Posts Tagged ‘martial arts’
Posted by terrepruitt on July 13, 2020
Principle 2 of the Nia White Belt has two parts. Nia White Belt Principle 2 is Natural Time and Movement Forms. As you may have seen, I am re-taking the Nia White Belt training online and so far, the information, the bones of this principle has not changed . . . and that is comforting. It is nice to know that we – from the first Nia White Belt that experienced these principles to now – are all still moving from the same point of reference. Back when I took the Nia White Belt training in December 2008 they were developing new images called triads. We were the first class to get a glimpse of them and be shown how they “worked”. Nia is still using the triads to help students learn and embody information, but as I mentioned in a previous post, we are being presented with the latest langage to be used by Nia, but so far the core of the principles have been the same. In addition to the BRAND NEW (not even been printed) Nia White Belt “Sense” Book (the training manual) we are also reading The Nia Technique Book. The Nia Technique Book has pages and pages devoted to Nia White Belt Principle 2 – Natural Time and Movement Forms. It is a vast principle.
First of all, I want to remind you that Nia is amazing. It is a holistic model for movement and life so it has A LOT of depth. The training material they put out is ALWAYS mind blowing. And over the years they have added more and more things to the toolbox. So, I am not disclosing everything we learn, I am not sharing all of the information because it really is something one needs to experience for themselves. All of the stuff I share – ok, most of it – comes from the publicly available book The Nia Technique Book.
The first part of the principle: Natural Time. I don’t have much to add to my first post on Nia Natural Time. There is a triad for this, but, again, not sharing ALL of our training with you because that just wouldn’t be fair. The first part of P2 is about moving in your own time and using the 13:20, your 13 major joints and your 20 digits, for movement, and about what Nia calls measure which I equate to proprioception, where you know where your body is in relation to things around you and to your own body. This is very helpful when you are dancing with a lot of people. It is also VERY helpful nowadays when you are observing social distancing. You use movement and measure to move in your body’s way.
The second part of the principle is Movement Forms. There are three arts that each contain three different movement forms. Now, I say we may use moves from each art because when exercising and/or dancing you are probably going to do a punch or a kick and/or a shimmy or a cha-cha-cha. But I do need to be clear that we are not actually DOING any of these forms. We just use elements from each form or even more accurately we use the energy of each form. Since we are still using The Nia Technique Book in training, I feel that my previous posts can serve as information regarding each art and its included form.
The “Arts” are Martial Arts (MA), Dance Arts (DA), and the Healing Arts (HA). Within each art is the form from which we use energy.
T’ai chi is the slow dance
Tae Kwon Do is the dance of precision
Aikido is the dance of harmonious spherical motion
Jazz Dance is the dance of fun, showmanship, and expression
Modern Dance is the dance of creating shapes in space
Duncan Dance is the dance of free-spirited, honest movement
Feldenkrais is the dance of conscious awareness of sensation,
the Alexander Technique is the dance of movement from the top
Yoga is the dance of conscious alignment of bones and joints
I am sharing the hastily drawn triad regarding the movement forms because it helps with understanding the organization of them.
For our homework we spent time discovering our energy personalities in relation to the nine movement forms. In our training we spent time dancing each movement form to see how the different energy allowed our bodies to move. It is fun to explore and maybe learn new ways to move.
And there you have it Principle 2 of the Nia White Belt hopefully it gives you a little insight as to how we dance Nia and even how we move through life.
Might you play with dancing using one of the movement forms? See what is your favorite form of expression?
Posted in 2020 Nia White Belt Principles, Nia | Tagged: 13 MAJOR joints, 13:20, 20 digits, Aikido, Alexander Technique, dance arts, Duncan Dance, energy personalities, Felderkrais, Healing Arts, holistic model for movement, Jazz Dance, martial arts, modern dance, Natural Time and Movement Forms, Nia Triads, Nia White Belt, Nia White Belt “Sense” Book, Principle #2, Proprioception, Tae kwon do, T’ai chi, The Nia Technique book, training online, Yoga, Zoom | Leave a Comment »
Posted by terrepruitt on January 22, 2020
I think it is time to revisit some things. A compilation of re-visitation. How does that sound? This is in regards to Nia. I have all of this information spread out in various posts on my blog and in various places on my website but I thought I could revisit some information for a post. This will help to get the information out there. I will answer some questions that I have received recently as a new group of people are going to be treated to a Nia class.
How is Nia different than Zumba?
Well, based off of my Zumba and Nia training and based off of the Zumba and Nia classes I have attended the main difference is movement, both speed and type. Zumba is regularly faster. Nia can be fast, but in general is slower than Zumba. Zumba’s movements tend to be more Latin; focusing on movement of the hips and feet, whereas Nia is more of an entire body movement type of dance class. Nia incorporates three art forms into the dance (martial arts, dance arts, and healing arts – more about all of that can be found in the “The Nine Basic Movements Forms Of Nia” post.)
Is it sweaty?
Well, that is based entirely on you, the individual. Some people dance Nia and don’t sweat, it could be that they just aren’t the type of body that sweats or it could be that they really didn’t move enough to sweat. I remember teaching one class years ago and a student came up to me as I was toweling off and said, “You really don’t sweat much in Nia, do you?” As I said, I was toweling off, my hair was wet, I was blind from sweat, and my glasses were fogged up. And I said, “No, no YOU don’t.” Because this person had stood behind me the entire class. I never saw this student’s arms or legs or head. So, in other words, this person didn’t move a lot, this person never lifted their arms up or out, nor did they kick out, so there wasn’t a lot of movement on their part so they didn’t sweat. And that is fine, if that is what your goal is. If you want to go to a cardio dance class and not sweat don’t move a lot. If you are the type of person that sweats when you move and you decide to move in the class, then you will sweat. It really is all about what you want for your body that day, during that class.
What do I wear?
Anything you want in order to feel comfortable. Something you can move in and that you don’t mind being on the floor in.
Is Nia done barefoot?
Yes. Nia is designed to be done barefoot. Again, we do not jump – sometimes a trainer might get fancy and excited and include a little jump or two when s/he created the routine, but for the most part we do not jump. We don’t typically twist on our feet, we pick up our feet. There is a lot of foot work in Nia designed to stretch and strengthen the foot. Nia believes that – while shoes can be lovely – they restrict the movement of the foot, so moving in bare feet allows the foot to move as it was designed.
What type of music is played in a Nia class?
All types of music. Some routines run the gamut of tunes from rock to classical, some routines contain only one genre or one artist but the music for Nia as a whole varies. You can click here and click around if you would like to hear some samples of the actual music in some of our routines.
As a note, people constantly confuse IMPACT with INTENSITY. We had been trained to think we have to move fast with high jumps up and down (impact) in order to get a “good” workout and in order to sweat. But if you stand with your feet in A stance (slightly wider than your shoulders) and do squats for three minutes, you might get a little sweaty. You will have done an INTENSE exercise, but not one that is high impact. Nia is not high impact, yet it can be intense. People who do the moves in their bodies way, always come up to me and say what a great workout they just had in Nia. The routines are created from movements that the body was designed to do, but Nia knows that not everyone’s body can move that way so dancers are encouraged to move in their own body’s way. And with that in mind individuals get the workout they need.
Above I mentioned sweating in a Nia class, well, it could be you do sweat when you workout, but it could be that you are taking a Nia class in the middle of your work day or you are meeting friends for lunch after class so you don’t CHOOSE to move a lot and you want to take it easy – that is perfectly acceptable. It is perfect to dance how you want to/how you are able to at that time.
So, these are the questions that I have received of late. I can go on for pages talking about Nia . . . and I have if you look here on my blog you will find plenty of posts about Nia. Or you can check out my website, here are some pages that might interest you:
Nia Information / Nia Class Cycles / Main Benefits of Nia / Tips for a Pleasurable Nia Experience / Principles of the Body’s Way / Nia Tips for Moving with Nia / Sounding Tips / Nia’s 52 Moves / Nia Belt Levels and Focuses
Also, feel free to contact me if you any other questions or want more information. Yay to new Nia dancers!
Posted in Nia | Tagged: Answers to Questions, barefoot, classical music, dance arts, dance class, entire body movement, Healing Arts, high intensity, latin moves, Latin music, low impact, martial arts, Nia, Nia class, Nia Class Experience, Nia dancers, Nine Movement Forms, rock music, sweaty workout, www.HelpYouWell.com, Zumba | Leave a Comment »
Posted by terrepruitt on February 19, 2018
So you may know that I teach a cardio dance exercise called Nia. It includes Martial Arts (such as Tae Kwon Do), Dance Arts (such as jazz dance), and Healing Arts (such as yoga). It is body centered. Basically, it has many facets and can explained many different ways, but it is best for one to see for themselves what it really is. So I call it a cardio dance exercise. That lets people know that they will be dancing and getting a cardio workout. It clues them into the fact that if they move, they will sweat. The rest they just have to experience. One thing we do in Nia is we move around the room. It is great to experience the world from other perspectives and just moving away from your regular dance spot in your dance class can help you do that. Sometimes when we move from our regular spots we are moving around the room in FreeDance . . . perhaps taking up as much space as possible, moving about the entire room or dancing in all the corners. Sometimes when we move from our regular spots we dance in a “bundle”. Nia is also about community so this really helps exhibit that. We dance in a group, in a bundle, as a community.
There is a particular kata in which I remember the training DVD to have encouraged us to dance close, as stated, in a bundle. So I always try to get people to get close. I suggest we all move gently in the tight bundle. I ask that everyone move through the middle of the bundle at least once. I also propose that people make eye contact. This is something I usually say to remind myself. I am getting better at doing so. I used to always look down, but now we are eyeing each other.
During one class I stepped outside of the bundle to turn up the music and thought it would be a great time to snap a photo. As you can see our little Nia community is great at doing the Nia Bundle. We always speculate as to what people who might see us would think when we have this large wonderful dance floor and we are all in the middle dancing. We also laugh about elbows and toes, acknowledging that you might run into one and being very careful not to step on the other. I believe the Nia Bundle is one of the things that makes Nia unique.
If you have read some of my other posts before, this one might sound pretty familiar as I wrote about the Nia Bundle in my post Dancing Close. This post pretty much explores the same information, but with this one there are pictures.
Not every Nia routine’s choreography contains a Nia Bundle . . . but a Nia teacher can use a Nia Bundle anytime. Since it is such a fun way to dance in community we might just sneak it in whenever we want. I tend to stick to using it when we dance the particular song that Carlos choreographed the Nia Bundle in . . . .but ya never know, since my students are so good at it, I might start using it more.
How would you feel about a “bundle dance”?
Posted in Nia | Tagged: body centered, cardio dance exercise, cardio workout, Carlos Aya Rosas, dance arts, Healing Arts, Jazz Dance, martial arts, Nia Bundle, Nia class, Nia community, Nia routines, Tae Kwan Do, Yoga | 2 Comments »
Posted by terrepruitt on October 16, 2014
I am learning a Nia Routine and the focus is the Nine Movement Forms (of Nia). All routines can be an opportunity to connect with the Nine Movement Forms, but when it is the designed focus of the routine it really helps to emphasize each one. There are nine songs to the routine and each song was created with the specific movement form in mind. It is an easy way to practice each form. It is a wonderful way to learn more. There are three arts and three movement forms from each art. The Arts are Healing Arts, Martial Arts and Dance Arts. The movement forms are the Teachings of Moshe Feldenkrais, Alexander Techinique, Yoga, T’ai chi, Tae Kwon Do, Aikido, Jazz Dance, Modern Dance, and Duncan Dance.
Each movement form can be used to guide the movements. Each movement form can energize the moves.
The below is from the Nia Technique (page 101)
(Healing Arts)
“Teachings of Moshe Feldenkrais: Reflective, healing, conscious. Move with sensory awareness and feel life as it happens.
Alexander Technique: Transformative, exploratory, natural. Move as a whole person, connected up and balanced.
Yoga: Timeless, linked, expansive. Move in ways that link your body, mind, and spirit to the outer world.
(Martial Arts)
T’ai chi: Flowing, tender, fluid. Float like a balloon, and move like a willow tree in the wind.
Tae kwon do: Sharp, powerful, active. Move with confidence, and feel* your own speed and strength.
Aikido: Harmonizing, peaceful, cooperative. Connect and blend with everything around you.
(Dance Arts)
Jazz dance: Playful, peppy, sexy. Move with pizzazz and express your most passionate emotions.
Modern dance: Languid, moody, balanced. Create different shapes with your body. Play with balance and contrasts.
Duncan dance: Soulful, spontaneous, unbounded. Move like a child enchanted by life.”
*I believe that should say “feel”
In the song matched up with the Teachings of Moshe Feldenkrais we move in the space. Sensing our bodies and the space around us. Sensing the space with our bodies. The T’ai Chi song has us moving fluidly both slow and fast. The movement is a flow. The third song takes us to a dance art and it is jazzy. We do jazz squares and move with pep and we snap our moves. In the song where we are focusing on Modern dance we make shapes with our bodies. We also sense the moods created by the different shapes. In the Duncan dance focus song we play rushing in and rushing out. The sixth song has moves that are to be done sharp and powerful. It is presented first slow than fast. And that gives the participant options to do either speed. In the song that focuses on Aikido we do a lot of turns . . . Aikido turns or four point turns. With the eighth song we are doing a cool down and use the idea of “long bones” and “short bones” which allows us to expand and stretch connecting to the sensation of yoga. The last song inf our floorplay, we explore the Alexander Technique by moving from the top.
Just a different way to experience the Nine Movement Forms (of Nia). A great way to delve deeper into Nia and its movement forms.
What do YOU think of when you think of these movement forms? What do you think of when you think of Moshe Feldenkrais? Are you familiar with the Alexander Technique? What comes to mind when you think of Yoga? What do you know of T’ai chi? Have you ever done Tae kwon do? Does thinking about Aikido make you dizzy? What could you show me about Jazz dance? Are you into Modern dance? Do you know who created Duncan dance?
Posted in Movement Forms of Nia, Nia | Tagged: Aikido, Alexander Technique, body mind spirit, dance arts, Duncan Dance, floorplay, Jazz Dance, jazz squares, martial arts, modern dance, Nia routine, Nia songs, of Nia, Tae kwon do, Tai Chi, the Healing Arts, The Nia Technique, The Nine Movement Forms (of Nia), the Teachings of Moshe Feldenkrais, Yoga | Leave a Comment »
Posted by terrepruitt on June 10, 2014
We have sounding in Nia . . . where we make sounds as we are dancing. Plus people are always invited and . . . in my class . . . encouraged to sing. I’ve written several posts about sounding and put them in their own category under Nia. (Click here for the link to those posts) Although I do not think of making sounds as being regulated to Nia, I just have them as a sub-category under the category Nia. I think sounds are appropriate to make during other exercises and workouts. One that always comes to mind when people seem to need convincing of making noises and exercising is martial arts. Once I remind them that “Hi-Ya!” is a common sound, they seem to relax into the idea a bit. As I probably have mentioned before, I remember it being an unspoken rule that you didn’t make noise while you are doing Jazzercise, lifting weights, or working out at the Lady Spa. Could have been ideal that it was unladylike to make noise. I don’t know, because I never remember being told NOT to make a sound, I just know that no one did it. It was almost as if even breathing heavy was taboo! One reason I love Nia: breathing and making sounds are encouraged. But I think of these sounds as helping with the flow of oxygen and energy. I think of them as stress relieving and joy bringing. So when I was flipping through Yoga Journal and came across an article titled “How To Be Fearless” I thought, “Huh? Interesting.” Mark Moliterno, an opera singer and yoga instructor has paired yoga with voice to create YogaVoice.
This reminded me of one of Nia’s instructors who created Kivo® The Kinetic Voice . . . which is – according to her website – “a vocal practice that uses the whole body. It is designed to harness the power of vocal vibration and movement as transformational tools that unlock energy, activate your true radiance and empower you to go out and create the life you were born to live.” So . . . back to the article when I looked at the chart within the article I realized that the pairings were for more than just overcoming public speaking jitters as the subtitle read. It was for a list of different areas.
Just as we know certain sounds to be related to certain chakras and feelings, you probably also know poses are related to certain chakras and feelings. When sounds and asanas are paired up they can be very beneficial. I would bet many of you are familiar with “OM” as a yoga chant. Different sounds and different mantras can be used. The information on the YogaVoice websites leads me to believe this is different from chanting while doing yoga, there are indications that it goes beyond that.
I just love that more sounding is coming into the workout. Since I believe there is a lot more to sounding — a lot more benefits can be reaped than just breathing — I love movement forms that stem from sounding or that incorporate it.
Do you believe the is benefits to making noises while working out? Do you make noises while exercising?
Posted in Nia, Sounding, Yoga/PiYo/Pilates | Tagged: Jazzercise, Kivo, Lady Spa, Lifting Weights, Mark Moliterno, martial arts, moving sound, Nia, Nia class, Nia instructor, Nia sounding, Nia Teacher, sound and movement, working out noises, Yoga, yoga asanas, Yoga Journal, yoga magazine, yoga poses, YogaVoice | 2 Comments »
Posted by terrepruitt on March 1, 2014
Here is where it is obvious that the moves we include in the 52 Moves of Nia are not unique to Nia. Kicks are part of many dances, martial arts, and movement forms. Kicks can be done in many different ways. They are great for many things. In Nia while we dance we often do kicks. We count each kick as a separate move so the Front Kick, the Side Kick, and the Back Kick are three of the 52 Moves of Nia moves.
I know that we did kicks in country line dancing and in West Coast Swing. They kick in ballet and jazz dance. We all know they kick in all types of martial arts such as karate, jujutsu, and kickboxing. Kicks are even a part of exercise routines and sports. I know they do kicks in Jazzercize and Zumba.
Each kick requires balance, and that is one of the things that kicks are good for. The act of kicking helps improve, helps challenge, and helps retain balance. One must be on one leg and/or foot in order to kick the other leg.
With a Front Kick, in Nia, we balance on one whole foot, we lift the other thigh so the foot is off the ground. We keep our alignment of our three body weights. We use our arms to help maintain the balance. The leg we are standing on is firmly rooting to the earth yet the knee is not locked. Then we extend the leg of the foot that is off the ground, allowing the shin and foot to move forward, away from the body. We look where we kick. We kick at our own level. It could be that you are able to lift your thigh so it parallel to the ground or possibly your knee is higher than your hip. Remember it is your kick so it is your balance practice.
The Side Kick starts as the front kick, on one leg, the we lift our thigh, but instead of sending the foot forward and away from the body we shift our hips so the one that has the leg lifted it higher than the other one and our knee crosses the midline of the body, the we push our foot out to the side of the body. The same side as the foot that is lifted.
The Back Kick has the same start as the front kick and side kick. Stand on one leg and lift the other thigh up. As with the front kick your body is in alignment. The we push the leg that is lifted, back, as if we are stepping on the wall behind us. For an additional challenge to balance you can look behind you.
Just like all the 52 Moves in Nia, while doing these kicks in our Nia routines we often modify them a bit. Sometimes the kicks are slow and powerful. Sometimes they are fast and done with a bit of ease. Sometimes the choreography allows for the foot to rest on the earth before rising again to kick, sometimes not. Sometimes the kicks are done in a fast repetitive fashion. Sometimes they are meant to be done low, sometimes they are meant to be done high. But all kicks are meant to be done in your own body’s way.
In addition to balance, kicks help with strength. Both legs, the standing and the kick leg get the benefit of that. Also kicking is good for exercising your coordination, especially when there is travel involved and/or arm movements. Kicks are a great addition to many dance modalities and exercise forms. I would bet you are familiar with kicks.
Do you do kicks in your cardio dance class? Do you include kicks in your workout routine?
Posted in 52 Moves (of Nia), Nia | Tagged: 52 Moves of Nia, back kick, ballet, cardio dance, cardio dance San Jose, country line dancing, dance exercise, dance kicks, exercise routines, front kick, improve balance, Jazz Dance, Jazzercize, Jujitsu, jujutsu, karate, kickboxing, martial arts, Nia, Nia routines, Nia San Jose, repetitive kicks, side kick, west coast swing, Zumba | 2 Comments »
Posted by terrepruitt on November 30, 2013
I am certain that I have mentioned the fact that Nia changes. Like many things it grows, it morphs, it improves, it changes, yet it remains the same. The basics stay the same. The core of it stays the same, but as time goes on it morphs. Sometimes it is the verbiage and the names of things, but it basically stays the same. It has been a year since I have taken the Nia Blue Belt Intensive. In that intensive we were given a Manual from August 2006 and while we were being trained we were told that a new manual was soon to be released along with some new ways of explaining, talking, and learning things. So part of what I quote here might be a little different from what is being taught now, but the idea and the process is the same. The process is Creating Space.
In an intensive, before every session we gather and create the space. This practice was discovered as something done in martial arts. Debbie Rosas and Carlos Rosas, the creators of Nia, recognized its value and brought it into Nia. It is the responsibility of the participants to create the space. It is the responsibility of trainers to hold the space.
The Blue Belt Manual states: “Creating space is the conscious act of preparing the environment, which includes your body.”
It is an incredibly powerful act that enables an individual and a group to become prepared for receiving. It is — at its core — coming into stillness. In preparation for creating the space we use a prescribed process. There is a schedule that is kept. A bell is rung seven to ten minutes before we are to start creating the space. This allows for people to wrap up any conversations they might be involved in and to do any last minute things that need to be done. Then there is a five minute bell and another one at one minute. Then, the students create a circle in which we sit quietly while we create the space. The things we do is quiet the mind, stop the inner dialog and just let the mind rest and become open to hearing and receiving the teaching that is about to happen. The body is also stilled. The emotions are balanced and not taking over. We are connected to our higher self . . . the manual says, “open, but you are not seeking at the moment”.
A main point is to not allow for distractions of any kind. No physical distractions . . . that is one reason why we sit still. No mental distractions . . .that is one reason why we stop the inner dialog and the thinking. All four bodies, Body-Mind-Emotion-Spirit (BMES), are stilled.
The space we create is “a way to set up an energy environment that supports your practice and learning.” It really is a very helpful and powerful tool to help with the learning process. We continue to sit in the space until the trainer interrupts us by thanking us.
I believe that many things could benefit from the creation of space; a meeting, family dinner time, Nia classes, a yoga practice, any exercise, and many more. I think it is a good idea sometimes to clear your head and body of distractions in order to concentrate fully on the “task” at hand. I know that for me this practice really works well in the intensives.
Is this something that you think you could benefit from? What types of tasks or activities do you think you could create space for?
Posted in Nia | Tagged: BMES, Body-Mind-Emotion-Spirit, Carlos Rosas, creating space, Debbie Rosas, inner dialog, martial arts, Nia, Nia Blue Belt, Nia class, Nia creators, Nia Intensives, Nia manual, Nia participants, Nia Practice, Nia sessions, Nia students, Nia trainers | 2 Comments »
Posted by terrepruitt on June 27, 2013
Stepping Back Onto The Ball Of Your Foot is certainly not unique to Nia. Many dance modalities incorporate this move. In fact this move is incorporated into every day life. How often are you moving forward only have to stop and move back? You could be in line at the store or anywhere when the person in front of you moves back towards you so you take a step back. While you might not “hang” out on the ball of your foot as we do in Nia you more than likely don’t take a step backwards heel first. 
So, yes, Nia has taken moves that might be done in other dance practices, martial arts, and even everyday life and put them in their list of Nia’s 52 Moves. Nia then weaves the moves into the Nia Routine choreography. This move Stepping Back Onto The Ball Of Your Foot is part of our Base Moves. It is done with the feet and legs and they are a part of the base.
This move is described on page 123 of the Nia Technique book written by Debbie Rosas and Carlos Rosas and you can purchase it from Amazon.
As I have said many times there is a proper way to do all moves and while you are practicing them and learning them you do it the proper way. Then as you come across it in a Nia class while doing a Nia routines your body will know the proper way yet be able to adapt to the choreography that you are dancing at the moment.
So to practice this move you can start in Open Stance. Then with one leg step back onto the ball of foot. When stepping back pull the leg straight behind not to either side. Keep the foot parallel to the stationary foot, don’t turn the heel. As is indicated step back onto the ball of the foot. Keep the spine up and the heel high off of the earth. Then shift your weight onto the foot of which you just stepped back on and take the other foot off the ground. 
Your torso is upright, pelvis, chest, shoulders, chin, eyes facing forward. Do the same movement with the other foot. You don’t necessarily always have to start in open stance.
After you are comfortable with the stationary start, walk around and stop and step into the move.
This move helps with the mobility and flexibility in the foot. It also helps create or improve stability in the ankle. It helps with balance, especially if you hang out for a measured amount of time on the ball of your foot!
At the moment I can think of one routine in which we step back onto the ball of foot as a large portion of one of the dances. I know we step back all the time, but in this routine I think of one of the songs as “showcasing” this move. The choreography calls for lifting the leg of the foot that is off the ground. Or doing a knee lift. So that is a good example of the variations that Nia choreography uses with its 52 Moves.
Well, what do you think about this move? Can you see how it helps with mobility and flexibility in the foot?
Posted in 52 Moves (of Nia), Nia | Tagged: Amazon, Base Moves, Carlos Rosas, dance modalities, dance practices, Dancing, Debbie Rosas, especially if you hang out for a measured amount of time on the ball of your foot, flexibility, helps with balance, improve stability, knee lift, martial arts, Mobility, Nia, Nia class, Nia Practice, Nia Routine Choreography, Nia routines, Nia Technique Book, Nia's 52 Moves, open stance, Stepping Back Onto The Ball Of Your Foot | Leave a Comment »
Posted by terrepruitt on May 29, 2010
I am always a little taken off guard when someone comes to me before Nia class and tells me with shock that they were sore (after the last Nia class). I recently came to the realization that these people who are shocked–and maybe a bit offended–are shocked because they didn’t realize they are exercising in Nia. They didn’t realize what a great workout they received. They certainly weren’t aware that they were using muscles they may not have used in a long time OR that they may not have used in that way. Nia is a vacation from normal exercise, but it IS exercise.
Nia is a cardio dance exercise class so there is ample opportunity to move with an intensity that will get your heart rate up. Some people sweat, some people don’t. Everyone does Nia differently. EveryBODY has different needs. Needs can change from class to class. Nia teaches to listen to your body and to learn to give it what it needs.
Nia is a form of movement. It is a mixture of nine different movement forms. The mixture includes actual movements from some of these forms and elements and ideas from these forms. But it is not these forms. In other words if you attend a Nia class you will not be practicing yoga, tai chi, or the other martial arts but we might do some moves from some of those forms or we might use the ideas from them.
With the availability of so many moves and concepts we are able to move in Nia the way the body was designed to move. We can play in the different planes, moving up and down and work on the ground. Nia allows us to work on flexibility, agility, mobility, strength, and stability.
All of this motion and action is sometimes different from what your body might be used to doing. Even though the movements are moves the body was actually designed to do, some of them you might not do in your everyday life, for instance rotating and opening the joints. When you move your body after not moving it at all or move it in a different way than it is accustomed to moving there is a possibility that you will experience soreness or DOMS.
It could be that the muscles are sore or it could be that there is awareness of the joints because the tissues or muscles that make up the joints are strengthening. While doing Nia we encourage people to try all the moves and experience them, but to tweak them so that they are comfortable to the body. Since we invite participants to sense Joy during the workout they might walk away not realizing that there could be some soreness after. Nia is also non-impact, but it can be intense so sometimes people are amazed that they sweat. It IS a workout after all.
Not everyone likes to sense the soreness that might accompany a good workout. I like it, I appreciate it because I know that it means I did something good for my body. It is ok for a body to be a little sore, it means that it is adapting to change. If the body is sore because it has not moved then it is good to have it adapt to the change of movement. If you are one that does not like to feel the effects of change on your body, then while in a Nia class you can make your movements smaller. If you don’t mind a little change then keep playing in all the levels. Nia allows for which ever path you chose and whatever you chose is up to you, I just wanted to help you understand so you can be aware of what might be happening and make an informed and mindful choice. It is my pleasure to be your travel guide and enable Nia to feel like a vacation.
I also have Tips for a Pleasurable Nia Experience and Tips for Moving Nia.
Are you ready for a relaxing yet exciting journey?
Posted in Nia | Tagged: agility, cardio class, DOMS, exercise class, FAMSS, flexibility, martial arts, Mobility, Nia, Nia class, Nia Dance, Nia exercise, Nia workout, non-impact, stability, strength, Tai Chi, the body's way, Tips on Nia, workout class, Yoga | 12 Comments »
Posted by terrepruitt on February 2, 2010
Weighted Hand Gloves from Beachbody
I have heard people ask about this a few times. Sometimes people want to wear ankle weights or wrist weights while in a Nia class. I personally would strongly recommend against this. Nia is not like other types of movement forms, where you can wear weights. In Turbo Jam for example, Chalene Johnson is wearing weights in one of the workouts. And her crew is wearing them in other workouts but the movements in the Turbo Jam workouts are different. They are very linear. When you move in lines the chance of injury is less. Chalene’s workouts are designed to be done with weights and even then she cautions on using the correct weight and using them carefully. In Nia we move in spirals, circles, we bend, we stretch, we practice falling off balance in order to practice catching ourselves. With weights added to that it could be dangerous.
In Nia we do have punches and kicks which are linear and could possibly be done with weights, but in our routines right after a punching sequence we might have a spiral spinal movement where we use our hands to help activate our spine and this is the type of movement that could easily lead to injury if there were extra weight on our hands/wrists.
I also think since Nia is so body centered weights would interfere with the connection to the body. While you could sense the sensation of weight on your wrist it does not seem the same as connecting to your own body without the added weight. I believe one of the purposes of Nia or one of the exciting aspects of Nia is that we strive to learn to sense what our body’s messages are. What does our body FEEL like . . . not our feelings, but our sensations. And if we add weights to that is could be distracting. It could keep us from being able to truly sense the different energies that we are bringing into the workout.
As an example, and I have stated something like this before, if you move your arm gently you could say it is energize with Duncan Dance or Modern Dance. If you do the same movement, but apply the energies from one of the Martial Arts the sensation would be entirely different. Yet with a weight attached to your wrist it might be difficult to go back and forth between the gentle and the strong. The message being transmitted from the limb would be very different with a weight attached. To me it would seem as if the connection was to the weight and not my body.
So, my conclusion and recommendation when it comes to using weights and Nia is: don’t do it. The risk of injury is too great, plus, I believe you would miss out on one of the fundamentals of Nia and that is connecting to the body . . . . YOUR body.
Posted in Nia | Tagged: ankle weights, body centered, Chalene Johnson, Dance Workout, Duncan Dance, martial arts, modern dance, Nia, Nia class, Nia workouts, Turbo Jam, Turbo Jam workouts, weights, wrist weights | Leave a Comment »
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