Archive for the ‘Nia’ Category
Posted by terrepruitt on April 26, 2012
I’ve post about the Healings Sounds. I’ve posted about how we used the Healing Sounds in our Nia class. I’ve stated that making noise is a great way for people to know that you are breathing. There are other reasons to sound, one being it helps stabilize your core. In Nia or in other dance exercise classes there are times when you are moving and playing with balance so having a stable core can assist in proper balance. With the effort to stay stable there is also strengthening. On the exhale the abdomen is tightened.
In Nia we do a lot of movement where core stabilization is key. Some of the moves we do that require a stable core are punches, blocks, and kicks. In order to punch and/or block with strength and authority the spine needs to be straight, the ribs squeezing, and the abs tight. All of this can be accomplished with one loud sound, any sound can do it. Kicking is the same thing, even if you are doing a side kick where your body might be leaning, the spine is still straight and the torso needs to be tight. A joyful “HA!” can take care of all that!
Another reason to sound is release. We are often taught to be quiet. It could be as deep and as damaging as we were taught our opinions don’t matter. It could be more of a social “norm” where we were taught to respectfully keep one’s opinion to oneself or respectfully not sing, shout, or cry out loud because it would be inappropriate even though that is what we really want to do. All of these social confines can lead to blocked energies. Having to behave can lead to us feeling bad, so sounding in a Nia Class is a huge release. We can experience a release. Healing sounds aren’t the only ones to be made, anything will do.
Often times for me I am busy with listening to the music, thinking of the next move, getting ready to cue, dancing, and breathing I don’t THINK about sound it just comes out. Sometimes a move makes its own sound. Also depends on the move. I did a routine recently where the moves were very quiet for me. It was odd. It was as if the moves had no sound. I am wondering if that is because it was so new. I am looking forward to doing it again to see if sounds reveal themselves.
In addition to breath, stabilization, strength, and release sounding is fun. Children are expected to shout, laugh out loud, and be joyfully noisy, but adults not so much. Kids can run and scream on a playground, adult aren’t often afforded such a luxury, but in Nia we can. It really is fun. It is fun to make noise. It is fun to HA, HOO, FOO, SHOO, HI-YA, WAHOO, WHOOO, and SHHHHH to the top of your voice. It is fun to play with the volume and the tone of the noises. All of this playfulness adds to the joy. We can whoop it up as we did when we were young. The vibrations of sound heal the body. The fun heal the spirit and the soul.
I often wonder how people are able to keep quiet in a Nia class. I believe they have not yet experienced the good it will do for them. There is the breath, the added stabilization, the strengthening, the emotional release, and the fun that it brings all good for the body, mind, spirit, and soul.
While I am saying we do sounding in Nia class, don’t think it is restricted to that. So while you are exercising don’t forget to breath. Try making some noise. If you are in a class that doesn’t allow for it find a Nia class and whoop it up there!
Do you make noise while you exercise?
Posted in Nia, Sounding | Tagged: body-mind exercise, core stabilization, core strength, exercise class, Healing Sounds, mind-body exercise, Nia, Nia class, Nia exercise, soul sounding, sounding | 5 Comments »
Posted by terrepruitt on April 24, 2012
A post ago I posted about Healing Sounds. In Nia classes participants are encouraged to make noise or what we call sound. One reason to sound is to let the teacher of the class know you are breathing. This holds true for many exercise classes. Wanting students/participants to be breathing holds true for all teachers. There are a lot of reasons to sound, it does not have to be for healing or feeling better. But as I stated in that post, I just happened to come across that information and those sounds so I thought it would be fun to bring the list to class and use them as a focus.
The first time we used the Healing Sounds in a Nia Class, I had written each sound down on a separate piece of paper and I taped them to the mirror. Before class I verbally reviewed each sound. Our focus was the Healing Sounds with an intent of bringing some healing. I invited the participants to make these noises during class. The general invitation was to make them any way; they could breath in and make the noise on one long exhale, they could make them quick and staccato, they could make the tone high or low. Whatever they wanted. Whatever they felt. As with most focuses I do bring them into play specifically at times so when we were punching or kicking I might have encouraged them to make loud and forceful sounds. I encouraged them at one point to try each sound. I also had them play with saying a sound at least six times as was mentioned in the information I had found. For my own practice I know that I used the sounds in a pattern and as with many things when one person does it others follow. So we did a lot of lead and follow with sound as each person thought of different ways to use the sounds. It was very fun.
After the class I read to them what the sounds were related to and what they assisted with. It was very fascinating. Some commented that they had been drawn to a particular sound and they could see how that would be an area in which assistance would be appreciated. Some had fun doing a good job of using all the sounds. Some admitted that some sounds were more fun to make than others.
The most recent time that I used the healing sounds I again taped up the papers with each sound written on it. But this time I read the information before class. So the participants were aware of what each sound was prior to dancing. The focus and intent were the same, but with the knowledge of what each sound assisted with some Nia students decided to focus on the specific sounds they felt would help them. Again we had the freedom of how to make the sound and when to make it. It is so exhilarating to hear my students weave sounding into the dance and to hear them make the sounds in their own way.
This second time around it was rewarding to hear my students say, “Yay! I was just thinking about the healing sounds and hoping you would do them again soon.” So they enjoyed it the first time and were looking forward to it.
I think I just decided today that with each routine I teach, with each round, I am going to do at least one class at each location (Willow Glen San Jose, Campbell, and Blossom Hill San Jose) where the focus is the healing sounds. Whether the belief is that they actually heal or not we all have a lot of fun with it. And they are sounds that my class actually make!
You don’t have to be in a Nia class to experiment with the sounds. Have you used them?
Posted in Helpful Hints, Nia, Sounding | Tagged: FOO, HAA, Healing Sounds, HOO, Nia, Nia Blossom Hill, Nia Campbell, Nia class, Nia participants, Nia San Jose, Nia student, Nia Willow Glen, SHEE, SHOO, sounding, SSS | 2 Comments »
Posted by terrepruitt on April 19, 2012
In a Nia class the participants are encouraged to make sounds. There are many reasons to make sounds while you are working out. One, is to ensure breathing. As you are making a sound there is air going out, and in order to repeat it, there has to be air that was inhaled. So making sounds during an exercise class is a great way to let the teacher know there is breathing going on. There are also specific sounds related to specific things, but we don’t always have to be so particular. Sometimes just any sound will do. I did a post on Sounding in July of 2009. That is when I was brand new to Nia and new to teaching. I was still learning to be vocal. I had no probably being vocal as I was teaching but as a student I didn’t always participate. So I believe I understand some of the reasons a person might not want to sound and some of those reasons are the very reasons we SHOULD be making noise. All of these points can easily lead to additional posts, and they just might (a sounding series?), but for this post I am going to share what I found a while ago about healing sounds.
There are sounds associated with the chakras so a while back I was thinking I could bring a list of them to my Nia classes and I could use them to encourage my Nia students to sound. But I found a different list instead. Before I share the information with you I want you to play along with me. Pick one sound from the six below. Just pick one that appeals to you right now as you are reading it. Don’t think, just pick one.
SHOO, HAA, HOO, SSS, FOO, and SHEE.
Now keep playing along with me. Inhale and then say the sound you picked out loud on the exhale. Now do that six times. How do you feel?
Well, according to Sales Creators, a business problem solving company, the above sounds are healing sounds related to specific problems or issues. As I mentioned I had wanted to find some sounds that we could make in my Nia classes that would be fun and associated with chakras. As I was looking I discovered this information. At the time I didn’t know it was from a company that helped with business problems, I just discovered that now as I tried to locate the source of my information. In glancing quickly at the website, it looks pretty interesting. They actually speak to wellness of the entire person. What? REALLY? On a sales and marketing consulting company’s website? Yes.
Anyway here is what the information said in summary.
SHOO is a sound that helps alleviate problems associated with a sense of depression. The information states that you will feel better after having repeated it six times. The liver and the gall bladder is positively affected by the vibration of this sound.
HAA helps alleviate anger and helps calm the heart and regulate the small intestine.
HOO is a body temperature regulating sound. It helps one to not become too cold and balances the spleen, pancreas, and stomach.
SSS is a balance sound. SSS helps to regain equilibrium in the nervous system and the body. The vibration of this sound cleanses the lungs and regulates the large intestine.
FOO is another body temperature regulating sound but this one helps with a high body temperature. So to me is sounds as if you are typically hot making this sound will help cool you down. This sound is said to stabilize the kidneys, bladder, and adrenal glands.
SHEE helps relieve stress, tension, and anxiety. The instructions say that if you are under stress make this sound 36 times. It helps with regulating the blood circulatory systems and the central nervous system.
I truly believe that vibrations affect us, so to me it makes sense that certain ones would affect us in certain ways. I was hoping that without your knowledge, without you thinking about it you would gravitate to one of the sounds that would help you.
So, did the sound you randomly picked match up to what you were feeling? And now that you know what is associated with each sound are they a few you might want to try out? What do you think about vibrations and healing sounds?
Posted in Helpful Hints, Misc, Sounding | Tagged: business problem solving, chakras, exercise class, exercise teacher, good vibrations, Healing Sounds, Nia, Nia class, Nia exercise, Nia participants, Nia Sounds, Nia students, Nia Teacher, regulate body temperature, relieve anxiety, relieve stress, relieve tension, sales and marketing consulting, Sales Creators, sounding, sounding series, workout class | 7 Comments »
Posted by terrepruitt on April 17, 2012
Every year there is a Bay Area Dance Week. This year is the 14th annual dance week and it is being presented by Dancers’ Group. This will be the fourth year that I have offered my morning Nia Classes to New Students for free. I did it last year, but I didn’t post about it. I figured I should post about it to remind people it is happening. My 9:00 am Nia Classes on Monday, April 23rd and Wednesday, April 25th at Halanda Studio will be free to New Students. Here is another opportunity to try Nia for free.
In addition to Nia there are many FREE Classes during National Dance Week at Halanda Studio. Halanda Studio is owned by two women who rent out the studio by the hour. The variety of classes that are offered at the studio is very diverse. As you can see by the schedule of free classes there is several types of Belly Dancing from beginning to Intermediate/Advanced. Also being offered for free during Bay Area Dance Week is Hot Hula, Yoga, Zumba, Bollywood Fitness, and I’ve already mentioned Nia.
While I want you to attend classes at Halanda and in particular MY Nia class, my dancing spirit has to bring to your attention to the fact that from April 20 – April 29, 2012 it is Bay Area Dance Week. So there are FREE classes ALL OVER THE BAY AREA!!! According to the Bay Ara Dance booklet there are more than 650 groups, artists, and organizations participating. There are over 100 forms of dance to enjoy. Not only are there free classes but there are free performances.
The opening event is Friday, April 20th at Union Square Park in San Francisco. The closing event on Sunday, April 29 will be at 2 pm in Union Square Park in San Francisco where there will be simple circle dance for peace among people and peace with Earth. Looks like this dance will be led by the amazing Anna Halprin. She is 92 years old and still dancing and teaching dance . . . now that is what I call amazing!
Below is the current list of FREE classes (as of Tuesday, April 17, 2012) being offered at Halanda Studio in San Jose during Bay Area Dance Week (Friday, April 20th through Sunday, April 29th – 2012)
Saturday, April 21:
9:30am-10:30am: Bellydance Basics with Amanda
10:30am-12:00pm: Bellydance & Beyond with Amanda
12:00pm-1:00pm: Bellydance Fusion Technique with Michelle
1:00pm-2:00pm: No Rules Bellydance with Michelle
2:30pm-3:30pm: Tunisian Folk Dance with Pamela
—
Sunday, April 22:
2:00pm-3pm: Hot Hula Fitness with Marie
—
Monday, April 23:
9:00am-10:00am: Nia with Terre
4:00pm-5:00pm: Silk Road & Middle Eastern dance for Kids with Farima
7:00pm-8:00pm: Bellydance – All Levels with Hala
8:00pm-9:00pm: Bellydance – Intermediate Technique & Drills with Hala
9:00pm-10:00pm: Bellydance – Choreography with Hala
—
Tuesday, April 24:
5:00pm-6:15pm : Hatha Yoga – Mixed Levels with Dahlia
6:30pm-7:30pm: Bellydance Workout with Natika
7:30pm-8:30pm: Tribal Fusion with Natika
8:30pm-9:30pm Fan Veil Dance with Natika
9:30pm-10:30pm Silk Road Fusion Dance with Farima
—
Wednesday, April 25:
9:00am-10:00am: Nia with Terre
6:00pm-7:00pm: Bellydance with Setareh
7:00pm-8:30pm: Hala Dance Company Rehearsal with Hala
8:30pm-9:30pm: Basic Belly with Naima
—
Thursday, April 26:
6:30pm-7:30pm: Killer Drillz Level 1 with Vanessa
8:30pm-9:30pm: Dances of Persia & the Silk Road with Farima
—
Friday, April 27:
7:00pm-8:00pm: Zumba Fitness with Melissa
8:00pm-9:00pm: Tunisian Folk Dance with Pamela
—
Saturday, April 28:
8:00am-9:15am: Power Flow Yoga with Delanie
12:00pm-1:00pm: Bellydance Fusion Technique with Michelle
1:00pm-2:00pm: No Rules Bellydance with Michelle
—
Sunday, April 29:
9:30am-10:30am: Bollywood Fitness with FusionBeatz
There are other classes taught at Halanda, but the classes listed here are the ones that are participating in Bay Area Dance Week.
Aside from Nia :-), what classes are you going to try out?
Posted in Exercise and Working Out, Nia | Tagged: Anna Halprin, Bay Area Dance Week, Bay Area Nia, Belly Dancing, Bellydance Fusion Technique, Bollywood Fitness, dance choerography, Free Dance, free dance performances, Free Nia, Halanda Studio, Hot Hula, Middle Eastern dance, Nia Classes, Nia students, Nia Technique, San Francisco, San Jose Dance, San Jose Nia, Silk Road, Tribal Fusion, Union Square Park, Yoga, Zumba | 1 Comment »
Posted by terrepruitt on April 7, 2012
In Nia we do something that is called cooking all four sides. When I first learned this I thought it to be just when we were on the ground. “Cooking” to me was the “side” of the body that was on the ground. When you “cook” all four sides you allow your belly, your back, your left side, and your side to “cook” on the ground. So basically you are lying on a different “side” at one point in the dance. In one routine, I can’t remember which one, while we are standing we turn and face one wall, then turn again, then turn again, then turn again and Debbie called it cooking all four sides. I thought, “Wow! I hadn’t thought to call THAT cooking all four sides, because (as I mentioned) I think of ‘cooking’ as being on the floor.” But it works. We are “cooking” or facing all sides, all walls. In country line dancing we call it a four-wall dance. Often times there are a few steps then a turn, a few steps, then a turn, and so on, eventually you face all four walls. There are two wall dances and maybe even three, but the point is you face a different direction. Generally the back becomes the front and the front becomes the back.
I’ve posted about Nia Routines before. I explained a bit about how the routines are created and teachers can purchase them. Nia routines used to be choreographed and performed on the training DVD by Debbie Rosas or Carlos Rosas or both. I’ve also posted about the fact that Nia morphs and changes. At the end of 2010 Carlos AyaRosas, the male co-creator of Nia retired. As with any company that wants to continue on after a founder retires Nia had to make some changes. To me it seems as if Nia had been thinking about this for a while. I know when I attended my Nia White Belt Intensive both Debbie and Carlos talked about Nia continuing on after they leave. So it seems to me that they had plans and ideas for how Nia will change. I think it is evident in the way that Nia does not seem to be a flag flapping in the wind, it has true direction. With the exit of Carlos a new era has been born. Debbie is now co-creating routines with Nia Black Belt Trainers. I love Nia and enjoy both the routines Debbie created and the ones Carlos created. There are some I like more than others. I am not saying that I like the new one I have seen more than I liked the “old” ones, I am just saying, “Yay! Nia is not disappointing me.” The new routine I have looked at is just as fabulous as the old routines I love.
As a little background: In order to teach Nia we must pay a licensing fee. When we pay the fee we are purchasing the right to teach, continued education, and four Nia routines. We are free to purchase additional routines when they are available, but four are included in the licensing fee and we are obligated to learn at least four a year. I just recently renewed my license and ordered my routines. I ordered two that are older (from 2007 and 2008) and two that are considered our new ones, dated 2011. Usually I skim through all four before deciding which one to learn next. One of them I ordered I have done once before in a class so I know that I like it and I was planning on learning that next, but my curiosity about one of the new ones got to me. I decided to learn it next after having watched it.
I am very excited about this routine because it has the “four-wall” or cooking all four sides technique in it. The routine I am currently teaching has it too but only briefly, this new routine has this technique in more than one song. Since a Nia class is not a dance lesson we just lead follow like other cardio workout classes the cooking all four sides is to not a series of complicated steps, but it does allow us to face other directions. In FreeDance there is always opportunities to face many directions and sometimes in the Nia movements alone one can be turning far enough to achieve facing another wall, but this is choreographed to have the entire class turn. It allows the class to see a different perspective. I think it is fabulous.
It could be making me nostalgic and thinking of country dancing days . . . but more so, I am excited to have this technique used in a Nia routine so my students can see things from the front if they are always in the back or the back, if they are always in the front. It will help move the class in new directions and Beyond!
Have you ever thought about the fact that a cardio dance class is pretty much like a line dance?
Posted in Nia | Tagged: cardio class, cardio dance, cardio workout, Carlos Aya Rosas, Carlos retired, Carlos Rosas, CEU, continued education, cooking all four sides, country line dancing, dance class, dance technique, Debbie Rosas, four wall dance, freedance, Nia, Nia Black Belt, Nia class, Nia DVD, Nia education, Nia license, Nia routine, Nia students, Nia teachers, Nia Technique, Nia White Belt | Leave a Comment »
Posted by terrepruitt on March 17, 2012
When I was younger I remember many people saying that “once you go to a chiropractor you always have to go”. Maybe you have heard that. I still hear people say that. Back when I was young I don’t think a lot of thought was given to that statement. I know I didn’t think about it much, I just had heard it so often I believed it was true. At one point in my life back then I considered myself to “have a bad back”. Being in so much pain once I found myself at a chiropractor. This was all a very long time ago so I don’t remember all the details. I guess they did SOMETHING to make me feel better because I left and must have felt ok. But before I left he prescribed something outrageous like I would need to visit him three or four times a week in order to take care of it. Again, fuzzy on the details, but I know I never went back to that guy. I do remember having medical insurance at the time that would pay for a portion of my visits if I visited a doctor on their list. So, I found one, I believe he was on the verge of retiring and was not interested in seeing people more than he really felt was necessary and he did not think I needed to be seen more than once a week. But I do remember that by the time my next appointment came around I was ready. I think my issue was, and still is, stress or tension. I don’t have a “bad back”. I hold my stress in my upper back. Well, after I had seen a chiropractor I came to believe the saying “once you go to a chiropractor you always have to go” is true. It is because that once you go and you get relief then you always want to feel that good so you “have to go”. But now I also know that there are a lot of things we can do ourselves to either bring relief or make sure we don’t get in a state where we need it in the first place.
One of the things I was doing back then was holding the phone in the crook of my neck and shoulder when talking on the phone. I worked in the mortgage business and like many businesses when you get a phone call you don’t stop working, you keep working because you are having to look at information while talking. After I had been to the doctor I decided I was not going to hold the phone like that any longer and every place I worked after that I got a headset. Ever since then I’ve had had headsets for my home phone, too. That ONE thing alone brought HUGE changes in my back. I never hold the phone in the crook of my neck and shoulder.
But occasionally I still allow the tension to rest in my back. I have been fortunate enough to have someone help me with my back when she is available, but she is not always available and so I try to work on it myself. As I said, I believe a lot of it is making sure we don’t allow our bodies to get into a state where it needs work, but that is not always possible, but there are still things we can do. If you have read a few of my posts you know I have a tendency to scrunch my shoulders up towards my ears. That is a major thing that causes my back to hurt, so I really work on keeping my shoulders down. Also, I work at sitting up straight, which is not easy for me because I like to sit on a leg folded under me.
Aside from plain ol’ not doing things that cause issues I have been doing some things that tend to help my back by keeping the muscles loose and the vertebrae lengthened and relaxed. Often the floorplay in Nia helps with keeping my back loose, but the Nia routine that I have been doing the past few weeks does not have that type of floorplay in it so I am doing other things. My old friend the Downward Facing Dog is a great help for opening the back and releasing the spine. Doing the Downward Facing Dog at least a dozen times as part of a sequence is a great help in keeping my back loose.
Also the Pyramid Pose/Intense Stretch Pose (Parsvottanasana), which I mentioned in my Muscles Used In Nia During Yoga-like Sequence post. When stretching the crown of the head out and over it really does a great job of creating space in the spine. Since my discomfort seems to manifest in my upper back, moves or poses that have me hanging over do a fantastic job of opening my cervical and thoracic spine.
Another “hanging” pose that I feel does a nice job of relaxing my joints and muscles is the simple fold. Just folding over and letting the body hang. Either the ragdoll or the forward fold. Doing both types of hangs, with a relaxed back and a straight back, works to create the sensation that I want – space, space, space, and more space in my spine. The space in my spine helps to relax the muscles that hold the tension.
As I was doing some side bends today, I actually heard my back crack. On each side I heard it crack. While I am not a fan of hearing my body snap, crackle, and pop, I take my back making that noise as the vertebrae getting back into place. When I can move my bones back into place and not have someone else do it, that makes me happy. It is what I have come to think of as self-healing. One of the side bends I have been doing consist of bending to the side while holding my arms over my head with my hands clasps. The other is holding my wrist as I bend.
So I am excited that I am working on my back myself. I have to say that I have not had back pain, tension, or even discomfort in the last two weeks. Yay. I know that I am not the only one that holds stress and tension in the back. So I was hoping sharing some of the things I have been doing to give me relief might help you too.
Do you have issues with your back? Do you hold stress in your back? What do you do to bring yourself and your back relief from your discomfort?
Posted in Nia | Tagged: back pain, back pain relief, back stress, back tension, bad back, chiropractor, Downward-Facing Dog, hanging poses, Nia, Nia floorplay, Nia routines, pyramid pose/intense stretch, yoga poses, yoga sequences | 11 Comments »
Posted by terrepruitt on March 15, 2012
While Nia is not yoga nor is it a yoga class we do borrow from Yoga. We borrow some of the ideas and sometimes some of the poses. In one of the Nia routines we do the Warrior II (Virabhadrasana II). We do it both static where we just rest into it and we move in it, we bend our bent leg more and sink into it and come up. Then we do the Extended Side Angle Pose (Utthita Parsvakonasana), then a version of the lunge, which depending upon your body could be a variation of the Low Lunge (Anjaneyasana), or the High Lunge (Utthita Ashva Sanchalanasana), or the Warrior I (Virabhadrasana I) – all without the backbend. Then we straighten our leg into the Pyramid Pose/Intense Stretch Pose (Parsvottanasana). With these poses we are using a lot of muscles. The muscles can be challenged in strength, stability, and/or flexibility. It all depends are your body at that moment.
When we do the Warrior II pose in this Nia routine the arms are extended out to the sides, opposite from each other, the hips, torso, chest, and shoulders are facing the mirror/front, while one of the legs is bent at a 90 degree angle and the foot is in line with the arm. The other leg is straight and the foot is slightly turned with the toes pointed toward the body and the heel pointed away. Of course participants have the option of having the foot at a right angle, but for this dance it is led with a slight angle. Even with that slight variation it is working the glutes (all of them), the thigh muscles: inner, outer, hamstrings, and the quadriceps, and your calf muscles. And for some, like me, who have a habit of scrunching the shoulders, it works the rhomboids while holding up the arms and keeping the shoulder blades down and pulled back. This is true for many yoga poses, that is why it is so great for encouraging straight posture.
Then for our Extended Side Angle Pose the arm, on the same side as the bent leg, is lowered, forearm to the thigh, the opposite arm is raised towards the sky and extended to a position that puts the arm next to the ear. There are options to stay in this modified Extended Side Angle or to move to another modification by removing the forearm from the thigh and placing that hand on the earth next to the inside arch of the foot. With this pose the primary work is in the bent leg. It is another pose that works the hamstrings and thigh muscles. Through the back of the straight leg and all along that side of the body there is a wonderful stretch, which is greater and more wonderful the better the body is as keeping the shoulder blades down and the back straight (not leaning forward).
We then move into a lunge with many options. As with all movements in Nia the responsibility falls on the participant to decide what it is their body is able to do and needs to do at that moment. We start off by placing the hands on the ground and straightening the foot on the leg that was straight in the Extended Side Angle Pose to be parallel with the foot on the bent leg. Then gently bring the back leg down resting the knee on the ground. As I said, many options so many places to go from here. One can stay here in Low Lunge (Anjaneyasana), or do a moving lunge by moving up and down, or go to High Lunge (Utthita Ashva Sanchalanasana), or come into an extended Warrior Pose I (Virabhadrasana I) with the arms up but with a parallel back foot and a straight back. Here the body receives the benefit of a lunge no matter which one the body does. If doing the extended Warrior Pose I like pose, the glutes and thigh of the bent leg are getting a great deal of work, while the straight leg’s foot parallel to the other foot results in a slight change in the muscles being worked and stretched than with the angled foot position of a traditional Warrior I. The inner thigh gets less work while the work and stretch shifts almost entirely to the back of the leg, the hamstrings and calf. The arms extended up in the extended Warrior Pose I allows for work in the spinal extensors, deltoids, lats, and traps . . . . basically a lot of muscles in the back, including the ones that keep your shoulders down. With the crown of the head reaching towards the sky abs get a stretch too.
Moving from whichever lunge was done to the pyramid where the bent leg is straightened and the crown of the head is reaching over the leg while back is straight and chest is on or close to the straight leg. Of course, variations are offered and participants do what is right for their body to remain in the sensation of Joy. With this pose the sensation experienced is a great stretch. The leg to which the head/chest is close to get the largest stretch in the back. If the body is active with the leg and working to keep the knee cap up then the quadriceps will be engaged. The spine gets a nice stretch because the crown of the head is being reach over and down. The back leg might also feel a stretch in the hamstrings if the body is like many people’s and has tight hamstrings.
This is a small yoga-like sequence that we do as part of the cool down cycle of one of the Nia routines. Again, since Nia is not a Yoga class there are many options and variations that are offered that might not be part of a yoga class teaching strictly yoga. With all classes whether it be Nia, Yoga, Zumba, Jazzercise, whatever, the goal should be to give your body what it needs at that time. Bodies are constantly changing so the needs do too. The idea is not to force the body into a pose, but to allow the muscles and bones to sink into the pose, finding strength and flexibility along with openness in the joints and that constant sensation of Joy. This is a little review of movements that are Yoga or are very similar to Yoga, to explain some of the muscles we use in Nia.
Can you see how Nia can improve strength, stability, and flexibility?
Posted in Muscles, Nia | Tagged: back muscles, butt muscles, Extended Side Agnle Pose, Jazzercise, lunge, Nia, Nia class, Nia Moves, Nia routines, Pyramid, thigh muscles, Warrior I, Warrior II, Yoga, Yoga class, yoga poses, yoga sequence, Zumba | 2 Comments »
Posted by terrepruitt on March 10, 2012
I have posted about Nia FreeDance before. Nia FreeDance is meant to encourage creativity. In Nia routines sometimes we have entire songs that are FreeDance. Not all routines have an entire FreeDance song, but all routines have at least one part as FreeDance. The one part could be that our feet have choreography and our arms and hands are free to move. The creativity is released. As the 4th Principle of the Nia White Belt it can also be used as a tool to help a Nia teacher learn a routine and/or explore his or her practice. The principle has 8 stages. The third stage of FreeDance is Feelings and Emotions with a catch phrase of: Pretend, Fake It, Act As If. This is the stage where you pick an emotion and you act it out. This is not the same as stage 4 where you draw on the real you and you act out a story you have experienced, this stage is pretend.
The idea of stage 3 of Nia FreeDance is to pick an emotion, a feeling and then act it out. Pretend you are feeling that emotion at that moment. This would be practice or play outside of a class setting where you are doing a routine. So when using this tool as a way to grow and create you aren’t even expected to dance. The exercise is to pick an emotion act it out for a bit, then pick another emotion. Acting and explaining the feeling with your body in an exaggerated way. If it helps create a story in order to fake that emotion. It can be somewhat fun because normally when you are angry you probably would not throw yourself down on the floor and kick and scream, but when we are pretending to be angry and acting “as if” you can. You can throw an angry punch. You can run and jump for joy. You can do anything you would like and since it probably wouldn’t be something you would be “allowed” to do in society it tends to spur creativity. And this creativity gets your body moving in news ways. It gets your heart pumping. It gets your blood moving. It gets your joints juicy.
I used this stage not too long ago as the focus of a few of my Nia Classes and it turned out to be very interesting. So within the class setting we actually danced our pretend feelings and emotions. We continued on with the routine we were doing at the time, but we added our “act as if”. So it altered our movements a bit. We allowed ourselves to follow the emotion so as we were dancing steps and hand movements might have been changed, but we still danced. As I said it was interesting because my class did not want to act the “negative emotions”. Some had a difficult time with some of the ones we deem as “negative” or ones that go against one’s normal self. We danced: keeping a secret, letting a secret go, happy, loopy, light, jealous, worry, love, angry, masculine, annoyed, bashful, brave, calm, childlike, guilty, fearless, and more. We tend to assign negative and positive, but they just are . . .I think that we can look at an emotion and or a feeling and it can be neither, but as we live with it it could become one or the other. If we let it affect us in a negative way, then maybe it can be perceived as a negative emotion?
The Embody and Share portion of the Nia White Belt Manual states: “Emotions are energetic responses to our experiences. We must learn to deal with our emotions to keep ourselves free and unblocked.” So my thought process is, that if an emotion “blocks” us or causes us stress then we consider it negative.
People didn’t like the emotions they felt were negative. There was a tendency to not pick them from the list I had displayed. But I think they are good for exploring movement. So it’s fun to play with them all. Remembering it is pretend, we are faking being (whatever the emotion is that we chose), we are pretending.
Well, what do you think? I invite you to make a list of emotions and feelings, then put on some music. Pick an emotion/feeling from your list and move to it. Stay with it until you are ready to move on and then pick another one from your list. Do this for a few songs. You might be surprised at your movements. You will probably be able to create ways to move that you didn’t realize. When you are not thinking of your movements it allows your body to release and —- ahhhh! —- movement creativity. Go ahead, you can do it. Let us know how it goes!
Posted in FreeDance, Nia | Tagged: 8 stages, Act As If, angry, creativity, dance exercise, Fake It, freedance, jealousy, love, masculine, movement creativity, negative emotion, Nia choreography, Nia Classes, Nia FreeDance, Nia Practice, Nia routines, Nia teachers, Nia White Belt Manual, Nia White Belt Principle #4, Pretend, Stage 3, worry | Leave a Comment »
Posted by terrepruitt on February 18, 2012
After three years of teaching Nia and promoting it via my website, I have moved my website to a different host. Sometimes it is nice to have a new look to things. I don’t necessarily always feel the need for a new look. Since I have limited time I don’t always enjoy going to a site that I visit often and have it be completely revamped so I have to spend extra time on it to find what I need. But, I understand that it is nice to change things and have a fresh look. Sometimes there are other reasons to change things, there might be other benefits that are sought so it is all just part of the change. My site is still the best source for my Nia Class Schedule because even though I have been teaching at the same place for three years* sometimes there are changes. Sometimes it is out of my control, like when one of the studios I teach at moves my class time, but sometimes I am holding a special class or announcing an additional Nia class (new Nia Class in Campbell). Either way, it is best to always check my site for any adjustments that might occur in my Nia Class Schedule. Otherwise you can find the same information on my new site as you could my old site. The way is it arranged is slightly different as I put more of the information under headings instead of having the long list of pages on the side. The new look to HelpYouWell.com is a nice way to start off 2012!
My site still contains the following information: How Nia started, What is Nia, Seven Cycles of Nia, Main Benefits of Nia, Tips for a Pleasurable Nia Experience, Nia’s Principles of the Body’s Way, Tips for Moving with Nia, a list of Nia’s 52 Moves, Nia’s Belt List, Indexes for the Nia Technique Book, and a few other things. New is a list and map of locations where I hold Nia Classes.
Because I switched to a new host I have to go through all of my blog posts and update my links, both the hotlinks in the text AND the pictures. Not sure everyone even realizes that the different color words in a post are links to other things. Usually they link to my site, so since the page addresses have changed, I am working on going through all 491 posts. If you click on a link and it does not work, then I have not gotten to that one yet. I always welcome the information though, so if you want to let me know, I would appreciate it. So far I have made it through September 2011, and May 2009.
*I have been teaching at the same place for three years. I am still at the studio in the Willow Glen area of San Jose. For three years I have had a Monday and Wednesday morning class at 9 am. I would love for you to join us one of these days. I make it a point to teach on Holidays because since it is a morning class that is the time when many people can make it. When they have the time off of work. So if you ever have the opportunity please join us. We are there every Monday and Wednesdays (do check the schedule, though).
Well, I hope you will take two minutes to click through my new site. Let me know what you think. You can comment or contact me through the contact page on my website. Any and all feedback is greatly appreciated.
So? What do you think?
Posted in Misc, Nia | Tagged: a list of Nia's 52 Moves, helpyouwell.com, Indexes for the Nia Technique Book, Main Benefits of Nia, Nia class, Nia Class Schedule, Nia Class Schedule in Campbell, Nia Class Schedule in San Jose, Nia Class Schedule in the San Fransisco Bay Area, Nia San Jose, Nia's Belt List, Nia's Principles of the Body's Way, San Jose Nia, seven cycles of Nia, Terre's Nia class locations, TerrePruitt.com, Tips for a Pleasurable Nia Experience, Tips for Moving with Nia, Willow Glen Nia | Leave a Comment »
Posted by terrepruitt on February 9, 2012
In Nia we have FreeDance. FreeDance allows for so many things. One way we FreeDance is we dance to the music with no choreography. We let our bodies sense the music and allow it to move us. When we let our body move freely without thinking and without judging it is a great workout. Many of the Nia Routines have songs where there is no choreography and we just FreeDance, and many of the routines have choreography in addition to FreeDance. Our feet might have set patterns, but our arms and hands are free. Or our arms and hands might have the pattern and our feet are free. Many combinations of dance, choreography, and body parts. Nia FreeDance also has stages. A Nia teacher can call upon these stages for many things. The stages in FreeDance are used for learning a new routine, they might be used as a focus in a class, they might be used for a playshop, we have many options. In Nia FreeDance the fourth stage is The Creative Source – The Real You.
With this stage during the White Belt Nia Intensive I participated in, we were instructed to remember a situation and tell ourself the story of the situation and allow ourself to feel the emotion of that situation. We all walked around the room telling ourselves a story. Some of us talked out loud, some of us were silent. All of us used the emotion the story evoked to move. Our movements might not have been considered a dance by some, because in this stage we are not necessarily dancing. We are not moving our bodies with the intent of dance, we are allowing the emotion from the story to move our bodies. Depending upon the story it could appear as if our movements were a dance. Yet, since we do “dance through life” in Nia, all of our movements are a dance . . . just not the typical dance. In this stage we are not intent upon dancing.
The purpose of FreeDance is to the purpose of stimulate movement creativity. So we use the stages to assist in that. So using a story and the emotions along with the story can really allow for movement we might not have thought to bring to the dance floor. Some stories we use to practice stage 4 might be happy, some might be sad, some might be filled with anger, whatever the story and the emotion it is what moves us.
In the intensive there was all types of movements when we practiced this stage. There was stomping, jumping, running, rolling, skipping, punching, kicking, screaming, laughing, smiling, frowning . . . . all types as you can imagine would occure with a group of people with many different stories. As stated this is a tool to awaken different movement.
When we dance I think that we have a tendency to move in the same pattern. We might move in different patterns to different types of music or different beats, but there might just be a handful of different patterns. When we are challenged by using the different tools of Nia, when we practice and play with the eight stages of FreeDance we move in different ways. Sometimes muscles that don’t normally get to join us in our dance come alive. They are happy to be allowed to join in on the dance.
Using different muscles than we normally do in our dance fuels the creativity even further. When you let go and FreeDance you will be surprised. Here I invite you to try this fourth stage of FreeDance. I suggest choosing music without lyrics. Sometimes lyrics and interfere with FreeDance when trying to practice specific stages because lyrics can sometimes compel certain movements or emotions. So music without lyrics allows for you tell the story and listen to your body’s response to the emotion.
Well, what story are you going to tell?
Posted in FreeDance, Nia | Tagged: dance pattern, Nia, Nia choreography, Nia class, Nia creativity, Nia Dance, Nia FreeDance, Nia FreeDance stage 4, Nia Intensive, Nia Playshop, Nia routine, Nia Teacher, Nia White Belt | 2 Comments »
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