that is healing”

(Alexander Technique)  “I explore life with ease and flexibility” and “I seek the simple, useful, authentic, and organic ways”

(Yoga)  “I can be gentle, powerful, focused, conscious, and receptive” and “I love lying down, sitting, being prone, and playing with back bend motions.”

There are nine questionnaires with nine statements you mark as true or false.  After answering each one there is information for those with “mostly true” answers and “mostly false”.  The idea is to be able to identify which energy is stronger and which one is weaker.  Then you can work on strengthening the weaker energy during your Nia workout and in your life.  It is interesting to find out where your tendencies lie.  If you are interested in finding out what your Energy Type done the Nia way is, get a copy of The Nia Technique.  It is a great way to get to know Nia and you’ll probably learn a lot about yourself on the way.

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Three of Nia’s Nine Movement Forms

Posted by terrepruitt on March 12, 2011

I believe that I have mentioned before Nia allows us—even encourages us—to do routines with different focuses. I know I have posted about focuses before. This past week I led my classes in the Nia routine called Sanjana. I believe this is a routine created by Debbie Rosas NKA Debbie Rosas-Stewart. It is an awesome routine (well, yeah . . . its Nia). I decided that I would do one of the nine movement forms per class. I know I have posted about Nia’s Nine Movement Forms before, too.  I had used some of the movement forms previously with this routine, so I decided the ones we did this week would be ones I had not paired up with Sanjana. Monday in my San Jose Nia class we did the ideas of Moshe Feldenkrais. For Wednesdays Nia class in San Jose we utilized the energy of Tae Kwon Do. My Los Gatos class on Friday experienced Sanjana with the Modern Dance flair.

I love this about Nia. I love that doing the same routine, but doing it with different energies allows for different movement, different sensations. Each movement form has its own energy, that is how we apply them to a routine and come up with something unique. I chose Feldenkrais for Monday because often times participants are a bit sleepy on Monday mornings.  Sometimes we prefer something that moves us but something more along the lines of a stretch or a healing art.  It could be that too much was done over the weekend or not enough, so Mondays are a little different.  With this conscious movement as our guide we were able to focus on the sensation of the body as we moved. The dance was conscious.  We could concentrate on areas that needed attention, either from the over-use during the weekend or lack of use.  Whatever the case, the idea is ease.  Move with ease into one’s own power and strength.  This is a gentle movement form but that does not mean it is not intense.  We can still move our bodies to get a great strength and/or cardio workout when playing with the healing arts, but it is with greater awareness.

By the middle of the week, Wednesday’s class was perfect for Martial Arts.  Nia students have “recovered” from the weekend so the whole body can be used.  We have the strength to utilize the power of the Tae Kwon Do energy.  The dance can be precise, by this time of the week.  Two days are behind, only three are left (class is in the morning), the desire and focus needed to push on is there.  Sanjana has great opportunity for dynamic ease to be exercised.  There are katas that allow for the fluid moves of martial arts with dance, kicking, punching, blocking, and striking.  In fact the “Exercises” listed in The Nia Technique White Belt Manual* under the Tae Kwon Do craft seems as if they were written expressly for Sanjana.

Friday, unknown to me at the time I planned my dance week, was a great day to do Modern Dance.  With the tsunami that hit Japan over the night (Thursday night for us, Japan’s Friday) it was a great time for dance. Modern Dance calls you to express yourself.  This movement form is one of imagination.  You can be big and/or small, fast and/or slow, a tree, a rock, sand, water, air, even a feeling.  People can truly dance whatever they want.  So while we are still practicing our stances the feelings put into it are those of the participant.  Movements led by me are executed by whatever sense is being experienced.  Many people had different issues and feelings to work through.  Even if some of those feelings were a celebration with the understanding that life is short and precious so we need to celebrate what we have while we have it.  This form is that of balance–both on and off, flexibility, strength, power, drama, emotions . . . whatever fits.  It was a great way to let our bodies move while our hearts went out to all that were affected.

Nia is awesome like that.  We danced the same routine for all three classes this week.  With each class it was different while we paired up the routine with different movement forms.  While the movement forms were able supply the energy, the “feel”, the sensation that was required for the day.

(Thoughts and prayers go out to ALL that are/were/and will be affected by the earthquake in Japan on March 12, 2011 and the subsequent tsunami.)

*March 2001, V# Page 2-19 thru 2-20

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Nia’s Three Stages of Practice

Posted by terrepruitt on September 30, 2010

With Nia you get a workout.  It is not necessary to have any experience in any type of dance modality or martial arts, or any type of practice (Yoga, Pilates, etc.).  Any BODY can walk into a class and join in and following their own body’s way get a great workout.

In the Nia practice there are three stages.  So if you want you can take your workout into these areas.  The stages are:

1—Learn the Move
When you learn the move you are learning the name, you are thinking about the move.  The concentration is on placing your feet in the proper place, learning where your limbs are supposed to be.  Maybe trying some of the different intensity levels and the different planes.  This is the stage where you are actually doing a lot of thinking.

2—Move the Move
This is the stage we you move the move.  You are doing a routine and just moving.  Getting the moves into your muscle memory.  Your body is learning the move.  Here is where you are learning the combinations.  This stage is where you let your body lead and you don’t think too much.  The body has an intelligence of its own and if you let it sense it can flow.

3—Energize the Move
This is the stage that you can achieve once your body knows the move.  This stage could be during a song the first time you do it, if you feel comfortable and your body senses the moves you might be able to just put the energy into it from one of the Nine Movement Forms.  Or it could be the stage you get to once you have done the song a few times.  It really depends on the you.  It depends on how you feel and how you sense the music.  But this is where we really get to play with our routines, where we can energize with the energy of T’ai Chi, Tae Kwon Do, Jazz Dance, or Yoga.

This weekend (10/03/10), in Willow Glen/San Jose I am holding a Nia Playshop where we will Learn the Move.  We are going to play with some of the moves that make up the 52 Moves of Nia.  Then after we are going to have a Nia Class where we Move the Move.  Since we will have spent an hour Learning the Moves I am hoping that some of you will be able to Energize the moves.  See you Sunday!

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Nia Isn’t . . .

Posted by terrepruitt on May 20, 2010

Part of the purpose of my blog is to share what Nia is and to invite people to take one of my classes. I have learned that when teaching people it is sometimes helpful to share what something ISN’T to help them understand what it is.

Nia isn’t a class where you won’t sweat.

Nia isn’t a class where the teacher shouts at you to motivate you.

Nia isn’t a class where you just think about moving.

Nia isn’t Jazzercise.

Nia isn’t sitting around.

Nia isn’t about pain.

Nia isn’t hard jumping.

Nia isn’t Tai Chi.

Nia isn’t Tae Kwon Do.

Nia isn’t Aikido.

Nia isn’t a mindless workout.

Nia isn’t Zumba.

Nia isn’t taught to Nia teachers in a day.

Nia isn’t new to the fitness world.

Nia isn’t Jazz Dance.

Nia isn’t Modern Dance.

Nia isn’t judgmental.

Nia isn’t a strict combination of linear movements.

Nia isn’t a class where you are told EXACTLY how to move your own body.

Nia isn’t Yoga.

Nia isn’t stiff.

Nia isn’t rough.

Nia isn’t (necessarily) just a workout.

Nia isn’t JUST Free Dance.

The BEST way to learn about what Nia isn’t and what Nia is, is to go to a class and see for yourself.  Nia class finderWant to find a class near you?

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Nia and Tae Kwon Do

Posted by terrepruitt on November 28, 2009

As you might now be aware Nia includes elements from three disciplines from three different arts. From the martial arts, we borrow from Tae Kwon Do. Not just “moves” from Tae Kwon Do but also some of the other elements of it. With its kicks, punches, blocks, and stances it helps allow Nia to be a great leg workout and provide a stable base for some of our other moves.  Tae Kwon Do can also contribute to one’s confidence by providing exercises that allow one to become strong and stable.  These are the things Nia gains from Tae Kwon Do.

Nia calls Tae Kwon Do the Dance of Precision.*  So when delivering a punch, block, kick, etc. with the energy of Tae Kwon Do, it is done with precision and intent.  However, Nia likes to play so at times even though we might not be executing a punch or a kick, but we might choose to energize our movement with “Tae Kwon Do” like energy, and be forceful and aggressive even adding sound to our movement.

Adding the energy of one form to the moves of another is one of the things that make Nia fun and keeps is challenging.  It takes different muscles to skip with force and authority than to skip like a child without a care in the world.  That is an example of how Nia incorporates different moves with different energies.

In Nia we don’t “DO” Tae Kwon Do, things have been gleaned from it and brought into Nia and mixed in with aspects of  Tai Chi, Aikido, Jazz Dance, Modern Dance, Duncan Dance, Yoga, the Alexander Technique and the teachings from Feldenkrais, and the combination from each form is Nia.  A lot of Nia routines include moves and concepts from each discipline, but not always.  In an effort to keep each workout fresh, fun, and joyful teachers often mix things up.

If you are near San Jose, come to one of my Nia classes.  If not, I hope that you will find a Nia class near you and give Nia try.

*Both the Nia Technique Book and The Nia Technique – White Belt Manual state this. Both books are by Debbie Rosas and Carlos Rosas. **V3 of The Nia Technique – White Belt Manual

Posted in Movement Forms of Nia, Nia | Tagged: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 4 Comments »

Nia and Tai Chi

Posted by terrepruitt on September 26, 2009

A Nia workout includes elements from three disciplines from three different arts.  

From the martial arts, we use moves from T’ai chi.  Actually it is not just “moves” from Tai Chi but also some of the “ideals” from Tai Chi.  Nia calls Tai Chi “The Slow Dance”.*  Tai Chi allows for the elements of grace, ease, precision, power, and lightness to be accessed and brought in to our dance that is our workout. 

So while we do not do the sequences of postures that form a Tai Chi routine or exercise we might have some of the Tai Chi moves incorporated into a routine.  And/or we might take a portion of the routine and execute it “Tai Chi like”, moving slow and graceful.  Being mindful of our movements and moving from the feet with relaxed joints establishing that fluid Tai Chi like flow.  We might also incorporate circular movements and shift our weight to assist in balance, all the while sensing the gentle flow of chi. 

Some things we do in class to assist us in moving “Tai Chi like” is leading with our heels when we step, using our eyes to allow for our head to be included in our movement, keeping our joints open and soft, focusing on moving from our energy center, using our breath to generate power and support for movement, and moving systemically.** 

Hopefully this post will serve to address some of the inquires about the aspect of Tai Chi in Nia. This will give you an idea of how Tai Chi is brought into Nia. 

I love to watch the people in the parks of San Jose doing Tai Chi.  I actually see them all over the Bay Area.  In Nia we don’t “DO” Tai Chi, we glean from it and allow what we’ve gleaned to mix with aspects of Tae Kwon Do, Aikido, Jazz Dance, Modern Dance, Duncan Dance, Yoga, the Alexander Technique and the teachings from Feldenkrais.  It is all combined to be Nia.

 
*Both the Nia Technique Book and The Nia Technique – White Belt Manual state this.  Both books are by Debbie Rosas and Carlos Rosas.

**V3 of The Nia Technique – White Belt Manual

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The Nine Basic Movements Forms Of Nia

Posted by terrepruitt on March 31, 2009

Niais about joyful movement.  Move with joy.  Move for joy.  Move to joy.

A Nia workout includes elements from three disciplines from three different arts:

From the martial arts, we use moves from T’ai chi, Tae Kwon Do, and Aikido.
From the dance arts we embrace styles from Jazz Dance, Modern Dance, and Duncan Dance
And from the healing arts we are mindful of teachings from Feldenkrais, the Alexander Technique, and Yoga.

At times we might move slow focusing on movements centered around the body’s inner core, as in T’ai chi.  We might kick or punch as one might do in Tae kwon do, and these movements might flow into a spiral motion that is associated with Aikido.  We could decide to play the showman and do the entire routine with a jazzy flair or just add movements of creating shapes, dropping and then recovering the body’s own weight as a modern dancer might do.  There is always a chance we could give in to our inner child and run free and honest with the playfulness of a Duncan dancer.  While we’re doing one these things we are keeping in mind the teaching of Moshe Feldenkrais and being conscious of sensations.  We could stretch to the top with utmost concentration one might contribute to the Alexander Technique, then move onto a dance of bone alignment increasing awareness, relaxation, and balance the could be thought of as Yoga.*

So in one workout you can experience all those things.  Strength is balanced with grace.  Fun is balanced with seriousness.  Body is balanced with mind.

The music is varied and is intended to promote the movement of the routine.  There is no doubt something for everyone.

*based on information from The Nia Technique by Debbie Rosas & Carlos Rosas

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