Archive for the ‘Nia’ Category
Posted by terrepruitt on June 22, 2013
One of Nia’s 52 Moves is the Sink and Pivot Table Wipe. Ha! Sounds funny. I always think of cleaning when I say this move in class, but not many people LIKE to clean so I don’t like to remind them of cleaning while we are in our Joy! There are many other ways to describe the movement, but “table wipe” really gets the point across. It could be a dramatic sweep of the table. Regardless of what spirit might have me say in the midst of the move there is a particular way to do it. As with all of Nia’s 52 Moves there is a specific way to do it. And . . . as I have said . . . often times the specifics are adjusted to work into the song and the moment’s choreography. To me the Sink and Pivot Table Wipe is a combination of an arm movement and a bow stance.
To practice the Sink and Pivot Table Wipe you start in an A Stance. Doing one side at a time, say the left, you would place your left arm out. As you lift up your left foot you turn your body towards the right, your left arm sweeps across the horizon to the right. Your left foot lands gently on the earth on the ball of your foot and your left leg is bent. Your right leg is also bent. The bent legs become the “sink” part of the move. Your arm sweeping is the wiping part of the move. That “table” part is the imaginative part of the move to assist in knowing how the arms sweeps. The arm is straight out and just moves parallel to the ground. Doing the other side, you would you would place your right arm out. As you lift up your right foot you turn your body towards the left, your right arm sweeps out and around to the left. You place your right ball of foot gently on the floor with your right leg bent. Your left leg is also bent. The legs are similar to a bow stance.
In most instances — the ones I can think of — in the choreography, I usually do a tiny hop so that my front foot ends up with the toes facing the same direction as the foot in the back, the foot that is “ball of foot”. So as I continue to say, the instructions in The Nia Technique book* show the exact perfect way to do a move. Which is the way to learn it, but then once you know the move the choreography dictates the exact way it is done.
The book recommends the word “Whoosh” be said while doing this move. Of course that is just one of many words and sounds that can be made. Sounds are dictated by so many things. The “Whoosh” can be used in the practice of the move, if you would like. When in a Nia class anything goes!
I believe this move is a great stability move because as I said I am normally moving both feet in order to sink, pivot, and wipe the table so I need to “land” stable. Also, I think it is great for the legs because any sink type of move helps condition them. It is also good for coordination because you are moving both the upper body and lower body at the same time, but in a little different manner.
Tee hee . . . . it is really great for a lot of things, depends on what you put into it. The last couple of times I did it in the current Nia routine I am doing I had the class stretching the arm as far as they could reach as they wiped that table. It was a HUGE table and we wanted to wipe it all in one pass!
So what do you imagine you are doing when you do this move?
*The Nia Technique written by Debbie Rosas and Carlos Rosas
Posted in 52 Moves (of Nia), Nia | Tagged: A Stance, Bow Stance, Carlos Rosas, Debbie Rosas, Nia, Nia 52 moves, Nia class, Nia routine, Sink and Pivot Table Wipe, The Nia Technique, The Nia Technique book | Leave a Comment »
Posted by terrepruitt on June 8, 2013
In Nia we often say while dancing, “Everybody sense your . . . ” (For more see: Nia White Belt Principle #13 Teaching What You Sense.) This is to help bring attention to specific body parts. It could be because we are doing a specific move and we want to have the student’s attention on that body part. It could be that we feel a body part just needs attention. It could be that we want the students to move in a different way. Sensing a body part though does not require movement of that part. If I were to say right now, “Everybody sense your hand.” I wouldn’t necessarily mean for you to move your hand. I mean for you to sense it. Recently on Facebook I posted, “EveryBODY sense your trachea!!!!!! Breathe . . . . . . . .” and one of my friends asked HOW? Fabulous question. How do you sense your trachea? No, really how do YOU sense your trachea? How do you sense any of your body parts?
As I said, sensing a body part does not necessarily mean moving it. It could, if that is how YOU bring attention to a part and if that is how YOU sense it. It could mean you LOOK at it. Maybe looking at it helps you sense it. It could mean you touch it because you want to cause it sensation so that you can sense it. There are many ways to sense a body part and we all have different ways of doing it. Some might start with closing their eyes and picturing it in their head. Some might just think of it and be able to sense it right away. Part of the practice is the discovery of how we sense different body parts.
For sensing your trachea I thought that one way an individual could do it was by breathing. That might help you sense your trachea. Sensing your breath coming in and out might help. Maybe coughing would help? Maybe meditating on it? Maybe touching it? There really are so many ways to do it and it is up to the individual. Sensing body parts could even take practice. Maybe each body part is different. Perhaps you can easily sense your hand without looking at it, moving it, or touching it, but since you might not often “sense your trachea” it could take a little bit of thought and practice. Again . . . . the wonderful journey that is Nia and sensing your body.
Often times we don’t even give a second thought to a body part, unless it is in pain. Unless it SCREAMS at us for attention we might never stop to listen to it. We might never stop to sense it. There are so many reasons to sense your body . . . I have already stated just a few that might come up while in a Nia Class. I am sure you can think of many others.
This is one of the things we do in Nia that can be carried out into life and as we like to call it as we “dance through life”. This is one of the things you can do that makes Nia “practice”. You can practice sensing your body parts throughout the day. Back to the “pain” part of attention . . . say you have pain in your knee, you are going to want to sense it as you move throughout your day so that you can move in a way as to not cause more pain. Another example if you’re wanting to straighten up your posture a little bit you might want to practice sensing your spine or your shoulders during your day. As I said, many reason to play with and practice sensing your body parts. And it really is an individual thing. You do it in your own way.
Starting with body parts you can see and touch might be a good place to start if you are needing a suggested starting point. That way looking or touching can be the beginning of the sensing journey. Either way, if you let yourself be open to it, I am sure you will find a way.
So how do YOU sense your trachea?
Posted in Nia | Tagged: Dancing, everyBODY, Facebook, Nia, Nia class, Nia Dance, Nia Practice, Nia students, Nia White Belt, Principle #13, Sense your, trachea | 2 Comments »
Posted by terrepruitt on June 4, 2013
I have written a series of three posts describing what is contained in a Nia Routine Training Package. I was reminded by a comment on one of recent posts about Nia Routines (Nia Routines I’ve Learned) that in 2010 I stated I would explain more about what we receive on a teacher routine DVD. Because the package put together by Nia Technique is so packed with information and learning material, my explanation took up three posts to summarize all that you receive in a Nia Routine Training Packages for Teachers. This post is just a quick summary and “map” so to speak of the three posts. I hope all of this information helps you understand that “with love, we [Nia Technique] have carefully crafted this ‘body of work'[meaning each routine] to offer you an in-depth body, mind, emotions, spirit experience.”** They do that so that we may pass on music, movement, and magic to our students.
When I RECENTLY mentioned I would write up a description I didn’t realize it would take so long and so many posts. But back in 2010, I must have known on some level that it would be more than one post because it has taken me three years to do it!
Nia’s Routine Training Packages for Teachers consists of a Music CD, a DVD, and a pamphlet.
The first post – Nia Technique’s Outstanding Routine DVDs – explains the CD, the components of the DVD, and two of the components on the DVD, the Focus and Move the Move
The second post – DVDs Nia Teachers Learn From, Nia Technique’s Outstanding Routine DVDs (Part 2) – explains the last three components on the DVD. DVD Components: Learn the Move, Energize the Move, and the music.
The third post – Nia’s Routine Pamphlets, Nia Technique’s Outstanding Routine DVDs (Part 3) – explains the pamphlet.
Each post while a full post in itself still only briefly describes things. I could write so much more and do many more posts, but I think I summarized it well enough to give you an idea of the training. I hope that those of you that are interested in teaching have a good idea of what type of training you get when learning a routine. If you are fortunate enough to live near Nia Headquarters in Portland, OR then you know that they often have workshops and things to even further your education regarding routines. Sometime in my basic area they have immersions where two days are spent learning a routine. We all learn differently and I am convinced that no matter how you learn, with all the different ways available to learn a routine there has to be something that will do it for you.
There is an annual license renewal required to teach Nia. The fee includes four Nia Routines. You get to choose the routines you want. For more information see: Nia Livelihood Membership for Body + Life Education
If you have any questions please ask. If you are a Nia teacher or one that receives these wonderful training gems and you want to add anything please do.
**this is copied from the back of the CD/DVD holder. It is just a portion of the paragraph.
Posted in Nia | Tagged: Energize the Move, Nia body of work, Nia DVD, Nia education, Nia focus, Nia Headquarters, Nia Livelihood Membership, Nia Music, Nia pamphlet, Nia Routine Training Packages, Nia routines, Nia Teacher, Nia Technique, Nia Technique's Outstanding Routine DVDs, Nia training | 2 Comments »
Posted by terrepruitt on June 1, 2013
Nia Technique’s Outstanding Routine DVDs (Part 3)
Nia Classes are led by Nia teachers who learn routines. It is kind that we are only obligated by license to learn four Nia routines a year, because if we dive into the depths of a Nia routine it could easily take three months. The training information they provide is incredible. It is multi-faceted and multidimensional. Three years ago I mentioned in a post that I would specify what came in Nia’s Routine for Teachers DVDs. Well, in the three years there has actually been changes in how the information is presented. I am using three posts to explain what I have in the routine packages that I have purchased and I am also sharing to the best of my knowledge what is in the newer ones. At the basic level you receive a CD and a DVD and a pamphlet is available online.
This is the third post in this series. In the first post I talked about everything that you get in the package and the sections on the DVD. I made it through two of the sections: the Focus and Move the Move. The second post took us through: Learn the Move, Energize the Move, and the Music. Here in this post I am taking a quick look at the pamphlet.
In addition to the wonderful Nia Class and explanations on the DVD there is a pamphlet. As I said in post one of this series, the pamphlet used to be included in the routine package. But now I believe you have to download it yourself. I am not certain if the older ones still come with the pamphlet or not. But if you look at the pamphlets online (must be a member) you can see how the material has changed. I am certain that along with the morphing of the DVDs there has been a greater change over the years than I have even seen. The routines that I own with pamphlets that came in the package have the focus and intent stated along with the “Routine Description”. It also contains “Suggested Alternative Foci”. It lists the 7 Cycles. Under each cycle is gives a little information. The cycles in which there is music it lists the song that is in that cycle and information on what it teaches you. As an example the routine I am looking at states:
“Track 1: Sexy Teaches You To —
Move through the stances of Closed, Open, A, and Riding to ground, warm up the back and core and move from the inside out”
That is one bullet, as you can see each track has more than three bullets with information regarding what the choreography teaches you. A lot of information!
The next section in the pamphlet gives you the 8BC’s. Just the bars of the 8BC’s. There is indicators as to what the sections are in the song, but no flowering, no dressing, no choreography. Just the bars. There is a lot left to still do with the bars.
With the new routines, the pamphlet is a bit different. In addition to what I’ve previously mentioned and a lot of information reminding us of what we learn in the Nia White Belt Intensive there is new information. Such as “Working With the Focus” and that the 7 cycles remain the same, but there is differences within each cycle depending upon different things, say the focus for example. There is also a section with the shorthand for Nia’s 52 moves because now the bars come with choreography notes.
Now the bars are in color which is used to show the different sections. The same colors taught in the Nia White Belt Intensive. And as I mentioned, they have choreography notes.
The pamphlet also states that as of 2012, “videos include on-screen 52 moves choreography text. You will see this appear at the beginning of each new choreography sequence, and repeat throughout the routine.” Which is great and news to me. At the time of this writing I have obviously not learned a routine that was created and filmed in 2012 because I have not seen the text on the videos. Cool.
The last thing that one of the “old” versions of the pamphlet had that I am not seeing on the new ones is the Music Credits. The ones I have list the name of the number of the track, the name, the artist, and information about each song. I find some of that information kind of interesting. For instance the track 1 on Oshun is Sexy, by Illumine which was actually recorded Live at Studio Nia.
So maybe now you can see why the description of a Nia Routine Teacher Training DVD needed to be three posts. There is a lot of training in each package. There is a lot of information to absorb in learning a routine. I will confess that I have not done all of this on all of the routines I lead. My intent is as I go back and complete more of these steps as I revisit the routines. Now that I basically know the music and the moves, I can watch the other portions of the DVD and I can read the pamphlet information. With each section of time I lead the routine I can add something new to my learning. Nia routines are very multidimensional. The training has many aspects. There is so much to learn and so many different ways to do it. Just like Nia.
I hope this gave you some information you might need or like to know in regards to Nia Routine DVDs for Teachers.
Do you have any questions? Is there any additional information you would like?
Posted in Nia | Tagged: 52 moves, 8 BC, A Stance, closed stance, Illumine, Nia CD, Nia choreography, Nia Classes, Nia DVD, Nia Intensive, Nia Routine DVDs, Nia routines, Nia teachers, Nia White Belt, Nia's 7 cycles, Nia's Routine Pamphlets, Studio Nia | Leave a Comment »
Posted by terrepruitt on May 30, 2013
Nia Technique’s Outstanding Routine DVDs (Part 2)
Three years ago I posted about Nia Routines and I stated in that post that I would describe what the training DVD is like. Here I am with that information. Also, I want to share about the whole routine teacher training package that a Nia teacher receives. It is turning out to be three (sort of four) posts long. This is the second post. That is how much we get in our Nia continued education Routine Teacher Training package. I am just sharing briefly about it. These posts are to give you an idea of what you would receive. As a reminder you receive a CD, DVD, and pamphlet. The CD and DVD are shipped to you and the pamphlet you can view online, save to your computer, and/or print.
The DVD consists of the Focus, Move the Move, Learn the Move, Energize the Move, and the Music. In post one I talked about the Focus and the Move the Move section. Here you’ll learn a bit about Learn the Move, Energize the Move, and the music.
In the Learn the Move section they explain the move. The way they did this morphed over the years. I have some DVDs where they stood facing the camera and talked about the moves. Showing you the move and going into detail about each move. I also have some DVDs where the teacher is just dubbed over the actual class as shown in the Move the Move portion. So you are seeing the same thing over again and the creator is talking about the moves as the routine plays. The explanation includes both the physical description and little tips. Sometimes they might explain alternatives even if they have not done them in the Move the Move portion of the DVD. They also sometimes explain why we are doing a move. “‘Holding a ball’ allows a body to move systemically, connecting the upper body with the lower body.” This portion at times can help with figuring out how to do a move if it is a little challenging to you or your students.
With Energize the Move the creator explains the energy involved. For example “the energy at this part of the routine is meant to be focused and very intentional.” And, “the energy of connecting to your body and space around.” This section can help provide pearls and additional verbiage that you can use to get your class moving.
The last section of the DVD is the Move the Move with just the music. There is no teacher instruction. This is where you do the Nia Class without being told what to do. You get to watch and just listen to the music.
The music portion of the DVD always makes me remember I have always wanted an option in the Move the Move portion to be able to turn up the music. I have an exercise DVD (Turbo Jam) where you can “pump up” the music. You can still here Chalene Johnson giving you instructions but you can make the music much louder. I think it would be of great help to me if I could turn the music up on my Nia Routine DVDs but still listen to the teacher talking. I have yet to suggest that to Nia HQ. It would really be nice for me to hear the music louder so I could practice my listening to the cues, yet still get the benefit of the instruction. I’ve tried to time the music say from my iPod to the DVD so I COULD turn up the music myself, but I can never get it synchronized. 🙂
In my post Continuing Education – Nia White Belt Principle #12, I talk about the three stages of learning a routine. I mention there are steps in each stage. The Learn the Move and Energize the Move are couple of the additional steps. Watching and learning the information contained in each of these sections of the DVD can be very beneficial to leading a routine.
In my next post I share some information about the pamphlets and you’ll see how there is even MORE information to learn!
Are you getting a clearer picture of what is contained in a Nia Teacher’s Routine DVD? Can you somewhat understand that there is a lot of good information?
Posted in Nia | Tagged: Chalene Johnson, Energize the Move, Nia CD, Nia choreography, Nia class, Nia continued education, Nia Music, Nia routines, Nia Teacher, Nia Technique, Nia training, Nia White Belt, Routine DVD, Turbo Jam | Leave a Comment »
Posted by terrepruitt on May 28, 2013
In my post about Nia Routines in February of 2010, I stated I would explain more about what we receive on a Nia Routine Teacher DVD. A comment with questions on a recent post (Nia Routines I’ve Learned), reminded me that I needed to do that. Over three years later, I am explaining what we get. I also wanted to share what is in the Nia Training/Continued Education package as a whole. We get a LOT. It is more than just music and routine. The amount of time and effort and all that goes into our training DVD/package is awesome. I know that even though I see the results and I think it is a lot, there is probably so much more that goes on in the background I would be even more impressed. Since we get so much I am finding as I type this that it is a longer explanation than I like to have in one post. So this will be part one of what is in a Nia Routine Teacher Training package. When a Nia Teacher receives a “Nia Routine” there is a CD and a DVD. We used to receive a pamphlet within the package, but now we have to print those out ourselves if we want a hard copy. But basically a training routine package is CD, DVD, and pamphlet.
The CD and DVD are in a cardboard holder, one side has the list of songs with the 8BC and the time shown. The other side has the Focus and Intent that the routine was created with. The back of the holder states the name of the routine and the creator, along with a paragraph about Nia Technique’s thoughts on routines.
The CD is a typical music CD. It has music on it. But as a Nia Teacher or student you know there is nothing really typical about Nia routine music. 🙂 The songs play one after the other with no pause unless the song itself has a pause before the music begins or after the song ends. Or I guess the engineer putting the CD together could put a pause in.
The DVD consists of five sections: the Focus, Move the Move, Learn the Move, Energize the Move, and the Music. The “Focus” portion of the DVD is the creator (or one of them) talking about the focus and the intent of the routine. Often times they explain a bit about how the focus relates to the choreography. For example if the focus is “Steps and Stances” it might be mentioned that there are a lot of opportunities in the routine to experience all six stances.
“Move the Move” is the routine filmed almost as if you were taking a class. Sometimes they change the camera angle, but it is still basically as if you are taking a class.* The music is playing and the teacher is teaching. *There is one routine I have in which it was filmed with the class FACING the camera the entire time. I do not care for that at all. I like it when the camera is BEHIND the teacher with the mirror in the shot and it is as if I am standing behind the teacher taking a Nia class. I don’t know if there are other routines in addition to Birth that is filmed with the teachers and the class facing the camera, but I will inquire before I purchase additional routines.
Often times in addition to the teacher demonstrating different LEVELS of a move, they will demonstrate a lot of different moves that CAN be done while doing the routine. I always have to remind myself that just because they are showing us multiple ways to do the move or multiple ways in general to move to the music it does not mean I need to put them all into the routine when I am leading it. They are just showing examples as to what can be done. I find it very funny that a lot of the times Carlos was not even doing what he explained the choreography to be. To me, he often just let his spirit go and he danced to the music that he clearly loved. In his spirit dance he was able to show a lot of different things that could be done to the music.
As you can see this post is a bit long in itself. I have only touched upon two of the sections included on the training DVD. So stayed tuned for part two where I give a brief summary of the sections: Learn the Move, Energize the Move, and the Music.
Do you like to take lead follow exercise workout classes where the teacher is facing you? Or would you rather have the teacher’s back to you?
Posted in Nia | Tagged: "Steps and Stances", 8BC, Birth Nia Routine, Carlos AyaRosas, Energize the Move, exercise classes, exercise workout, focus and intent, Nia CD, Nia choreography, Nia class, Nia continued education, Nia Music, Nia routines, Nia student, Nia Teacher, Nia Technique, Nia training, Nia workout, Routine DVD, workout classes | 4 Comments »
Posted by terrepruitt on May 9, 2013
I teach Nia. I actually like to say I lead Nia because to me teaching a dance is more instructive. What I think of as teaching is the type of class where the instructor demonstrates a step or two then the students do the steps a few times, then the instructor demonstrates more steps and the students practice them. Eventually the steps are strung together in a dance. But in my Nia cardio classes it is just lead follow. I do – you follow. I give verbal instructions and/or verbal guides but it is not the type of instructional class where I show you, then you do, then we practice and then we string all the steps together. So I guess it is not an “instructional” or “instructed” dance class. But I do teach by example. You follow my lead. In order to be a Nia teacher I had to take the Nia White Belt Intensive. I have talked about this before, but to review the White Belt is the first level of Nia. The White Belt Intensive is over 50 hours of instruction and is open to anyone. Individuals do not have to have the intent to teach. The Nia White Belt Intensive is about the body so anyone is welcome to join and learn. In order to be a Nia teacher there is an additional licensing fee. The fee is due annually and it includes four routines that we, as teachers, agree to learn per year. I was just looking at my DVDs. I have two routines that I have not learned. I have 19 that I have learned. I have been teaching almost four and half years so I am keeping up with the four per year schedule.
Now, I want to clarify that I have learned 19 routines. That means that I basically did the bars and have shared 19 routines with my students. That means I roughly know those 19 routines. I could stand up right now and lead you through some of them, but some of them I would have to look at my bars, and some of them I would have to study my bars. But I also feel I am better at just doing. While I want to do the routine as per the choreography, I am not as afraid as I once was to just DO the routine.
When I am preparing to do a different routine for my class sometimes I have a chance to practice and sometimes I don’t. I will look at my bars for each song. Sometimes I look at the first few lines and think, “Oh yeah, I know this one.” Then when I am leading it my body and my mind don’t remember it as well as I thought and I just dance through it, but then when I get home I look more closely at my bars or re-watch the DVD. It really is about moving and having fun. As long as we are moving and we are doing it close enough then it is good. Then, like I said, I come home to get the choreography better established in my head and body!
The routines I have learned are:
Alive – Carlos AyaRosas
Amethyst – Debbie Rosas
Aya – Carlos Rosas
Beyond – Debbie Rosas and Ann Christiansen
Birth – Debbie Rosas and Collaborators
Canta – Carlos Rosas
Clarity – Carlos Rosas
White Belt Dream Walker – Carlos Rosas
Earthsong – Carlos Rosas
Global Unity
Humanity – Carlos AyaRosas
Miracle – Carlos Rosas
Opal – Debbie Rosas
Passion – Debbie Rosas and Carlos Rosas
Sanjana – Debbie Rosas
San Medusa – Helen Terry
Sexi – Carlos Rosas
Velvet – Debbie Rosas
Vibe – Debbie Rosas
The names of the routines that I have on my shelf that I need to learn are Butterfly and Oshun. I just renewed so I have four routines that I need to pick out as my new routines. Picking routines is always a challenge because everyone has such different tastes. Some people LOVE, LOVE, LOVE some of the routines I have and I don’t love them. So for me it is a difficult decision. I try to pick routines that I think my students will like, but then that is just a guess. I know which ones they like out of the ones I teach because they request them often.
If you were just picking a routine from the name which one would you pick? As a Nia student which one out of this list is your favorite? What about Nia teachers, which is your favorite out of this list?
Posted in Nia | Tagged: Ann Christiansen, Canta, cardio class, cardio dance exercise, Carlos AyaRosas, Carlos Rosas, dance exercise, dance instructor, dance teacher, Debbie Rosas, Dream Walker, Earthsong, Global Unity, Nia, Nia bars, Nia choreography, Nia Dance, Nia DVDs, Nia licensing, Nia Practice, Nia routines, Nia stuents, Nia Teacher, Nia White Belt, Nia White Belt Intensive, Opal, Sanjana, Sexi | 10 Comments »
Posted by terrepruitt on April 6, 2013
You might have read my post about a couple of Nia Celebrities coming to the San Francisco Bay Area (for that post, click here) and around this month (April 2013). Well, they arrived this week and have been doing classes since Thursday. Today was the class in Palo Alto at the Equinox (Gym). The classes are scheduled around the North Bay, East Bay, and Peninsula. The class was great. The 52 in the title refers to what the classes was about. All of the classes in this series are based on the 52 moves of Nia. I have posted about the Nia Moves before. They are not uniquely Nia moves, but Nia has compiled them and bases our routines on them. Nia has also set guidelines as to how they are to be done. As I have also mentioned in my posts about the 52 Nia Moves, when they are included in a dance sometimes they are not done exactly to specifications. Anyway . . . this class was definitely interesting. I love the gathering of Nia people. And when a celeb is in town the energy is astronomical. There are – as of today, April 06, 2013, a few chances left to take a class with Debbie Rosas (one of Nia’s founders) and Nia Trainer Kevin VerEecke. If you can make it I recommend it.
As I just mentioned it is always fun to gather and dance with Nia people. This time was really great for me because several of my students were in attendance. I love that they were able to take a class with Debbie. She is like many successful company leaders . . . dynamic and a force of her own. I think that when you can be in the presence of the person who started something (whether it be a fitness craze, a company, a restaurant, whatever) you get a different understanding of the workout (company, restaurant, etc.). Even if you are just in the same space as the person and you observe them without even talking to them . . . you get a better sense of things. Being able to be in a Nia class led by the founder of Nia is really an education.
This type of class is a different direction for Nia. It is not a dance exercise class it is an exercise class where we do a move from the 52 moves for a minute. The moves and the timing is not based on the music they use a timer. Most moves were done slow, then fast, and then as fast as you can. They are calling it Interval Training, but it seems to copy the “Intermittent Training” formula that Zumba uses. So it reminds me of a Zumba class without the dancing. It is truly an exercise class with loud music and a lot of sweat!
It is easy to do all 52 Nia Moves in an hour especially if you are doing one a minute. With nineteen of the 52 Nia Moves being movements done with the arms, hands, and/or fingers they are easily combined with foot and body movements. So we were even able to do a few of the moves for more than one one minute cycle. But not all Nia routines have all 52 moves so this is another way to get a great workout in!
I am usually torn at a Nia event because I want to dance . . . . I don’t want to miss a moment, but I also want to take pictures to document the event. This exercise class was a little easier to break away from because they were either doing the move slow or fast, so I could jump right back in and be right on the mark.
Here are a few shots that I took. As you can see everyone is happy, sweaty, and having a fabulous time!
Have you ever met the creator of something you love? Did you find it exciting? Are you going to make it to one of these Nia 52 Moves classes?
Posted in Nia | Tagged: 52 Nia Moves, April 2013, California Peninsula, Debbie Rosas, East Bay, Francisco Bay Area, Intermittent Training, Interval Training, Kevin VerEecke, Nia celebrities, Nia class, Nia education, Nia founder, Nia Moves, Nia pictures, Nia routines, Nia students, Nia trainer, North Bay, Palo Alto Equinox, Zumba | 4 Comments »
Posted by terrepruitt on March 28, 2013
Nia is a great dance exercise. Go to a Nia Class and get a great workout. It is also a practice. As with any practice there are workshops. In one particular workshop produced by Danielle Woermann and led by Helen Terry we were reminded to go slow. Helen was here teaching us her adaptation of a Nia Routine to a specific album. Helen is hilarious. She is down to earth, professional, wonderful to listen to (she has an English accent), and currently living in Texas. The “currently living in” needs to be mentioned because of one of the stories she shared with us . . . but before I get to that let me tell you something she reminded us of. She reminded us to go slow. I know often times I want to rush moves . . . that could mean doing it faster than it needs to be done or not “staying through my enoughs”. But either way the idea is to slow down. When I slow down I can be aware of more. I can pay more attention to a move or even to my class. There seems to a tendency to rush, could be our lifestyles and/or society, whatever, so the lesson was to slow down and the result could be catching a chicken.
There is one song in particular in her adapted routine that I am severely challenged in slowing down. It just seems so incredible slow. I have not yet been able to FEEL/SENSE the music and I have been doing the routine for a month. Which, with the current way I am structuring my San Jose Nia classes, equates to eleven times, thus far. I have done it correctly, but only when I am COUNTING. Yes, I am having to COUNT in order to get it. For this song I really have to learn to listen, sense, feel, taste, hear, smell, become the music in order to slow down. I have even announced to the class so I have a better chance of doing it, “We have to go really incredibly slow here.” Sometimes I have to close my eyes so I don’t see them rushing through and join them. S L O W. (Where’s that chicken?)
Slow down. Work the muscles. Enjoy the song. Enjoy the movement. EnJOY. SLOW. Geez . . . it seems so difficult to slow down sometimes. Sigh. But really often times slowing down in combination with “staying with the enoughs” (as I already mentioned) helps in catching those chickens! Ah-ha, here we are . . . . at the chicken story . . . (remember this is coming from a person who is currently living in Texas!).
I might not have the details exactly right, but you will get the point. Helen said that one day her husband and her neighbor were going to work on building a table. The neighbor says, “Let’s go catch some chickens.” This sounded very odd to Helen because they were building a table not catching chickens. So she asked her neighbor what he meant. He said that when he was young his mother used to send him out to get dinner. He said that he would go outside to do the task, sometimes he would end up with a handful of feathers and sometimes he would end up with a chicken. A handful of feathers means not quite getting it. So catching the chicken is when task is accomplished! Makes sense!
In dancing this routine all month, I have enough feathers to fill a king sized down comforter! So . . . see there? Feathers really aren’t all THAT bad. Feathers can be useful. Feathers can be fun. A handful of feathers does not ruin a Nia class or even the moment, but it is NOT a chicken. When you hit the mark, the music, the cue just right that is catching a chicken.
Whatever it is, whether it is slowing down or staying with the enoughs, or learning the music really well, it is a great feeling to catch that chicken. When you attend one of my Nia classes you might hear me sputter and/or you might hear me “bacbac”. When you do, you will know either I grabbed a handful of feathers and the escaped ones are floating at me causing me to sputter or I caught that chicken!
You know what we’re talking about when we say, “Catch a Chicken”, right? Isn’t that a great feeling? Do you ever feel the need to slow down?
Posted in Nia | Tagged: catch some chickens, dance exercise, Dannielle Woermann, handful of feathers, Helen Terry, Nia, Nia chickens, Nia class, Nia Practice, Nia routine, Nia trainer, Nia workout, Nia workshop, staying through your enoughs, Texas Nia teacher | 8 Comments »
Posted by terrepruitt on March 26, 2013
One of the things I learned in a Nia workshop at the end of February, 2013 was the phrase “stay with your enoughs”. Trainer Helen Terry, currently located in Texas, was here in the San Francisco Bay Area to teach us how to dance a Nia Routine that she adapted to an entire album of different music. When Helen said that, I laughed. Because there has been so many times when I thought, “this is enough of that move, it MUST be time to move on” and I wasn’t REALLY clued into the music and I went onto the next move and sure “enough” I hadn’t stayed long “enough”. It was really funny at the time that I took the training because I was doing a Nia routine in which I almost always moved on before I should in accordance with the choreography. Shortly before the workshop I had just started telling myself (and listening to myself—what a novel idea!) that when I THOUGHT we were done is not when we should be if I were going to match the original choreography. There was at least one more bar to go through. And so when teaching that routine, my mind would say, “This is it. This is enough.” And my body would say, “Terre, we’ve been through this before. If you THINK this is it, then you KNOW it is not. Stay.” So Helen’s words “Stay with your enoughs” are perfect.
Nia is so lovely that pretty much most of the time if I lead us into the next sequences of moves before we are actually supposed to go or if we stay longer than the original choreography intended it doesn’t really matter. We might miss that wonderful “perfect match up” to the music, but it never really feels badly off. The choreography flows very well with the music so most of the time it doesn’t feel WRONG. We have the flexibility to stay and go as we please, but when coached to “stay with the enoughs” sometimes it is the perfect idea to help with those troubled spots.
In the workshop that Helen was leading since she was teaching us how to dance a specific Nia Routine to a specific album, there were specific songs and specific examples of where she thought it might feel like as if it is enough. The idea is to keep the faith and “stay with your enoughs”. Just stay past the point you think you should be done with that move. She said one track in particular would “give you a lot of ‘enoughs'”. Which for me that is not the “enough” song, but that is ok. She reminded me of the tool so I can apply it to any and all songs where I have enoughs. I get to relax and stay with them!
There were so many wonderful things presented in the workshop I could probably do a month’s worth of posts. But for now I’ll say “enough” . . . . until my next post . . . .
Do you stay with your enoughs?
Posted in Nia | Tagged: Helen Terry, Nia, Nia choreography, Nia routine, Nia trainer, Nia training, Nia workshop, San Francisco Bay Area, San Francisco Bay Area Nia, stay with your enoughs, Texas Nia, Texas Nia Trainer | 2 Comments »
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