Terre Pruitt's Blog

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Archive for the ‘Nia’ Category

Relaxed, Alert, and Waiting – Nia RAW

Posted by terrepruitt on October 18, 2011

One of the things we practice in Nia is something we call RAW.  We are Relaxed, Alert, and Waiting.  It is listening to music by listening to the silence and the sound.  The body is relaxed.  The mind is alert.  The conscious is waiting.  We sit and listen.  Our spines are upright, tall, and lengthened, even though the body is relaxed.  Our muscles are not tense, but they are ready.   Within our spines there is space around each vertebrae.  The mind is alert.  There is no inner dialog with ourselves going on in our head.  We are waiting.  What we are waiting for is the next sound or the next silence.  We are listening to both the instruments and the silence.  We are curious.  We are listening to the music as a whole.  Listening for specific sounds and silences that can allow us to sense many things.  The specific sounds and silences can also be used as cues when teaching a Nia class. We might hear a flute every so often.  So we might train ourselves to listen for that soft sound.  Then we might notice that always after the flute there is a ting of a triangle.  Eventually we might notice that right after the triangle there is a moment of silence. We are relaxed.  We are alert.  We are waiting, either for a sound coming out of silence or a sound of a familiar pattern, as in the triangle after the flute.

With this tool we are to listen and observe what transpires in the music.  We aren’t to form an opinion of whether it is “good” or “bad” or whether we like it or not.  We are just listening and learning.  Part of RAW is not moving.  This to me is one of the most challenging parts of RAW.  We are to listen and not dance.  We are to listen and not move to really be able to LISTEN and in order to be in the sensation of RAW and not allow the sensations of the body interfere.  Sometimes it is really hard to do.  Nia routines are set to music that inspires the body to move so to have to sit still and just listen is not always easy.

Additionally, I slip out of the tall, upright, and lengthened spine.  Once I start barring the music I tend to lean on my arm.  Ya know, elbow on the desk, forearm upright, chin resting in the palm of your hand?  Without fail this makes me sleepy.  The combination of being relaxed, and alert – so I have no conversation going on in my head, and I am waiting.  I start to fall asleep.  Then I realize I missed the instrument I was waiting for.  So I sit up and start again.  Sitting up tall and with a lengthened spine really is the key.

It’s a practice; Nia and RAW.  It works too.  Listening to the music in this state of concentration really helps me learn my music.  It is fascinating to think of the silence as music just as much as the instruments are.  RAW is a great tool that Nia has taught us to help with our Nia practice both as teachers and as students.

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Nia Temporary Studio – Because We Love It

Posted by terrepruitt on October 4, 2011

If you follow me on Twitter, are a Facebook friend of mine, or look at my website, you will have seen that my Nia students and I have been doing Nia in the park.  I teach Nia at two different facilities.  There is my Monday and Wednesday class that meets at 9:00 am.  We meet in a little dance studio in an area of San Jose called Willow Glen.  The studio is about 900 square feet, it has a laminate floor and a large mirror.  It is long and slightly narrow.  It is a nice little place.  I have been teaching there for over two and a half years.  Some of my students have been dancing Nia with me for that long.  In November of 2010 I started teaching Nia on Fridays at a different studio in Los Gatos.  It was a different type of studio . . . it was more of an exercise studio where exercise classes are held.  They had a separate room for Pilates Reformer classes.  Well at the end of August this studio said they were moving.  When they would be done with the move and how it all was going to work was very up in the air.  At one point I was told by one of the owners that we would only miss one Nia class.  So I just decided that one class would be ok to miss.  It would not be worth the time involved to secure another place to hold a class.  But then the next week we were told it would be at least another week.  So I asked my students if they wanted to hold a class in the park.  Many students are wanting to participant in Nia three times a week so they said yes.  We decided to try it.

Well, I think that not having Nia that one Friday really helped us all realize that we do like to have it three times a week.  Monday, Wednesday, and Friday just seems pretty perfect.  On the Friday we met in the park we didn’t know how it would go.  We didn’t know if the weather would cooperate.  We didn’t know if there would be too many people for us to dance on the volleyball court.  See that is one thing, I have often entertained the idea of do Nia in a park, because grass really sound likes a great place to dance barefoot.  Natures cushioned dance floor.  But I have always been concerned about holes, bumps, and ruts.  The thought of someone turning their ankle on the grass has always kept me from following through with it.  Plus, the idea that was tossed about had always been an evening class.  I imagine parks being really busy in the evening.

This park that we have been at is really close to the studio in Willow Glen.  There is a basketball court and a volleyball court that have been empty in the mornings.  I imagine the basketball court is occupied in the evenings, but while we are there it is empty.  The volleyball court is somewhat in the shade and provides us with a smooth flat surface to move on.  The park seems rather busy the hour before we arrive.  Seems like many loving dog owners take their dogs out for morning exercise.  There are mother’s and children at the playground.  We have had to dance without music when the lawnmower has obliterated the sound.  But that was only once or twice for a song or two.

The studio has been closed for longer than we had anticipated.  So we have been doing Nia in the park for four weeks.  The weather has been very nice.  Once it was warmer than we like, but so far we have had great temperatures.  This week it is raining.  The forecast is saying that it will be sunny on Friday, but we will see.  The studio has also announced that it will not be open for two more Fridays.  So we might get this week in at the park and next week.  I have been leaving it up to my students.  If they tell me they are going to be there, then I say, I will be there too!

I have really enjoyed our time at the park.  I sort of wish that we could do it there all year, but with winter coming, although winters in the San Fransisco Bay Area are not full of snow, we do get rain and I don’t think we want to dance in the rain.  So I am sad that our time in the park is ending.  I hope that we will be inspired to do Nia in the park again at some point after these next two weeks.  I am really doing it because my students wanted to do it because we love Nia.  I know that some classes take place on the beach and other outdoor places.  I am so happy that I have been able to experience Nia outdoors and share it with my students.

Yeah, this is me sharing.  🙂

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Teaching What You Sense

Posted by terrepruitt on September 29, 2011

Nia White Belts focus on the body.  The body is what we can use to teach.  It is fascinating.  By the time we teach a routine in front of a class we should know the music and the choreography so well we don’t have to think about it.  I know I have shared before about how there is a point where I can’t learn any more without taking it to the class.  That is not necessarily the way we were trained to do it, but that is how I do it.  I have worked on learning a routine, got as far as I felt I could go, taken it to class and only done it for one class before I go back and work on learning it some more.  With that one class I was able to get past the learning plateau.  But for the most part we know the music and the routine well by the time we share it with our Nia students.  This allows us to concentrate on what we are sensing.  This is White Belt Principle #13, Teaching What You Sense.

One of the Nia White Belt Manuals says:

While Nia impacts every aspect of our lives, it is first and foremost a somatic practice rooted in physical sensation.

© 2010 Nia Technique, Inc. | NiaNow.com Principle 13 Lesson Plan | 1

Teaching what we sense, what we are experiencing in our own bodies allows us to connect with what is going on in our students’ bodies.  When I feel the stretch in my side, I can say, “Everybody sense your side.”  This allows each participant, each individual body to sense what is going on in his or her own body.  It could be a stretch.  It could be a twinge which might be a signal to tweak the movement.  Whatever is sensed belongs to the individual.  I am not saying, “You SHOULD feel . . ”  I don’t know exactly what they should sense.  Each person is different.  Nia teachers invite Nia students to SENSE parts of the body so each person can get the workout their body needs.

While we are dancing the moves we are showing the Nia students the Nia choreography, we are also guiding them with our words.  In addition to guiding them through the Nia routine’s choreography we are guiding them through a somatic workout.  A workout that is rooted in the Body’s Way.  By teaching what my body is sensing participants learn what THEIR bodies are sensing and in turn we all learn our our own individual’s body’s way.

Learning all of this in a cardio dance workout class might seem like a lot, but it is something that happens over time.  It might also sound different than other exercise classes, and that is because it is different.  It is unique.  Each class brings new awareness.  When students desire to they can take what we touch upon in class out into their lives.  Being aware of the body’s sensation as we live and go about our everyday chores and pleasures.  We could call it “Noticing what we sense.”  But for me, as a Nia teacher/student I am encouraged to teach what I sense and it makes a world of difference in the workout you receive.

Posted in Nia, Nia White Belt Principles | Tagged: , , , , , , , , , , , , , , | 2 Comments »

Open Stance In Nia

Posted by terrepruitt on September 15, 2011

Nia is a cardio dance workout (it is really much more, but on the surface, that is what I call it).  As with many cardio workouts done to music there are a lot of moves.  Since Nia is basically a dance workout there are a lot of common dance steps and movements that many of us were taught in different forms of dance.  Some are even from different forms of martial arts or other exercise classes and modalities.  Nia has a base of 52 moves.  We call them the 52 Nia Moves.  What Nia has done is put them into categories to allow you to see what areas of the body are most associated with the move.  One of the most common moves we use in Nia classes is the Open Stance.  I have been familiar with the open stance for as long as I can remember.  I took ballet and tap when I was young.  I have done Jazzercise and other types of dance exercise classes.  Many of these types of things have an open stance.  From the first time I can remember being taught the open stance it was taught as “feet hip width apart”.  Some of you might be familiar with that.  Well, I don’t know if other modalities meant it actually that way or if I had been misled, but in Nia the open stance is actually hip JOINT width apart.

dance exercise, Nia teacher, Nia class, Nia San Jose, Nia Los Gatos, Nia cardio dance workout, So you might be saying, “What?”  Well, go ahead, if you can . . . . stand up and into open stance.  I’m going to guess most of you don’t have a mirror in front of you . . . so look at your feet.  What do you see?  A somewhat wide stance?  Are your feet hip WIDTH apart?  Probably, because I believe that is the common instruction for “open stance”.  Stay there.  Touch your hips and thighs.  Sense how that stance feels.  Make note of the sensation of your leg muscles.  Picture your leg bones.  Are they at a slight angle?

dance exercise, Nia, Nia practice, Nia 52 moves, Terre Pruitt Nia teacherNow bring your feet closer together.  Picture your stance being hip JOINT width apart.  Most of us have hips that are larger than where our legs meet our hip socket.  Try this:  Imagine someone gently lifting you off of your feet by you head, imagine your legs are just hanging down from your hip JOINTS.  Then the huge hand that lifted you sets you gently down.  Your legs exactly in the same position as when you were hanging.  Your leg bones come straight out from your hip joints.  That is what Nia open stance is.

For me, it is much more narrow than I was taught open stance was.

My pictures are showing the difference between what I thought was open (the first one) and what I now think of as open (the second one).  I stood on the rug so the pattern would help show the difference.  Please keep in mind that everyone, everyBODY is different so the width of your feet will differ from mine, but if you keep in mind that open is not really hip WIDTH apart, but hip JOINT width apart then you too, might have an adjustment in your “open stance”.

Well, did you?  Were you taught open is hip width apart?  If you stand hip width apart is there a noticeable difference when you stand hip JOINT width apart?

Posted in 52 Moves (of Nia), Nia | Tagged: , , , , , , , , , , , , , , , , | 6 Comments »

Continuing Education – Nia White Belt Principle #12

Posted by terrepruitt on September 6, 2011

Nia’s training, the Nia Intensives are something that anyone can take. If you are not planning on teaching you can still attend the intensives. Nia is a practice that can be applied to life without ever having to teach it. Nia has several different ways of helping with continued education both for the livelihood member and for teachers. First for a person that is planning on teaching, #12 of the White Belt principles is continued education. There are instructions and ideas on how to learn Nia routines.

There are three stages to learning a routine. When I took my White Belt Carlos was very adamant about not skipping any of these steps. I am glad I have decided to post this because I am being reminded that there are a few steps in each stage that I could be better about doing. In the first stage we are reminded to just simply do the DVD. With each routine we have a DVD and we are instructed to just do it. Do it as if we are taking a Nia class. Do it as you would do any exercise DVD. Move, listen, and enjoy the workout. This is obviously one step that can be done several times.

Another step is to listen to the music all the time.  Listen and allow it to seep into the body. Then we are encouraged to FreeDance to the music. We are instructed to dance six of the eight stages. Keep in mind this can be over the course of days or weeks, whatever it takes. Then they advise us to just WATCH the DVD without working out to it. The last step in Stage 1 is to do the bars.

Stage 2 is where we watch the DVD and note the separate portions of the body’s choreography. Three separate steps, first we watch and note the legs, then the core, then the arms.

Stage 3 of learning a Nia Routine is where we start to go deeper into the routine by starting to have an awareness of the musical cues that signal a change in movement. By now, with having danced the routine to the Nia DVD as a student, listened to the music, mapped out the music, noted the choreography, and become aware of the sounds that tell us when there is a movement change coming we are ready to pretend. We call that teaching or dancing with your bears. It is the example used when you are at a point in the learning process where you are ready to do the workout and pretend there are students. During my Nia White Belt Intensive Carlos said something like set up stuff bears or spoons or pillows, just set up something so you can have a focus. I think the bear scenario is used in all intensives because we all call it “teaching/dancing with your bears”. Step 3 of stage 3 is to even go deeper into the music. It is amazing how the music will sound different after you have taught your bears. I might realize I need to pick a different music cue because while I am moving the one I originally chose gets lost, or I hear a better one. Sometimes I stop and don’t move at all to make sure I am hearing the music correctly. More advice includes being the student, doing the routine again, but as the student and not the teacher and getting more technical with the moves. Once you have the basic choreography down it is time to get technical and make certain you have all the levels of intensity familiarized in your body. The Nia Routine training DVD also has many other tools on it to help us learn the routine. They have a portion where they talk about the energy that goes with each move and more about the technical aspect of each move. One of the last steps is the recommendation to dance the routine with a different focus. That is a great way to learn a routine because it becomes practically brand new and you discover so much. The last stage encourages us to change the music. Because we have mapped out music and know the count of it we can pick songs that match and put the choreography to different music.

In addition to these great stages and steps they have mapped out for us to assist us in learning a routine, Nia’s continue education includes articles and telecourses. They also film classes that they hold at Nia HQ so that people can watch and learn about more ideas that delve into Nia. In 2010 the course of study was the 13 Nia White Belt Principles. The course of study for 2011 is “Becoming A Sensation Scientist”, learning about senses of the body. I am not sure of what the course of study’s name is for 2012, but it looks as if it has to do with the body itself with title such as, “Awareness of Muscles” and “Awareness of Ligaments and Tendons.” So this is part of what I mean when I say Nia is so much more than a workout.

YES, Nia is a cardio dance workout where you can go to a class and move your body to music get sweaty and get exercise for your body. But if you want, it can be a practice, where you learn more about your body. Even if you are not a teacher or a livelihood member Nia does a monthly telecourse call where everyBODY can listen, I would like to encourage you to check it out. Go to the main website for Nia and see all the education they have to offer. You might be just amazed as I always am.

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Nia Jam in Palo Alto

Posted by terrepruitt on July 28, 2011

This past Sunday we had a Nia Jam in Palo Alto.  The San Francisco Bay Area Nia Association tries to have four Jams a year.  The peninsula one is in Palo Alto, but it is usually at Stanford, this time it was at a gym.  It was a nice day so it was great that people came inside to support the local Nia association.   As with a music jam session there are switches and changes that occur.   A Nia Jam is where teachers gather and switch off leading songs so there is a mix of music and styles.  The routine is created to be about 90 minutes.  Normally we have a lot of teachers teaching so we only get to do one or two songs.  This time the group of teachers was much smaller and we were able to do three to four songs each.  The energy is always very high and exciting at a Jam because the teachers are from all over the Bay Area and beyond, so the students come from near and far.  It is also a GREAT way to experience Nia for the first time because you get a taste of all the different approaches to teaching.  Nia is specific in the way that we teach, yet at the same time it allows for the personality of the individual teacher to shine through.  So a Nia Jam is great fun.

The theme for this Nia Jam was Summertime.  The focus was moving with lightness with the intent of bringing in lightness and a sense of “summertime”, effortlessness and joy.  It allowed for a lot of play, like kids playing during summer vacation.  Not only were we able to bring in the lightness in our minds, our physical bodies, and our spirits, but we had the extra special treat of a skylight.  The room we were dancing in has a huge skylight in the middle of the ceiling and a few glass doors to the outside so we were able to share in the beauty of the sun light and move with it.   Along with the skylight and doors and windows to the outside, the room has a huge wood floor and a mirror on one wall.  A small portion of the back wall is made of glass “windows” that looks into the workout room.  I saw many people stop their workout to peek in at the Joy that was whooshing around the room in spirals, releves, kicks, and punches.

Nia Jams are no different than Nia Workout Classes  in regards to what to wear.  As you can see everyone wears what they are comfortable in.  Whatever allows you to move freely and makes you feel good is perfect.  But you also have to be ok with getting on the floor in your dance outfit.  Like most Nia classes there is almost always Floorplay — even at a Nia Jam!

There is a wonderful  sense of community at a Nia Jam.  Teachers gathered to share the Joy of Nia.  Participants gathered to experience a Jam.  All of us gathered to do our favorite exercise.  All of us ready to workout.  All of us ready to dance.  All of us there to do Nia.  It is really fun stuff.  I hope that you will be able to join us for our next Jam.

You can visit my website to see all the pictures from the Nia Jam in July.  (The link MIGHT change in the future.)

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Energy Type the Nia Way

Posted by terrepruitt on July 21, 2011

When we possess a better understanding of things it allows us to work better with them.  By “work” I mean anything from enhancing, to changing, to bettering, to “dealing with”, to molding, to melding, whatever.  It just is that the better we understand something the better “it” can be.  There are personality types, as an example Type A and Type B.  When there is an idea of how a specific personality acts, sometimes there can be ways of interacting with that personality to allow for harmony.  With any “typing” there is variation, so nothing is exact, it just can give us an idea.  In Nia, we have a little bit more in-depth approach to “types”.  It is energy type.  Now no energy is necessarily better than the other.  What is better or “best” is to have BALANCE of all the types.  So this form of “typing” can be utilized to allow you to learn what type you tend towards and give you a chance to work at balancing your types.  The system of energy typing Nia uses is connected with the nine basic Nia movement forms; T’ai chi, Tae Kwon Do, Aikido, Jazz Dance, Modern Dance, Duncan Dance, Feldenkrais, the Alexander Technique, and Yoga.

In The Nia Technique, a book written by Debbie Rosas and Carlos Rosas, there are questionnaires that can guide you to understanding what your particular energy type might lean towards.  They are “True/False” questions. Here are some examples from each energy type:

(T’ai Chi)  “I am often, soft, relaxed, and internally calm” and “I breathe with great ease”

(Tae Kwon Do)  “I love speed and power” and “I am physical, conscious, precise, focused, and directed in my life, getting what I want through hard work and precision”

(Aikido “In life, I am all about win-win” and “I move with grace and seamless dynamics, turning lines into circles”

(Jazz Dance)  “I am impulsive, lusty, sassy, demonstrative, showy, alive, fun, and electrifying to my friends” and “I love to shimmy, get dressed for the party, and be uninhibited”

(Modern Dance)  “I love playing with extremes and contrasts” and “I love contrasts, gravity, surprise, and the start and stop of life, as well as moments of continuity”

(Duncan Dance)  “I am all about the soul, and in life I move in childlike ways”  and “I flow spontaneously through my life”

(Teachings of Moshe Feldenkrais)  “I am all about sensation”  and “I am healthy and love anything that is healing”

(Alexander Technique)  “I explore life with ease and flexibility” and “I seek the simple, useful, authentic, and organic ways”

(Yoga)  “I can be gentle, powerful, focused, conscious, and receptive” and “I love lying down, sitting, being prone, and playing with back bend motions.”

There are nine questionnaires with nine statements you mark as true or false.  After answering each one there is information for those with “mostly true” answers and “mostly false”.  The idea is to be able to identify which energy is stronger and which one is weaker.  Then you can work on strengthening the weaker energy during your Nia workout and in your life.  It is interesting to find out where your tendencies lie.  If you are interested in finding out what your Energy Type done the Nia way is, get a copy of The Nia Technique.  It is a great way to get to know Nia and you’ll probably learn a lot about yourself on the way.

Posted in Movement Forms of Nia, Nia | Tagged: , , , , , , , , , , , , , , , , , , , , , , , | 4 Comments »

Nia is teaching Me

Posted by terrepruitt on July 12, 2011

Nia is a cardio dance workout. We turn on music and we dance. We have Nia routines that we do to certain music or we can put the patterns to different music.  We are not limited to these two choices this is just an example.  We dance to music, we have fun, we don’t even realize we are exercising.  To me, it is “like” Zumba in that way.  But Nia is a practice. Nia has different levels and each level has principles.  If you choose to experience the different levels you can, but even if not the principles of Nia can be applied to the workout and to life. To me, Nia is like Yoga because of the fact that some of the “stuff” you do in a workout can be applied to life. Since the ideas and principles of Nia can be applied to life they are not necessarily “new”, most of it is not made up by the creators of Nia. Some of it you might recognize and have heard elsewhere. It is the way it is applied and put together. I have stated this before . . . that things are not new, so you aren’t imaging that.  I do like to repeat it because a lot of people have not heard of Nia so they might think it is something new and “way out there”, but it is not, it is based on science and things you know.  Some of the things I am learning are things that I have to continue to “practice”.  🙂

Here are a few of the things, in no particular order:

–It is ok not to be perfect. That is not really the way we state it when we talk about it, but I have started many posts with what we really say and maybe one day I will post one, but I am not ready to deal with the spam and odd comments I might receive from our actually verbiage of this same idea.  But basically we don’t have to do things perfectly. Which is really great because there really is no such thing.

The Four Engery Allies are always something I am having to practice. (Speak with impeccability / Don’t assume anything / Don’t take anything personally / Always do your best)

–Even silence is music. We actually practice listening for the silences in our music. A lot can happen in a silence, it could be a birthing place for something spectacular. Or it could just be a place of rest and calm. Either way it is sometimes something to look forward to.

–Natural Time is a gift. Moving and living in ones own natural time and not having to do everything by the clock that society runs on, is not always possible. There are some things you just have to do, so when there is an opportunity to move and live in natural time I take advantage of it and I consider it a treasured gift.

–Live in the moment. I am always doing one thing and thinking another. We live in a society of multi-tasking. It is celebrated and even rewarded, but it is not joyful nor rewarding. Sometimes I forget why I walked into a room because I started walking there to do something and then after the first two steps my brain has already jumped to the next task. So I arrive in the room thinking, “What am I doing here? I know what I want to do when I am done with why I came in here, but I don’t know why I am here.” So this is something I am always having to practice.

All of these things are things we learn in our Nia workout.  We don’t have to dance perfect, we have our energy allies when we dance, silence can be part of our movement, we move in our own natural time, and we move in the moment and dance to the music.  All of these things work in and off the dance floor.  So Nia teaches me a lot and it continues to teach me.

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Workout Distractions

Posted by terrepruitt on July 9, 2011

It is difficult for me to do Nia at home.  In Nia we actually move our head.  “Huh?”  You say.  Well next time you are in a cardio workout out class or an exercise class you might notice that you don’t often (or at all) move your head around purposefully.  In Nia we look up, we look around, we look down, we out.  We could just be moving our head to sense the sensation of it, or we could be doing it to allow action to follow intention or . . . well, whatever idea we are using at the moment to move our head, we move our head.  ALL AROUND.  Which, makes it difficult for me to workout at home. When I look up I see spider webs.  When I look around I see dust.  When I look down I see Spot.  When I look out I see squirrels.

We have cathedral ceilings, so there is never a time when we don’t have spider webs or something way up there.  When I see it I start thinking, “I need to get the duster and the ladder and get that.”  Then there is the dust.  The dust never seems to NOT be there even right as I am dusting.  Then there is the cat.  She either wants to go out, or be pet, or  she just chooses to lay right in the middle of my workout floor.  And I have learned that I absolutely have to keep my curtains closed.  I don’t care what the weather is, I don’t care what the temperature is, I have to keep my curtains closed because I get REALLY distracted when I don’t.  Here are two examples of what I see.

First he comes to the door.  Tentative.  Then he will stand that like that for a long time.  I have tried to just keep on going and just let him watch me dance, but after a while I feel bad.  He will just stand there with his paws at his chest and look at me.  He has stood like that for at least an entire song.  I always end up stopping and giving him or, more accurately, them nuts.  When one gets peanuts the others come along.

 

Then this is what they do.  This was taken on a very hot day.  The mat was in the shade and had been for a while so he just plopped down.  I think he was enjoying the shade.  A little snack in the shade.  He just looked at me while he ate his snack.

They have come up to the doors and windows and put both paws on the glass and looked inside.  I imagine I hear, “Hey, you in there!  Where are the peanuts?”  It is rather funny.  I am not certain, but I think it is one in particular that does that.  My hubby named him Brutus.  When he comes up to the door, he will stay there and take a peanut from me.  Sometimes he barely lets me put the peanut out the door.

Yes, one of the things we do in Nia is to not think about things like spider webs, dust, the grocery list, the things we need to do after class and when I am outside of my home I can do that much better.  In my house I get distracted.  There are so many distractions.  So one way I eliminate at least one is I keep the curtains shut.  On the days that I took these pictures I had obviously not done so.

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Holidays and Exercise Classes

Posted by terrepruitt on July 2, 2011

I have been teaching Nia in the San Francisco Bay Area for two and a half years.  So far every Holiday that falls on one of my regularl class days, I have taught.  I keep seeing postings on Facebook, Twitter, and other places on the internet about how classes are suspended or cancelled over the Holiday weekend.  The classes will resume normal schedule on Tuesday.  I understand this because some of the places where the classes are taught are closed over the three-day weekend.  Also, a lot of people do go away during Holidays, but a lot of people stay home too.  I find that because I have morning classes, my holiday classes are bigger.  People that are normally at work get to come to a morning exercise class.  I love it.

I also understand that holidays are family time so it is nice to be with the family.  Especially since most of the time people are having to get up and rush off on their separate ways.  I am fortunate that my Monday and Wednesday classes in San Jose are at 9:00 am.  Often times people can come take the class and be back with the family before the family is even up and ready to go about the day.  AWESOME!

It seems as if the actual independence day was July 2, 1776, when the actual legal separation from Great Britain occurred.  The document clarifying and explaining what the meant was finalized on July 4th so it seems that was adopted as Independence Day.  In 1938, Congress changed Independence Day to a paid federal holiday.  This is all according to Wiki.

I feel it is nice to take a moment to remember why we have a day off.  Usually we are so excited by the fact we have an extra day to play we might forget why.  I know I do.  It really is my blog that helps me stop and remember.  On Holidays I often look up them up to see if I should or could post about them.  Today I decided to post a bit about it and about the fact that Help You Well / me has not taken a Holiday yet.  I post the information on my site too, so that my students know I will be there and people looking for a class will know.  Some people like to try a new class when they have the day off.

I am fortunate to rent the studio where I teach on Monday so I am not subject to a “company” being open or closed.  So I am there.  You can find me at the studio in San Jose.  Even though that is the one day when my hubby might be home and I have to get up and leave him, I am motivated by my students that show up that normally can’t attend on regular work days.  Come join me.

At the time of this post there is a Free Class pass on my site.  Print it out.  Use it.  Come dance with us.  Come celebrate freedom, barbeques, fireworks, picnics, and grilling.  Yeah, dancing can be like that a celebration of it all.  Come see.

Happy Fourth of July regardless of where you live!  🙂

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