Posts Tagged ‘The Nia Technique’
Posted by terrepruitt on January 8, 2013
There is a stance in Nia called the Riding Stance. It is part of Nia’s 52 Moves. I actually think of it as the Sumo Stance. It is called both. I bet if I actually were to really let my body doing the thinking, my riding stance would be taller than my sumo stance. Stop and think about it. Do you picture a rider with legs straddling a horse and sitting up tall? And a sumo wrestler as legs wider than a horse with his body lower to the ground? A sumo wrestler is still upright and “tall”, but he is closer to the ground. with a wider stance than a horse Ha! I love that. As I am typing and thinking, this is what I come up with. An insight. That is what I love about Nia. Even though there is an ideal there is still the way a body does it. And sometimes a body does it the way the mind thinks about it. My body translates sumo stance as low to the ground. I am going to go to class and use the different terms and see what my student’s bodies do! The Nia Technique states the Riding stance is as if you are riding a horse.
As I stated, riding a horse – to me is at a higher level than a sumo wrestler. So, I actually do this stance much lower and that is because I THINK of it as a sumo stance. I am going to practice this stance as a RIDING stance and see where my body goes.
The book says: “your knees slightly bent and your feet apart, as if you were riding a horse”. I think I have always had a really wide horse! Whether the horse is wide or not, the feet are parallel.
Again, to be clear, the Riding Stance in the Nia 52 Moves is with the knees slightly bent and the feet apart. The feet are as far apart as if you are riding a horse. As I recently posted the sound to make while doing this stance is “ha!”
I think that it would be fun to say, “Yehaw!”
This stance is a great way to condition the legs. It is fun to play with this stance and try different levels. By levels I mean both the planes and levels of intensity. A level/intensity 1 would be a high plane. Then a level/intensity 2, could be the middle plane. And the level/intensity 3 could be the low plane and maybe more of what I think of as a sumo stance. With all moves in Nia the key is pleasure. So the move is not meant to be painful. If you are sensing pain in any part of the leg adjust your stance. If you sense pain in the knees, check your feet, are your toes facing forward? Are you evenly distributing your weight over your whole foot (feet)? Ankle pain? Are your legs/feet too wide apart? So it is important to not always go as low or as wide as you CAN, but to go as low and as wide as is reasonably comfortable.
I love that as I write I learn. That is one of the reasons I am writing a blog. It is so helpful to put things in writing. It is helpful to stop and examine what you already know, right? Sometimes you see things differently.
Either way . . . . Riding or sumo stance, the stance is with knees bent, feet apart and parallel. Everyone’s stance, every BODY’s stance is different. Got it? Horse riding. Ride ’em cowboy.
I am fortunate enough to have wonderful students that are willing to pose. Here are the “riders” of the group.
Are you ready to ride?
Posted in 52 Moves (of Nia), Nia | Tagged: levels of intensity, Nia, Nia class, Nia students, Nia Teacher, Nia's 52 Moves, Riding Stance, straddling a horse, Sumo Stance, sumo wrestler, The Nia Technique | Leave a Comment »
Posted by terrepruitt on July 21, 2011
When we possess a better understanding of things it allows us to work better with them. By “work” I mean anything from enhancing, to changing, to bettering, to “dealing with”, to molding, to melding, whatever. It just is that the better we understand something the better “it” can be. There are personality types, as an example Type A and Type B. When there is an idea of how a specific personality acts, sometimes there can be ways of interacting with that personality to allow for harmony. With any “typing” there is variation, so nothing is exact, it just can give us an idea. In Nia, we have a little bit more in-depth approach to “types”. It is energy type. Now no energy is necessarily better than the other. What is better or “best” is to have BALANCE of all the types. So this form of “typing” can be utilized to allow you to learn what type you tend towards and give you a chance to work at balancing your types. The system of energy typing Nia uses is connected with the nine basic Nia movement forms; T’ai chi, Tae Kwon Do, Aikido, Jazz Dance, Modern Dance, Duncan Dance, Feldenkrais, the Alexander Technique, and Yoga.
In The Nia Technique, a book written by Debbie Rosas and Carlos Rosas, there are questionnaires that can guide you to understanding what your particular energy type might lean towards. They are “True/False” questions. Here are some examples from each energy type:
(T’ai Chi) “I am often, soft, relaxed, and internally calm” and “I breathe with great ease”
(Tae Kwon Do) “I love speed and power” and “I am physical, conscious, precise, focused, and directed in my life, getting what I want through hard work and precision”
(Aikido) “In life, I am all about win-win” and “I move with grace and seamless dynamics, turning lines into circles”
(Jazz Dance) “I am impulsive, lusty, sassy, demonstrative, showy, alive, fun, and electrifying to my friends” and “I love to shimmy, get dressed for the party, and be uninhibited”
(Modern Dance) “I love playing with extremes and contrasts” and “I love contrasts, gravity, surprise, and the start and stop of life, as well as moments of continuity”
(Duncan Dance) “I am all about the soul, and in life I move in childlike ways” and “I flow spontaneously through my life”
(Teachings of Moshe Feldenkrais) “I am all about sensation” and “I am healthy and love anything that is healing”
(Alexander Technique) “I explore life with ease and flexibility” and “I seek the simple, useful, authentic, and organic ways”
(Yoga) “I can be gentle, powerful, focused, conscious, and receptive” and “I love lying down, sitting, being prone, and playing with back bend motions.”
There are nine questionnaires with nine statements you mark as true or false. After answering each one there is information for those with “mostly true” answers and “mostly false”. The idea is to be able to identify which energy is stronger and which one is weaker. Then you can work on strengthening the weaker energy during your Nia workout and in your life. It is interesting to find out where your tendencies lie. If you are interested in finding out what your Energy Type done the Nia way is, get a copy of The Nia Technique. It is a great way to get to know Nia and you’ll probably learn a lot about yourself on the way.
Posted in Movement Forms of Nia, Nia | Tagged: Aikido, Carlos Rosas, Debbie Rosas, Duncan Dance, Energy types, Feldenkrais, Jazz Dance, modern dance, Nia, Nia energy, Nia Energy Type, Nia flow, Nia workout, nine basic Nia movement forms, personality questionnaires, personality types, Tae kwon do, Tai Chi, the Alexander Technique, The Nia Technique, Type A personality, Type B personality, win-win, Yoga | 4 Comments »
Posted by terrepruitt on August 10, 2010
In my Nia class tomorrow the focus is going to be the second chakra. The routine I am doing has a lot of opportunity for us to focus on it. Chakras are areas of the body with specific energies. The second chakra is the sacral chakra, the hara, or the pelvic chakra. This chakra is located in the pelvis area.
The routine has a lot of hip movements; side to side, up and down, folding, circles, and just dancing them however the body senses the music. There are times when we might not be moving them at all but focusing on the area enables us to be aware of where we are directing its energy even when it is not in motion. While we are doing a rib isolation the hips stay still but they should be facing the front with the energy directed to the area in front of us.
This chakra is located in the first lumbar area so movement of it stimulates the spleen, bladder, lower back, sex organs, areas of the intestines, and all liquids in the body. The sacral chakra is also associated with emotions. According to The Nia Technique* “move this chakra to develop a strong connection between your male and female sexual energy and to stimulate your powers of creation.”
The color orange is associated with this chakra.
As with any focus the intent can be changed to whatever you would like. I think tomorrow we will start out with the intent of being aware of the sacral chakras energy and being aware of where we are focusing the energy of the hara.
*A book written by Debbie Rosas and Carlos Rosas, NKA Carlos AyaRosas
Posted in Chakras | Tagged: Carlos AyaRosas, Carlos Rosas, chakra energy, chakras, class focus, Debbie Rosas, Debbie Rosas Stewart, hips, Nia class, Nia routine, pelivic chakra, sacral chakra, second chakra, sexual energy, The Nia Technique | 6 Comments »
Posted by terrepruitt on January 30, 2010
One thing about a blog on WordPress, I can see search terms. My blog statistics show me terms used in a search that led people to my blog. One thing I noticed was bow stance came up a lot in the search terms. People want to know what it is, how to do it, what is it for, etc.
So I thought I would post another post on the Bow Stance. I am familiar with the stance from other exercises and other exercise classes. It is not unique to Nia, but Nia includes it in the Nia 52 Moves. I feel it can be compared to a lunge.
The bow stance is one leg bent with the foot flat on the ground, the other leg is bent and out behind with the heel lifted and the ball of the foot on the ground. The feet are not aligned, so if you were to bring your back foot forward it would not collide with the foot in front. Can you picture it? It is kind of like a lunge.
The Nia Technique book states that the benefits are conditioning for walking and dealing with changing levels as the body’s center moves up and down.
My feelings about the bow stance are that it is great for working out the lower body and for practicing balance.
The bow stance can be done with many variations. The typical bow stance is that described above, but, when the feet are place wider apart as if on two railroad ties the stance actually becomes more stable, but if you add moving arms to that it become less stable. If you were to raise and lower your entire body, it changes the dynamics yet again. If you were to add motion to the hips, it changes it again. If you were to place the back foot further back it changes it again. Another way to challenge the muscles is to change which foot holds the weight, leaning the weight to the front or to the back.
This stance is used a lot in Nia routines and I imagine that is because it is such a great exercise and it can be used so many different ways. It fits into many different songs and adds to the dance. Sometimes we move in and out of it quickly, sometimes we stay and play. It is a great movement.
Previously I mentioned it being good for the lower body that is because you can see how it is very good for the feet and ankles too. When the back foot it resting on the ball of the foot, it helps with both strength and flexibility of the foot. When movement is added to the stance it helps with both strength and flexibility of the ankle.
So we answered the question originally stated:
—the bow stance is somewhat like a lunge
—one foot is in front flat on the ground, the other is in back with the heel up, both legs are bent
—it helps with strength, balance, and flexibilty
I hope that helps. If you have anything to add or ask, please do so. And, as always thank you for stopping by. If you want to see how the bow stances is added to a dance workout and you want to try it yourself, join me in a class.
Posted in 52 Moves (of Nia), Nia | Tagged: balance exercise, Bow Stance, Dance Workout, exercise class, flexibility exercise strength exercise, Nia, Nia class, Nia exercise class, Nia routines, stability exercise, The Nia Technique, Wordpress blog, workout class | 8 Comments »
Posted by terrepruitt on September 29, 2009
A Nia workout includes elements from three disciplines from three different arts.
From the dance arts, one dance we call upon is Jazz Dance. Jazz Dance allows us to bring in the fun! With Jazz it is about fun, showmanship, and expression. It is about big and little. Many elements from Jazz are incorporated into Nia. Isolations, syncopations, combinations, rhythm steps.* We could do a little flick of the wrist or full body shimmy, enabling us to exercise our intrinsic muscles and show the playful side, the sexy side. We could do a jazz square, a hip bump, or big arm circles allowing us to express ourselves. Bringing Jazz Dance into Nia helps bring in the rhythm and it can be a lesson in agility–where we start or move a body part and quickly bring it to a stop.
There is also facial expressions that can be associated with Jazz Dance; the big smiles, the teeth, the pout, the laugh, the wink—all can be jazzy! And of course, the hands, can’t forget “jazz hands” for one. With that it can be an expression of self, or beats of the music, or whatever you want. We can also do a lot of finger motions, pointing, flicking, “come here, Sexy!” gestures—all assisting in the health of the hand.
Jazz Dance brings a lot to Nia, it helps us be playful and have fun.
What moves, gestures, steps, etc. make you think “jazzy”? What movements do you do that you could add a “jazzy sparkle” to? And how?
Some of this information is from the Nia Technique Book and The Nia Technique – White Belt Manual, V3. Both books are by Debbie Rosas and Carlos Rosas.
*V3 – White Belt Manual.
Posted in Movement Forms of Nia, Nia | Tagged: Carlos Rosas, dance arts, dance exercise, dance lesson, Debbie Rosas, elements of Jazz, Jazz Dance, jazz dance lesson, Jazz Exercise, jazz square, movement, Nia, Nia Dance classes, Nia exercise, Nia Lesson, Nia White Belt, Nia workout, playful exercise, rhythm dance, sexy exercise, shimmy, The Nia Technique, three disciplines | 2 Comments »
Posted by terrepruitt on September 26, 2009
A Nia workout includes elements from three disciplines from three different arts.
From the martial arts, we use moves from T’ai chi. Actually it is not just “moves” from Tai Chi but also some of the “ideals” from Tai Chi. Nia calls Tai Chi “The Slow Dance”.* Tai Chi allows for the elements of grace, ease, precision, power, and lightness to be accessed and brought in to our dance that is our workout.
So while we do not do the sequences of postures that form a Tai Chi routine or exercise we might have some of the Tai Chi moves incorporated into a routine. And/or we might take a portion of the routine and execute it “Tai Chi like”, moving slow and graceful. Being mindful of our movements and moving from the feet with relaxed joints establishing that fluid Tai Chi like flow. We might also incorporate circular movements and shift our weight to assist in balance, all the while sensing the gentle flow of chi.
Some things we do in class to assist us in moving “Tai Chi like” is leading with our heels when we step, using our eyes to allow for our head to be included in our movement, keeping our joints open and soft, focusing on moving from our energy center, using our breath to generate power and support for movement, and moving systemically.**
Hopefully this post will serve to address some of the inquires about the aspect of Tai Chi in Nia. This will give you an idea of how Tai Chi is brought into Nia.
I love to watch the people in the parks of San Jose doing Tai Chi. I actually see them all over the Bay Area. In Nia we don’t “DO” Tai Chi, we glean from it and allow what we’ve gleaned to mix with aspects of Tae Kwon Do, Aikido, Jazz Dance, Modern Dance, Duncan Dance, Yoga, the Alexander Technique and the teachings from Feldenkrais. It is all combined to be Nia.
*Both the Nia Technique Book and The Nia Technique – White Belt Manual state this. Both books are by Debbie Rosas and Carlos Rosas.
**V3 of The Nia Technique – White Belt Manual
Posted in Movement Forms of Nia, Nia | Tagged: Aikido, Bay Area Nia, Bay Area Yoga, Carlos Rosas, Debbie Rosas, Duncan Dance, exercise classes, Feldenkrais, flow, Jazz Dance, joy, joyful, martial arts, Martial Arts Disciplines, mind, modern dance, movement, Nia, Nia classes in San Jose, Nia classes in the Bay Area, Nia San Jose, Nia White Belt, Nia workout, San Jose Dance classes, San Jose exercise, San Jose Nia, San Jose parks, San Jose workout classes, Tae kwon do, Tae kwon do San Jose, T’ai chi, T’ai chi San Jose, the Alexander Technique, The Nia Technique, White Belt, Yoga, Yoga San Jose | 12 Comments »
Posted by terrepruitt on August 25, 2009
Here are the main points to the 12 tips to help you move with Nia. These tips are taken from The Nia Technique a book written by the creators of Nia, Debbie Rosas and Carlos Rosas. The book can help you better understand how Nia can be is a great workout and can be just a workout or practice, like yoga and Pilates are practices.
~Use visual imagery to make movements feel natural.
~Combine small movements with large movements.
~Use your Base, Core, Upper Extremities, breath and voice to add energy and power to your moves.
~Use a variety of speeds.
~Use your joints to move energy.
~Use breath to start and stop the flow of energy.
~Add intensity to your movements by sinking lower and rising higher.
~Shift your body weight–don’t drop it—
~Add emotion to every motion.
~Use your fingers and hands to express how movements make you feel.
~Use your voice as you move, to activate your abdominal muscles.
~Lead your head movements with your eye movements.
While nothing compares to the energy of a live class, the book is a great way to get started or to get you acquainted with Nia.
These are great tips to help you get more from your workout yet also help it feel less like exercise.
Posted in Nia | Tagged: 12 tips, 12 tips to move with Nia, Carlos Rosos, creators of Nia, Debbie Rosas, exercise, Nia, Nia Practice, Pilates, Pilates practice, San Jose, San Jose exercise, San Jose Pilates, San Jose Workout, San Jose Yoga, The Nia Technique, The Nia Technique book, workout, Yoga, Yoga Practice | 8 Comments »
Posted by terrepruitt on August 15, 2009
Here is a picture of the Nia spear fingers, one of the 52 Nia moves. You pose your hand as if you are going to salute someone.
The benefits according to The Nia Technique book (page 161) are that it will help with tension that “tends to build up in your wrists, elbows, shoulders, neck, and jaw.”
Also pictured is a modified version of the spear finger. At this point I use this version in a song that I lead. Throughout the entire song our hands/fingers are in the spear finger position and I find that is too stressful on my wrists. And Nia is about exercising and working out in a pleasurable manner so, I have adapted the spear finger to a more comfortable position for me. In other instances where we use spear finger for not such a long time, I employ the actual technique.
Nia is about so many things, but one thing we want to ensure participants do is modify and adapt to their own body’s way. My body’s way for that move is to cross my thumb over my bent ring finger and little finger. When you come to class you will be encouraged to listen to your own body and move the routine as your body wants to move. You will be encouraged to sense pleasure. Come experience it for yourself.
Posted in 52 Moves (of Nia), Nia | Tagged: exercise classes 52 Nia Moves, Nia 52 moves, Nia Classes, Nia exercise, Nia spear fingers, Nia Technique, Nia workout, The Nia Technique, The Nia Technique book, workout classes | 2 Comments »
Posted by terrepruitt on March 31, 2009
Nia™ is about joyful movement. Move with joy. Move for joy. Move to joy.
A Nia workout includes elements from three disciplines from three different arts:
From the martial arts, we use moves from T’ai chi, Tae Kwon Do, and Aikido.
From the dance arts we embrace styles from Jazz Dance, Modern Dance, and Duncan Dance
And from the healing arts we are mindful of teachings from Feldenkrais, the Alexander Technique, and Yoga.
At times we might move slow, focusing on movements centered around the body’s inner core, as in T’ai chi. We might kick or punch as one might do in Tae kwon do, and these movements might flow into a spiral motion that is associated with Aikido. We could decide to play the showman and do the entire routine with a jazzy flair or just add movements of creating shapes, dropping and then recovering the body’s own weight as a modern dancer might do. There is always a chance we could give into our inner child and run free and honest with the playfulness of a Duncan dancer. While we’re doing one these things we are keeping in mind the teaching of Moshe Feldenkrais and being conscious of sensations. We could stretch to the top with utmost concentration one might contribute to the Alexander Technique, then move onto a dance of bone alignment increasing awareness, relaxation, and balance the could be thought of as Yoga.*
So in one workout you can experience all those things. Strength is balanced with grace. Fun is balanced with seriousness. Body is balanced with mind.
The music is varied and is intended to promote the movement of the routine. There is no doubt something for everyone.
*based on information from The Nia Technique by Debbie Rosas & Carlos Rosas
Posted in Movement Forms of Nia, Nia | Tagged: Aikido, Carlos Rosas, core, dance arts, Debbie Rosas, disciplines, Duncan Dance, Feldinkrais, flow, fun, grace, Healing Arts, inner child, Jazz Dance, joy, joyful, martial arts, mind, modern dance, movement, Nia, Nia San Jose, playfulness, San Jose Nia, sensations, showman, strength, T'ai chi San Jose, Tae kwon do, Tae kwon do San Jose, Tai Chi, the Alexander Technique, The Nia Technique, The Nine Basic Movements Forms Of Nia, Yoga, Yoga San Jose | 13 Comments »
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