Posts Tagged ‘Nia Practice’
Posted by terrepruitt on May 17, 2012
I often have mentioned the 52 Nia Moves. I am taking my time posting about them, but they are in the Nia Technique Book. You could always order a copy from Amazon if you are interested. That is how I started my Nia practice. In the book after the section on the 52 Nia Moves there are pages and pages of other moves too. There is the 13 Joint Exercise, explanations of combinations of some of the 52 Nia Moves, Spinal Melts, and T’ai Chi Sways, and many more. They are organized in the Nia Cycles. The moves that are part of the warm up are in the Warm up section the more active moves are in the Get Moving section. Each move has a “Classic” explanation and an “Athletic” explanation. Nia is done in bare feet so there is no to very little impact, but that does not mean there is no intensity. Intensity comes from BIGGER moves. Bigger moves can be more arm movement either faster or further away from the body or both. Bigger moves can be moving deeper into a move. So the explanation of “Athletic” contains bigger or faster (or both) movements. There are over 75 pages of moves. Each with a set of pictures. Both the classic and the athletic has pictures. If you have the slightest interest in Nia or movement in general I would strongly recommend this book.
I felt I had to share that because there really is so much in the book.
That popped into my head as I was sitting here thinking about going to go make dinner. Here is what we are having:
Terre’s version of the Rantings of an Amateur Chef’s recipe:
Cauliflower Stuffed Portobello Caps
4 large Portobello mushroom caps
most of an entire head of cauliflower
3 green onions
1/2 C cooked and chopped bacon
1/3 C milk
3/4 C shredded cheddar cheese
1/4 C shredded Gouda cheese
salt, pepper, and garlic powder
Cook the bacon.
Scrape out the inside of the cap to remove the stem and gills.
Chop the green onions.
Preheat oven to 350 degrees.
Cut the cauliflower into large pieces. Steam for 6-8 minutes. Place hot cauliflower into the blender and some of the milk. Blend. Add milk as needed to achieve a mashed potato-like consistency. Mix with bacon and onions.
Fill caps with cauliflower mixture. Sprinkle with salt, pepper, and garlic to taste. Sprinkle with shredded chesses. Put a few onions on top. Place on a cookie sheet. Bake for about 15 minutes on the lowest rack in the oven.
The first time I made this I didn’t use the bacon and I will be doing that version a lot more often. It is really good! But I also wanted to try it with the bacon.
So I am going to go cook, then take pictures and post it all at one time!**
Do look at the Ranting Chef’s blog as he cooks some amazing things. The difference between his recipe and mine is he did not determine from the get go how many mushrooms. His recipe calls for only one half of the cauliflower head, he used bacon bits out of a package (which is uber smart because it helps keep the recipe easy!), his seasoning is pepper and pepper only, and his instructions are to cook it only for 5 minutes.
I don’t like pepper so what I do is just sprinkle each mushroom individually so that my husband, who likes pepper, can have more of that flavor, while I just barely do a turn of the pepper grinder. I also like my mushrooms more cooked when they are stuffed. I have made stuffed small mushrooms and find that I like to cook them a bit before hand.
It’s your turn. Make this recipe and let me know how you like it. Let me know how you adjusted it.
**Ok, so I didn’t like it with the bacon, but my husband did. I like crisp bacon and putting it in with the cauliflower made it just like bits of meat in the mix. I also forgot to mix the onions IN so ended up with them just on top. The bacon bits from a package might make it worth it, but dealing with bacon was not worth it to me.
Don’t The Cauliflower Stuffed Portobello Caps sound yummy?
Posted in "Recipes", 52 Moves (of Nia), Food, Nia | Tagged: 13 Joint Exercise, 52 Nia Moves, Amazon.com, Bacon, Cauliflower Stuffed Portobello Caps, Gouda cheese, Nia, Nia cycles, Nia Practice, Portobello mushrooms, Rantings of an Amateur Chef, Spinal Melts, T'ai Chi Sways, The Nia Technique book | 2 Comments »
Posted by terrepruitt on March 10, 2012
I have posted about Nia FreeDance before. Nia FreeDance is meant to encourage creativity. In Nia routines sometimes we have entire songs that are FreeDance. Not all routines have an entire FreeDance song, but all routines have at least one part as FreeDance. The one part could be that our feet have choreography and our arms and hands are free to move. The creativity is released. As the 4th Principle of the Nia White Belt it can also be used as a tool to help a Nia teacher learn a routine and/or explore his or her practice. The principle has 8 stages. The third stage of FreeDance is Feelings and Emotions with a catch phrase of: Pretend, Fake It, Act As If. This is the stage where you pick an emotion and you act it out. This is not the same as stage 4 where you draw on the real you and you act out a story you have experienced, this stage is pretend.
The idea of stage 3 of Nia FreeDance is to pick an emotion, a feeling and then act it out. Pretend you are feeling that emotion at that moment. This would be practice or play outside of a class setting where you are doing a routine. So when using this tool as a way to grow and create you aren’t even expected to dance. The exercise is to pick an emotion act it out for a bit, then pick another emotion. Acting and explaining the feeling with your body in an exaggerated way. If it helps create a story in order to fake that emotion. It can be somewhat fun because normally when you are angry you probably would not throw yourself down on the floor and kick and scream, but when we are pretending to be angry and acting “as if” you can. You can throw an angry punch. You can run and jump for joy. You can do anything you would like and since it probably wouldn’t be something you would be “allowed” to do in society it tends to spur creativity. And this creativity gets your body moving in news ways. It gets your heart pumping. It gets your blood moving. It gets your joints juicy.
I used this stage not too long ago as the focus of a few of my Nia Classes and it turned out to be very interesting. So within the class setting we actually danced our pretend feelings and emotions. We continued on with the routine we were doing at the time, but we added our “act as if”. So it altered our movements a bit. We allowed ourselves to follow the emotion so as we were dancing steps and hand movements might have been changed, but we still danced. As I said it was interesting because my class did not want to act the “negative emotions”. Some had a difficult time with some of the ones we deem as “negative” or ones that go against one’s normal self. We danced: keeping a secret, letting a secret go, happy, loopy, light, jealous, worry, love, angry, masculine, annoyed, bashful, brave, calm, childlike, guilty, fearless, and more. We tend to assign negative and positive, but they just are . . .I think that we can look at an emotion and or a feeling and it can be neither, but as we live with it it could become one or the other. If we let it affect us in a negative way, then maybe it can be perceived as a negative emotion?
The Embody and Share portion of the Nia White Belt Manual states: “Emotions are energetic responses to our experiences. We must learn to deal with our emotions to keep ourselves free and unblocked.” So my thought process is, that if an emotion “blocks” us or causes us stress then we consider it negative.
People didn’t like the emotions they felt were negative. There was a tendency to not pick them from the list I had displayed. But I think they are good for exploring movement. So it’s fun to play with them all. Remembering it is pretend, we are faking being (whatever the emotion is that we chose), we are pretending.
Well, what do you think? I invite you to make a list of emotions and feelings, then put on some music. Pick an emotion/feeling from your list and move to it. Stay with it until you are ready to move on and then pick another one from your list. Do this for a few songs. You might be surprised at your movements. You will probably be able to create ways to move that you didn’t realize. When you are not thinking of your movements it allows your body to release and —- ahhhh! —- movement creativity. Go ahead, you can do it. Let us know how it goes!
Posted in FreeDance, Nia | Tagged: 8 stages, Act As If, angry, creativity, dance exercise, Fake It, freedance, jealousy, love, masculine, movement creativity, negative emotion, Nia choreography, Nia Classes, Nia FreeDance, Nia Practice, Nia routines, Nia teachers, Nia White Belt Manual, Nia White Belt Principle #4, Pretend, Stage 3, worry | Leave a Comment »
Posted by terrepruitt on February 25, 2012
Are wrist blood pressure monitors accurate? I was wondering because my blood pressure seems low when I use my wrist blood pressure monitor. I know meditative body mind practices like Nia can help keep blood pressure down, but it seems really low. The first thing I looked at on the internet made me laugh. The question was, “How accurate are wrist blood pressure monitors? Mine consistently shows a lower blood pressure reading than that taken by my doctor.” And a portion of the answer said, “blood pressure measurements taken at the wrist are usually higher and less accurate than those taken at your upper arm.”
I often think that blood pressure taken at the doctor’s office is higher just due to the stress of being at the doctor’s office. Even if you don’t have what they call “white coat syndrome” sometimes the stress of getting to the doctor’s office (maybe there is traffic, or you have had to interrupt your busy life to take time to go to the doctor), the stress of WHY you are at the doctor’s (most of us don’t go to the doctor when we are healthy and feeling fine, so the fact that we are there could be stressful), or the stress of having to wait (often times we don’t get called in by our appointment time, or we do and we are stuck sitting on the table) can be causes for higher blood pressure readings than normal. I think that a blood pressure reading at home is more accurate because you are IN your life. You are IN your normal stresses. That is why I was wondering about the wrist cuffs because I think the situation (home monitor) is more ideal then doctor office monitoring. But with mine showing lower than I would expect I was wondering. It isn’t actually LOW, it is just lower than I expect. Because what I usually do is think, “Oh, I should check my blood pressure.” as I am downstairs so I run upstairs and try to sit and wait before taking it, but I end up pressing the button and just seems lower than I would guess because I was just moving around.
The American Heart Association states:
Blood Pressure
Category
|
Systolic mm Hg (upper #)
|
|
Diastolic mm Hg
(lower #)
|
| Normal |
less than 120 |
and
|
less than 80 |
| Prehypertension |
120 – 139 |
or
|
80 – 89 |
High Blood Pressure
(Hypertension) Stage 1 |
140 – 159 |
or
|
90 – 99 |
High Blood Pressure
(Hypertension) Stage 2 |
160 or higher |
or
|
100 or higher |
Just like with all information I found conflicting information. I found information stating that wrist monitors were good and I found information stating they were not accurate. The main concern regarding accuracy was arm position. The common statement was that the readings accuracy is affected by the arm position so if the arm was not properly placed the reading could be wrong. Makes sense, but I was not truly understand why resting one’s left elbow on a table so that the right and monitor were at heart height would be such a challenge to people using a wrist monitor. I also found information stating that wrist monitors were more expensive than arm cuffs, but then the monitors that I saw being advertised on the internet were less than the cuff ones. So, again, a lot of conflicting information. I did see information stating that wrist monitor quality (meaning reading accuracy) had improved a lot I personally think that cuff blood pressure monitor, the kind where you put your arm in the cuff and secure it around your upper arm, is more accurate. However, I also believe they are more expensive, so I bought a wrist monitor.
If you are interesting in having a blood pressure monitor at home, I suggest you buy one from a place that allows you to return it. Then when you go to the doctor take your monitor and take your blood pressure with it to compare to the doctor’s blood pressure monitor. If it is not accurate then you can return it to where you bought it.
There is a technique for ensure your arm is in the correct position when using a wrist monitor that could be easier than the elbow-table method. Cross you arm over your heart, as if you are holding your right shoulder in your left hand. This ensures no movement and that the monitor is above the heart/level with the heart. Don’t hold your shoulder just let your fingers rest on the front of your shoulder. I thought this was an excellent method.
Are you thinking about owning a blood pressure monitor? Wrist or arm cuff? Do you already have a blood pressure monitor at home? Wrist or arm cuff? Do you get a little “white coat syndrome” at the doctor’s office?
Posted in Helpful Hints, Misc | Tagged: blood pressure, Blood Pressure Monitors, body-mind practice, diastolic, meditation, Mind-body practice, Nia, Nia Practice, systolic, white coat syndrome, wrist blood pressure monitor | 21 Comments »
Posted by terrepruitt on January 14, 2012
Nia, the dance exercise that I teach, is a great cardio workout. Classes are fun and full of energy. To become a Nia teacher one must take the White Belt Intensive. It is 40+ hours of intense learning, discovery, play, dance, reading, listening, moving, sitting, and so much more. A person that is just interesting in learning more about Nia as a practice may also take the intensive. One does not have to have the intention of teaching to participate in an intensive. In the Nia White Belt there are 13 Principles. These principles are what teachers and practitioner use to expand their Nia practice. Working and playing with the principles actually help bodies to move “better”. Nia is a body centered exercise so these principles actually help us move our bodies. The fourth Nia White Belt principle is FreeDance, this principle has eight stages. The list of the eight stages is in my post Nia Class – Levels 1, 2, 3 – FreeDance Stage 8. The fifth stage is Authentic Movement – Change.
Nia is “about” many things. One thing Nia is about is Authentic movement. Our dance is not a performance. It is not meant to be pretty. It is meant to allow us to move in our own body’s way. The idea is that we will move in our own body’s’ way and we will move as we need to move. With freedom and authenticity we will be working our bodies as they each individually need to be worked. Yes, we do have specific steps in a kata or song. But everyone’s body does the steps maybe a little differently — to their own body’s ability. With practice the body will be able to do the steps and the moves in the Body’s Way, moving the way the body was actually designed to move.
With authentic movement we are letting the body move to the music in its own way. We don’t think of how to move it, we just let it sense the music and it moves. If one is practicing the Nia White Belt Principle #4, stage 5, then the authentic movement is done for two bars, two measures of how we count our music. After two bars change the movement. Do this for each song. The idea is that after a few songs the body will have gone through all of its “normal” movements. You will have danced out all of your movement tendencies. You will have danced all of your bodies patterns and your body will seek new moves. Your body will do things it does not usually do. You might be one that often moves your hips a lot, but after a few songs and continually changing the way you move your hips you might realize that you are out of hip moves, so your body plants your feet and you end up kicking up one leg at a time. Maybe kicking is not part of your typical dance move repertoire. Maybe once your legs start kicking your arms start punching. And this was not thought out or planned it just seemed natural. Leg kick, arm punch.
So the idea is to exhaust the normal and journey into new territory. If you have never done anything like this I want to warn you, you might be a little sore the next day. If you are a booty shaker and you change to a “how-low-can-you-go-er” you will feel it the next morning. If you always keep both feet on the ground and you start kicking or even just doing knee lifts to be different, your body will remind you the next day that you did something different.
If you let your body just dance to the music and switch it up, your body will give you great feed back on how you have never moved your foot/arm/head/butt/ankle/knee/whatever-you-moved-that-was-new the next day. You will go to move foot/arm/head/butt/ankle/knee/whatever-you-moved-that-was-new and probably sense it. This information will help you learn your movement tendencies and you can learn what new moves might help you improve your body’s movements.
Try it! Put on some music and dance with Authentic Movement, then change. Keep doing this through at least five songs and see where you end up. See what new moves your body comes up with. Ready? Go!
Posted in FreeDance, Nia | Tagged: 13 White Belt Principles, Authentic Movement, cardio workout, dance class, dance exercise, dance performance, dance practice, freedance, FreeDance Stage 8, kata, Nia, Nia class, Nia Dance, Nia energy, Nia Practice, Nia student, Nia Teacher, Nia White Belt Principle #4, White Belt Intensive | Leave a Comment »
Posted by terrepruitt on January 10, 2012
I think this is one of the most difficult stages of Nia FreeDance. And there is a reason they are numbered one through eight, and I don’t know why I started my postings about them backwards, but when I’m done they will still be here and they will tie together. On its own Stage 6 is a powerful tool, but it can also be applied when dancing Nia FreeDance stage one (FreeDance) and five (Authentic Movement). Stage 6 of Nia FreeDance is witness. We witness our movements. While we are dancing we acknowledge how we are moving. We observe our tendencies. We observe our structure. We are witness to all that our body can and can’t do, yet we do not interfere. We just let go and move. For many Nia FreeDance is a challenge because we are set free to dance without structure, we are set free to move as we sense the music. In stage 6 we do so — move without structure and as our own body senses the music — without interfering or judging. We are to just observe.
While you are dancing and witnessing, interfering would mean to change what you are doing maybe because you judged it to be a certain way. As an example, say you heard a specific stand-out beat in the music and your body sensed it as little hops so you started hopping. As you are hopping you start thinking and judging, you think, “Why am I hopping? I must look silly. No one else is hopping. I should stop.” While there was witnessing (YAY!), there was judging (not yay.) and then as a result interfering (not yay.). Movement was changed because of a judgement. Movement was changed not because your body sensed something maybe a new move from the music it was changed because you judged. This is what Nia FreeDance Stage 6 is about witnessing but NOT interfering or judging.
Even if we observe our tendency to do the same type of move over and over. This witness does not have an opinion, it just observes. If you are dancing just stage 6 of FreeDance then you just keep going. Observe, don’t judge or interfere. Now is not the time to change. Just dance.
This is not an easy stage. It is not easy to witness, just observing and not judge or interfere, but this stage is a huge eye-opener. This stage can tell us many things about our dance and our bodies. We can see our tendencies and our comfort zones. We can learn our strengths and weaknesses. We can embrace the sense of self. This stage is not easy, but it is powerful. It is a great tool in the Nia tool box for both a Nia Practitioner and a Nia Teacher.
So while you are dancing in the shower, in the kitchen, in the living room — wherever it is you get to truly dance — try stage 6 of Nia FreeDance; Witness – Do Not Interfere of Judge. Observe. And see where this takes you. See what you learn. You could learn things like, you don’t allow your neck free movement, your hips don’t get to dance, you are always bent at the knee, you can do a great shimmy, your hands are like graceful birds . . . . so many things. What have you witness in your FreeDance?
Posted in FreeDance, Nia | Tagged: Authentic Movement, Nia, Nia Dance, Nia FreeDance, Nia FreeDance Stage 6, Nia Movement, Nia Practice, Nia practitioner, Nia Teacher, Nia witness | 6 Comments »
Posted by terrepruitt on January 5, 2012
The principles of the different belts in Nia provide a foundation for our Nia practice. There are 13 Principles in the Nia White Belt. The fourth principle is FreeDance, this principle has eight stages. Eight things you can focus on that can become a part of FreeDance. When I attended my Nia White Belt Intensive we danced through these stages when we danced FreeDance. Dancing through the stages is something that can be done for fun. It doesn’t have to be because you do Nia. It can help you express yourself by turning on some music and applying the stages to the music. Dancing through the stages is also used as a technique for Nia teachers to become better aquainted with the Nia music. It is a tool that can help in learning a Nia routine. The seventh stage of FreeDance is Choreography, the tagline is: The Accidental “Click”.
I mentioned in my post about the eighth stage of FreeDance, Nia Class – Levels 1, 2, 3, that I often skip over dancing the first six stages of FreeDance when learning a Nia routine. Part of the reason is because I actually forgot about it being a step. I don’t skip them entirely, I do FreeDance about four of the stages to the music, but I don’t do all of them. I do believe that doing all six can be a great tool, so as I mentioned, I am working on implementing this action back into my “learning of a Nia routine”. Today in fact I started employing it with a the next routine I am learning.
Stage 7 of FreeDance, Choreography – The Accidental “Click”, is something that probably happens to all dancers and group fitness teachers alike. It kind of seems to happen in more than just dance actually, but with dancers the “click” is to the music. Often with the eight stages of FreeDance you are using more than one stage at a time. With experiencing the accidental click there is going to be stage two going on. There is going to be a lot of listening. The listening is to ALL of the music; the silences, the beat, the tempo, the instruments, the words the vibrations–all of it. With Nia we are taught to dance to all music, not just the kind that we turn on and can’t help but move too. We are taught to move to music we might not actually like. Many people are the type that when you turn music on something on their body starts moving. A foot might start moving, a head might bob, fingers might tap, this happens often. There seems to be some songs that EVERYBODY moves to, they just can’t help it. But then there is music that often clears the dance floor. The “everybody move to” music is easy to dance to. But the floor clearing kind sometimes can be difficult to dance to. In Nia we are taught to dance to it all. We are taught to listen to it all.
I will be the first to admit that sometimes there are songs I don’t like in a Nia routine. Sometimes there is just one noise that is to incessant or a beat that feels off, whatever the reason, I don’t like it all. Sometimes I like the music but not the moves. Sometimes I just can’t get the choreography and the music to mesh—in my head or in my body, whatever it just doesn’t work. So I keep doing that kata until it “clicks”. Eventually it will because Debbie Rosas Stewart and Carlos AyaRosas are great at creating routines, but sometimes it takes me a bit. The “click” is what state seven is about.
Stage seven is connecting to the sensation of your body. I think that often times I “don’t like it” (it being either the music or the move or whatever it is that is hanging me up) is all in my head. So if and when I stop thinking and get into the sensation of the body, I will find that the moves DO go with the music, I was just thinking they didn’t. Amazing how the thinking gets in the way of moving so often.
Here you have it the seventh stage of Nia FreeDance. Yes, I am posting about them backwards, from 8 to 1. It just happened that way. The days I went to type up a post my eyes fell on “Nia Class – Leve 1, 2, 3 for inspiration. So now I am going through the stages backwards. I bet even if you aren’t trying to learn a dance routine you can think of or recognize things in your life that click. Could be you are trying to remember a way to do something and you do it over and over and keep referring back to the instructions then one day “click”. In Nia it’s Choreography where we eventually find The Accidental “Click”, but in life it could be with anything. “Clicks” happen all the time. Even if you aren’t learning a dance routine, you’re familiar with that click, right?
Posted in FreeDance, Nia | Tagged: 13 White Belt Principles, Accidental click, Carlos AyaRosas, choreography, dance class, dance routine, Debbie Rosas Stewart, Free Dance, freedance, levels of intensity, Nia, Nia choreography, Nia class, Nia Dance, Nia foundation, Nia Practice, Nia routine, Nia student, Nia Teacher, stage eight, Stage seven | 2 Comments »
Posted by terrepruitt on December 31, 2011
Not all of my posts on my list of Year End Review Of Terre’s 2011 Important Posts are Nia posts, but some of them are, Here are the remaining four of nine that I thought were important enough to re-share. This is the second half of my Year End Review Post. When I wrote it as one post, it just seemed too long so I split it up. Thanks for checking in. As with the first half, I am just going to give a little summary so you can have the main point right here and you don’t have to go to the original post. But if you WANT to go to the original post (and comment even) please do! I am listing these in order of when they were posted.
I think of this post Muscle Weighs More Than Fat as being something we all need to be reminded of. Muscle DOES NOT weigh more than fat. The saying that muscle weighs more is one of those things that a lot of us say, but it is not correct. A pound of muscle weighs as much as a pound of fat. A pound of anything cannot weigh more than a pound of something else. A pound of muscle will take up a lot less room than a pound of fat as you will see in the picture on this post if you click over. 😉
If you are interested in a dance class that is pretty, a class that produces a performance then Nia is probably not what you are looking for. Nia Might Not Be Pretty — To Some. Nia is about authentic movement. Nia is about moving the body the way it was designed to be moved. Not everyBODY can move the way it was designed. There might be injuries, defects, tightness, or just plain ol’ non-use involved so it might not be pretty as we learn to move. But it is beautiful. This post reminds you that it is what it is and what it is not is a performance. A Nia class is freedom of movement, something to be enjoyed from the angle of the participant and not someone watching.
I have a post about listening with love, but the title is Let Love Be Your Ears. Ya know sometimes titles need to intrigue a potential reader, I was hoping that is what this title was. But the post is about listening with love. We all have heard and some of us might try to live by the old “if you don’t have anything nice to say, don’t say anything at all.” But LISTENING with love is different. Not that common of a “golden rule”. We are not always taught we need to love ourselves, so we might not listen as if people are talking to us with love and not accusations and criticisms. This might be something we have to practice. Also listening with love can include giving the person talking a lot of “benefit of the doubt”. Trying to see where they might be coming from.
Another post is about dance being exercise. It is a reminder that you can have fun and get exercise at the same time. Nia is just that!
So that is the last four on my list of posts I think really could use repeating. I know I picked a few because I need to work on some of them/it myself. I hope that you enjoyed either the summary or the posts themselves. I thank you very much for taking the time to read this. If you have been reading my blog and you recognize some of these I thank you. I really appreciate you taking the time to read. If you take the time to read and comment, I am really grateful and I very much appreciate it.
And, of course, I wish you a very happy and safe New Year’s Eve. I wish you many, many, many opportunities to embrace happiness and experience joy in 2012. Happy New Year.
Posted in Exercise and Working Out, Misc, Muscles, Nia | Tagged: 2012, 30 minute meals, dance exercise, fat is light, Happy New Year, listen with love, muscle is heavy, New Year's Eve, Nia, Nia balance, Nia class, Nia exercise, Nia freedom, Nia is for everybody, Nia Movement, Nia participant, Nia posts, Nia Practice, posts about Nia, ten minute exercise, the body's way, Year End Review | 2 Comments »
Posted by terrepruitt on December 29, 2011
Many bloggers are posting end of the year posts. Some posts are the best, some posts are their favorites, everyone has a different take on it. Some are a review of the year, either in posts or pictures. I thought about doing a post about my favorites, but I was afraid they would all be my Nia posts. As I was going through my posts from the last year I came up with an eclectic bunch . . . . just like my post. I can’t say they are my favorites, but I can say they are ones that I want to point out again. I actually found twenty-three posts that I wanted to re-share. TWENTY-THREE! But that is way too many to summarize and share. I narrowed it down to nine. These nine are ones I think are the most important of the ones I’ve posted this past year. I still think nine is a lot so I am going to do this year in review in two parts. I am just going to give a little summary so you can have the main point right here and you don’t have to go to the original post. But if you WANT to go to the original post (and comment even) please do! I am listing these in order of when they were posted.
One of the most important things I have posted about is Balance. The post is called Nia Balance and I was sharing about how balance was challenging because of my injured toe, but the main point of the post is that balance is really important and that our Nia routines are full of opportunities in which we can practice our balance. Since balance is so important you can practice it throughout your day without really changing the way you do things too much. Balance is so important, especially as we age.
It’s Out There is my post about how great Nia is! Ha, ha! Well it is a little bit about Nia, but a lot about the fact that there are many, many, many other movement forms out there. There are so many different forms of movements that there really has to be something for everyone. Nia is for everyBODY as it was created to move the body in the body’s way, but it is not for everyone. There is something out there for everyone! If you look you can find a class for you!
I posted about Feeling Vs. Sensing. Feeling is emotion. Feelings are how you FEEL. Sensing is what your body does. You FEEL happy. Your body senses heat. You FEEL sad. Your body senses cold. Knowing the difference can help you give your body and/or your emotional self, your spirit the workout it needs.
I made up a list of ten exercises that can be done in ten minutes. There is actually a lot of different ways you can do the list of ten exercises, but the idea was to get a full body workout in ten minutes. The hope was that the ten in ten would be an inspiration and a catalyst for actually doing more.
This past week I had company and they were here through the dinner hour. I didn’t know that they would be here that long so I didn’t have anything planned for dinner that would feed all four of us, but I still wanted to feed my husband when they left. So about the time they were talking about leaving I went into the kitchen. I was in the kitchen all of seven minutes. I washed the rice, turned on the rice maker, chopped the end off the asparagus, rinsed them, put them in a pan then put them in the oven, and dumped the marinated chicken in a pan and put it in the oven. I then set the timer for 20 minutes at which time dinner would be ready. I achieved a 30 minutes meal. All because when I froze the chicken I made a sauce for it at the same time. So when I took it out to defrost it was already marinating or doing so as it defrosted. So it really took seven minutes for me to make dinner. My friends didn’t even miss me because I was only gone seven minutes. This post is about Shopping Step to help Dinner Prep. After shopping before you freeze the meat make your marinade right inside the bag. It has really helped me get dinner ready much faster! Love it!
So this is five on my list out of nine post I think really could use repeating. I hope you check back Saturday to see the rest of the list. I thank you very much for taking the time to read this. If all of these or some of these are “repeats” to you, then I really thank you. Thank you so much for being here. I really appreciate you reading and if you are a commenter . . . I appreciate you even more!!! See you back here on Saturday for the rest of the review of my Year End Review!
Posted in Food, Misc, Nia | Tagged: 30 minute meals, dance exercise, fat is light, listen with love, muscle is heavy, Nia, Nia balance, Nia class, Nia exercise, Nia freedom, Nia is for everybody, Nia Movement, Nia participant, Nia posts, Nia Practice, posts about Nia, ten minute exercise, the body's way, Year End Review | 4 Comments »
Posted by terrepruitt on December 8, 2011
I was talking about Nia with my Nia students recently after our Nia Class. They were telling me what they think Nia is. They said that Nia should come up if they were doing a search on the internet using the term dance exercise. I was really happy to hear that. I always get stuck when people ask me what Nia is because to me it is a lot of things. If you have read any of my posts on this blog about Nia you know how its principles can be applied to life and how at its very basic level it is a workout. But way beyond that it is a practice. When people ask me about it my enthusiasm takes over and I want to tell them ALL about Nia, when I could just stick to the basic level – it is dance and dance is exercise.
Even though it is exercise and it is a workout it is fun. I love that “Dancing With The Stars” really helped show people what a great workout dancing is. Dancers have always known that dancing is a great workout–both aerobic and strength. I think people have always known to some extent that PROFESSIONAL dancers get a workout, but I think that show opened the door to more people understanding that dancing even if you aren’t a professional is a workout. Yes, the “stars” do end up dancing as much as professionals to learn the dances, but still for some reason it seems like it enabled people to see that dancing is exercise—but it is fun!
As with any workout the participants can put what they want into it. If you really want to get a workout you can move bigger, farther, higher, lower, faster . . . whatever works for you to get the workout you need and want. The possibility to move small, slow, and just be mellow is always there. It is very versatile. It is cardio but if you really move — especially during floorplay — it can be a great strength training workout.
I actually started teaching Nia because it was a dance exercise. I don’t know if I have mentioned that before in this blog, but I was looking for something to teach that was very dance-y yet was exercise. I knew a lot of women who said they loved to dance and they would like to dance but their partners didn’t like it, so they thought that a workout that was dance would be great. It is. It is very fun. We dance to all types of music. There is a lot of opportunity for self-expression. Even when we are doing specific steps there is a lot of room for one’s own movements.
Nia was created to be fun, to address the entire being. Debbie Rosas-Stewart and Carlos Aya-Rosas brought us this wonderful movement practice through years of hard work and research, that started in 1983. Carlos retired at the end of 2010, and Debbie is moving Nia forward in a great direction. Body-centered, spirit-filling, and mind-blowing. We are dancing up a storm and loving it. It is dance, it is exercise, it is dance exercise and if you try it you will love it.
Posted in Nia | Tagged: aerobic workout, cardio workout, Carlos Rosas, dance exercise, dance practice, Dance Workout, Dancing with the stars, Debbie Rosas, Nia, Nia class, Nia Dance, Nia Practice, Nia students, Nia teachers, Nia workout, professional dancers, professional dancing, strength training workout, White Belt Principles | 4 Comments »
Posted by terrepruitt on October 25, 2011
Nia is a body centered practice. Nia came about partly because at that time, in the 80’s, popular exercise classes were very hard on the body and the industry in which the creators of Nia worked produced a lot of injuries. The couple that brought us Nia spent a lot of time examining many different forms of movement which in turn shaped Nia into a body-centered movement practice. Nia is a cardio dance workout that moves the body as it was designed to move. Debbie Rosas-Stewart, one of the creators of Nia, wanted to be a doctor, she has always been interested in the human body. Nia’s training material often refers to the science of the body. The body is fascinating and fantastic. I believe that Debbie’s love of medicine and the human body is evident in Nia. Here are some facts that I found interesting. They are facts easily found on the internet so they might not be new to you. Even if you have heard them before I hope you marvel at the human body as I do.
- There are 10 human body parts having only three letters. (Can you name all 10 human body parts having only 3 letters?)
- Food is moved through the digestive tract by muscular contractions.
- The pressure created from the human heart can squirt blood 30 feet.
- Hydrochloric acid found in the stomach can dissolve certain metals.
- The surface area of a human lung is equal to a tennis court.
- Half of our taste buds are gone for most of us, by the time we are 60 years old.
- The human brain is capable of storing everything it is exposed to, but it is the ability to recall the information that might be the challenge.
- We are shorter at the end of the day due to cartilage being compressed throughout the day.
- Kneecaps aren’t developed in a human until the child is between 2-6 years old.
- The longer the finger the faster the nail grows.
- Hair and nails do not continue to grow after death, but it appears as if they do since the skin shrinks and recedes as the moisture dries up.
- The skin of a human body contains 45 miles of nerves.
- The average human will breathe 23,040 times in a 24 hour period.
- People with dark hair have less hair than blondes.
- The stomach produces a new layer of mucus every 14 days in order to keep from digesting itself.
- The “funny bone” is actually the ulnar nerve.
- About 8% of the human body weight is blood.
- A human snore can be a loud as a jack hammer.
- Starvation takes a few weeks, but a total lack of sleep would cause death in roughly 10 days.
- A human sneeze has been measured to exceed 100 miles per hour, whereas the average cough is only 60 miles per hour.
- “Veins in the skin appear blue for a variety of reasons only weakly dependent on the color of the blood. Light scattering in the skin, and the visual processing of color play roles as well.” **
The 10 human body parts with only three letters: eye, ear, lip, gum, jaw, arm, rib, hip, leg, and toe.
Aside from what was **copied directly from Wiki, the above information was gleaned from the following sites:
The Nurse Nut, Yes, ICantSeeYou, Mawlana Faizani International, and ESZlinger. I have seen many sites contain the same information and more. I just found these ones particularly fascinating. I think the body is fantastic.
Posted in Just stuff, Misc | Tagged: body centered practice, cardio dance workout, Debbie Rosas, Debbie Rosas Stewart, facts about the body, how fast is a sneeze, human body, Nia, Nia cardio dance, Nia class, Nia creator, Nia Practice, Wiki | 4 Comments »
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