Archive for the ‘Nia’ Category
Posted by terrepruitt on February 2, 2012
In a post in which I spoke about learning a Nia Routine I said we need to know it perfectly. I would like to explain. First of all I have written before about how when I am learning a Nia routine there comes a point where I just can’t learn any more by myself and I have to take it to class. Always fascinates me how I can spend weeks working on learning it then in one hour in class I learn more than all the time I had spent on it previously. Dance exercise is like that. Teaching something is always different learning, it is a different level. Anyway I had recently said we have to know a routine perfect and what I mean by that is the better we know the music and the choreography, the closer to perfect we can get it, the better. I can do a routine without flaw in my living room then when faced with trucks driving by, kids screaming at the school, people laughing in the lobby I can get distracted. If I don’t know my music perfectly, if I don’t know the choreography perfectly then I will obviously mess up. But when I know it “perfectly” then I can not do it right, but still dance and lead the routine fine. I can mess up without saying, “Oops!” If I know where I am and what is coming I can keep going. Maybe I missed my cue to change movement, but when I know the music I can decide if I just want to stay with the move we are on or go to the next one. If I decide to go, do I want to cut the amount of times short because I was late or do the correct amount because it too fits perfectly with the music? When I KNOW it perfectly, I am free to play and really let the dance of Nia show. I can be perfect in my imperfection.
I might not teach the routine exactly as it is taught on the DVD, but I know what I am doing different and I know where I am going with the music. We teach tight, but loose. I know the moves, I execute them correctly, I do the choreography exactly as the DVD — when I can :-), but, when I mess up I am loose enough to keep going. I am loose enough to see my students enjoying one particular combination of steps, so I can elect to stay and let them enjoy their movements. I know my routine tight enough that when my earring falls off and I get a bit distracted, I can keep going AND expertly step over and around it as it lays on the dance floor. I am loose enough to be able to change the choreography by having to HOP over the fallen jewelry instead of exectuing the normal step. I am loose enough to have fun but tight enough that even when I mess up, I might be the only one that knows. It could be that there are students in class who know the routine well enough that they recognize I am not doing the choreographed move, but they can keep following and dancing because I am tight enough to be able to lead and dance in the now.
Because Nia is about dancing in the moment and having fun we are allowed a lot of freedom. I say this often because Nia allows for people to move in their own body’s way and that is an important part of Nia. But I also like to remind people that Nia IS choreographed. The moves fit the music well and there are proper and safe ways to do them. I like to express the fact that Nia is not just a room full of bodies flaling about. We are all encouraged to be perfect in our imperfection. Our bodies might not move exaclty as they are designed, but we can move with awareness. We can move with purpose. That is how I teach. I like it best when I know the routine so well that I can play and be perfect in my imperfection.
Posted in Nia | Tagged: dance awareness, dance class, dance exercise, dance floor, dance routine, exercise class, Nia choerography, Nia Dance, Nia DVD, Nia Music, Nia routine, Nia Teacher, perfect in imperfection, tight but loose | 6 Comments »
Posted by terrepruitt on January 14, 2012
Nia, the dance exercise that I teach, is a great cardio workout. Classes are fun and full of energy. To become a Nia teacher one must take the White Belt Intensive. It is 40+ hours of intense learning, discovery, play, dance, reading, listening, moving, sitting, and so much more. A person that is just interesting in learning more about Nia as a practice may also take the intensive. One does not have to have the intention of teaching to participate in an intensive. In the Nia White Belt there are 13 Principles. These principles are what teachers and practitioner use to expand their Nia practice. Working and playing with the principles actually help bodies to move “better”. Nia is a body centered exercise so these principles actually help us move our bodies. The fourth Nia White Belt principle is FreeDance, this principle has eight stages. The list of the eight stages is in my post Nia Class – Levels 1, 2, 3 – FreeDance Stage 8. The fifth stage is Authentic Movement – Change.
Nia is “about” many things. One thing Nia is about is Authentic movement. Our dance is not a performance. It is not meant to be pretty. It is meant to allow us to move in our own body’s way. The idea is that we will move in our own body’s’ way and we will move as we need to move. With freedom and authenticity we will be working our bodies as they each individually need to be worked. Yes, we do have specific steps in a kata or song. But everyone’s body does the steps maybe a little differently — to their own body’s ability. With practice the body will be able to do the steps and the moves in the Body’s Way, moving the way the body was actually designed to move.
With authentic movement we are letting the body move to the music in its own way. We don’t think of how to move it, we just let it sense the music and it moves. If one is practicing the Nia White Belt Principle #4, stage 5, then the authentic movement is done for two bars, two measures of how we count our music. After two bars change the movement. Do this for each song. The idea is that after a few songs the body will have gone through all of its “normal” movements. You will have danced out all of your movement tendencies. You will have danced all of your bodies patterns and your body will seek new moves. Your body will do things it does not usually do. You might be one that often moves your hips a lot, but after a few songs and continually changing the way you move your hips you might realize that you are out of hip moves, so your body plants your feet and you end up kicking up one leg at a time. Maybe kicking is not part of your typical dance move repertoire. Maybe once your legs start kicking your arms start punching. And this was not thought out or planned it just seemed natural. Leg kick, arm punch.
So the idea is to exhaust the normal and journey into new territory. If you have never done anything like this I want to warn you, you might be a little sore the next day. If you are a booty shaker and you change to a “how-low-can-you-go-er” you will feel it the next morning. If you always keep both feet on the ground and you start kicking or even just doing knee lifts to be different, your body will remind you the next day that you did something different.
If you let your body just dance to the music and switch it up, your body will give you great feed back on how you have never moved your foot/arm/head/butt/ankle/knee/whatever-you-moved-that-was-new the next day. You will go to move foot/arm/head/butt/ankle/knee/whatever-you-moved-that-was-new and probably sense it. This information will help you learn your movement tendencies and you can learn what new moves might help you improve your body’s movements.
Try it! Put on some music and dance with Authentic Movement, then change. Keep doing this through at least five songs and see where you end up. See what new moves your body comes up with. Ready? Go!
Posted in FreeDance, Nia | Tagged: 13 White Belt Principles, Authentic Movement, cardio workout, dance class, dance exercise, dance performance, dance practice, freedance, FreeDance Stage 8, kata, Nia, Nia class, Nia Dance, Nia energy, Nia Practice, Nia student, Nia Teacher, Nia White Belt Principle #4, White Belt Intensive | Leave a Comment »
Posted by terrepruitt on January 10, 2012
I think this is one of the most difficult stages of Nia FreeDance. And there is a reason they are numbered one through eight, and I don’t know why I started my postings about them backwards, but when I’m done they will still be here and they will tie together. On its own Stage 6 is a powerful tool, but it can also be applied when dancing Nia FreeDance stage one (FreeDance) and five (Authentic Movement). Stage 6 of Nia FreeDance is witness. We witness our movements. While we are dancing we acknowledge how we are moving. We observe our tendencies. We observe our structure. We are witness to all that our body can and can’t do, yet we do not interfere. We just let go and move. For many Nia FreeDance is a challenge because we are set free to dance without structure, we are set free to move as we sense the music. In stage 6 we do so — move without structure and as our own body senses the music — without interfering or judging. We are to just observe.
While you are dancing and witnessing, interfering would mean to change what you are doing maybe because you judged it to be a certain way. As an example, say you heard a specific stand-out beat in the music and your body sensed it as little hops so you started hopping. As you are hopping you start thinking and judging, you think, “Why am I hopping? I must look silly. No one else is hopping. I should stop.” While there was witnessing (YAY!), there was judging (not yay.) and then as a result interfering (not yay.). Movement was changed because of a judgement. Movement was changed not because your body sensed something maybe a new move from the music it was changed because you judged. This is what Nia FreeDance Stage 6 is about witnessing but NOT interfering or judging.
Even if we observe our tendency to do the same type of move over and over. This witness does not have an opinion, it just observes. If you are dancing just stage 6 of FreeDance then you just keep going. Observe, don’t judge or interfere. Now is not the time to change. Just dance.
This is not an easy stage. It is not easy to witness, just observing and not judge or interfere, but this stage is a huge eye-opener. This stage can tell us many things about our dance and our bodies. We can see our tendencies and our comfort zones. We can learn our strengths and weaknesses. We can embrace the sense of self. This stage is not easy, but it is powerful. It is a great tool in the Nia tool box for both a Nia Practitioner and a Nia Teacher.
So while you are dancing in the shower, in the kitchen, in the living room — wherever it is you get to truly dance — try stage 6 of Nia FreeDance; Witness – Do Not Interfere of Judge. Observe. And see where this takes you. See what you learn. You could learn things like, you don’t allow your neck free movement, your hips don’t get to dance, you are always bent at the knee, you can do a great shimmy, your hands are like graceful birds . . . . so many things. What have you witness in your FreeDance?
Posted in FreeDance, Nia | Tagged: Authentic Movement, Nia, Nia Dance, Nia FreeDance, Nia FreeDance Stage 6, Nia Movement, Nia Practice, Nia practitioner, Nia Teacher, Nia witness | 6 Comments »
Posted by terrepruitt on January 5, 2012
The principles of the different belts in Nia provide a foundation for our Nia practice. There are 13 Principles in the Nia White Belt. The fourth principle is FreeDance, this principle has eight stages. Eight things you can focus on that can become a part of FreeDance. When I attended my Nia White Belt Intensive we danced through these stages when we danced FreeDance. Dancing through the stages is something that can be done for fun. It doesn’t have to be because you do Nia. It can help you express yourself by turning on some music and applying the stages to the music. Dancing through the stages is also used as a technique for Nia teachers to become better aquainted with the Nia music. It is a tool that can help in learning a Nia routine. The seventh stage of FreeDance is Choreography, the tagline is: The Accidental “Click”.
I mentioned in my post about the eighth stage of FreeDance, Nia Class – Levels 1, 2, 3, that I often skip over dancing the first six stages of FreeDance when learning a Nia routine. Part of the reason is because I actually forgot about it being a step. I don’t skip them entirely, I do FreeDance about four of the stages to the music, but I don’t do all of them. I do believe that doing all six can be a great tool, so as I mentioned, I am working on implementing this action back into my “learning of a Nia routine”. Today in fact I started employing it with a the next routine I am learning.
Stage 7 of FreeDance, Choreography – The Accidental “Click”, is something that probably happens to all dancers and group fitness teachers alike. It kind of seems to happen in more than just dance actually, but with dancers the “click” is to the music. Often with the eight stages of FreeDance you are using more than one stage at a time. With experiencing the accidental click there is going to be stage two going on. There is going to be a lot of listening. The listening is to ALL of the music; the silences, the beat, the tempo, the instruments, the words the vibrations–all of it. With Nia we are taught to dance to all music, not just the kind that we turn on and can’t help but move too. We are taught to move to music we might not actually like. Many people are the type that when you turn music on something on their body starts moving. A foot might start moving, a head might bob, fingers might tap, this happens often. There seems to be some songs that EVERYBODY moves to, they just can’t help it. But then there is music that often clears the dance floor. The “everybody move to” music is easy to dance to. But the floor clearing kind sometimes can be difficult to dance to. In Nia we are taught to dance to it all. We are taught to listen to it all.
I will be the first to admit that sometimes there are songs I don’t like in a Nia routine. Sometimes there is just one noise that is to incessant or a beat that feels off, whatever the reason, I don’t like it all. Sometimes I like the music but not the moves. Sometimes I just can’t get the choreography and the music to mesh—in my head or in my body, whatever it just doesn’t work. So I keep doing that kata until it “clicks”. Eventually it will because Debbie Rosas Stewart and Carlos AyaRosas are great at creating routines, but sometimes it takes me a bit. The “click” is what state seven is about.
Stage seven is connecting to the sensation of your body. I think that often times I “don’t like it” (it being either the music or the move or whatever it is that is hanging me up) is all in my head. So if and when I stop thinking and get into the sensation of the body, I will find that the moves DO go with the music, I was just thinking they didn’t. Amazing how the thinking gets in the way of moving so often.
Here you have it the seventh stage of Nia FreeDance. Yes, I am posting about them backwards, from 8 to 1. It just happened that way. The days I went to type up a post my eyes fell on “Nia Class – Leve 1, 2, 3 for inspiration. So now I am going through the stages backwards. I bet even if you aren’t trying to learn a dance routine you can think of or recognize things in your life that click. Could be you are trying to remember a way to do something and you do it over and over and keep referring back to the instructions then one day “click”. In Nia it’s Choreography where we eventually find The Accidental “Click”, but in life it could be with anything. “Clicks” happen all the time. Even if you aren’t learning a dance routine, you’re familiar with that click, right?
Posted in FreeDance, Nia | Tagged: 13 White Belt Principles, Accidental click, Carlos AyaRosas, choreography, dance class, dance routine, Debbie Rosas Stewart, Free Dance, freedance, levels of intensity, Nia, Nia choreography, Nia class, Nia Dance, Nia foundation, Nia Practice, Nia routine, Nia student, Nia Teacher, stage eight, Stage seven | 2 Comments »
Posted by terrepruitt on December 31, 2011
Not all of my posts on my list of Year End Review Of Terre’s 2011 Important Posts are Nia posts, but some of them are, Here are the remaining four of nine that I thought were important enough to re-share. This is the second half of my Year End Review Post. When I wrote it as one post, it just seemed too long so I split it up. Thanks for checking in. As with the first half, I am just going to give a little summary so you can have the main point right here and you don’t have to go to the original post. But if you WANT to go to the original post (and comment even) please do! I am listing these in order of when they were posted.
I think of this post Muscle Weighs More Than Fat as being something we all need to be reminded of. Muscle DOES NOT weigh more than fat. The saying that muscle weighs more is one of those things that a lot of us say, but it is not correct. A pound of muscle weighs as much as a pound of fat. A pound of anything cannot weigh more than a pound of something else. A pound of muscle will take up a lot less room than a pound of fat as you will see in the picture on this post if you click over. 😉
If you are interested in a dance class that is pretty, a class that produces a performance then Nia is probably not what you are looking for. Nia Might Not Be Pretty — To Some. Nia is about authentic movement. Nia is about moving the body the way it was designed to be moved. Not everyBODY can move the way it was designed. There might be injuries, defects, tightness, or just plain ol’ non-use involved so it might not be pretty as we learn to move. But it is beautiful. This post reminds you that it is what it is and what it is not is a performance. A Nia class is freedom of movement, something to be enjoyed from the angle of the participant and not someone watching.
I have a post about listening with love, but the title is Let Love Be Your Ears. Ya know sometimes titles need to intrigue a potential reader, I was hoping that is what this title was. But the post is about listening with love. We all have heard and some of us might try to live by the old “if you don’t have anything nice to say, don’t say anything at all.” But LISTENING with love is different. Not that common of a “golden rule”. We are not always taught we need to love ourselves, so we might not listen as if people are talking to us with love and not accusations and criticisms. This might be something we have to practice. Also listening with love can include giving the person talking a lot of “benefit of the doubt”. Trying to see where they might be coming from.
Another post is about dance being exercise. It is a reminder that you can have fun and get exercise at the same time. Nia is just that!
So that is the last four on my list of posts I think really could use repeating. I know I picked a few because I need to work on some of them/it myself. I hope that you enjoyed either the summary or the posts themselves. I thank you very much for taking the time to read this. If you have been reading my blog and you recognize some of these I thank you. I really appreciate you taking the time to read. If you take the time to read and comment, I am really grateful and I very much appreciate it.
And, of course, I wish you a very happy and safe New Year’s Eve. I wish you many, many, many opportunities to embrace happiness and experience joy in 2012. Happy New Year.
Posted in Exercise and Working Out, Misc, Muscles, Nia | Tagged: 2012, 30 minute meals, dance exercise, fat is light, Happy New Year, listen with love, muscle is heavy, New Year's Eve, Nia, Nia balance, Nia class, Nia exercise, Nia freedom, Nia is for everybody, Nia Movement, Nia participant, Nia posts, Nia Practice, posts about Nia, ten minute exercise, the body's way, Year End Review | 2 Comments »
Posted by terrepruitt on December 29, 2011
Many bloggers are posting end of the year posts. Some posts are the best, some posts are their favorites, everyone has a different take on it. Some are a review of the year, either in posts or pictures. I thought about doing a post about my favorites, but I was afraid they would all be my Nia posts. As I was going through my posts from the last year I came up with an eclectic bunch . . . . just like my post. I can’t say they are my favorites, but I can say they are ones that I want to point out again. I actually found twenty-three posts that I wanted to re-share. TWENTY-THREE! But that is way too many to summarize and share. I narrowed it down to nine. These nine are ones I think are the most important of the ones I’ve posted this past year. I still think nine is a lot so I am going to do this year in review in two parts. I am just going to give a little summary so you can have the main point right here and you don’t have to go to the original post. But if you WANT to go to the original post (and comment even) please do! I am listing these in order of when they were posted.
One of the most important things I have posted about is Balance. The post is called Nia Balance and I was sharing about how balance was challenging because of my injured toe, but the main point of the post is that balance is really important and that our Nia routines are full of opportunities in which we can practice our balance. Since balance is so important you can practice it throughout your day without really changing the way you do things too much. Balance is so important, especially as we age.
It’s Out There is my post about how great Nia is! Ha, ha! Well it is a little bit about Nia, but a lot about the fact that there are many, many, many other movement forms out there. There are so many different forms of movements that there really has to be something for everyone. Nia is for everyBODY as it was created to move the body in the body’s way, but it is not for everyone. There is something out there for everyone! If you look you can find a class for you!
I posted about Feeling Vs. Sensing. Feeling is emotion. Feelings are how you FEEL. Sensing is what your body does. You FEEL happy. Your body senses heat. You FEEL sad. Your body senses cold. Knowing the difference can help you give your body and/or your emotional self, your spirit the workout it needs.
I made up a list of ten exercises that can be done in ten minutes. There is actually a lot of different ways you can do the list of ten exercises, but the idea was to get a full body workout in ten minutes. The hope was that the ten in ten would be an inspiration and a catalyst for actually doing more.
This past week I had company and they were here through the dinner hour. I didn’t know that they would be here that long so I didn’t have anything planned for dinner that would feed all four of us, but I still wanted to feed my husband when they left. So about the time they were talking about leaving I went into the kitchen. I was in the kitchen all of seven minutes. I washed the rice, turned on the rice maker, chopped the end off the asparagus, rinsed them, put them in a pan then put them in the oven, and dumped the marinated chicken in a pan and put it in the oven. I then set the timer for 20 minutes at which time dinner would be ready. I achieved a 30 minutes meal. All because when I froze the chicken I made a sauce for it at the same time. So when I took it out to defrost it was already marinating or doing so as it defrosted. So it really took seven minutes for me to make dinner. My friends didn’t even miss me because I was only gone seven minutes. This post is about Shopping Step to help Dinner Prep. After shopping before you freeze the meat make your marinade right inside the bag. It has really helped me get dinner ready much faster! Love it!
So this is five on my list out of nine post I think really could use repeating. I hope you check back Saturday to see the rest of the list. I thank you very much for taking the time to read this. If all of these or some of these are “repeats” to you, then I really thank you. Thank you so much for being here. I really appreciate you reading and if you are a commenter . . . I appreciate you even more!!! See you back here on Saturday for the rest of the review of my Year End Review!
Posted in Food, Misc, Nia | Tagged: 30 minute meals, dance exercise, fat is light, listen with love, muscle is heavy, Nia, Nia balance, Nia class, Nia exercise, Nia freedom, Nia is for everybody, Nia Movement, Nia participant, Nia posts, Nia Practice, posts about Nia, ten minute exercise, the body's way, Year End Review | 4 Comments »
Posted by terrepruitt on December 27, 2011
In Nia there are 13 White Belt Principles. The principles provide a foundation, something we can learn, practice, explore, and build on. One Nia White Belt Principle, Principle number 7 has two parts. The second part of the principle is levels of teaching. I wrote about this when I was sharing about each Nia White Belt Principle. The three levels of teaching come up again as the eighth stage in Nia FreeDance. The eighth stage is Nia Class – Levels 1, 2, 3.
The eight stages of FreeDance are:
1-FreeDance
2-Being Seduced by the Music
3-Feelings and Emotions
4-The Creative Source
5-Authentic Movement
6-Witness
7-Choreography
8-Nia Class – Levels 1, 2, 3
In addition to learning, practicing, exploring and building on the 13 White Belt Principles, Nia teachers are taught to use the eight stages of FreeDance to learn our routines and also to expand our Nia Practice and to have fun with Nia. FreeDancing to the music is often a step I skip. So is might go without saying that dancing the first six stages of FreeDance is something I often don’t do when I learn a routine. I am going to work on using this tool, FreeDance and its stages, to learn my routines going forward. I am also going to use this tool when I go back and practice and delve deeper into the routines I already teach.
In regards to Stage 8 – Nia Class – Levels 1, 2, 3, this is something that Nia teachers need to be able to share in a class. As I stated in my post about the second half of the 7th Nia White Belt Principle, everyone’s levels might be different, but the point is that I need to be able to show you different levels. The move itself does not change, it just might be done bigger or covering more floor. If the move is a cha-cha step, then my level 1 is a cha-cha, as well as my level 2, to make it more challenging in level 3 I don’t change it to a jazz square, I just make it bigger. Or I might even show the example of it being more bouncy. There are different ways to change the level and we all have different levels so we have different needs when it comes to changing the level.
Level 1, 2, and 3 does not necessarily mean “planes” as in low, middle, high, it means level of intensity. Now how “intensity” is interpreted DOES depend on the move. As I just mentioned it could mean bigger or more bouncy. It all depends on the move itself, but either way the spirit and the energy remains the same.
I do find that sometimes I don’t have enough time to show all three levels for all of the moves. Sometimes I just stick to level one if it appears that the move is challenging to most students. Then I might briefly demonstrate level two, but go quickly back to level one because I can sense I am going to be leaving most of the class behind. In that case, what happens is if there is a student that is ready for level three they get their on their own. It is fabulous.
I do think that it is really good for me to continue to remind my students that EVERYBODY has a different level 1, which automatically means that their level 2 is different, which dominoes into the level 3 being different. When playing with dancing freely to music it is fun as a student and a dancer to experiment with different levels of intensity of a move. Sometimes the music dictates the intensity as the music itself might change intensity. Sometimes it is just amusing to change it up to challenge the body, brain, and spirit. So, even as a student of Nia or dancer that dances because you love to move you too can also experience different levels of dancing free. This is a brief look into Nia’s FreeDance and Stage 8 Nia Class – Levels 1, 2, 3.
Ready to turn on some music and dance?
Posted in FreeDance, Nia | Tagged: 13 White Belt Principles, Authentic Movement, dance class, freedance, levels of intensity, Nia, Nia class, Nia Dance, Nia routine, Nia student, Nia Teacher, Nia White Belt Principle #7 | 4 Comments »
Posted by terrepruitt on December 13, 2011
I teach Nia at a studio in San Jose. The studio is in a part of San Jose called Willow Glen. In January (2012) I will have been holding Nia classes there for three years. It is a studio that is owned by two women who teach and perform belly dancing. One woman is named Hala and the other Amanda. The name of the studio is Halanda. See how they did that? Well, every year they have a Holiday Party which is like Christmas Parties at offices once were, a BIG thank you. The teachers come together to display their talent in front of the audience made up of students, other dancers, and neighborhood people. It was an awesome show and a great party.
As I mentioned in a previous post, this is the first year that I have been able to attend. I was very amazed and impressed. I am going to spend from now until the next party telling my students they really want to attend next year. It is a busy time of the year, but it is so great to come and see all the beautiful dance we have going on in the studio.
There was a lot of food. As you can see there were vegetables, fruit, meat, and cheese. There were several types of crackers. Someone brought sandwiches. Someone brought spanakopita! There were trays of cookies. You can see the huge trays of turkey wraps. There was so much food. As one dish was emptied something else would replace it. The table was like the never ending table of food.
As you may know it is difficult to watch something AND take pictures at the same time. So I really rushed through taking pictures. I was using my phone and my camera. I was taking pictures on my phone and posting them to various social networks, like Facebook, Twitter, and Streamzoo. In addition to this being a “thank you” party, it is also a networking party and a way to try to get people interested in taking classes at the studio. So I was trying to watch at the same time I was Facebooking, tweeting, and posting to Streamzoo. All of this in addition to the fact that the subject(s) are shaking, shimmying, bouncing, and jittering caused me to have mostly very blurry shots.
The first dance shot is of Farima and her Students performing a Silk Road Fusion.
Then there is Marie Manila showing us what Hot Hula is. It appeared to be hula dance, with her telling you what muscles you are working. Maybe they repeat some moves more than they would in a typical hula dance.
Then there is a picture of Farima and some more of her students. They are doing a Persian Dance and they are dressed like princesses. I think the costumes are one of my favorite things about belly dancing. They can be very sparkly and shiny. I love that.
Here is a shot of my friend Laura Thompson. She is multi-talented. Here she is dancing under her stage name, Setareh , with a sword. I have known here for years and I have never seen her dance. It was awesome. Her other passion is jewelry making and her talent lies not only in the beautiful pieces she creates, but in the way she can tweak one of her creations to match you perfectly.
Here is Amanda, a co-owner of the studio, doing a Turkish Dance. 
Below is photo of Vy performing an Egyptian Oriental Dance.
Next is Hala, the other co-owner, doing Egyptian Bellydance.
And then a shot of Michelle and her students. Michelle teaches something called No Rules Dance, which I believe is for belly dancer who have belly dancing experience, but want to learn new things and “break” the rules.
I didn’t take pictures of all the performers, plus some that I did take were too blurry to post. Every dance was a delight to see. So much talent at the studio!
I did a two song Nia demo and many people joined me. It was awesome. We had a great time. I was so happy to be able to share Nia with so many people.
Well, I will probably point you to this post as NEXT December nears so that you can be reminded of what a GREAT time the party is and maybe (if you are around) you will attend. It really is a treat to be able to see so many different types of dance and belly dance all in one show. Thanks always to Hala and Amanda for having such a great little place we all can dance!
Posted in Exercise and Working Out, Nia | Tagged: Amanda, Belly Dance, Certified PiYo Instructor, Christmas party, CPT, exercise, Facebook, Hala, Halanda Dance Studio, Holiday party, http://www.HelpYouWell.com, Los Gatos Nia, Nia, Nia class, Nia Dance, Nia San Jose, Nia studio, Nia Teacher, Nia White Belt, No Rules Belly Dance, Performance, Pilates, PiYo/Pilates/Yoga, San Jose exercise classes, San Jose Nia, San Jose Nia classes, San Jose Nia Teacher, San Jose Workout, social networks, Streamzoo, Terre Pruitt, Twitter, Willow Glen Nia, workout, www.HelpYouWell.com, www.NiaSanJose.com, www.TerrePruitt.com, Yoga | 6 Comments »
Posted by terrepruitt on December 8, 2011
I was talking about Nia with my Nia students recently after our Nia Class. They were telling me what they think Nia is. They said that Nia should come up if they were doing a search on the internet using the term dance exercise. I was really happy to hear that. I always get stuck when people ask me what Nia is because to me it is a lot of things. If you have read any of my posts on this blog about Nia you know how its principles can be applied to life and how at its very basic level it is a workout. But way beyond that it is a practice. When people ask me about it my enthusiasm takes over and I want to tell them ALL about Nia, when I could just stick to the basic level – it is dance and dance is exercise.
Even though it is exercise and it is a workout it is fun. I love that “Dancing With The Stars” really helped show people what a great workout dancing is. Dancers have always known that dancing is a great workout–both aerobic and strength. I think people have always known to some extent that PROFESSIONAL dancers get a workout, but I think that show opened the door to more people understanding that dancing even if you aren’t a professional is a workout. Yes, the “stars” do end up dancing as much as professionals to learn the dances, but still for some reason it seems like it enabled people to see that dancing is exercise—but it is fun!
As with any workout the participants can put what they want into it. If you really want to get a workout you can move bigger, farther, higher, lower, faster . . . whatever works for you to get the workout you need and want. The possibility to move small, slow, and just be mellow is always there. It is very versatile. It is cardio but if you really move — especially during floorplay — it can be a great strength training workout.
I actually started teaching Nia because it was a dance exercise. I don’t know if I have mentioned that before in this blog, but I was looking for something to teach that was very dance-y yet was exercise. I knew a lot of women who said they loved to dance and they would like to dance but their partners didn’t like it, so they thought that a workout that was dance would be great. It is. It is very fun. We dance to all types of music. There is a lot of opportunity for self-expression. Even when we are doing specific steps there is a lot of room for one’s own movements.
Nia was created to be fun, to address the entire being. Debbie Rosas-Stewart and Carlos Aya-Rosas brought us this wonderful movement practice through years of hard work and research, that started in 1983. Carlos retired at the end of 2010, and Debbie is moving Nia forward in a great direction. Body-centered, spirit-filling, and mind-blowing. We are dancing up a storm and loving it. It is dance, it is exercise, it is dance exercise and if you try it you will love it.
Posted in Nia | Tagged: aerobic workout, cardio workout, Carlos Rosas, dance exercise, dance practice, Dance Workout, Dancing with the stars, Debbie Rosas, Nia, Nia class, Nia Dance, Nia Practice, Nia students, Nia teachers, Nia workout, professional dancers, professional dancing, strength training workout, White Belt Principles | 4 Comments »
Posted by terrepruitt on October 20, 2011
Nia routines are choreographed movements to music. Nia’s choreography is pretty. In fact in many cases it is beautiful. Most Nia katas are based on the 52 Nia moves. Steps and moves have been carefully selected to fit with the music, for the most part. There are times when we are invited to just dance without a design. No matter the choreography we are always encouraged to dance in our own way–and that just might not be “pretty” to some people. The body — our bodies — the human body is put together in a specific way. Our parts are connected in a specific way. Movement is allowed and restricted by the way the body is constructed. Some bodies cannot move as was intended. Some bodies might have actual physical limitations that do not allow for soft, fluid, “pretty” movement. For some lifting their arm over their head might cause discomfort. It could be that they are not accustomed to lifting their arm that high so it might not be easy—at first. Some might have tight hamstrings or other muscles so their movement might be less than natural. But Nia is a journey, a practice. Over time the joints will loosen with practice and/or the muscles will become more flexible and be able to move with ease. It could become “pretty” or not. Nia might not be pretty, but it is authentic. It is not a performance. It is how our bodies move. Your body, my body, not the same body so we will move differently and it could be pretty or not. What I might think is pretty you might not. Let it be authentic.
Some bodies have other types of restrictions, could be mental or emotional. It could be, having been taught all her life “ladies” don’t move their hips “like that”, there is an automatic stop placed in her mind so her hips don’t thrust or gyrate. It could be that she thinks that movement is “ugly” so she won’t allow her body to do it. It could be that chipping away at that barrier will take time. And the learning might not be “pretty”. It might be choppy and not happen all at once. It could be that there is an emotion attached to a particular movement. An emotion can act as another type of mental block and not enable or allow the Nia participant to move as the body was designed. And that could, in turn, result in something that isn’t “pretty”. Nia might not be pretty, but it is authentic.
It could also be as previously mentioned — some have an idea of what moves are “pretty” and what moves are not, so for them maybe the “ugly” moves should be kept off of the dance floor, but Nia is not a performance. It is authentic movement of the body.
It could be an arm-raising, hair-whipping, sweat-dripping, face-reddening, body-jiggling, foot-stomping, voice-howling, eyes-crying, heart-softening, spirit-raising, mind-opening, body-moving dance exercise which, to some, just might not be pretty. It is not a show, it is not a performance it is a movement, it is a practice, it is a dance, it is an exercise, it is a workout, it is an experience, it is authentic. It is what you allow your body to do. It is what you want it to be. It is what you sense.
When we allow our bodies to move in an honest way we defer to the body’s intelligence. The body speaks to us, but we need to listen. It will tell us if what we are doing is causing pain so we can tweak the movement and move towards pleasure. Also we can learn which areas of our bodies would benefit from more flexibility or more strength if we listen. All the while, to someone who is expecting a performance this might appear “not pretty”. But to those who have experienced the freedom of listening to the body’s intelligence we see it as beautiful. We know there is a path, there is a journey.
I personally feel that it is beautiful when a participant moves to the music in a way that only s/he can move. Sometimes I might catch a glimpse of one of my Nia students and I have to remind myself that I too need to move according to the sense of the music because otherwise I would stop and watch. It is an amazing wonder to witness a surrender to the music. To some it might not be “pretty”, but it is truly beautiful. So dance your dance. Dance in your body’s way. Don’t judge. Don’t worry about if it is “pretty”. Movement is a glorious and beautiful gift to be enjoyed and not stifled. Let your movements be authentic and don’t worry about those who might think it is not pretty.
Posted in Nia | Tagged: body intelligence, dance exercise, dance performance, Dance Workout, Nia, Nia 52 moves, Nia choreography, Nia katas, Nia Music, Nia Practice, Nia routines, Nia students, the body's way | 4 Comments »
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