I have so much to be thankful for I work on giving thanks all year long. I tell the people who I am thankful for that I appreciate them. I do feel so much gratitude that I don’t feel bad taking one of my posts for sharing some things and people who I am thankful for. Why not, right? It is my blog and Thursday happens to be one of the days I post. And since Thanksgiving is set up to occur on Thursdays it just happens that I will be posting on that day.
I did have a conversation recently with my Nia students and we agreed that it would be nice if the United States celebrated Thanksgiving in October as our Canadian neighbors do. We were talking about how it would be beneficial to have the Holidays spread out a bit. Having more time in between Thanksgiving and Christmas could ease some stress. It wouldn’t be one big rush. Plus the fact that not all of the days off from work would be so close together. Sounds like a good idea.
As I type this (a bit before Thanksgiving) what is really in the front of my mind to be thankful for is my Nia Students. I am very grateful to them for holding space for me while I took the Nia Blue Belt Training, the next level of Nia. As a dance exercise teacher there is a fear that students won’t come back if a class is cancelled. It takes commitment to come to a class day after day and week after week and sometimes once that habit is broken it is easy to let it go. So knowing that my students are committed to Nia and to supporting me really helped me let go of the fact that I had to cancel my classes and it allowed me to really BE where I needed to be.
I am also very thankful for the people involved with my Nia Blue Belt. I am thankful for the organizer. She kindly kept in communication with me when I didn’t know if I should sign up for the intensive because my mom had been having health issues and at one point she was going to be scheduled for a major (MAJOR, MAJOR) surgery the very week of the intensive. She let me know that I could register as close as 30 days prior. I have huge gratitude towards the Nia Trainers who each have their own story, one flying from Hurricane Sandy to come teach us, and the other having had a bee sting, a car accident, and surgery. And the class, my fellow Blue Belts. Some of the trainees are actually other belts retaking the blue, but they will be fellow blues to me. I appreciate the warm and welcoming space that was created and held. There were many people going through personal situations and they were able to step into the space strong and ready to learn. They put the issues aside and focused and made it through. Thank you so much, Blues!
My husband was so great during the entire week of training. I am a firm believer that the body and brain needs nutrients throughout the day so I make sure that I make him lunch every night. He is one of those worker-people that will just power through his day not giving a thought to food. So it is really important that he have lunch right there to eat. During the intense week he made sure to make his own lunch (AND DINNER) because he knew that if he didn’t I would. He helped it feel as if I were on vacation from my home duties. This helped tremendously.
I am very thankful for my mom’s health. She has been going through some issues this past year and true to my mom she has stumped her doctors. At first they didn’t know what exactly was going on, then every time they had a treatment plan it would change because my mom does not follow text books or protocols. She had a stricture in her throat which led to the discovery of lung cancer. And over the past year has had surgery three times none of which were the one that was planned to fix her throat. That surgery was to be a major surgery. And by some miracle (the doctors are amazed) that surgery is no longer needed and her cancer was removed along with a lobe of her lung. She is almost back to normal. She just needs to work on getting used to have less lung. I am very thankful for her health. It was a very long, stressful year.
My friends are always on the top of the list of blessings I am thankful for. I am always amazed at the wonderful people who I have that love and support me. And I am eternally grateful. I am grateful for my family. I am grateful for Nia. It is an amazing practice and through it I have met even more amazing people.
I hope that those of you that celebrate Thanksgiving have a very Happy One. And I invite everyone to take a moment to think of something they are thankful for. Anything you care to share that you are thankful for?
Last week I cancelled my Monday and Wednesday Nia class and got a substitute for my Tuesday Nia class with the City of San Jose. I decided to take the next level of Nia training. I was a White Belt, now I am a Blue Belt. Nia calls their trainings intensive. I cannot assume to know why, but I am glad they do. They are very intense. The training is part lecture and part moving. The moving can be dancing or types of exercises to further the learning process. People tend to learn better when they are doing, so there is a lot of doing. In my rough calculations it was about 53 hours of instruction, including the Master Classes. It was Saturday through Friday. It was exhausting. It was energizing. It was incredible. As I have mentioned before and I will continue to mention Nia is a cardio dance exercise. Come to a class. Move. Have fun. Sweat. Get your workout in. But Nia is also a practice. I compare it to yoga in that a person can go into a yoga class and work out and do the exercise and then leave and not give it a second though. Or they could give it a second thought. They could take on some of the aspects of yoga, they could practice breathing and/or meditating or anything else that might be attached to their yoga class on a deeper level. That is what a person can do with Nia too. So some people take the intensives for self-growth with no intention of teaching at all. Even if they are not planning on teaching or are not currently doing so, the training is just as intense.
Each belt level has its own focus and intent. Blue Belt focus is Communication, Relationship and Intimacy with the intent to energize personal connection through self-discovery and communication by following The Body’s Way. Sounds like a lot. Ok, it IS a lot. LOL!
In addition to a focus and intent, each belt level (aside from Green) has its own set of principles. With the Blue Belt, the principles were made to layer onto or over the White Belt Principles. Some of the information is very close to being the same, but with a little more added to it. It is very interesting the way Nia does things. It is very amazing the training they come up with and the delivery of it.
In this training we were shown many things, one was an enlightened way to use the Nia 5 Stages or the Developmental Anatomy to measure all types of things and where we might be in a process. It is a pretty cool tool. It is part of the Body’s Way.
I am 100% positive I will have more posts regarding the Blue Belt Intensive, the Blue Belt Principles, and my thoughts on it all. I am still processing it right now. My mind is racing with thoughts, ideas, things I learned, things I didn’t learn, just a lot of things. There is so much that I want to share. There is also a lot I don’t want to share. Nia is not a secret society by any means. There are no secrets to the intensives, in fact most of the information is things that have been around for as long as I can remember. The information is stuff you have probably heard before. It is just the WAY they deliver it. And the way it is connected to the body that is somewhat unique. If I decide not to share something or talk vaguely about some things it is because I don’t want to ruin the surprise of some things for those of you that will be taking the Blue Belt. Since the Blue Belt Principles are layered onto the White Belt Principles I will probably write more post about them too. And we will see what comes up. I have chosen to participate in Nia as a practice. For now, I will revel in Blue!
Is there something that you have in your life you consider a practice?
I teach a Nia Class for the city of San Jose. The city has it set up pretty cool in that instructors can have a day and a time at a specific community center that we can call “my” class and we can also teach other people’s classes as a substitute. We have this forum where we post requests and needs. Many instructors have full time jobs and kids so they have other responsibilities that call them away from their regularly schedule class. Plus there is always a cold, a serious illness, or a bump/bruise or strain. This network of teachers allows us to live our lives and take care of ourselves when necessary. It also helps expose our community to different types of workouts and different teachers. I have shared before how at one point I was trying to make Nia be more like whatever it was I was subbing for. If you haven’t read that post, I am sure you might be able to imagine how that turned out. It made this Nia teacher very unhappy and I don’t think it was a great service for the attendees either. One of the reasons I applied for the job with the city was so that I could share Nia with the community. Recently I taught Nia as a substitute class for Zumba, and my thoughts on Zumba and agility were confirmed.
A few of the student came up afterwards to talk to me about Nia. Some shared how they like it because it was gentle yet allowed them to work up a sweat and get a great workout. One woman made me giddy because she said the same thing that I had just decided about Zumba. It took me a while to get to this conclusion and she jumped to it her very first time. She said that Nia is more complete. She said that she loves Zumba, she does it three times a week, but the moves are not completed. She said it was nice to be able to finish a move. Nia allows you to move through the entire range of motion, through the entire range of the joint. I loved that she was able to get that from one class. I also love and appreciate that she can like both, Nia and Zumba. They are both cardio dance exercise workouts, but they are different. Seeming to always have to explain the two together, I am always thinking about it and just recently reached the agility conclusion. I explained in one of my posts how I feel Zumba seems to only move in one sensation. Well, having gone to a training and experienced the Zumba Fitness Program I believe a Zumba class can move in all five, but it concentrates on agility and touches on the rest. But they are in there if you know to look for them.
So this student who was talking to me after class picked up on that fact that in Nia we move through all five sensations and Zumba focuses on one. This is not to say that is bad, this is just again pointing out how they are different. Also this is me sharing that it is not just other Nia teachers and my Nia students that think that, it is other people who are more familiar with Zumba than Nia. This is just a happy confirmation post sharing that I felt I got it right when I explained Nia and Zumba in that way. Yay.
Both Nia and Zumba are great fun. I encourage you to do whatever it is that will get you up and moving! If you decide what type of movement you want it can help you decide what you can do to get it.
Do you like to take different types of exercise classes? Do you like to just stick to one type of class?
I have a confession to make. It is one I might have even confessed before. I know I have done it before. It is easy for me to get caught up. I want to please people. I want the supervisor to know that I am working to keep the students IN the class. I want the students attending the class to like it and want to be there. When you are a substitute instructor leading a different format than is usually taught it is very different from when you are teaching a class of the expected format. Many people are taught that cardio – aerobic exercise – is extremely fast, high impact, and difficult so it is very hard to change that mindset. I was asked by someone who understands both the fact that cardio does not have to be extremely fast or high impact and that people are trained to think it is, if I could do Nia a little higher because people expect cardio to be a specific way. So caught up in wanting to give the students what they are accustomed to getting I put together a routine . . . kind of rushed . . . that didn’t have ALL the elements that a Nia class normally has. It was not good. It felt “off”. I was trying to make Nia something it is not. Nia is not Zumba. Nia is not Cardio-Sculpt. Nia is not extremely fast, rushed, and high impact. Nia is not Jazzercise. Nia is not UJAM. Nia is not all of or any of these other names that there are for classes that are fast, rushed, and high impact. Nia is an amazing practice. Nia is a great workout. Nia is a wonderful cardio dance exercise. And I need to stop trying to make it be something it is not just because people are used to cardio a specific way.
So I did a routine that didn’t feel right to me. I thought I would get up the next morning and do the same routine for the class I was asked at the last minute to sub, I was going to try to “bring it” to the students. As I was getting into bed a little agitated from the “not feeling right class”, it washed over me like a refreshing revelation . . . . DO NIA! Duh! Bring “IT”, and make that “IT” Nia. I got caught up and in my trying to bring the students what they are used to, I didn’t allow them the richness of something new. The richness of Nia.
Now, I want you to understand that the Nia Technique creates wonderful routines and all we teachers have to do is learn them and teach them. But we are also allowed to use other music, make up our own routines, mix and match the routines they have created, and make up our own katas. Of course, we need to follow the Nia class formula and the seven cycles which contain the traditional warm-up, move it, and cool-down. I also think when creating a routine/class – in general – it should be balanced; as an example not all songs/movements should be lateral ones or forward and back ones, there should be a mix of movement and the 52 Nia moves. I create routines from Nia routines all the time. So it was not the fact that I put songs together that created the not feeling right routine, it was ME. It was ME trying to make Nia something it is not.
I need to center myself. I need to stick to what I know and not try to give people the class they are used to. I KNOW Nia is amazing and awesome and does need to try to be anything it is not. I KNOW THAT. I just get caught up.
Another point I want to make is, I am not saying those other formats are bad. In fact, I like some of the other formats I have tried. One of these days I might even teach another cardio format. I am saying Nia is Nia, it is not any of the other formats and I need to remember that and let it stand on its own. I need to remember to trust Nia and allow it to touch the people it needs to touch and let the others attend the other dance classes. I need to remember that when I am asked to sub a class I am going to sub it with Nia and not try to make Nia be what that class usually is. I keep thinking to myself, “DUH!”
Thank you for letting me confess and do a public face-in-the-hand-plant!
Do you EVER do that in any section of your life – try to make something be something else even though what you have is just perfect the way it is?
I have a huge favor or request. I know I have mentioned it before, but I don’t think I have done a single post on it, but recently I, myself, was confronted with this situation so I really want to make a serious plea. I am going to go out on a limb and say this is a plea for many fitness instructors/dance exercise teachers. If you go to a class and you don’t like it, please, please, please try it at least two more times. If you are ok with the instructor, but the class is just not that good in your opinion, give it another chance. There are a million reasons why you might not like that particular class on that particular day. It could be the routine or exercises you were doing that day so ask the instructor when s/he will be changing to a new one. Or it could be the music, so, again talk to the instructor. Maybe ask if the class you just experienced was the norm or the typical class. Sometimes instructors decide to change it up and try something new but after taking it to the class they might decide they didn’t like it either. So ask. Also ask the other students. Don’t give up on something after just one class.
If taking three classes from the same instructor sounds like a waste of time and money to you, try a different instructor. We are all different and we strive to represent the brand/technique/practice to the best of our ability, but we also add out own style and it could be that the style is not something that you connect with. It could also be — if you don’t like the class — that the instructor is not necessarily sticking to the program. You might enjoy the class with an instructor that is more closely following the idea of the fitness brand/technique/practice.
I had been to a few fitness classes recently and I felt some elements that I believe should be included in this type of class were missing. Plus in a couple of classes I felt as if it was not all that the brand promised. But I attended a few more classes with different instructors and I began to see a big difference. I also took it upon myself to become educated a bit in the type of class and now I understand why I like one class over the other. One instructor was following the program more closely than the other one and it actually is more enjoyable. I actually went to four or five classes with three different instructors. I walked out of one class saying, “Dang, I really hate that.” Whereas the other two I thought, “Now that is what it is all about!”
So if you walk out of a class thinking you really don’t like it, that is ok, you obviously didn’t like THAT particular class, but it could be the brand/technique/practice wasn’t represented correctly. So try again. Maybe the instructor was having a bad day. Yes, it is our job to instruct and hold a good class, no matter what, but . . . c’mon we are only human. Sometimes we just have “off days”. There are all types of reasons to give an instructor another chance.
I know I have mentioned this before, but if I HAVE done an entire post on it before and I am repeating myself I apologize, but I really feel strongly about this. Because, as I said, twice I walked out of a class saying, “No way!”, but then the two other instructors showed me a “Yes way!”
Now keep in mind that I am not just talking about Nia, I am talking about ANY class you try; Zumba, Jazzercise, Barre Fitness, Turbo Kick, whatever.
If you end up giving it a good try and still end up not liking it at least you will have burned some calories in the process. But I bet if you were drawn to the class in the first place you will end up finding a class and an instructor that you like. Just don’t give up after the first class, do yourself a favor and keep at it and you’ll end up finding something to allow you to gain all the benefit of an exercise workout.
Have you ever gone to a class and not gone back because you didn’t like it after only one class?
I wrote a post about a four-point turn, that is what I call one of the turns we do while we are doing Nia. In Nia it is sometimes called an Aikido turn. But it is a turn that is done in many dance exercise classes, including Zumba. I realize that even if you are reading the post while trying to do it, it could be a bit confusing so . . . . . voila! A video.
The first clip is of me facing away and I start with a RIGHT turn, then alternate. Then the second clip is of me facing the camera.
As with my Aikido turn post maybe right and left indications will work better for you. In my other post I decribed the left turn, so here I will write out the right turn. And as stated, the right turn is the first turn I demonstrate. Turn your head/eyes to the right, allow your hand/arm to follow. Move your right foot to “toes out” turning your right thigh bone to the right. Then step on your RIGHT FOOT in a “toes out” position, put your weight on it 100%. As you are stepping all your weight on your RIGHT FOOT, allow your body to turn to the right, in the direction you want to go. Swing your LEFT LEG (free leg) around to what seems like in front of your RIGHT FOOT. Step onto your LEFT FOOT, toes pointing to the back of the room (or what started off as the back of the room), take the weight off the RIGHT FOOT (“toes out” foot). Swing your RIGHT FOOT (free leg) behind to land about in line with the heel of your LEFT FOOT (weighted foot). You will land standing on the RIGHT FOOT, and turn the LEFT FOOT to be parallel with the right foot. . . making that the fourth point or step.
Even though in the first clip on the right turn you can’t see my right foot “toes out”, I do the turn enough times in the video for you to see how the first step is a “toes out” move. Starting the turn with the “toes out” and already turning the direction you want to go will go a long way in enabling you to get all the way around. Even if it takes a lot of practice to get all the way around, starting that first step with the leg in outward rotation will help a lot. I also said in my last post that I think it is easier to do this move fast as opposed to slow. So it might be a good idea to not try it really slow at first because it is not easy slow. Just go. Right toes out, left, right, left. Or left toes out, right left right. Remember we do not spin on our feet. We need to pick the feet up off the ground to avoid blisters and strengthen the leg. Also you might notice that this turn is done on the balls of the feet. You put all your weight on the ball of the foot.
While my fourth “point” or step I am exaggerating and pointing my toe in that might not always be the case. When we are moving to the music the fourth “point” could end up being any number of things depending upon many number of things. The choreography sometimes calls for different things. Plus there is the individual body that is doing it to consider. Sometimes people can’t get all the way around, it could be that the music is really moving and there isn’t enough time to get around and settle into that fourth step or it could be that this is one of those moves that will take practice.
It’s a great move that allows us to use ALL five Nia Sensations. Flexibility on the “toes out” and as we place our feet, mobility in our joints, strength to get us around and stop, agility to stop, and stability to stay stopped. Cool, huh?
Nia is both a dance exercise and a life practice. Kind of like yoga. You can go to a class and get the exercise you want and have it end there or you can learn about its principles and take them into your life. There are levels of the practice. Nia has chosen to use a “belt” system as their levels. Instead of just having numbers or names, they have assigned belt colors to the levels. There are five levels; White Belt, Green Belt, Blue Belt, Brown Belt, and Black Belt. The intensives to gain the belts can be taken and enjoyed by people who aren’t teaching. Each belt has 13 principles, except Green. Green does not have its own set of principles because green is the belt level that is actually designed specifically for teachers and helps them hone their teaching skills. It delves into the 13 principles of the White Belt. The White Belt’s principle #4 is FreeDance. FreeDance as a practice has eight stages. I have posted about eight through two. This post is about stage one. Stage #1 of Nia’s 4th White Belt Principle is Freedance – Anything Goes (movement wise).
While you are dancing any movement is great if it is authentic movement. With Nia there is choreographed moves, but within the patterns of movement there is the ability to freedance. Also with many routines there is sometimes just freedance where we are allowed to dance free to the music without any choreography. Stage one: Freedance, anything goes, allows us the greatest of freedoms. You can dance using the wall, the mirror, a chair, the floor, or a ballet barre that might be in the room. You can dance fast, slow, high, low, or in the middle. Anything that you sense your body wants to do to the music. It is up to you.
The idea with freedance is to just let the body go. Don’t think about it. When you think about it often comes the judgment. Sometimes the judgment can interfere with movement, especially if it is judgment along the lines of, “Oh I must look silly doing this.” “Oh that probably isn’t pretty.” “Oh, I am not graceful enough to spin.” “Oh, I need to do this or that.” This is all inner dialog that clogs up the muscles and their movements.
Freedance also, as I believe I’ve mentioned before, in not club dancing. We are NOT just bouncing or undulating to the beat, we are moving to the music. We are moving our bodies towards as pleasurable sensation of health and well being.
Freedance is also not patterned dancing, we save the patterns for our choreographed movements. Freedance is just free. It is spinning twirling, diving and whirling. It could be hopping or dropping. It really is whatever your body does.
Freedance is not easy. It takes practice. It is not easy to just be on the floor and not think about how you are going to move and just let your body go. It is a challenge. But once you can stop thinking and talking in your head you will find yourself moving to the music. Sometimes you might even notice that you are moving in a way that you didn’t think about and it is really amazing to have that sensation. But don’t think too much, just keep moving.
I would like to invite and encourage you to make some space in your home or if you are so inclined find a space to dance outside . . . find a space turn on some music and just dance. Let yourself go. Let yourself be free. Allow the time, space, frame of mind and spirit to freedance. Remember, anything goes!
Wahoo! I have to add that in the middle of typing this up I secured another class to sub for the City of San Jose. So exciting to be able to share Nia through the city! Yay!
I teach Nia. I have been teaching Nia for three and a half years. Not as many people who I talk to have heard of Nia as have heard of Zumba so I am constantly being asked the difference between Nia and Zumba. Since I am often asked I am often thinking about them and comparing them. First, they are actually the same in that music is played and participants dance to it. Second, in both the instructor leads the participants through the various dance moves. Third, participants of both claim they are both fun. One difference is Nia is an experience in five sensations, Zumba seems to concentrate on one.
The experience is such a big part of Nia we actually call them the five sensations of Nia. I have posted about them before (FAMSS). They are the sensation of flexibility, of agility, of mobility, of strength, and of stability. In a Nia class your body will move in a way that allows you to sense the energy moving out and away. You will bend and stretch to play with flexibility, either retaining what you have or improving upon it. There are moves in the routines that require the start and the stop. The movement that is agility could be done with our feet, our arms, our hands, our bodies, our heads or a combination of body parts but we sense the start and the stop. With every routine there is a lot of mobility, some routines have more than others, but all of them that I have experienced have a lot. With mobility it is just the same as agility in that it could be a body part that is moving or our whole body. Whatever the case there is a lot of movement from each joint that helps create a healthy joint by allowing the fluid to move to it and within it. Then we also play with strength. We might squeeze our muscles sensing the energy moving in as if the bones are being hugged by the muscles. We might do squats or sit-ups, punches and/or kicks, but there is time where we play with strength. I say Nia is very big on balance because we do many moves that requires us to be stable. Many of our moves are balancing on one leg, could be a kick, could be a stance, but it requires stability. Moving from one move to the next often requires us to call upon our stability. In a Nia routine we experience all of these sensations. I’ve reached the conclusion that Zumba is primarily agility.
In Zumba the moves are always fast. So it is a constant state of start and stop. The only sensation I sense while doing Zumba is agility. Fast start, fast stop . . . . even when there is a stretch where your muscles are yearning for a second to move to their fullest length, it is a fast stretch that does not allow for the muscle to be fully stretched. Doing a full hour of agility is not a bad thing at all. It can be fun and it can produce a lot of sweat. And many of us are programmed to think that sweat equals a good workout. I think that if you are adding Zumba to a stretching program that has some balance practice in it that is great.
I am also a believer that there are a lot of things that compliment Nia too. I actually think that if you like Nia and Zumba and you are able to do both that is a nice combination. You get two different types of cardio. One that is a workout in the sensation of agility and one that can move you through more use of the entire body to get that heart pumping.
I really believe that whatever gets you moving is GREAT. I think that you have to like what you do in order to make it a constant in your life. So Zumba, Nia, Jazzercise, U-Jam, yoga, kickboxing, bootcamp, weight training, whatever works for you is great. Do what you will do! That is the key!
It is that I am always asked about the difference between Zumba and Nia that I am always thinking about it and this was my latest thought after I did a Zumba class. I think I posted before about how I am left wanting to extend and finish my moves in Zumba and it dawned on me that it is the sensation of agility that is predominant in Zumba. Some Zumba classes I have attended do take a song to stretch at the end, but not all of them. So I guess it depends on the instructor. Nia instructors are encouraged to infuse their classes and the routines with their personalities, so I am sure that every Nia class has a few differences too.
Both Nia and Zumba are great cardio workouts. It just depends on what you want to do during your workout and what you want to get out of it. Do what you will do!
Are there any dance exercise classes that you know of where you are encouraged to quack like a duck? Well in all Nia classes we like to have fun, plus Nia understands the benefits of sounding, so there is a move where we quack while we are doing it. Of course, quacking is not limited to being done only when we do this move, but this move is actually called Duck Walk. It is very fitting to quack while doing this move. I know to many quacking seems silly. Sitting and reading about it has to make it sound really silly, but in class with your feet gently slapping the floor, it seems perfectly natural. Making noise is natural and it tends to make working out much more fun. It is also very amazing when moves have their own sound. The Duck Walk, of the Nia 52 Moves is one that has its own sound, “Quack! Quack! Quack!”
All of the 52 Moves are listed with pictures in The Nia Technique Book. I cannot emphasize enough how helpful this book is. If you are interested in movement in the slightest or if you are interested in the body mind connection you would enjoy this book. The Duck Walk is described on page 114 as:
“Standing with your feet slightly apart and no wider than hip width, alternately lift and then lower the toes and balls of each foot, as if you are slapping the ground to splash water in a puddle.”
So your feet can be slightly apart or as far as hip width. Remember “hip width” means hip JOINT width. Thigh bones straight down from your hip joints. Then the toes and ball of foot lift. Then you splash. Splish splash in puddles. As with the Squish Walk I have a different way to do this with different imagery. When I am doing it as stated in the book, I DO think of my toes splashing in the puddles. But when I think of a duck and its walk, I tend to put my toes out. I think of toes out as duck walk. That’s when the move lends to quacking for me.
Just as the same as with the Squish Walk The Nia Technique Book does not give instructions to walk while “duck walking”, but we do it all the time in my Nia classes. This duck walk move really allows for ankle movement and helps condition the muscles on the front of the lower legs so I like to use it. High heeled shoes — especially the ones now-a-days — have feet stuck in the opposite direction with hardly any ankle flexion so the Duck Walk is great to get those muscles moving and stretched.
While progressing forward with the duck walk it is not the same as heel lead walk even though you lead with the heel. With the duck walk we don’t roll through the entire foot, we gently splat the foot down. It is a heel lead then splat with the rest of the foot. That is why the imagery of splashing your toes in the puddle works so well, I bet as a child most of us have done that.
Between the quacking and the splashing it is no wonder Nia is so fun. Adults as play! Splish splash quack!
Did you get up out of your chair to try it? C’mon, try it!
Nia is the same as many things, the more you do it the more accustomed your body becomes to the movement. When you first try swinging a bat or a golf club it seems as if there are so many things to think about. The placement of your feet, the bend in your knees, the sinking of the hips, what your hands are doing, what your elbows are doing, where your chest is facing, to move or not to move your shoulders. Then there is your head, your eyes, and – oh yeah – the ball. So much to remember. Then as you practice you forget that you even were once having to remember all that. You are able to just “let go” a bit and play the game. Dance exercise is the same way for some. There are moves in Nia that we do, the 52 moves. At first the body might be so busy trying to do it correctly it is not allowed to play, but once the moves are learned there is time to play. In a Nia routine a move is often repeated enough so it can be learned and then the play can begin. But there is still a technique, there is still a right way to do it in order to get the benefits from it as was the intention of having the move be a part of Nia.
One of the moves that I sometimes find challenging is the Squish Walk, the way Carlos AyaRosas (FKA Carlos Rosas), told us how to do it. I had thought it was rising on the ball of one foot, then squishing that foot down, then rising on the other ball of the foot, and alternating. The imagery is that of squishing oranges under the heels. I had thought it was one whole foot on the ground before bringing up the other, but that is not how he instructed us.
His instructions were to be on the both balls (of the feet) at the same time. Not all the way up on both feet but one heel HIGH and one lowering and switching like that. The foot that is flat on the ground (whole foot) is not there long because it comes right back up. I found this method much more challenging than the one foot down and the other foot up. The method Carlos had us do tends to work the calves and shins more than the other method.
The Nia Technique Book states one foot is down (whole foot on the ground) before bringing the other foot up. Both methods work the lower legs, improving strength and flexibility. Neither method is actually a walk. We are not progressing forward. Although the squishy movement could be incorporated into a walk.
With the method in the book, I usually use the image of high heeled shoes. Lift one heel as if you are showing off a new high heeled shoe. The concentration is on the lifted heel. Then switch heels. With the method Carlos taught I think more of oranges. The concentration, to me, is more on the squish.
In the Nia routine we have been doing this past month in my Nia Classes we do something they’ve dubbed the “double squish walk” which is rising at the same time on both balls of the feet. Then the squish is on bringing both heels down at the same time. Double Squish. I just call it up on the balls of your feet, since it doesn’t seem very squishy and it is not like either method.
I invite you to try both methods of the squish walk. Lift one foot onto the ball of the foot, then set it down and lift the other foot. Alternate. And try, lifting up on both balls of the feet, then start to lower one to ground, then alternate. It is as if in one method both feet end up on the ground and with the other method both feet end up on the balls of the feet. So fun, the different ways to do the moves yet, both ways are to help condition the lower legs to help “you move safely with different speeds and intensities”. In other words be sturdy on your feet as you move and dance through life!
I have huge gratitude towards the Nia Trainers who each have their own story, one flying from Hurricane Sandy to come teach us, and the other having had a bee sting, a car accident, and surgery. And the class, my fellow Blue Belts. Some of the trainees are actually other belts retaking the blue, but they will be fellow blues to me. I appreciate the warm and welcoming space that was created and held. There were many people going through personal situations and they were able to step into the space strong and ready to learn. They put the issues aside and focused and made it through. Thank you so much, Blues!
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