Yup, I am trying to do the Green Smoothie thing. Awhile back, I posted about not having time to eat breakfast before my Nia Classes. It is not that I don’t get up in time, it is that I don’t like to eat right when I get up. Then I think some time needs to pass after eating before I teach an exercise class. You might remember my post about how I was eating a banana on the way to class and I was ending up with heartburn. So I either have to get up an hour earlier or eat right when I get up. And/or maybe a green smoothie will help. Although I need to work on getting more protein in them then. Also, I am not sure about having that much liquid before class. I have found that the smoothies make about two glasses. Maybe I can drink one before class and save the other for after class. Oh, and, yes, I do do a lot of my thinking out loud on my blog . . . . 🙂 My last post was about my birthday present. So far I have used it five times. I’ve made three different green smoothies.
My second green smoothie consisted of:
1 Cup water
1 apple chopped
1/2 of a large cucumber (cut up)
2 leaves of rainbow chard (cut up)
4 ice moons
I started out with only one half of the apple. But after blending it, I decided that I wanted more flavor so I added another half. It seems that cucumbers are REALLY good at masking flavor, while they do have a distinct flavor it is very mild so it can somewhat cancel out some harsher flavors . . . . maybe . . . I will have to see. That seems to be what I have found so far . . . on my SECOND green smoothie.
I read on one website (I can’t remember which one I have looked at so many) the idea that green smoothies taste better cold. I think that is a valid opinion. I tend to agree.
I am laughing as I look at my pictures though because the amounts and ingredients listed yield two glasses and have you ever seen people make smoothies? And have you ever seen the pictures? The blender container is full to the top. Now I would say that two leaves of rainbow chard and a half of a cucumber is one serving of vegetables if not more, but AT LEAST one. And a whole apple is one serving of fruit. I think that is pretty good. I am not sure I can DRINK more. Plus I do still love to EAT my fruits and veggies. I am just curious as to who actually drinks a full blender container full. But we will see, maybe I will be that person. But for now I will drink my additional serving (or so) of veggies and my additional serving of fruit in my 24 ounces of green smoothie.
Would adding more veggies and less water yield as much? Is that how on shows, cookbooks, and websites the blender container is so full? Less water more vegetables? What do you think? Do you drink green smoothies?
I have a huge favor or request. I know I have mentioned it before, but I don’t think I have done a single post on it, but recently I, myself, was confronted with this situation so I really want to make a serious plea. I am going to go out on a limb and say this is a plea for many fitness instructors/dance exercise teachers. If you go to a class and you don’t like it, please, please, please try it at least two more times. If you are ok with the instructor, but the class is just not that good in your opinion, give it another chance. There are a million reasons why you might not like that particular class on that particular day. It could be the routine or exercises you were doing that day so ask the instructor when s/he will be changing to a new one. Or it could be the music, so, again talk to the instructor. Maybe ask if the class you just experienced was the norm or the typical class. Sometimes instructors decide to change it up and try something new but after taking it to the class they might decide they didn’t like it either. So ask. Also ask the other students. Don’t give up on something after just one class.
If taking three classes from the same instructor sounds like a waste of time and money to you, try a different instructor. We are all different and we strive to represent the brand/technique/practice to the best of our ability, but we also add out own style and it could be that the style is not something that you connect with. It could also be — if you don’t like the class — that the instructor is not necessarily sticking to the program. You might enjoy the class with an instructor that is more closely following the idea of the fitness brand/technique/practice.
I had been to a few fitness classes recently and I felt some elements that I believe should be included in this type of class were missing. Plus in a couple of classes I felt as if it was not all that the brand promised. But I attended a few more classes with different instructors and I began to see a big difference. I also took it upon myself to become educated a bit in the type of class and now I understand why I like one class over the other. One instructor was following the program more closely than the other one and it actually is more enjoyable. I actually went to four or five classes with three different instructors. I walked out of one class saying, “Dang, I really hate that.” Whereas the other two I thought, “Now that is what it is all about!”
So if you walk out of a class thinking you really don’t like it, that is ok, you obviously didn’t like THAT particular class, but it could be the brand/technique/practice wasn’t represented correctly. So try again. Maybe the instructor was having a bad day. Yes, it is our job to instruct and hold a good class, no matter what, but . . . c’mon we are only human. Sometimes we just have “off days”. There are all types of reasons to give an instructor another chance.
I know I have mentioned this before, but if I HAVE done an entire post on it before and I am repeating myself I apologize, but I really feel strongly about this. Because, as I said, twice I walked out of a class saying, “No way!”, but then the two other instructors showed me a “Yes way!”
Now keep in mind that I am not just talking about Nia, I am talking about ANY class you try; Zumba, Jazzercise, Barre Fitness, Turbo Kick, whatever.
If you end up giving it a good try and still end up not liking it at least you will have burned some calories in the process. But I bet if you were drawn to the class in the first place you will end up finding a class and an instructor that you like. Just don’t give up after the first class, do yourself a favor and keep at it and you’ll end up finding something to allow you to gain all the benefit of an exercise workout.
Have you ever gone to a class and not gone back because you didn’t like it after only one class?
I wrote a post about a four-point turn, that is what I call one of the turns we do while we are doing Nia. In Nia it is sometimes called an Aikido turn. But it is a turn that is done in many dance exercise classes, including Zumba. I realize that even if you are reading the post while trying to do it, it could be a bit confusing so . . . . . voila! A video.
The first clip is of me facing away and I start with a RIGHT turn, then alternate. Then the second clip is of me facing the camera.
As with my Aikido turn post maybe right and left indications will work better for you. In my other post I decribed the left turn, so here I will write out the right turn. And as stated, the right turn is the first turn I demonstrate. Turn your head/eyes to the right, allow your hand/arm to follow. Move your right foot to “toes out” turning your right thigh bone to the right. Then step on your RIGHT FOOT in a “toes out” position, put your weight on it 100%. As you are stepping all your weight on your RIGHT FOOT, allow your body to turn to the right, in the direction you want to go. Swing your LEFT LEG (free leg) around to what seems like in front of your RIGHT FOOT. Step onto your LEFT FOOT, toes pointing to the back of the room (or what started off as the back of the room), take the weight off the RIGHT FOOT (“toes out” foot). Swing your RIGHT FOOT (free leg) behind to land about in line with the heel of your LEFT FOOT (weighted foot). You will land standing on the RIGHT FOOT, and turn the LEFT FOOT to be parallel with the right foot. . . making that the fourth point or step.
Even though in the first clip on the right turn you can’t see my right foot “toes out”, I do the turn enough times in the video for you to see how the first step is a “toes out” move. Starting the turn with the “toes out” and already turning the direction you want to go will go a long way in enabling you to get all the way around. Even if it takes a lot of practice to get all the way around, starting that first step with the leg in outward rotation will help a lot. I also said in my last post that I think it is easier to do this move fast as opposed to slow. So it might be a good idea to not try it really slow at first because it is not easy slow. Just go. Right toes out, left, right, left. Or left toes out, right left right. Remember we do not spin on our feet. We need to pick the feet up off the ground to avoid blisters and strengthen the leg. Also you might notice that this turn is done on the balls of the feet. You put all your weight on the ball of the foot.
While my fourth “point” or step I am exaggerating and pointing my toe in that might not always be the case. When we are moving to the music the fourth “point” could end up being any number of things depending upon many number of things. The choreography sometimes calls for different things. Plus there is the individual body that is doing it to consider. Sometimes people can’t get all the way around, it could be that the music is really moving and there isn’t enough time to get around and settle into that fourth step or it could be that this is one of those moves that will take practice.
It’s a great move that allows us to use ALL five Nia Sensations. Flexibility on the “toes out” and as we place our feet, mobility in our joints, strength to get us around and stop, agility to stop, and stability to stay stopped. Cool, huh?
When I first discovered Nia I bought The Nia Technique Book to see if I would be able to do it. I don’t mean do it as in do the moves and participate in a class, I mean do it as in “get into it”, as in understand it. It sounded a bit “woo-woo” to me. Listening to your body, voices of the body, energy this, moving energy that. I wasn’t sure I could sync it up with my beliefs. But as I studied it more I realized that it is based on science. It involves human kinetics. Most of the moves, although called the 52 Nia moves are quite common and are seen in many other types of exercises and workouts. The ones that I consider unique are probably part of some other dance I am not familiar with. And the “woo-woo” part, well, I realized that it is woo-woo – at least that is how many people think of certain things like energy, chakras, mind-body, and body-mind practices. I mean look at yoga, when I was young that was one of the “woo-wooest” things around and now people have embraced it. There are so many types of yoga it is difficult to keep track. For some they just ignore the woo-woo while others embrace it because they realize it makes sense. I mean cultures have been using “woo-woo” stuff for centuries. There is meditation, herbs, chanting, drumming — all types of other things that some people think of woo-woo. The woo-woo must not be too far off base though because it seems to work. Recently my posts have been about healing sounds and making sounds, this post is about the vowel sounds related to the chakras and I am sure to some people it sounds a little, or maybe even a lot, “woo-woo”. But I like to imagine that if you are reading this you are somewhat open to new things — even woo-woo things. So you might be willing to try the healing sounds or even the vowel sounds of the chakras.
The vowel sounds related to the chakras are as follows:
CROWN CHAKRA: EEE as in “me”
BROW/THIRD EYE CHAKRA: AAA* as in “say”
THROAT CHAKRA: EYE as in “my”
HEART CHAKRA: AH as in “ma”
SOLAR PLEXUS CHAKRA: OH as in “go”
PELVIC CHAKRA: OOO as in “you”
ROOT CHAKRA: UH as in “cup”
The idea is to say these sounds in a specific note. If you have a keyboard or a phone with an app that has a keyboard or an app that can give you examples of the notes it might help you. Or you might be musical and know what the notes sound like.
EEE is to be made in the B note AAA is to be made in the A note EYE is to be made in the G note AH is to be made in the F note OH is to be made in the E note OOO is to be made in the D note
And UH is to be made in the C note
These sounds are to help open and heal the chakras. Or to keep them balanced, all depends on your needs and your practice.
As with everything there is a wealth of information out there on how to “do” the vowels. The commonalities I am seeing is to sit comfortable with a lengthened spine. Be relaxed. Use a normal breath. Repeat each sound seven times.
I have used these sounds in my Nia classes when we are using a chakra as a focus. I am going to take this list and use the vowels sounds just as I did the healing sounds. The focus can be the chakra vowel sounds and we can create an intent from there. Yay! I love thinking of things to use as focuses in my classes. I also think that sitting down to make these sounds as a specific exercise is a good idea. What do you think about chakra vowels? Might you try the exercise?
*Many places note this as “AYE” but to me that is AYE, as in what a pirate says. So I noted it as AAA, like Fonzie would say. 🙂
I’ve post about the Healings Sounds. I’ve posted about how we used the Healing Sounds in our Nia class. I’ve stated that making noise is a great way for people to know that you are breathing. There are other reasons to sound, one being it helps stabilize your core. In Nia or in other dance exercise classes there are times when you are moving and playing with balance so having a stable core can assist in proper balance. With the effort to stay stable there is also strengthening. On the exhale the abdomen is tightened.
In Nia we do a lot of movement where core stabilization is key. Some of the moves we do that require a stable core are punches, blocks, and kicks. In order to punch and/or block with strength and authority the spine needs to be straight, the ribs squeezing, and the abs tight. All of this can be accomplished with one loud sound, any sound can do it. Kicking is the same thing, even if you are doing a side kick where your body might be leaning, the spine is still straight and the torso needs to be tight. A joyful “HA!” can take care of all that!
Another reason to sound is release. We are often taught to be quiet. It could be as deep and as damaging as we were taught our opinions don’t matter. It could be more of a social “norm” where we were taught to respectfully keep one’s opinion to oneself or respectfully not sing, shout, or cry out loud because it would be inappropriate even though that is what we really want to do. All of these social confines can lead to blocked energies. Having to behave can lead to us feeling bad, so sounding in a Nia Class is a huge release. We can experience a release. Healing sounds aren’t the only ones to be made, anything will do.
Often times for me I am busy with listening to the music, thinking of the next move, getting ready to cue, dancing, and breathing I don’t THINK about sound it just comes out. Sometimes a move makes its own sound. Also depends on the move. I did a routine recently where the moves were very quiet for me. It was odd. It was as if the moves had no sound. I am wondering if that is because it was so new. I am looking forward to doing it again to see if sounds reveal themselves.
In addition to breath, stabilization, strength, and release sounding is fun. Children are expected to shout, laugh out loud, and be joyfully noisy, but adults not so much. Kids can run and scream on a playground, adult aren’t often afforded such a luxury, but in Nia we can. It really is fun. It is fun to make noise. It is fun to HA, HOO, FOO, SHOO, HI-YA, WAHOO, WHOOO, and SHHHHH to the top of your voice. It is fun to play with the volume and the tone of the noises. All of this playfulness adds to the joy. We can whoop it up as we did when we were young. The vibrations of sound heal the body. The fun heal the spirit and the soul.
I often wonder how people are able to keep quiet in a Nia class. I believe they have not yet experienced the good it will do for them. There is the breath, the added stabilization, the strengthening, the emotional release, and the fun that it brings all good for the body, mind, spirit, and soul.
While I am saying we do sounding in Nia class, don’t think it is restricted to that. So while you are exercising don’t forget to breath. Try making some noise. If you are in a class that doesn’t allow for it find a Nia class and whoop it up there!
In a Nia class the participants are encouraged to make sounds. There are many reasons to make sounds while you are working out. One, is to ensure breathing. As you are making a sound there is air going out, and in order to repeat it, there has to be air that was inhaled. So making sounds during an exercise class is a great way to let the teacher know there is breathing going on. There are also specific sounds related to specific things, but we don’t always have to be so particular. Sometimes just any sound will do. I did a post on Sounding in July of 2009. That is when I was brand new to Nia and new to teaching. I was still learning to be vocal. I had no probably being vocal as I was teaching but as a student I didn’t always participate. So I believe I understand some of the reasons a person might not want to sound and some of those reasons are the very reasons we SHOULD be making noise. All of these points can easily lead to additional posts, and they just might (a sounding series?), but for this post I am going to share what I found a while ago about healing sounds.
There are sounds associated with the chakras so a while back I was thinking I could bring a list of them to my Nia classes and I could use them to encourage my Nia students to sound. But I found a different list instead. Before I share the information with you I want you to play along with me. Pick one sound from the six below. Just pick one that appeals to you right now as you are reading it. Don’t think, just pick one.
SHOO, HAA, HOO, SSS, FOO, and SHEE.
Now keep playing along with me. Inhale and then say the sound you picked out loud on the exhale. Now do that six times. How do you feel?
Well, according to Sales Creators, a business problem solving company, the above sounds are healing sounds related to specific problems or issues. As I mentioned I had wanted to find some sounds that we could make in my Nia classes that would be fun and associated with chakras. As I was looking I discovered this information. At the time I didn’t know it was from a company that helped with business problems, I just discovered that now as I tried to locate the source of my information. In glancing quickly at the website, it looks pretty interesting. They actually speak to wellness of the entire person. What? REALLY? On a sales and marketing consulting company’s website? Yes.
Anyway here is what the information said in summary.
SHOO is a sound that helps alleviate problems associated with a sense of depression. The information states that you will feel better after having repeated it six times. The liver and the gall bladder is positively affected by the vibration of this sound.
HAA helps alleviate anger and helps calm the heart and regulate the small intestine.
HOO is a body temperature regulating sound. It helps one to not become too cold and balances the spleen, pancreas, and stomach.
SSS is a balance sound. SSS helps to regain equilibrium in the nervous system and the body. The vibration of this sound cleanses the lungs and regulates the large intestine.
FOO is another body temperature regulating sound but this one helps with a high body temperature. So to me is sounds as if you are typically hot making this sound will help cool you down. This sound is said to stabilize the kidneys, bladder, and adrenal glands.
SHEE helps relieve stress, tension, and anxiety. The instructions say that if you are under stress make this sound 36 times. It helps with regulating the blood circulatory systems and the central nervous system.
I truly believe that vibrations affect us, so to me it makes sense that certain ones would affect us in certain ways. I was hoping that without your knowledge, without you thinking about it you would gravitate to one of the sounds that would help you.
So, did the sound you randomly picked match up to what you were feeling? And now that you know what is associated with each sound are they a few you might want to try out?What do you think about vibrations and healing sounds?
In a post in which I spoke about learning a Nia Routine I said we need to know it perfectly. I would like to explain. First of all I have written before about how when I am learning a Nia routine there comes a point where I just can’t learn any more by myself and I have to take it to class. Always fascinates me how I can spend weeks working on learning it then in one hour in class I learn more than all the time I had spent on it previously. Dance exercise is like that. Teaching something is always different learning, it is a different level. Anyway I had recently said we have to know a routine perfect and what I mean by that is the better we know the music and the choreography, the closer to perfect we can get it, the better. I can do a routine without flaw in my living room then when faced with trucks driving by, kids screaming at the school, people laughing in the lobby I can get distracted. If I don’t know my music perfectly, if I don’t know the choreography perfectly then I will obviously mess up. But when I know it “perfectly” then I can not do it right, but still dance and lead the routine fine. I can mess up without saying, “Oops!” If I know where I am and what is coming I can keep going. Maybe I missed my cue to change movement, but when I know the music I can decide if I just want to stay with the move we are on or go to the next one. If I decide to go, do I want to cut the amount of times short because I was late or do the correct amount because it too fits perfectly with the music? When I KNOW it perfectly, I am free to play and really let the dance of Nia show. I can be perfect in my imperfection.
I might not teach the routine exactly as it is taught on the DVD, but I know what I am doing different and I know where I am going with the music. We teach tight, but loose. I know the moves, I execute them correctly, I do the choreography exactly as the DVD — when I can :-), but, when I mess up I am loose enough to keep going. I am loose enough to see my students enjoying one particular combination of steps, so I can elect to stay and let them enjoy their movements. I know my routine tight enough that when my earring falls off and I get a bit distracted, I can keep going AND expertly step over and around it as it lays on the dance floor. I am loose enough to be able to change the choreography by having to HOP over the fallen jewelry instead of exectuing the normal step. I am loose enough to have fun but tight enough that even when I mess up, I might be the only one that knows. It could be that there are students in class who know the routine well enough that they recognize I am not doing the choreographed move, but they can keep following and dancing because I am tight enough to be able to lead and dance in the now.
Because Nia is about dancing in the moment and having fun we are allowed a lot of freedom. I say this often because Nia allows for people to move in their own body’s way and that is an important part of Nia. But I also like to remind people that Nia IS choreographed. The moves fit the music well and there are proper and safe ways to do them. I like to express the fact that Nia is not just a room full of bodies flaling about. We are all encouraged to be perfect in our imperfection. Our bodies might not move exaclty as they are designed, but we can move with awareness. We can move with purpose. That is how I teach. I like it best when I know the routine so well that I can play and be perfect in my imperfection.
It is difficult for me to do Nia at home. In Nia we actually move our head. “Huh?” You say. Well next time you are in a cardio workout out class or an exercise class you might notice that you don’t often (or at all) move your head around purposefully. In Nia we look up, we look around, we look down, we out. We could just be moving our head to sense the sensation of it, or we could be doing it to allow action to follow intention or . . . well, whatever idea we are using at the moment to move our head, we move our head. ALL AROUND. Which, makes it difficult for me to workout at home. When I look up I see spider webs. When I look around I see dust. When I look down I see Spot. When I look out I see squirrels.
We have cathedral ceilings, so there is never a time when we don’t have spider webs or something way up there. When I see it I start thinking, “I need to get the duster and the ladder and get that.” Then there is the dust. The dust never seems to NOT be there even right as I am dusting. Then there is the cat. She either wants to go out, or be pet, or she just chooses to lay right in the middle of my workout floor. And I have learned that I absolutely have to keep my curtains closed. I don’t care what the weather is, I don’t care what the temperature is, I have to keep my curtains closed because I get REALLY distracted when I don’t. Here are two examples of what I see.
First he comes to the door. Tentative. Then he will stand that like that for a long time. I have tried to just keep on going and just let him watch me dance, but after a while I feel bad. He will just stand there with his paws at his chest and look at me. He has stood like that for at least an entire song. I always end up stopping and giving him or, more accurately, them nuts. When one gets peanuts the others come along.
Then this is what they do. This was taken on a very hot day. The mat was in the shade and had been for a while so he just plopped down. I think he was enjoying the shade. A little snack in the shade. He just looked at me while he ate his snack.
They have come up to the doors and windows and put both paws on the glass and looked inside. I imagine I hear, “Hey, you in there! Where are the peanuts?” It is rather funny. I am not certain, but I think it is one in particular that does that. My hubby named him Brutus. When he comes up to the door, he will stay there and take a peanut from me. Sometimes he barely lets me put the peanut out the door.
Yes, one of the things we do in Nia is to not think about things like spider webs, dust, the grocery list, the things we need to do after class and when I am outside of my home I can do that much better. In my house I get distracted. There are so many distractions. So one way I eliminate at least one is I keep the curtains shut. On the days that I took these pictures I had obviously not done so.
So, I have been teaching my Nia classes with my injured toe. I love it! It is such an awesome lesson, an amazing reminder. I have very good balance. I have such good balance I am always shocked that there are times when I get off balance. At those times — when I am standing on a BOSU using dumbbells, or doing squats — I am reminded that there is always room for improvement. Because I DO understand there is always room for improvement I always try to work on my balance. Nia is so, so, so, so good for balance. With the challenge of my injured toe I am reminded what a great job Nia does in allowing for balance practice.
While walking around the room if you engage your arms in a constant dance of movement you can sense how your full foot is used. Lower leg muscles can be sensed. Walking on the balls of your feet, moving fast then slow, moving your arms requires you to engage your core. All of the movements in Nia help to increase your balance and also require you to use so much of your body that we don’t always exercise throughout our day. All the movements also serve to remind you that your entire body is connected. Such as I mentioned before – walking and moving your arms you can sense your entire foot working to balance your body.
It is amazing to add the extra challenge of balance by moving your arms or moving fast then slow, or walking on a different part of the foot, or standing taller or moving lower. I am thinking that I have said this or something similar in previous posts, but since I am being challenged with my balance lately it is coming up again. I am using my whole left foot, but only the inside of my right foot. With this unstable base every action of my arms requires a great test of balance. It is a great reminder to me. Nia is a great way to practice balance and since it is a dance and we are moving so much, it never feels like work.
Even though I would love for you to join me in one of my Nia classes, I know that is it not possible for some. But it is possible for you to work on your own balance while going about your day. Easy things you can do; stand on one foot while cooking/taking a shower/vacuuming/whatever, move your arms about while you walk around, walk on the balls of your feet, hop on one leg, what else? What can you come up with to help practice your balance?
As I was putting Christmas Ornaments away (yes, I am still putting “Christmas” away) I was reminded of Nia. My thoughts then morphed to working out and exercise. Ya see, I was trying to put an ornament in its box. I have trouble with this ornament every year. Do you have any of those ornaments where you store them in the box they came in? I have a lot of those ornaments and every year there are some that give me trouble. I try putting it in this way, then I have to take it out and turn it, then try again, and try again, and after a few tries finally get it in the right way with a resulting “Ahhh . . . . . .”
That is what made me think of Nia. Nia is made for everyBODY. The exercises we perform, the movements we do, the entire workout is designed around the design of the body. Often times people are not accustomed to moving their body in the way it was designed. Some people don’t turn their heads which can loosen the spine and muscles in the back or gyrate their hips which can loosen the hips and possible allow you to stand up taller. It might not be for everyONE, because in Nia participants are not told exactly how to move. It IS one of those things that you have to ACTUALLY try. It also helps to try it more than once. Try going to classes when they have different routines. Try it with different teachers. Try treating it differently; treat it as a cardio workout, treat it like an exercise, or treat it like a dance. Try all different ways. If you don’t love it instantly, then don’t give up, try again. You could find that when you keep trying and do it a different way you’ll be saying, “Ahhhh . . . ”
If not, Nia, there are so many other things that you can try. Find something you like. Keep trying. Don’t give up and think you don’t like exercise or working out because it comes in so many different forms, I am sure you can find something you would like. You can always contact me and we can talk about it.
Yup, I am trying to do the Green Smoothie thing. Awhile back, I posted about not having time to eat breakfast before my Nia Classes. It is not that I don’t get up in time, it is that I don’t like to eat right when I get up. Then I think some time needs to pass after eating before I teach an exercise class. You might remember my post about how I was eating a banana on the way to class and I was ending up with heartburn. So I either have to get up an hour earlier or eat right when I get up. And/or maybe a green smoothie will help. Although I need to work on getting more protein in them then. Also, I am not sure about having that much liquid before class. I have found that the smoothies make about two glasses. Maybe I can drink one before class and save the other for after class. Oh, and, yes, I do do a lot of my thinking out loud on my blog . . . . 🙂 My last post was about my birthday present. So far I have used it five times. I’ve made three different green smoothies.
I started out with only one half of the apple. But after blending it, I decided that I wanted more flavor so I added another half. It seems that cucumbers are REALLY good at masking flavor, while they do have a distinct flavor it is very mild so it can somewhat cancel out some harsher flavors . . . . maybe . . . I will have to see. That seems to be what I have found so far . . . on my SECOND green smoothie.
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