Terre Pruitt's Blog

In the realm of health, wellness, fitness, and the like, or whatever inspires me.

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Archive for the ‘Nia’ Category

Nia In The Mirror

Posted by terrepruitt on January 12, 2010

I went to San Carlos today to teach my first Nia class for the City of San Carlos Park and Recreation Department.  I wanted to get there at least 30 minutes early.  I was late, not for the class but for my getting there 30 minutes early.  The man at the desk was on the phone when I arrived and there was a woman in front of me needing assistance.

He was kind enough to get off the phone since he wasn’t able to help the person.  Sounded like a co-worker he said he would call back.  And he asked us if we needed help. The woman that was before me asked where the Nia class was and he asked her if she was the instructor at which time I pointed to myself.

So he took us to the room, helped with the music and the people started coming in.   (Thanks, Nick!)

There is always “business” to handle in a class.  Either signing in, or making sure everyone is signed up, or checking passes, or something.  So we handled that as people were coming in.

This class room was different as it has no mirror.  I have talked to a lot of people who prefer the teacher to face away from the students as we do in Nia, but I was not certain about that without a mirror to look at my participants in.  So I started off facing them.  Then when we got to a point when we would be moving right and left, I turned.

Dance Exercise, Nia, Nia at the City of San Jose, Nia classes in the South Bay, Nia Teacher, Nia Class, San Jose Nia, Nia San Jose, Nia workout, Nia, Community Center Classes

January 2010

Nia is so fun and amazing because even though I could not see the people in the mirror I could sense they were there and moving as I was.  When I turned around to look they were doing it just beautifully.  Was every doing it exactly the same?  No.  Was everyone perfectly on step?  No.  But it is so beautiful because when I turned to make sure everyone was ok, they would smile.  They would laugh.  They were ok, they were doing Nia.

Most of them were new to Nia.  We had a good time.  When we did some moving around the room using the space people were smiling and sounding.  It was good.  I felt as if even though I didn’t have a mirror in which to see my own face and my own body, I was still seeing my reflection.  I was seeing joy in movement.  Fun in exercise.  Happiness in the workout.  Nia.

Will all nineteen people come back?  Well, some of them will because they had registered.  Will the all thirteen that came for the “Try It”?  No, probably not all of them.  I know for a fact that one won’t because she has signed up for school with a class on that same night and she just came to try it.  And other people will not have the time, but at least we danced together.  We had fun.  I shared Nia with some people who didn’t know about it.  I am sure that even though they might not be able to make my class, they will be at others in the future.  I think that is good.

Next week I will leave San Jose a few minutes earlier and get there 30 minutes early!

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Nia and The Alexander Technique

Posted by terrepruitt on January 9, 2010

As you might now be aware Nia includes elements from three different movement forms from three different arts. One of the arts is the healing arts and one movement forms is The Alexander Technique. When I think of evoking the energy of The Alexander Technique as I lead the Nia workout, I always think of moving from the head and allowing heaven’s gravity to pull up.  With the pull from above it enables a sense of lightness, of not being heavy and of moving from the top.  Also this pull helps open the vertebrae and lengthen the posture. With the sensation of lightness and lengthening might come a sense of freedom and openness to be silly.

While we experiment with the lifting of the head from the body, we can observe how our posture might be more upright.  I have a habit of hunching my shoulders.  I call it scrunching because I tend to hunch and round my shoulders at the same time.  With some borrowed concepts from the Alexander Technique I am reminded to straighten and lengthen and use the muscles of my back to pull my shoulders down.  Even though the focus is on the head and it moving upward, it allows me to think of the rest of my posture.

With these ideas we look as we move, again moving our head away from our bodies.  Sometimes we move our hands and allow our head to follow by looking at our hands.  But we MOVE our head to watch our hands, we don’t just let our eyes follow, it is a movement.  The movement of the head gets our spine moving too.

When I first started teaching I had a student move her hands around and had her follow them with her head and eyes.  She would practice this during class.  After a couple of classes she came back and said she was a better driver now because she had never moved her head before and now she was actually turn her head to look as she drove.  Funny, I had never thought about Nia helping people be better drivers.

If you are not accustom to moving your head and you want to try it, I recommend that you first try this exercise  sitting down.  Just sit and move your hands as if they were a bird or a butterfly, and allow your head and your eyes to follow them as they fly around you.  Once you feel comfortable with that, try it standing up.  But be careful because if you are not used to it you may get dizzy.

Since the head is the heaviest part of the body it is important that we can stay on balance when it moves.  It is important to build the strength to move it and muscle memory of what it is like when it is moved.  All of this will help your dance and your general everyday movement.

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Nia and the 8BC System

Posted by terrepruitt on January 5, 2010

Music and the 8BC System is Nia White Belt Principle #3. This is part 2 of the principle, a brief bit about the 8BC System.

To learn our music, us Nia teachers, literally map out our music. We measure our music using a system of notations called bars.  This is our map. We count out our music 1-and-2-and-3-and-4-and-5-and-6-and-7-and-8-and.  Each bar has 16 counts. We count out the song noting the bars on a page. Then we go through and “dress” the bars adding marks to the page making notes of the sounds we hear.  We use the noted sounds as cues for the choreography in a routine. No matter if the movements are matching the music or going opposite to it, the instruments and sounds are our cues.

By mapping our music, (“barring” our music) we get to know our music really well.  Knowing our music really well allows us to easily play with the choreography, while at the same time, sticking to the basics of it.  We can also take the music that we have learned while learning a routine and add different choreography to it.

Also practicing this barring system ensures that we can take any music and dance the Nia choreography to it.  We just match the Nia music up with music that has the same count and we can pretty much just “plug” in the Nia choreography.

All of this allows us to have fun while exercising and doing our Nia routines/Nia workouts.

I have taken to the practice of mapping out my music and then scanning it so that I will have a completely mapped out song so when I am ready to add different choreography to it, I can just print my music map and put in the movement portion on my barred music.

Mapping the music allows for so much creativity.  Instead of just dancing to the beat you can dance to one instrument, you can allow your body to “BE” the cymbal or the flute, or you can shimmy to the melody, or sway to the harmony.  It is fun to play with the music.  And you can do whatever you want and lead your class through it all because you have a map!

Since music is such a big part of Nia, I am sure that I will visit this topic often.  I might even come back to the Nia White Belt Principle #3.

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Nia and Music

Posted by terrepruitt on January 2, 2010

Music and the 8BC System is Nia White Belt Principle #3. This is part 1 of the principle, a brief bit about Nia and Music.

Nia is so much about the music.  As teachers we learn to dance to the music. So as we lead our participants through the workout routines it is more like dance than exercise.  Sometimes we count the number of our movements as we are leading the class, but when we know our music well, we are to go to the music and use its cues and not rely on the count of the moves.  So when I am leading a class and I am in a section where I am counting if I get distracted from my count, I can just listen to the music and know exactly where I am.  Honestly, some songs I know better than others and I can accomplish this, some I am still learning. It is a process. It is amazing. 

Music is powerful and has been used for teaching and healing.  Your entire body can listen.  Your body can respond to the music it senses.  The body can sense the vibration.

There have been studies done that equate specific tempos with specific moods and/or emotions, in Nia we play with all of that.  We can go with the music or play the opposite. A stereo-typical “happy” song, we might practice as sad and slow or excited and angry. It is a great exercise for the body as well as the mind and spirit to sense music one way and move to it in another, as an example, like previously mentioned; while “happy” is playing move to it as if you are sad or tired. It is a wonderful challenge.

It is energizing to play with the music. The rhythm or beat of the music is said to be the male or Yang energy of music.  The melody is the feminine or Yin side.  Harmony blends it together stimulating the spiritual energy. You can dance to the rhythm or the beat or move to the melody, or have your senses stimulated by the harmony. When you let your body sense the music you can dance it all.

There are so many ways to play with music. Another way to use music as a workout tool is to visualize what type of sound your body parts would make, match them up with the music as you listen and when you hear that sound activate that body part. Again, challenging your body, your mind, and your spirit. Getting the whole body workout that Nia is known for and at the same time letting the music be the motivation for the movement.

Nia is a workout, but it is a workout that allows you to exercise your body along with your mind and your spirit. It allows participants to be moved by the music in the body’s way. It really is so much about the music.

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Nia Natural Time

Posted by terrepruitt on December 29, 2009

The Nia White Belt Principle #2 is Natural Time and the Movement Forms. I have posted about the movement forms, here I talk about Natural Time. There is the Natural Time of the Mayans with the 13 moons to a year and there is the Natural Time of one’s body and one’s own movements.

In a Nia workout class even as the teacher is leading the participants through a routine, the participants are encouraged to follow their own natural time. There could be a section of the exercise that consists of floating down and rising up. I might invite you to do it in “your own time”, your “natural time”, encouraging you to do it as you sense. The music could be motivating you to float down slowly and rise up quickly, or vice-versa, or slow both in the downward motion and the upward motion. But it is up to you and your body, your own natural time. So even though we are moving all together we are doing it in our own time. We are allowing our bodies to listen the music and move as we sense it.

The same goes, really for our choreographed moves, one might move it fast and big, whereas the person standing right next to them might move it slow and small. It all depends on one’s own body. Moving in natural time helps us connect deeply with our own bodies. Without being forced to move at a specific speed or “volume” we can ensure that we get the exact workout out bodies need.

The routines in Nia are choreographed in a way that allows for people to play with the moves.  Participants can move their own way and in their own time.  Most steps are simple and allow for simplifying or spicing it up.

Nia also considers 13/20 to be the code of Natural Time.  There are 13 major joints and 20 digits of the body.  Body movements moving all 13 joints and 20 digits is a way to receive information from the body.

Visit my site for details on my ON-GOING classes in San Jose (the schedule and the classes I mention on the blog might change from time to time.  The best way to find out about CURRENT classes is to visit: http://www.helpyouwell.com/nia-class-schedule.html .  Thank you!)

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Balance Finger

Posted by terrepruitt on December 22, 2009

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This is the a picture of the Balance Finger from the Nia 52 Moves

The Middle Finger is pointing down.  In Nia this hand/finger position is general used in combination with your arms straight out and one foot in the air.  As you balance on one foot use your balance finger in space for support.

This exercise assist in integrating the two halves of the body, the upper half and the lower half.  Anytime you stand or lean on one leg you workout the balance/stabilizing muscles.  I think when your stabilizing muscles are used to working out they will be there when you need them and help keep you from falling.

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The Joy Of Movement

Posted by terrepruitt on December 19, 2009

Nia White Belt Principle #1 is The Joy of Movement.  Debbie Rosas and Carlos Rosas were in the fitness industry back in the 1980’s when they felt the pull to do something different.  From what I understand they didn’t know exactly what they were going to do.  They just were seeing a lot of injuries in the aerobic industry and decided that working out in a way that injured one’s body was not the right way to be working out.  They decided they wanted to workout in a way that allowed for honoring the body and for appreciating the body.

Debbie and Carlos did not just meet one day and decided to put a bunch of things together and “Voila!  There is Nia!” . . . . it grew out of years of learning.  As you look through information regarding Nia you can see some of the transformations it has gone through.  Nothing big enough to make you think that it is not what it was when it start, but there are some changes.  But one think that they found constant from the beginning was an incredible feeling of Joy.

They recognized that as a special element of Nia.  They also recognized that as more of a sensation than a feeling.  They determined that it was something that the body actually sensed when it was allowed to move as it was designed to do.  Joy could be used as an energy to fuel the workout.  Joy, as a body sensation can be called upon no matter what one is FEELING.

The Nia White Belt Manual explains how Joy is more of an attitude toward the body, and attitude toward life.  When you sense this Universal Joy you work to stay connected to it.

In a workout or a dance you can actually choose to have Joy be your energy.  Then you sense Joy as a sensation.  While you are moving thoughts and feelings might come into your workout / dance, but ideally you are just noticing them but not dwelling on anyone in particular.  And you are retaining the Joy.

You are encouraged to sustain the Joy and the way of moving that allows you to sense Joy.  If you feel Joy slipping or that you are no longer sensing the Joy of Movement you can tweak what you are doing, the way you are doing it, to increase that sense of Joy.

During a Nia workout the teacher guides you through the moves of the routine, but it is up to you—the participant—to move in a way that brings you Joy.

If you remember anything about Nia, remember this:  that the soul of Nia is the Joy of Movement.  It is the physical celebration of the body.**

**Direct quote from The Nia Technique – White Belt Manual by Debbie Rosas and Carlos Rosas  March 2001, V3

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Nia and Feldenkrais

Posted by terrepruitt on December 12, 2009

Now Feldenkrais in Nia is not so much a movement as it is the feeling, the sensation of movement.  With this technique as our guide we slow down, we become aware, we witness our movement.  The creators of Nia wanted a movement form that resulted in health, both physical and mental.

The Feldenkrais technique is specific and Nia does not claim to practice this technique, instead the idea of being able to create change in the body, by moving it and by focusing on the movement is what is incorporated into Nia.  The idea of change being possible.  The idea of slowing down and paying attention.   Or even if going fast—the idea is to pay attention.

I like to refer to Nia as a body-mind* practice/exercise/workout, because in White Belt we are instructed to go to the body.  Moving in the body’s way and in our own body’s way in particular is one reason why I think of it as body-mind.  But even though we go to the body that does not mean that we are not being aware.  We need to use our mind to listen to the body.  If a movement is being done in class and you copy it exactly, you need to be aware of the sensation your body is returning back to you.  Is doing the move EXACTLY how the teacher is doing it really what YOUR body needs?  Do you need to do it bigger?  Or smaller?  What is it that YOUR body is telling you?

Adding some of the concepts of Moshe Feldenkrais adds body awareness to Nia.  We feel the body as it moves.  We respond to it, we are aware of it.  We are connected to our bodies.  It is somatic movement.  It is movement with ease.

This is how a Nia workout includes elements from Feldenkrais.

The Nine Basic Movements Forms of Nia

*I think that is how Carlos Rosas (AyaRosas) refers to Nia also

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Nia and Modern Dance

Posted by terrepruitt on December 1, 2009

As you might now be aware Nia includes elements from three different movement forms from three different arts. One of the arts is the dance arts and one movement form is Modern Dance.  With Modern Dance concepts added to Nia it allows us to play with balance, play with shapes, and play with space.  We can form any shape we want.  We can use arms and legs, fingers and toes, torso and head to make the shapes we envision.  We can allow gravity to pull us to the ground, or gravity to pull us heavenward.  With all that Modern Dance inspires us to do we can gain strength and flexibility.  Agility plays a part also as we shift our weight and change our speed.

Jazz Dance allows us to play and be showmen, and Duncan Dance allows us to play and use our imagination, and Modern Dance allows us to play and in addition really use our bodies.  Muscles get a great workout as we expand and contract, shifting our weight, and making shapes.  An invitation to experiment with all planes, directions, and levels only helps to confirm that our muscles will be used as we dance and play.  Bringing Modern Dance into your workout can also be an exercise in timing and speed.  Modern Dance can be the encouragement to make different combinations.  For example, walk across the floor, walk high, walk low, walk fast, walk slow, stumble and recover.

This movement form is a great way to explore the floor, you could fall gently to the earth, then rise up slowly, fall gently and spring up.  Again, multiple combinations can be a result of letting Modern Dance into the workout.  This form also suggest moving one body part and allowing others to follow, so maybe as you are on the ground your hand rises into the air and your body follows and your hand takes you around the space you are in.

Modern Dance really allows for freedom in Nia.  It gives you permission to mix things up and make the steps of a routine your own.  It is another form that gives us permission to play and make the workout fun.
 

The Nia Technique Book and The Nia Technique – White Belt Manual have additional information regarding the movement forms that were blended to create Nia. The books are by Debbie Rosas and Carlos Rosas.

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Nia and Tae Kwon Do

Posted by terrepruitt on November 28, 2009

As you might now be aware Nia includes elements from three disciplines from three different arts. From the martial arts, we borrow from Tae Kwon Do. Not just “moves” from Tae Kwon Do but also some of the other elements of it. With its kicks, punches, blocks, and stances it helps allow Nia to be a great leg workout and provide a stable base for some of our other moves.  Tae Kwon Do can also contribute to one’s confidence by providing exercises that allow one to become strong and stable.  These are the things Nia gains from Tae Kwon Do.

Nia calls Tae Kwon Do the Dance of Precision.*  So when delivering a punch, block, kick, etc. with the energy of Tae Kwon Do, it is done with precision and intent.  However, Nia likes to play so at times even though we might not be executing a punch or a kick, but we might choose to energize our movement with “Tae Kwon Do” like energy, and be forceful and aggressive even adding sound to our movement.

Adding the energy of one form to the moves of another is one of the things that make Nia fun and keeps is challenging.  It takes different muscles to skip with force and authority than to skip like a child without a care in the world.  That is an example of how Nia incorporates different moves with different energies.

In Nia we don’t “DO” Tae Kwon Do, things have been gleaned from it and brought into Nia and mixed in with aspects of  Tai Chi, Aikido, Jazz Dance, Modern Dance, Duncan Dance, Yoga, the Alexander Technique and the teachings from Feldenkrais, and the combination from each form is Nia.  A lot of Nia routines include moves and concepts from each discipline, but not always.  In an effort to keep each workout fresh, fun, and joyful teachers often mix things up.

If you are near San Jose, come to one of my Nia classes.  If not, I hope that you will find a Nia class near you and give Nia try.

*Both the Nia Technique Book and The Nia Technique – White Belt Manual state this. Both books are by Debbie Rosas and Carlos Rosas. **V3 of The Nia Technique – White Belt Manual

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