Archive for the ‘Nia’ Category
Posted by terrepruitt on March 23, 2013
Whether you do Nia, Zumba, yoga, Pilates, country western dance, motor-cycle race, play tennis, or just about anything there are the “Gods” or celebrities of the practice/dance/sport. Often the “Gods” or gurus are the masters or the top teachers, but sometimes it is the CREATOR himself/herself. That is when the event is really rockin’. That is when the events sell out or get so crowded it is crazy. Well, Nia is going through a lot of changes and they have been working for a couple of years training the top instructors to move up even further to become top trainers. The male of the male-female combo that created Nia, Carlos AyaRosas (FKA Carlos Rosas) retired a bit ago, so that left the female creator to continue on. She is coming to the San Francisco Bay Area . . . . . which is a rather large area. She is going to be in the North Bay, the East Bay, and the Peninsula. And it is going to be rockin’. She and a top trainer are going to be here.
April 2013
Debbie Rosas is the (co-)creator of Nia. Kevin VerEecke is a Nia Trainer. They are going to be in the San Francisco Bay Area in the beginning of April (2013). They are going to have seven classes. It is going to be incredible. Every thing has its superstars, its celebrities and these are ours. It is really exciting.
I took my Nia White Belt Intensive at the Nia Headquarters in Portland. The trainers doing the intensive were Debbie and Carlos. Plus they were here for a “Spirit of Nia” tour within the last four years. So I have met them both. I have never met Kevin.
I am excited that Debbie and Kevin will be here sharing the Nia experience. The classes that they are going to be doing are 52 Moves classes. While we have a basic set of 52 Moves we don’t typically do all 52 in every Nia Routine. We do many, but not usually all. In these classes they are going to lead us through all 52 Moves. There are going to be seven chances to check it out.
The first class that will be held will be with Keven VerEecke only in San Rafael. Then Friday’s classes, Saturday’s Classes, and Sunday’s Classes will be both Debbie and Kevin.
The flyer indicates that all classes will have a different playlist. I guess for some people that is important. I know Nia enough to know that all seven classes could be the same EXACT playlist yet all seven classes could be totally different. That is the beauty of Nia. And with two masters leading the dance it wouldn’t matter. BUT . . . the flyer does indicate all classes will have different play lists.
I hope you will take this opportunity. Nia is always fun, but when you have the creator up in front of a room full of people who are there to dance, move, and have fun there is no way you can experience anything but MAGIC.
Posted in Nia | Tagged: 52 Nia Moves, Bay Area, Carlos AyaRosas, Carlos Rosas, celebrities, country western dance, dance, Debbie Rosas, Kevin VerEecke, master teachers, motor-cycle race, Nia, Nia Dance, Nia Headquarters, Nia instructors, Nia Intensives, Nia routines, Nia San Jose, Nia teachers, Pilates, play tennis, Practice, San Francisco Bay Area, sport, Yoga, Zumba | 2 Comments »
Posted by terrepruitt on March 7, 2013
At the present time I am fortunate enough to be holding Nia classes at four different locations in San Jose. Each location allows me to meet different people. At one of the locations I have been teaching for four years and some of my students have been coming to my classes that long. At three of my locations I am a new teacher and Nia is new. Most of the people are new to me. It is exciting to met new people and discover new relationships. There is the relationships between my students and me and there is the relationship between Nia and the students. One of my students told me after one class that she loved the part of Nia where we compare things to nature. The specific example she stated was “tickling the clouds”. She said that the mention of nature in Nia reminded her of one of her favorite poets, Mary Oliver. She asked me if I had heard of Mary Oliver or if I was familiar with her. I said no. I also said that I would look her up. Well, the following week, my student came into class and handed me a copy of two poems. As soon as she held out the paper, I remembered that I had said I would look up the poet and that I had forgotten. I gratefully took the paper without reading the poems because class was about to start. After our class there is another class so I did not stop at that time to read the poem either. It was not until today I picked up the paper to read the poem. On the second line I realized I HAD heard this before and I laughed. This very poem or at least a portion of it is in the Nia White Belt Manual.
I thought it was funny that my student related Mary Oliver’s work to Nia and obviously so did the creators of Nia, Debbie Rosas and Carlos Rosas, because they put this poem in the manual. Only the first few lines are in the manual, but I recognized it right away.
The lines are:
“You do not have to be good.
You do not have to walk on your knees for a hundred miles through the desert, repenting.
You only have to let the soft animal of your body love what it loves.”
From Mary Oliver’s Wild Geese poem.
That portion of the poem is at the very beginning of the section which is Principle #1, The Joy of Movement. The last line of that section really struck me.
I want to continue to share with my students that a Nia class is not just about learning the moves and doing a routine. It is about doing what the body loves. It is about their relationship to their body. It is about their relationship to Nia. To me that is why we do a routine over and over. That is also HOW we do a routine over and over and not get bored with it. If we move and let our body do what it loves then it is moving in a different way. Once we have done a routine a few times we can play. We can move lower . . . if that it what the body loves . . . we can move higher . . . if that is what a body loves . . . all the time moving in the general pattern of the routine. It is when we are not in tune or when we cannot let go, that the routine is tiring or boring. If we are only moving the way it was choreographed and not putting our spirit into the moves it is as if we are walking through a desert on our knees. Suffering through a workout. UGH! Repenting for the cream we had in our coffee, the workout we missed yesterday, or the cookie we had at lunch.
I used to do a different routine every class. I thought people would get bored with the same routine. But then I realized that the more I knew the music and the choreography the more fun I had and the more playful I could be. I asked my class and they said they liked the fact that after doing the routine a few times they, too, could be less concerned with the choreography and more aware of their own spirit, dance, and play. So it is a relationship with Nia and the body that we are building and experiencing in a Nia class, we are not just learning a routine, we are not just moving through choreography.
I have been thinking about this a lot lately as I work on a routine schedule, playing with it to see what works. I want to ensure my students don’t get bored, yet I want them to build a relationship with Nia. I want them to be able to dance and play with the routines.
I love that my student shared her thoughts with me. To me that is me being able to witness her budding relationship with Nia. I love that because of my thoughts about repeatedly doing a routine, I was able to look at this poem and relate it to that. Like many things I might look at it sometime from now and have it relate to something else. My relationship with it might change, just as my relationship with my students and with Nia will change and grow. That is the nature of it all.
Posted in Nia | Tagged: Carlos Rosas, Debbie Rosas, Joy of Movement, Mary Olive, Nature, Nia, Nia choreography, Nia classes in San Jose, Nia experience, Nia locations, Nia Music, Nia relationships, Nia routines, Nia San Jose, Nia students, Nia Teacher, Nia White Belt, poems, poets, Principle #1 of Nia White Belt, San Jose Nia classes, tickle the clouds, Wild Geese | 4 Comments »
Posted by terrepruitt on February 16, 2013
In Nia we have a lot of acronyms. Seems as if all groups do that. I know in the mortgage business there were many. I know in the world of computers there are a lot. That is just the way it is. In Nia some of ours are FAMSS, OLG, TBW, SEB, and BMES to name just a few. BMES stands for Body, Mind, Emotions, Spirit. We can call these voices or realms. I have recently posted about Spirit. It is not the religious type of spirit, but the school-type or the team-type. It is the part of you that — wheeee! — you just let out! The others are pretty easy to describe, but it is very interesting to allow them into all aspects of Nia. They are each separate and unto their own, yet they are all connected.
The body is the physical. How we move, what we sense. If we are open and listening to the body we can learn many things. I know that sometimes I hear but I don’t listen. I might “hear” my body tell me it is tired, but I don’t listen and do something about it because I am busy. It can “tell” me it is tired by how many mistakes I make while typing, or that I keep nodding off while doing something. But sometimes I don’t listen because I want to finish what I am doing. In dance we can hear our body, we can choose to listen and act upon what we hear or we can continue on. We could be moving a certain way and then feel pain (“hear”), and we can listen by giving that pain attention and tweaking our movement to remove the pain from our dance. Also we can just let the body dance and in doing so without thinking it often moves in ways that it needs without our interruption or interpretation.
The mind is a powerful voice. It can dictate our entire dance and life if we let it. In Nia we use our mind to provide imagery that allows us to move our bodies in a particular way, but it is important to turn the critical part of our minds off. We use our minds to progress us, not hold us back. Letting thoughts flow through the brain and keeping what is useful in the dance. Criticizing ourselves and others during Nia is not helpful or progressive. We do not avoid moving a certain way because it looks “bad” or “not pretty”. We do not avoid moving because people will think it is silly. We move in safe and harmonious ways to bring FAMSS to our bodies, to relax, to rejuvenate, to allow our inner child out to play, but we don’t criticize. We also practice turning off internal dialog or chatter. We let our bodies dance us and not think about our to-do list. We do use our minds when we dance, but we do not allow it to control our dance.
With our emotions we have an almost endless array of energy. We can play with the emotions in our dance and they can provide movement and force. While we dance we do not have to actually FEEL any of the emotions we call upon we just can ACT as if. How would you walk around if you were angry? Might you stomp? How would you walk if you were happy? Might you skip? How would you walk if you were distracted? Might you move slow or in an awkward pattern? Emotions are a great part of Nia because they are feelings and feelings can be felt and/or experienced without taking over. We can allow an emotion to happen or act as if, but in neither case does it have to control our dance.
As with many things in Nia this aspect or look at BMES is just one way to look at it. Just one way we can connect to BMES. Another way is with Nia Blue Belt Principle #3 where we use these realms to assist in teaching. Nia is deep like that. Many of the ideas, principles, “things”, can be separate and unto their own, yet they are all connected. 😉
Posted in Nia | Tagged: acronyms, AMSS, BMES, body, Body-Mind-Emotion-Spirit, dance, emotions, mind, mortgage business, Nia, Nia Blue Belt, Nia Blue Belt Principle #3, Nia Dance, OLG, realms, religious spirit, school spirit, SEB, spirit, TBW, team spirit | Leave a Comment »
Posted by terrepruitt on February 12, 2013
If you’ve read a post or two of mine you know there are many things I love about Nia. I think that Nia is a great workout, but I also think that a lot of the ideas, principles, values, and “things” can be used in everyday life. That is one reason why I share so many things about Nia here. I am working to get Nia out there so people know what it is, but I understand not everyone likes to do dance exercise as their type of workout, but there is a lot of Nia that can be applied to every day. Nia has a lot of ideas that can be applied to more than just the original place you hear it. For instance in the Nia White Belt, the manual states:
“New Ways – It Can Be a Stretch!
Some of this information may shake up your reality. Nia may disrupt your normal methods of doing, being and communicating. We do not intend to create disharmony or fear. We have no desire to aggressively challenge who you are, what you believe in, or what you stand for. The information we share with you is intended to assist you, inspire you, and to celebrate human potential.”
The Nia Technique – White Belt Manual March 2001, V3, page 1-5
I love that. I love that when taking a Nia intensive it is explained that you might come across new things. You might be shown a different way or something new, but they are not out to change you into what they believe, but to allow you to see something in a new way. All that is really asked of you is to have an open mind, heart, and body. It is even suggested not to examine or think about stuff too much. The belief is that you will get what you need when you need it. That is a great relief too because there is so much information it really takes the pressure off when it is understood that you will not get it all or remember it all upon first being exposed.
What is so tremendous is that this same information, this same philosophy can be brought into a Nia class. If you have never done Nia before the first time can be a surprise. It can surprise your senses, your body, your mind, your spirit. It can leave some people feeling a little unsure. I mean not every exercise class has you parting clouds, swimming in water, stepping in goo, and prancing like a pony. Some of this type of stuff can shake up someone’s reality. This type of movement might completely disrupt what they think of as normal methods of exercise. They might not be able to “get into” prancing like a pony. Prancing might not fit into their idea of exercise. But I know that if they have an openness of mind they will wake up the next day and realize that ponies get in a good work out. The “normal” methods of being might not have them pulsing their pelvis, shimmying their shoulders, or doing a sexy hip bump. Nia doesn’t want to make people uncomfortable with these things, but this type of movement is “normal” for the body by design. These moves aren’t meant to challenge you or what you believe in, they are meant to allow you to move your body as it was designed to move.
With the fun movements and ideas included in a Nia class it can easily inspire your and allow you to celebrate the human potential—to celebrate your body’s potential. This can kind of go along with my last post about spirit. It could be your spirit that lets you just let loose and gyrate those hips without fear. The idea here is to come to a Nia class with an open mind. Don’t let they way you’ve been taught exercise should be to keep you from experiencing something new. Don’t let fear of something unknown and/or different scare you off. Don’t think that just because it is unknown to you or different that the goal is to change you into something you are not. Just come and let your body move and let IT tell you what it thinks of Nia.
This week (February 10 through February 16, 2013) I am teaching EIGHT Nia classes. If you are local it would be GREAT to see you in at least one. They are at all different times on different days in many different places (most in San Jose, one in Santa Cruz). I bet there is one that would work for you: http://www.helpyouwell.com Also, in case you are not local or one of the eight doesn’t work for you check out Nianow.com. There are classes all over the world! Dare to dance?
Posted in Nia | Tagged: dance exercise, Dance Workout, exercise workout, Nia, Nia class, Nia classes in San Jose, Nia Dance, Nia Intensive, Nia principles, Nia San Jose, Nia Santa Cruz, Nia White Belt, Nia White Belt Manual, San Jose Nia, The Nia Technique | 2 Comments »
Posted by terrepruitt on February 9, 2013
Recently a Nia student came up to me after a Nia class to ask me a question. She said that she had talked to another woman about attending a Nia class but the woman didn’t want to because we said “Om!” My student asked me if Nia was religious. I shared with her what happened in the Nia White Belt Intensive I attended and my thoughts on it. What happened in the Nia White Belt Intensive I attended in December 2008, was Carlos Rosas asked one of the intensive participants what was in Nia. Her answer was “God.” Carlos said, “NO! There is no God in Nia!” I don’t know Carlos’ religious beliefs, if he has any, or how he feels about God or religion, but I think he was saying that there is no religion in Nia. It is not associated with any type of religion. It is meant for everyBODY and everyone and people of all faiths and all belief systems can participate and enjoy Nia. It truly is based on the design of the body. It is not based on ANY religion or God.
I personally feel that if you have God or any belief system in you then you will bring Him/it into whatever it is you are doing. But that is not a reflection on the event or activity. With any belief if you believe it you are going to carry it with you. So if you believe in God, Gods, Buddha, Allah, or whatever that will come with you into Nia. But Nia has none of that as a part of it. What Nia DOES have as a part of it is spirit. But that should not be confused with any type of religious spirit or supernatural spirit. Wiki states: “The English word spirit comes from the Latin spiritus, meaning ‘breath'”. And an online dictionary says: “The vital principle or animating force within living beings.” Yet some people often think of spirit as religious, as in the Holy Spirit, or otherworldly, as in ghostly spirits.
Because of that conversation I had with one of my students I had been thinking of this and in a class I said, “Let your spirit out.” And I noticed a few students stiffen. And I continued on, saying, “That is not to be meant religious or supernatural, I mean spirit as in ‘your school spirit’, when people say ‘show some school spirit no one gets all wiggy’. It’s like that. THAT type of spirit.” And I saw people relax. I saw some say, “Oh.” And then I saw some spirit.
I think of spirit as a passion or your inner child. It is the part of you that wants to slide down the banister, run up the down escalator, balance on a curb, jump in the puddles, take your shoes off and slide in stocking feet across the length of the mall, or say “WAAAAHOOOOO!” It is the breath that we often hold in. If your beliefs have your spirit saying or doing something in class then that is fine, but that is not to say that your beliefs are a part of Nia, that is a part of YOU that you bring to Nia.
The type of spirit you would have with school spirit, class spirit, and/or team spirit that is the spirit Nia calls upon and what Nia invites to be released in a Nia class. Let your inner essence dance and be free, don’t be afraid . . . . . . let go.
Posted in Nia | Tagged: Allah, Buddha, Carlos Rosas, class spirit, Free Dance, ghost, God, Holy Spirit, inner essence, Nia class, Nia Dance, Nia participant, Nia White Belt Intensive, religion, religious, school spirit, spirit, supernatural, team spirit | 7 Comments »
Posted by terrepruitt on February 7, 2013
I found Nia back in 2008. I was looking for an exercise that was more like dance. I had several people in my life at that time that loved to dance, but their partners wouldn’t dance with them. They claimed they would love to do exercise if it was more like dance. I also had people in my life at that time that were younger than me, my age, and just slightly older and they couldn’t move very well. They moved with pain and/or it was an extreme challenge for them to balance and just a mixed bag of things. I believed that movement could help some of the issues facing them and many others. I also loved to dance and thought it would be great to have an exercise class that was dance. I looked at doing Jazzercise, but I think at the time the franchise thing (or however they did it/do it) was not something I wanted to do. And back then Zumba was not yet the rage and I had thought it was ALL Latin music (I know better now). I remember I came across a website that was talking about Trance Dance. So I researched that a bit. That sounded interesting, moving your body in your own way to music. But the information I found said that you kept your eyes closed and/or were blindfolded while dancing and someone would watch to make certain people didn’t injure themselves. That part and the fact that some sites stated there actually was a form of “Trance” that people entered into kept me from wanting to do that. But somewhere there was a mention of Nia. So I tried to find all the information I could on this Nia. Back then it might have even been NIA. I don’t remember when it changed and even now some places still call it Neuromuscular Integrative Action. It has gone through a few name changes, but at present it is just The Nia Technique or Nia.
It IS non-impact aerobics and it IS Neuromuscular Integrative Action, but the name is Nia and it no longer “stands” for anything. And in the four years that I have been doing it and learning about it, it has changed. It was originally created by Debbie Rosas and Carlos Rosas in the early 1980s from a desire to help people exercise in a different way, a way that addressed more than just the physical body.
When I joined Nia there were really starting to talk a lot about the next phase of Nia. You see, even though Nia remains true to the original concept of a Joyful workout, it does change and it does grow. Anything that wants to survive has to change or at least be flexible enough to endure the change that happens around it. Nia changes, they change the way they deliver training from the routines to the intensive — so the continued education changes. Nia’s training material is phenomenal. When you read through a newsletter or a manual or listen to a conference call you can sense the care taken in creating the material. It is nice to be a part of Nia.
It is interesting. It is amazing to see how far Nia has come and how much is has changed in the short time that I have been a teacher. The roots of Nia are still there they are just always finding new ways to share it.
As with any an all certifications I have earned I did my research beforehand. It is important to know how much the initial training cost and how the licensing and/or certifications works. It is important to know about continued education and re-licensing or re-certifiying. I liked everything I saw about Nia. It took me four classes before I decided to invest the time and money needed to teach.
I took the training in December of 2008. I started teaching in February 2009. I have been teaching Nia ever since. I have had the same Monday and Wednesday class since February 2009. I have had other classes at other studios and gyms on different days and different times. At this writing I am teaching Nia five times a week in San Jose – not including subbing dates. I have three classes for the City of San Jose; a Tuesday morning and a Tuesday evening class. I also have a Thursday evening class. My schedule is update regularly on www.HelpYouWell.
I took a second Nia training in November 2012. I just finished posting my way through the #13 principles of that belt (Blue Belt).
I am excited to have so many opportunities to share Nia with people each week. As I said, I have five classes and as I said things change. So when you are ready to join me in one check my site to confirm time and place and all those details. I would like for the number to grow. Just as Nia is growing, in leaps and bounds and for the better.
Posted in Nia | Tagged: City of San Jose Nia, Community Center Nia classes, dance class, dance exercise, dance partners, Dance Workout, Jazzercise, Neuromuscular Integrative Action, Nia, Nia Blue Belt, Nia Classes, Nia San Jose, San Jose dance exercise, San Jose Nia, trance dance, www.HelpYouWell.com, Zumba | 4 Comments »
Posted by terrepruitt on February 5, 2013
I believe that in 2013 the training material for the Nia Blue Belt is going to change. While it is not changing significantly the change will be significant. 🙂 The ideas will remain the same, but the verbiage and way it is delivered will be updated. While I was attending the Nia Blue Belt Intensive in November of 2012 we were being shown the new slides. The word that was used most often — or that I remember most is – simplify. The idea was to simplify the training. The Nia Blue Belt principle #13 in the manual* shows it as Vertical Routines. We were told it is going to change to Conscious Transubstantiation with Creating a Vertical Body and Life as the tagline. Not a simplification to me, but . . . . there you have it.
I will state again as I have been stating in many of my posts about the Nia principles, what I am sharing is somewhat off the top of my head, what I remember being discussed and it barely scratches the surface of each principle. The principles are deep, I could write pages about them alone and the taglines add yet another dimension with even more information. Here I am just sharing a little portion, just one aspect. Now for the purpose of Nia, transubstantiation does not mean the bread and wine will change into the body of Christ. But Nia is using it to mean change and change the body. 🙂 So, maybe that is the tie in and the reason to use that word. Nia is using the term Conscious Transubstantiation to mean consciously change your body to match the body of the teacher.
This somewhat ties back to Nia Blue Principle #12, which is funny because that also helps explain the vertical portion. It is common for a participant in a lead follow type of dance exercise class to do the move and follow the leader trying to change at the exact moment the leader changes the move. Even if the leader is excellent at cueing the participant could feel rushed into the next move. Sometimes the participant is concentrating and doesn’t hear or see the next move only to look up and realize they are a step behind or not matching exactly so they rush to catch up and do what the teacher is doing. Well with the conscious change it’s ok not to rush to catch up. Get there when you can. No need to disturb the nervous system and interrupt the flow, just catch the next round or the next step. Consciously changing instead of rushing into the move because that is where you are “supposed” to be. Allowing yourself to change consciously allows for a smooth transition. While this is not exactly the same as Nia Blue Principle #12, it is similar in that you are not having to rush to the next move.
The “Vertical” means how things are connected and built upon one another. The Nia Blue Belt Principles are built upon and woven into the Nia White Belt Principles. Nia’s 52 Moves are built upon each other. The “vertical” routines speaks to the moves in the a kata and how we change from move to move, the songs in a routine and the transition between the two and even the bigger picture of routine to routine.
So . . . in a Nia class you are encouraged to move in your own body’s way and “get to” the next move in your own natural time. The idea is not to upset the body, mind, and spirit by feeling as if you are not doing it right because you are not RIGHT ON the mark of the change as it first happens, Conscious Transubstantiation. Take your time and enjoy the movement and the moment you are in. Allow yourself to change when you are ready enabling you to sense the “vertical-ness” of Nia so your workout can be one of Joy.
It might be a challenge to break the habit of interrupting your move to match the teacher when you notice the change, but you might be surprised at the effect it has on your body, mind, and spirit once you do get the hang of it. What do you think? Are you willing to give it a try?
*The Nia Technique – Blue Belt Manual August 206, V4.0
Posted in Blue Belt, Nia | Tagged: blood to wine, body, body of Christ, bread to body, Conscious Transubstantiation, dance exercise, Dance Workout, mind, Nia, Nia Blue Belt, Nia Blue Belt Intensive, Nia Blue Belt principle #13, Nia Dance, Nia workout, Nia's 52 Moves, to Nia Blue Principle #12, Vertical Routines | 2 Comments »
Posted by terrepruitt on February 2, 2013
This is Nia Blue Belt Principle #12, Observe, Listen, Guide, Co-Creating Movement. This is something that we can do as part of the practice of Nia. This is something we can do in a live Nia class or even while doing a Nia DVD. Observe the teacher, listen-observe ourselves, then guide our own bodies to match what the teacher is doing. So watch and follow. Then really pay attention to what it is you are doing. Sometimes we might think we are doing the same thing but we are not. Then guide yourself to match what the teacher is doing. It does not have to be rushed. The moves do not have to match right away.
All of it is done with X-Ray Anatomy which is principle #10 of the Nia White Belt. X-Ray Anatomy does not mean we have X-ray vision, but it does mean that we see the way the body moves. We look at the body and observe the movement of the bones. As we dance and observe the teacher we see the placement of the bones. We see the vertical and the horizontal. We see the different planes.
Then, with X-Ray Anatomy, we listen to our own bodies. We acknowledge where our bones are. We notice the alignment. We pay attention to the structure. We monitor our vertical and horizontal. We discover how our bodies do the move. We witness it. We can stay here until we are ready to guide ourselves to match the teacher. If we are playing with the principle in a live class it is recommended to speak with the teacher beforehand so that they understand that we might not move onto the move they are doing until we are ready. It is also a good idea to stand in the back of the class so as not to distract the other students. Most people will move on to the next move, following the teacher, within one or two repetitions, but with practicing, play with, and the dancing of Nia Blue Belt Principle #12, Observe, Listen, Guide an entire sequence of moves could possibly be “missed” while in the “listening” stage.
Then when you are ready — no rush — you move onto matching the teacher. Have your bones and your angles match hers/his. Have your alignment match, your vertical and horizontal match.
This also works as a teacher observing the student. We can observe the student. We can watch the way they are doing a move. Then we listen to our body. We pay attention to how we are doing it. Then without rushing we can model our student’s move. It is a way of Co-Creating Movement. The practice of this principle also entails Nia Blue Belt Principle #6, because there is going to be some Split, Ellipt, Blend with this. But the order would be more of an Ellipt, Split, Blend. We would be ellipting onto the teacher or student to observe. Then splitting into self to listen. Then blending in the guide portion.
This is another interesting aspect of the practice of Nia. This is another way that Nia is unique. We Co-Create Movement to dance with our students. With music as our main guide we have all these principles to play with.
Can you see how the practice of Observe, Listen, Guide is a way to Co-Create Movement in a class?
Posted in Blue Belt, Nia | Tagged: Co-Creating Movement, Nia Blue Belt, Nia Blue Belt Principle #12, Nia class, Nia Music, Nia participant, Nia student, Nia White Belt, Nia White Belt Principle #10, OLG, X-Ray Anatomy, X-Ray vision | Leave a Comment »
Posted by terrepruitt on January 26, 2013
I know I have mentioned before that I teach Nia as a substitute Group Exercise teacher for the City of San Jose. What that means is when a teacher can’t teach a class s/he will send out a message saying that a substitute is needed. In order to give our clients/students what they want we work to keep the substituted class close to what the original class is. If a Boot Camp teacher needs a substitute the first choice to have instead would not be yoga. Or vice versa. As you can imagine, when someone plans on going to a class and shows up and it is not what was expected it can take a little wind out of someones sails. Sometimes in order to keep the class from being cancelled a different format will be allowed, but that is rare. Usually someone is able to step in with a similar format. It is a real challenge when people have not even heard of the type of dance exercise that you are going to do in substitution for their normal class.
It seems like with many people the first time they hear of something they are a little resistant. To me this is understandable. It seems like a natural thing to shy away from something that is unfamiliar. And as I said, it really can be disheartening when you are looking forward to a specific thing/type of workout and you walk in and find it to be a class of something you have never heard of. I don’t take it personal when people decide not to stay or leave in the middle of class. I’ve learned a long time ago that Nia is for everyBODY it is just not for everyone. It can be a HUGE step for some people. It can be a huge switch in thinking and moving and a lot of things, I understand. So when someone comes in not knowing what they are in for and completely embraces it — I love it. I find myself thinking, “YES!” I admire the person and their openness.
I have been teaching a class where I am listening to the music, dancing, cueing, sensing, and looking out into the room and as my eyes survey the students I will see someone who is completely new to Nia and utterly unfamiliar with it, dancing with all of their body, mind, and spirit. It is so amazing. For someone to come in and not having even heard of Nia before the class to just embrace something so fully–it is so wonderful. That is one of the best moments ever. The challenge for me is to keep going myself. There are times when I just want to stop and watch because it is such a beautiful thing to see someone dance with all of their heart. It is as if they are glowing and all of a sudden they are all I can see. It is so incredible.
I appreciate the people who say, “I’m open to anything.” Or even, “What the heck? I am here. I might as well try it.” But it is really amazing to look out and see the ones that are just INTO it. In a Nia class where people come to DO Nia, it is typical to see people dancing with everything they have, but to see it in a class that is usually not Nia . . . . ahhhhhhh!
I felt like sharing this today. Thank you for letting me share a bit of joy with you. Today has been a GREAT day. Nothing spectacular or even note worthy has happen but there has been a lot of laughing and any day with a lot of laughing is a great day. Don’t you think?
Posted in Nia | Tagged: Boot Camp, City of San Jose, dance class, dance exercise, exercise class, Group Exercise classes, Group Exercise teacher, Nia, Nia class, Nia exercise, Nia in San Francisco Bay Area, Nia student, Nia Teacher, Nia workout, San Jose exercise classes, San Jose Group Exercise, substitute teacher, teach Nia, workout class, Yoga | Leave a Comment »
Posted by terrepruitt on January 24, 2013
Regular reader? Familiar with Nia? Then you know that Nia has different levels and that they use belt colors to distinguish between. White, Blue, Brown, and Black. Each belt has thirteen principles (except Green Belt*). The trainings for the levels are called intensives and the intensives can be attended by people who just want a to explore self growth and/or learn how the body is connected to many things. If you are a new reader and/or not familiar with Nia . . . . there you have it. In November 2011 I took the Nia Blue Belt Training and I am using my blog to make notes on it. It is taking me some time to get through the principles, but I am jotting down my thoughts that come to me as I thumb through my notes. My intent is to continue to work and play with the 13 Nia Blue Belt Principles after my initial posts and come back to some of them and share some more. The principles can be deep because they are very rich. So like many things they have layers and the layers can be peeled back to expose more and more. This post is about Nia Blue Belt Principle #11, Music, Movement, Magic – Manifesting the Ultimmmate Nia Experience. Yes, ultimate is spelled with three m’s, representing music, movement, magic.
One of the ways we learn to bring this to class is to use objective and subjective descriptions. We can do this for many things. We can do this when stating the class focus and intent. We can do this when leading the class through a move. We can do this when talking about music. The following are examples:
Focus and Intent:
Objective – Today we are going to focus on the rhomboid muscles. These are muscles in your upper back that assist with shoulder blade movement. They pull your shoulders back and down.
Subjective – I like pay special attention to my rhomboids so I feel as if I am standing upright and not hunched over. I feel they need extra love. We can give them that during class with the intent to stand tall.
Move:
Objective – Pull your shoulder blades down.
Subjective – I feel as if my shoulder blades are in my back pockets!
Music:
Objective – This music was part of an Oscar Winning Score.
Subjective – This music makes me want to close my eyes and ride the peaceful notes to happy.
This objective and subjective way of looking at things is a key to Nia. It can be compared to THE Body’s Way and Your Body’s Way. There is a way the body was designed to move — objective. There is a way that YOUR body, and my body moves — subjective. There are specific ways to do the Nia 52 Moves — objective. There is a way that each individual Nia participant does the Nia 52 Moves — subjective. All of this helps to create the “magic” that is part of Nia.
The Music is the core. We dance to the music. The Movement is what we do. We move. We dance. We play. The Magic is what we bring, which with all of it put together there is resulting magic.
This is just a tiny portion of Nia Blue Belt Principle #11, just off the top of my head. There is much, much more to Music, Movement, Magic – Manifesting the Ultimmmate Nia Experience and I look forward to delving into it more.
Have you experience the Nia Music, Movement, and Magic yet for yourself?
*Green Belt is specifically for Nia teachers.
Posted in Blue Belt, Nia | Tagged: 13 Nia Blue Belt Principles, Black Belt, Green Belt, Magic, Nia, Nia 52 moves, Nia Blue Belt Principle #11, Nia class, Nia experience, Nia Intensives, Nia Music, Nia participant, Nia student, Oscar, rhomboid muscles, rhomboids, the body's way | 7 Comments »
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