Posts Tagged ‘Nia Practice’
Posted by terrepruitt on December 15, 2012
Nia Blue Belt Principle #5 is The Power of Three. Tagline: Relationship. The Nia Blue Belt manual says, “The Power of Three is the model that we use for awareness of what we bring and what the other brings to the Relationship”. Oh yeah, totally interesting. Remember in our setting “the other” is not always another. It is not always a PERSON. It is whatever you are in relationship with. Just as with the Power of Two, there is Power in Three. The three is “self”, “relationship”, and “the other”. So this really is everyday life stuff. We all have relationships with others.
The principle — to me, in my quick review/regurgitation and in a nutshell and just scratching the surface — helps us see the self, the relationship, and the other. It explains that there are things we bring into a relationship, and there are needs that need to be met, and that there are agreements that self and other reach in order to have a relationship. Makes sense, right? As I said, everyday life stuff. We all have “stuff” we bring to a relationship and we all make agreements to be in the relationship. Most often than not there is no paper or even a discussion on the agreement, they just happen over time. You might have a friend that you call when you would like some cheering up. Your friend always is there to do that for you. You brought a need, your friend brought a “skill” there is an agreement in your relationship.
With Nia the principles most often apply to everyday and every day life, but also to a Nia Class, the Nia Practice, and to the body. So we can apply The Power of Three to a Nia Class. There is all three elements there; self, relationship, and other. There are things that self brings and things other brings and the result in a relationship. Now the interesting part is “the other”. In the case of a Nia Class “the other” could be the student or it could be the space itself (or anything . . . these are just two examples). It might be somewhat obvious that as a Nia Teacher there would be a student and a relationship between the two, and agreements made. But what about the space? I am not saying that a space is like a live creature, but we can still have a relationship. It can be “the other”.
I can be in a space for teaching Nia that is dark and damp and not very inviting. Since it is a space IT cannot change itself. That is what it brings: dark, damp, uninviting, and unchanging. I, on the other hand, can bring a better attitude about the space. I, myself, can be extra excited to be there and allow my excitement to fill the space and making it more inviting. I can bring lights and either a fan or a heater (depending upon the season/weather and reason for damp). The Power of Three is just that — POWER. With another person there can be assistance with the relationship because there can be agreements made and met on both sides, but my relationship with an “object” what I BRING to that relationship is up to me. But there is still Power. Because the three of us, me (self), how the space is used (relationship), the space (other) create the energy and the place that people will be coming into and working out in, I need to bring more to meet agreements in the “relationship”.
Think about that example. Sometimes in order bring Nia to more people Nia teachers don’t get to teach in the ideal settings so we have to bring more. While we have a choice not to teach in a space that is not great, once we decide to do it we have to “bring” more. And for me that is ok sometimes. It is ok to have to bring more when talking about a space, but sometimes it is not ok when talking about a relationship with another. But again, that is where the agreements come in. Each agrees to accept what each brings. Self, relationship, other . . . . The Power of Three; Relationship.
Please remember that this is off the top of my head. I plan on reading and studying and writing more on all the Blue Belt Principles. But can you see how there is Power Of Three? There is self, relationship and other? And that each person (or thing) brings something, then there are agreements in order to form a relationship?
Posted in Blue Belt, Nia | Tagged: better attitude, Nia Blue Belt manual, Nia Blue Belt Principle #5, Nia class, Nia Practice, Nia principles, Nia Teacher Nia student, The Power of Three | 2 Comments »
Posted by terrepruitt on December 8, 2012
Off the top of my head, Nia’s Blue Belt Principle #2 – The Power of Two makes me think of Nia’s Energy Allies or the more commonly known four agreements. The tag line for this principle is Communication. The details involve a transmitter and a receiver. So to me it is a perfect connection to the energy allies. To me to be a clear transmitter one must speak with impeccability. One must stay on task of what the idea is that is being communicated. It is the job of the transmitter to be clear so that the receiver can understand what is being conveyed. To add to that the transmitter doesn’t assume the receiver knows what is being said, another reason to be impeccable. To be a pure receiver, the receiver shouldn’t be assuming they know what the transmitter is saying. The receiver shouldn’t be making up stories in his/her head as the transmitter is speaking. The receiver should be quietly listening, with no inner dialog happening. Also there is the added mission of not taking anything personally. This can be more easily accomplished if the third person — the one in the receiver’s head — is quiet. Both the transmitter and the receiver always strive to do their best. That is how I connect Nia’s Energy Allies to Nia’s Blue Belt Principle #2.
Since communication can be thought of as the exchange of energy between two, this principle and its details can easily be applied to everyday life. The exchange of energy can be between people or things. The exchange is a giving and a receiving. It does not have to be verbal, the exchange, the communication, could be a touch, a gesture, or any of the other ways things are communicated. So you might be able to see how within the scope of life it can be applied to more than just communicating with another person.
As a Nia teacher we can apply it to our Nia practice. There is a transmitter and a receiver with our bodies’ movements. There is a transmitter and a receiver with the music. There is a transmitter and a receiver with a Nia routine and the choreography. There is definitely a transmitter and a receiver in a Nia class and the transmitter is not always the teacher.
With the principle being The POWER of TWO, I can’t help but connect it the Nia Energy Allies when thinking of the communication between people. My connecting probably stems from the fact that I truly feel I need to strengthen my relationship with all FOUR allies in order to allow the POWER of two to shine through.
This is just my immediate thoughts on Nia’s Blue Belt Principle #2. As I live with it longer and read the manual and process it, I am certain I will come up with more. My relationship with will become stronger. Nia has a “craft” for working with this principle, but I am still determining my relationship with that idea. We will see if a post ever becomes of their idea.
Are you familiar with Nina’s Energy Allies (or the four agreements)? Can you see how they can be instrumental in communication? Can you see how the Allies could assist in making two powerful?
Posted in Blue Belt, Nia | Tagged: Four Agreements, inner dialog happening, Nia choreography, Nia class, Nia Practice, Nia routine, Nia Teacher, Nia's Blue Belt Principle #2, Nia's Energy Allies, NiaNow.com, receiver, speak with impeccability, The Power of Two, transmitter | 4 Comments »
Posted by terrepruitt on November 15, 2012
I recently participated in the intensive that is the second level of training in the Nia practice. Nia trainings are called intensives which is a great thing because it gives you an idea of what the training will be like —– INTENSE! The second level is Blue Belt. Nia borrows from other practices and uses belts and colors to signify levels. The levels are White, Blue, Brown, and Black. There is a Green for teachers that can be taken at anytime after white. Part of the reason the trainings are intense is that they are over 50 hours of instruction. The instruction includes lectures, dancing, participatory exercises, and workout classes. Each level of the practice has its own focus, intent, and principles (except Green). The Blue Belt focus is Communication, Relationship, and Intimacy. While the concentration is on how these things relate to Nia it is probably easy to imagine how lessons involving these three things can be related to everyday life. Since the training CAN be related to life outside of teaching Nia there are many people who take the intensives with no intent of teaching. You might also be able to imagine how the focus can apply to many things in relation to Nia. One way is how a Nia teacher communicates with a class, the teacher’s relationship with the choreography, and intimacy to the music. This is just one little facet of the focus. I am sharing it to give you an idea of what the focus of “Communication, Relationship, and Intimacy” means.
The intent of the focus is to energize personal connection through self-discovery and communication by following The Body’s Way. Since Nia is a body based practice we do our learning through the body. As I mentioned in my I’m Blue, But No Tears Here post we were shown how to use the Nia 5 Stages or the Developmental Anatomy to answer questions about what stage we are in when learning something new. Very amazing. This is the part that I need to practice — really listening to my body and believing what it is telling me. The believing part will take examination time . . . I’ll have to really figure out why my body says I am in one stage where I might THINK I am in another. I might think I am in the beginning stage, embryonic, but my body might say I am in the crawling stage. For me this means I need to pay attention to the details of what I actually know and what I still need to learn. I could know 11 out of 15 things, but since the 15th thing seems to be so big to me, I might think I am just beginning whereas it turns out I know over 73%. All part of the communication, relationship, and intimacy!
Also this training has familiar things you might have heard of in other trainings, for instance: pay attention to what you sense, feel, think, and have within you then communicate accordingly. I know that this type of idea has been taught in corporate trainings as an effective way to communicate. A Nia related example would be: Knowing the choreography and really know how to do the 52 moves, then having an intimate relationship with the music which will allow you to clearly communicate to the Nia participants.
I can almost talk myself into circles because it is all relates so well and ties in together and just connects. The more I type the more things I think of so I really have to concentrate on just a tiny portion so my sharing does not get so confusing. I am trying to share to clarify. I want you to want more. I want to understand that in addition to a great workout, Nia has stellar training and continued education.
Can you see how Communication, Relationship, and Intimacy is important for a teacher?
Posted in Blue Belt, Nia | Tagged: Blue Belt Focus, communication, Developmental Anatomy, Green Belt, Intimacy, Nia 5 Stages, Nia choreography, Nia class, Nia Intensive, Nia Music, Nia Practice, Nia Teacher, Nia trainings, Nia workout, Relationship, the body's way | Leave a Comment »
Posted by terrepruitt on November 13, 2012
Last week I cancelled my Monday and Wednesday Nia class and got a substitute for my Tuesday Nia class with the City of San Jose. I decided to take the next level of Nia training. I was a White Belt, now I am a Blue Belt. Nia calls their trainings intensive. I cannot assume to know why, but I am glad they do. They are very intense. The training is part lecture and part moving. The moving can be dancing or types of exercises to further the learning process. People tend to learn better when they are doing, so there is a lot of doing. In my rough calculations it was about 53 hours of instruction, including the Master Classes. It was Saturday through Friday. It was exhausting. It was energizing. It was incredible. As I have mentioned before and I will continue to mention Nia is a cardio dance exercise. Come to a class. Move. Have fun. Sweat. Get your workout in. But Nia is also a practice. I compare it to yoga in that a person can go into a yoga class and work out and do the exercise and then leave and not give it a second though. Or they could give it a second thought. They could take on some of the aspects of yoga, they could practice breathing and/or meditating or anything else that might be attached to their yoga class on a deeper level. That is what a person can do with Nia too. So some people take the intensives for self-growth with no intention of teaching at all. Even if they are not planning on teaching or are not currently doing so, the training is just as intense.
Each belt level has its own focus and intent. Blue Belt focus is Communication, Relationship and Intimacy with the intent to energize personal connection through self-discovery and communication by following The Body’s Way. Sounds like a lot. Ok, it IS a lot. LOL!
In addition to a focus and intent, each belt level (aside from Green) has its own set of principles. With the Blue Belt, the principles were made to layer onto or over the White Belt Principles. Some of the information is very close to being the same, but with a little more added to it. It is very interesting the way Nia does things. It is very amazing the training they come up with and the delivery of it.
In this training we were shown many things, one was an enlightened way to use the Nia 5 Stages or the Developmental Anatomy to measure all types of things and where we might be in a process. It is a pretty cool tool. It is part of the Body’s Way.
I am 100% positive I will have more posts regarding the Blue Belt Intensive, the Blue Belt Principles, and my thoughts on it all. I am still processing it right now. My mind is racing with thoughts, ideas, things I learned, things I didn’t learn, just a lot of things. There is so much that I want to share. There is also a lot I don’t want to share. Nia is not a secret society by any means. There are no secrets to the intensives, in fact most of the information is things that have been around for as long as I can remember. The information is stuff you have probably heard before. It is just the WAY they deliver it. And the way it is connected to the body that is somewhat unique. If I decide not to share something or talk vaguely about some things it is because I don’t want to ruin the surprise of some things for those of you that will be taking the Blue Belt. Since the Blue Belt Principles are layered onto the White Belt Principles I will probably write more post about them too. And we will see what comes up. I have chosen to participate in Nia as a practice. For now, I will revel in Blue!
Is there something that you have in your life you consider a practice?
Posted in Blue Belt, Nia | Tagged: 13 principles, Blue Belt Principles, cardio dance, cardio dance exercise, cardio dance exercise classes, City of San Jose Nia Classes, dance exercise, Developmental Anatomy, focus and intent, Master classes, Nia 5 Stages, Nia Blue Belt, Nia dancing, Nia exercise, Nia Intensives, Nia Practice, Nia training, Nia White Belt, TBW, White Belt Principles, Yoga, Yoga Practice | 2 Comments »
Posted by terrepruitt on September 6, 2012
Another one of the 52 Moves of Nia is the “A” Stance. This is the stance where the position of the legs allows the body to look somewhat like the capital letter A. The legs are placed wider than hip distance apart, even wider than shoulder width. The legs are far enough apart and wide enough for them to appear to be as the bottom “legs” on a capital letter A. The feet are parallel, the upper body is relaxed. The Nia Technique Book states the benefits as: “Practicing “A” Stance improves hip flexibility and leg strength, which improves agility and mobility.”
I would like to add that it improves or at least allows the practice of balance. Not balancing on one leg which we do a lot in Nia, but balance between the body and the legs, balance between both legs, and balance between the legs and feet. Also balance of weight between the two feet. This is a stable and balanced stance. The weight is not on one foot more than the other. The weight is not on the front or the balls of the feet more than on the heels. This is a great stance to practice balance in. To allow the body to rest onto the whole foot.
Not only having the feet be parallel but even. If you were to stand at a line would your toes be even, both up to the line? I had noticed with myself for a while now that when I step into an “A” stance my right foot is ALWAYS slightly back from where my left foot is. I have been noticing this since I injured my foot in November of 2010. Just last week as I was teaching my regular Nia Class in Willow Glen, I noticed I stepped into “A” stance and my left foot was the tiniest bit back from the line on which my right foot landed (had there been a line). I thought that was funny. I giggled, but I hadn’t thought of it again until now. I don’t always think about my uneven landings until I have the opportunity to land in a stance where I see my feet several times in a routine. Then during the routine I focus on having my feet land even. There are times, of course in a dance where they don’t need to be or aren’t supposed to be even, but when doing a regular closed, open, A, or sumo stance I think the feet should be even. The “A” stance is a great stance to practice that because you can clearly see your feet and the pose is relaxed enough that there are not other things you might be thinking about. I feel the “A” Stance is a great way to practice balance.
As with all stances one way to practice the “A” stance is to simple stand in one place and move through the stances. Another way to practice is to walk and then stop in the “A” stance. Walking and stopping into an “A” Stance would be a great way to work on landing “even” — as I mentioned before. Walk, then stop, then look at your feet, notice the sensation in your hips, if your feet are even then that is the sensation you want to replicate, if not, then adjust your feet, notice the sensation in your hips and try to replicate it again as you step into “A” Stance.
The “A” Stance is just one of the six stances in the Nia 52 Moves.
What do you sense when standing in the “A” Stance? When you step into the “A” Stance do your feet land “even”?
Posted in 52 Moves (of Nia), Nia | Tagged: 52 Moves of Nia, A Stance, balance of weight, closed stance, Nia 52 moves, Nia class, Nia Dance, Nia in Willow Glen, Nia Practice, Nia Stances, open stance, Riding Stance, Sumo Stance, The Nia Technique book, Willow Glen Nia | Leave a Comment »
Posted by terrepruitt on August 4, 2012
I have a confession to make. It is one I might have even confessed before. I know I have done it before. It is easy for me to get caught up. I want to please people. I want the supervisor to know that I am working to keep the students IN the class. I want the students attending the class to like it and want to be there. When you are a substitute instructor leading a different format than is usually taught it is very different from when you are teaching a class of the expected format. Many people are taught that cardio – aerobic exercise – is extremely fast, high impact, and difficult so it is very hard to change that mindset. I was asked by someone who understands both the fact that cardio does not have to be extremely fast or high impact and that people are trained to think it is, if I could do Nia a little higher because people expect cardio to be a specific way. So caught up in wanting to give the students what they are accustomed to getting I put together a routine . . . kind of rushed . . . that didn’t have ALL the elements that a Nia class normally has. It was not good. It felt “off”. I was trying to make Nia something it is not. Nia is not Zumba. Nia is not Cardio-Sculpt. Nia is not extremely fast, rushed, and high impact. Nia is not Jazzercise. Nia is not UJAM. Nia is not all of or any of these other names that there are for classes that are fast, rushed, and high impact. Nia is an amazing practice. Nia is a great workout. Nia is a wonderful cardio dance exercise. And I need to stop trying to make it be something it is not just because people are used to cardio a specific way.
So I did a routine that didn’t feel right to me. I thought I would get up the next morning and do the same routine for the class I was asked at the last minute to sub, I was going to try to “bring it” to the students. As I was getting into bed a little agitated from the “not feeling right class”, it washed over me like a refreshing revelation . . . . DO NIA! Duh! Bring “IT”, and make that “IT” Nia. I got caught up and in my trying to bring the students what they are used to, I didn’t allow them the richness of something new. The richness of Nia.
Now, I want you to understand that the Nia Technique creates wonderful routines and all we teachers have to do is learn them and teach them. But we are also allowed to use other music, make up our own routines, mix and match the routines they have created, and make up our own katas. Of course, we need to follow the Nia class formula and the seven cycles which contain the traditional warm-up, move it, and cool-down. I also think when creating a routine/class – in general – it should be balanced; as an example not all songs/movements should be lateral ones or forward and back ones, there should be a mix of movement and the 52 Nia moves. I create routines from Nia routines all the time. So it was not the fact that I put songs together that created the not feeling right routine, it was ME. It was ME trying to make Nia something it is not.
I need to center myself. I need to stick to what I know and not try to give people the class they are used to. I KNOW Nia is amazing and awesome and does need to try to be anything it is not. I KNOW THAT. I just get caught up.
Another point I want to make is, I am not saying those other formats are bad. In fact, I like some of the other formats I have tried. One of these days I might even teach another cardio format. I am saying Nia is Nia, it is not any of the other formats and I need to remember that and let it stand on its own. I need to remember to trust Nia and allow it to touch the people it needs to touch and let the others attend the other dance classes. I need to remember that when I am asked to sub a class I am going to sub it with Nia and not try to make Nia be what that class usually is. I keep thinking to myself, “DUH!”
Thank you for letting me confess and do a public face-in-the-hand-plant!
Do you EVER do that in any section of your life – try to make something be something else even though what you have is just perfect the way it is?
Posted in Nia | Tagged: 52 Nia Moves, aerobic dance class, cardio, Cardio-Sculpt, class format, dance exercise, dance format, exercise format, fast formats, high impact, Jazzercise, Nia, Nia Music, Nia Practice, Nia routine, Nia student, Nia Teacher, substitute instructor, Ujam, Zumba, Zumba routines | 4 Comments »
Posted by terrepruitt on August 2, 2012
I learn A LOT when I teach Nia. I learn a lot when I teach anything, but since my focus now is teaching Nia, I say I learn a lot when I teach Nia. One thing I learn or I am reminded of is not everyone has taken a class that has taught them basic steps. It is like when I take a Zumba class and the teach calls out a basic Latin dance and I have no idea what she is talking about. I always laugh to myself and say, “I don’t know what the steps are to that basic Latin dance!” But then I remember my Nia training and my Nia practice and while I try to do whatever dance it is she says we are doing, I remain in Joy and just allow myself to move my body in a way that is dance to me. But not everyone has had Nia training and not everyone practices Nia so it is not as easy for them to just allow their bodies to move and not think so much. One of the tools that Nia uses to help teachers instruct the dance and to just help one dance in general is the clock. I posted about how we look at the clock in a Nia class — ok that is just me because I need the actual reference. I have posted about our step called the “Slow Clock” . This post is about the movement called the Fast Clock. The Fast Clock is one of Nia’s 52 Moves
The Fast Clock is similar to the Slow Clock in that we are stepping on the “hours” of a clock (oh, imagine that!), but with the fast clock we don’t return to center before stepping on another number/hour. So if you stand with your feet together imaging you are in the center of the clock, then step your right foot to 12 o’clock, then back to 6 o’clock (without stopping in the center) that is the fast clock. There are a lot of combinations that can be done when doing a fast clock. You could step to 12 o’clock, then 3 o’clock, then 6 o’clock, then return to center. Then your other foot could step to 12 o’clock, then 9 o’clock, then 6 o’clock, then return to center.
POP QUIZ: Which foot would step to 12 o’clock, then 3 o’clock, then 6 o’clock, then return to center? 🙂
Just the same as the Slow Clock you can actually take a step where you place the weight on the foot that is on the number/hour or you can touch or make it a tap. Sometimes you might even get fancy or really dancy and just do it in the air. But all that fancy stuff is obviously added after you learn the basic Fast Clock. As with many things, Nia does have basic steps and proper ways to execute them, then as we dance we add on to them to make them a more animated part of the dance.
As with many of the moves in Nia the participant is responsible for providing their own desired intensity. You can easily work up a sweat in Nia if you make your movements bigger or louder. We sometimes refer to it as turning up the volume. But again, that is up to you and how you are feeling during that class. A “louder” fast clock could have lengthier steps making the imaginary clock face you are dancing on very large. Or your “bigger” could be going deeper into the steps, bringing your body closer to the earth. Having tools like the face of the clock to assist in knowing where to step, allows the Nia student to focus on their body and what it needs and not be so caught up in whether they are “doing it right”. With the clock it makes it easy to teach and easy to follow!
Ok, now get up and practice your clocks! Which foot goes to 12 o’clock? Which foot goes to 9 o’clock?
Posted in 52 Moves (of Nia), Nia | Tagged: fast clock, Latin Dance, Nia class, Nia Dance, Nia focus, Nia Move, Nia participant, Nia Practice, Nia student, Nia Teacher, Nia training, Nia's 52 Moves, slow clock, Zumba, Zumba class, Zumba dance, Zumba moves, Zumba teachers | Leave a Comment »
Posted by terrepruitt on July 5, 2012
Nia is both a dance exercise and a life practice. Kind of like yoga. You can go to a class and get the exercise you want and have it end there or you can learn about its principles and take them into your life. There are levels of the practice. Nia has chosen to use a “belt” system as their levels. Instead of just having numbers or names, they have assigned belt colors to the levels. There are five levels; White Belt, Green Belt, Blue Belt, Brown Belt, and Black Belt. The intensives to gain the belts can be taken and enjoyed by people who aren’t teaching. Each belt has 13 principles, except Green. Green does not have its own set of principles because green is the belt level that is actually designed specifically for teachers and helps them hone their teaching skills. It delves into the 13 principles of the White Belt. The White Belt’s principle #4 is FreeDance. FreeDance as a practice has eight stages. I have posted about eight through two. This post is about stage one. Stage #1 of Nia’s 4th White Belt Principle is Freedance – Anything Goes (movement wise).
While you are dancing any movement is great if it is authentic movement. With Nia there is choreographed moves, but within the patterns of movement there is the ability to freedance. Also with many routines there is sometimes just freedance where we are allowed to dance free to the music without any choreography. Stage one: Freedance, anything goes, allows us the greatest of freedoms. You can dance using the wall, the mirror, a chair, the floor, or a ballet barre that might be in the room. You can dance fast, slow, high, low, or in the middle. Anything that you sense your body wants to do to the music. It is up to you.
The idea with freedance is to just let the body go. Don’t think about it. When you think about it often comes the judgment. Sometimes the judgment can interfere with movement, especially if it is judgment along the lines of, “Oh I must look silly doing this.” “Oh that probably isn’t pretty.” “Oh, I am not graceful enough to spin.” “Oh, I need to do this or that.” This is all inner dialog that clogs up the muscles and their movements.
Freedance also, as I believe I’ve mentioned before, in not club dancing. We are NOT just bouncing or undulating to the beat, we are moving to the music. We are moving our bodies towards as pleasurable sensation of health and well being.
Freedance is also not patterned dancing, we save the patterns for our choreographed movements. Freedance is just free. It is spinning twirling, diving and whirling. It could be hopping or dropping. It really is whatever your body does.
Freedance is not easy. It takes practice. It is not easy to just be on the floor and not think about how you are going to move and just let your body go. It is a challenge. But once you can stop thinking and talking in your head you will find yourself moving to the music. Sometimes you might even notice that you are moving in a way that you didn’t think about and it is really amazing to have that sensation. But don’t think too much, just keep moving.
I would like to invite and encourage you to make some space in your home or if you are so inclined find a space to dance outside . . . find a space turn on some music and just dance. Let yourself go. Let yourself be free. Allow the time, space, frame of mind and spirit to freedance. Remember, anything goes!
Wahoo! I have to add that in the middle of typing this up I secured another class to sub for the City of San Jose. So exciting to be able to share Nia through the city! Yay!
Posted in FreeDance, Nia | Tagged: Authentic Movement, City of San Jose, dance exercise, dance practice, freedance, Green Belt, Group Ex, life practice, Nia choreography, Nia class, Nia Dance, Nia Practice, Nia San Jose, Nia student, Nia Teacher, Nia White Belt, Nia's White Belt Principles, San Jose Nia, stage dance, substitute teacher for the City of San Jose, Yoga, Yoga Practice | 2 Comments »
Posted by terrepruitt on June 2, 2012
Nia is the same as many things, the more you do it the more accustomed your body becomes to the movement. When you first try swinging a bat or a golf club it seems as if there are so many things to think about. The placement of your feet, the bend in your knees, the sinking of the hips, what your hands are doing, what your elbows are doing, where your chest is facing, to move or not to move your shoulders. Then there is your head, your eyes, and – oh yeah – the ball. So much to remember. Then as you practice you forget that you even were once
having to remember all that. You are able to just “let go” a bit and play the game. Dance exercise is the same way for some. There are moves in Nia that we do, the 52 moves. At first the body might be so busy trying to do it correctly it is not allowed to play, but once the moves are learned there is time to play. In a Nia routine a move is often repeated enough so it can be learned and then the play can begin. But there is still a technique, there is still a right way to do it in order to get the benefits from it as was the intention of having the move be a part of Nia.
One of the moves that I sometimes find challenging is the Squish Walk, the way Carlos AyaRosas (FKA Carlos Rosas), told us how to do it. I had thought it was rising on the ball of one foot, then squishing that foot down, then rising on the other ball of the foot, and alternating. The imagery is that of squishing oranges under the heels. I had thought it was one whole foot on the ground before bringing up the other, but that is not how he instructed us.
His instructions were to be on the both balls (of the feet) at the same time. Not all the way up on both feet but one heel HIGH and one lowering and switching like that. The foot that is flat on the ground (whole foot) is not there long because it comes right back up. I found this method much more challenging than the one foot down and the other foot up. The method Carlos had us do tends to work the calves and shins more than the other method.
The Nia Technique Book states one foot is down (whole foot on the ground) before bringing the other foot up. Both methods work the lower legs, improving strength and flexibility. Neither method is actually a walk. We are not progressing forward. Although the squishy movement could be incorporated into a walk.
With the method in the book, I usually use the image of high heeled shoes. Lift one heel as if you are showing off a new high heeled shoe. The concentration is on the lifted heel. Then switch heels. With the method Carlos taught I think more of oranges. The concentration, to me, is more on the squish.
In the Nia routine we have been doing this past month in my Nia Classes we do something they’ve dubbed the “double squish walk” which is rising at the same time on both balls of the feet. Then the squish is on bringing both heels down at the same time. Double Squish. I just call it up on the balls of your feet, since it doesn’t seem very squishy and it is not like either method.
I invite you to try both methods of the squish walk. Lift one foot onto the ball of the foot, then set it down and lift the other foot. Alternate. And try, lifting up on both balls of the feet, then start to lower one to ground, then alternate. It is as if in one method both feet end up on the ground and with the other method both feet end up on the balls of the feet. So fun, the different ways to do the moves yet, both ways are to help condition the lower legs to help “you move safely with different speeds and intensities”. In other words be sturdy on your feet as you move and dance through life!
Posted in 52 Moves (of Nia), Nia | Tagged: "double squish walk", ball of one foot, Carlos AyaRosas, Carlos Rosas, conditioning benefits, dance, dance exercise, dance practice, dance through life, flexibility, golf club, high heels shoes, improving strength, Nia, Nia Classes, Nia Practice, Nia routine, Nia Technique, Nia's 52 Moves, Squish Walk, squishing oranges, swinging a bat, The Nia Technique book | 4 Comments »
Posted by terrepruitt on May 26, 2012
Don’t you love three day weekends? I remember when I worked a corporate job, three day weekends were looked upon as revered things. I had been in the mortgage business all my working life and for some reason there was a practice of companies closing a bit early the Friday before a three day weekend. Rarely was it announced too far in advance, but just sprung upon us a little before lunch. The management would let us know we would be getting out at 2:00 pm or 3:00 pm. We would get to start our holiday early! Eventually it became such a common practice that we kind of began to expect it. And some companies would even be so kind as to announce the early departure time the day before so that people could actually make plans. Ahhh, yes, the three day weekend is something corporate America loves. Sometimes the actually Holiday is forgotten in the joy of having an extra day off. Forgotten in the excitement of the prospect of gathering with friends. Forgotten in the moment. Usually there is a mention of it somewhere and we say, “Oh yeah, THAT’s why we have an extra day off.” In the case of Memorial Day it really is more than an extra day off, isn’t it? Because of the people who have served and died in the United States Military, we, in America, have so much more than a day off.
Memorial Day is actually May 30th. In 1968 an Act was signed into law that changed the federal observance of some holidays to be on Mondays so that federal employees could have a three day weekend. The Uniform Monday Holiday Act took effect on January 1, 1971. According to the all-knowing Wiki:
“The Act moved Washington’s Birthday, Memorial Day, Columbus Day, and Veterans Day from fixed dates to designated Mondays.
The Monday holiday dates this act established are:
Washington’s Birthday: third Monday in February (formerly February 22)
Memorial Day: last Monday in May (formerly May 30)
Columbus Day: second Monday in October (formerly observed on October 12)
Veterans Day: fourth Monday in October (formerly November 11 and subsequently moved back to November 11 effective 1978)
Though the holiday was not in existence at the time, Martin Luther King, Jr. Day (established 1983) is celebrated on the third Monday in January, instead of King’s actual birth date, January 15, for the same reasons.”
So it is no wonder we might sometimes forget what the holiday actually was created for, because at one point it DID become about having a three day weekend.
I do hope that you take advantage of the time off and I hope you do enjoy yourself. I really believe that having time off from work is necessary to help recharge the body, mind, and spirit. While you are sharing good time with family and friends maybe you can take a minute to remember those that died serving in the military. In fact, in 2000 there was a White House Memorandum issued that would be a wonderful thing to participate in. It encourages “Americans everywhere, to pause for one minute at 3:00 p.m. (local time) on Memorial Day, to remember and reflect on the sacrifices made by so many to provide freedom for all.” Will you join me?
Since Nia is a workout/dance/practice that recharges the body, mind, and spirit I am not taking Memorial Day off. I will hold both my morning Nia class and my evening Nia class which will allow those that are normally working to participate. The focus will be sacrifice and freedom, the intent will be to express gratitude for the sacrifices made for our freedom.
I hope you enjoy your weekend. If you have a three day weekend, I hope you take advantaqge of that extra day off. I also hope you will join me for a minute at 3:00 pm this Memorial Day and every Memorial Day and take a moment to remember.
Posted in Misc | Tagged: body, Columbus Day, corporate America, February 22, focus and intent, freedom, gratitude, January 15, Jr. Day, Martin Luther King, May 30, Memorial Day, mind, mortgage business, National Moment Of Remembrance, Nia, Nia class, Nia Dance, Nia Practice, Nia workout, November 11, October 12, sacrifices, spirit, three day weekend, United States Military, Veterans Day, Washington's Birthday | 4 Comments »
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