Posts Tagged ‘Nia Dance’
Posted by terrepruitt on August 27, 2013
There are a lot of things I like about yoga, one thing that I really like is that many of the asanas or poses are executed with a lengthening of the spine. In many poses the idea is to reach with the top of your head, or the crown of your head, in the opposite direction of your tailbone. Often the cue is to reach with the crown of your head to the sky while reaching with your tailbone into the earth. I feel as if the reaching and stretching in the opposite directions really help the body be taller.
While standing, sitting, bending the motion or action is to reach. Reach in opposite directions. Create space in between each vertebra. While consciously stretching the backbone, you are pulling your shoulders back and down. Create a long neck by reaching. Push the shoulders away from the ears. The ribs lift upwards, and off and away from the hips.
One motion or thought to help straighten and lengthen is to extend your sternum skyward. This somewhat juts the chest out and the shoulder automatically go back and down. With this as an image there might be some adjusting that needs to take place, but it can help move you in the right direction. With the lengthening of the spine comes the separating of the ribs. Allowing space in between each rib can sometimes help increase lung capacity. If your lungs have more room to move in they might expand further. This all lending to bigger, deeper breaths.
In the Gentle Yoga class I am currently teaching I am continually reminding the students to lengthen their spine. I, myself, have a habit of scrunching. I think I have mentioned this before. I both scrunch my shoulders up to my ears and round my back. I liken my posture to that of a spoon. So it is very easy for me to fall into that even while I am leading a class because I begin to shift my concentration. So the reminder is for all of us. A reminder is nice because then you can check to make certain you are doing all the things involved in lengthening the spine. Although sometimes I feel a bit repetitive, I think it is worth it. In addition to myself I usually see at least one participant make an adjustment.
In Nia while we might not always be lengthening and reaching with our spine throughout an entire routine there is often at least a moment. If not in one of the dances itself in the cool down or the floorplay. I often include imaging space in between each vertebra as we sit or bend over in a stretch. The Nia routing might not include yoga poses by the idea of it is included. Part of the yoga inclusion “is the conscious alignment of bones and joints”* While lengthening the spine we are lining up the bones and the joints. Our posture is intact.
I really enjoy the growing taller sensation that yoga can offer through a variety of asanas where we are reaching and lengthening. To me it makes for a taller me.
Do you sense you are taller after doing yoga? Do you sense your spine is more straight after yoga? Do you do a pose that really has you feeling you are taller after?
*The Nia Technique, page 276. A yoga focus.
Posted in Nia, Yoga/PiYo/Pilates | Tagged: asanas, crown of the head, gentle yoga, lengthening of the spine, Nia, Nia class, Nia Dance, Nia floorplay, Nia routine, Nia Teacher, Yoga, yoga poses, yoga posture | 14 Comments »
Posted by terrepruitt on August 1, 2013
So last Christmas my sister-in-law gave my hubby and I wonderful book. But she gave ME some sugar scrub. It was lemon-mint. I thought that was a great idea. I had always wanted to do that with essential oils. Well, as you might be able to imagine there are a ton of sugar scrub recipes out there and on the internet. So if you are here looking at mine —- THANKS! Some of the scrubs I have had have been a little too oily for me, so I was going for a less oily one. To me the scurb-y part of the sugar is what you want. The essential oil for a little therapy. The oil can be a moisturizer but it doesn’t have to be a lot. So I futzed with a few of the recipes I found on-line. I actually made my first batch months ago and this is when I am getting around to posting about the scrubs. So I don’t remember where I got the recipes that I futzed with and I don’t remember what I did the first time. But here is my latest recipe for a nice sugar scrub.
Sugar Scrub
2 1/2 cups sugar
1/2 cup oil (I use olive oil)
30 drops pure peppermint oil
15 drops Ylang Ylang
20 drops tea tree
juice of half of a lemon
zest from a lemon
Put the sugar in a bowl then pour some of the oil in. Don’t use it all at first. Stir and stir until it is well combined. Then half of the peppermint. Mix well. Then add the remaining drops of peppermint. Mix well. Add more olive oil. Mix well. Add the Ylang Ylang. Mix. Add the tea tree, then mix. Add only as much of the olive oil as you want. You may even want more oil. But add then mix. It tends to LOOK like it is not enough but then as you stir is mixes in and the sugar gets saturated. So pour and mix. When you are done adding all the oil you want, then add the lemon juice. Then add the lemon zest. Mix, mix, mix.
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I have canning jars which really make a nice presentation, but they start to rust in the shower/bath. Plus you have the band AND lid to deal with. It is kind of a pain in the shower. So I was looking for a pretty flip top jar, but then I realized that the little hinge would probably rust. So finally I settled on something that is not as pretty, but I think it is much more functional. Just a regular plastic container. One lid to deal with, easy on, easy off. No screwing and unscrewing involved. No metal to rust.
Again, maybe not as pretty, but I think it will be better in the end, because rust isn’t pretty either.
I chose a peppermint essential oil because it has an invigorating effect, so I thought that would be good for morning showers. Ylang ylang is for stress relief, which many people would appreciate. Tea Tree Oil helps stimulate the immune system. It is known to fight bacteria, fungi, and viruses. To me that is perfect in a scrub. Since I teach Nia which is a barefoot cardio dance, I think of scrubs as being primarily for my feet. So a scrub that invigorate, relieves stress, AND fights bacteria and fungi —- is GREAT.
I hope you like it. Of course you can use an essential oil you like. What oil will you use?
Posted in Essential Oils, Misc | Tagged: canning jar, cardio dance, Christmas, essential oil, fight bacteria, fight fungus, fight viruses, lemon juice, lemon zest, Nia, Nia Dance, Nia Teacher, olive oil, peppermint oil, shower scrubs, Sugar scrub, tea tree oil, ylang ylang | Leave a Comment »
Posted by terrepruitt on July 9, 2013
I am very shocked and somewhat embarrassed that I have had this blog for over four years and I have never written a post explaining PiYo™. PiYo is a combination of Pilates (Pi) and Yoga (Yo), brought to us by Chalene Johnson. Chalene is the creator of Turbo Jam®, Turbo Kick®, TurboFire®, Hip Hop Hustle®, and ChaLEAN Extreme®. These programs are put out by either Beachbody or her company, Powder Blue Productions. With PiYo the idea is to combine the two mind/body practices in order to appeal to a large audience. Pilates and yoga are somewhat similar to begin with, both have a component of connecting the mind and the body in conscious movement. Both have ideals on breathing and breath. Both are a way to improve flexibility, stability, strength, and balance. Depending on which type of yoga practice there could be agility and mobility involved as in Pilates. Now this might sound familiar if you know about Nia. In Nia we have the five sensations flexibility, agility, mobility, strength, and stability (FAMSS) which we play with in our dance. In PiYo the same sensations can be experienced. The manual states: “PiYo is considered a ‘Western’ approach to the practices of mind/body fitness.”
I believe that many people think yoga has been “Westernized”. Since there are so many types of yoga there might not always be a spirituality in the yoga class or chanting, meditating, or even the Sanskrit terminology. That is true with a PiYo class. It is more about the physical with an awareness.
PiYo combines yoga breathing and Pilates breathing. In general a yoga pose is done with yoga breathing and a Pilates exercise is done with Pilates breathing. Of course, students are encouraged to breath in a way that is comfortable to them and that works with their individual body, the aforementioned is just a general guide.
The PiYo class follows the tried and true module of a typical exercise class. There is a section for warming up, a section for general strength and balance, a section with more of a focus specific area of the body (say a core, upper body, or lower body), then a cool down and relaxation section. While yoga poses could meet all the requirement of each section and Pilates exercises could also, it is often the case that each section will have a majority of one or the other. Although, you might be like me and think that there is such a huge cross over it is difficult with some moves to claim it is only a yoga move or only a Pilates move. While I am certain the move did originate from one or the other practice specifically it seems as though currently there is a huge cross over. That is one reason why I think Pilates and yoga marry ups so well. They can be considered very similar.
So throughout the class there will be yoga poses and Pilates exercises. It is up to the instructor and the make-up of the class as to whether the yoga poses will be held for a measured amount of time or done in a flow. No matter which is chosen it will be a sequences of poses. Whereas the Pilates exercises are done in repetition. Generally sequences of repetitions.
A PiYo class is allowed the freedom of design. As mentioned there is a class format, but then the way it is carried out is dependent on the instructor and students. The consistence of a PiYo class is that it is for the body and the mind using both yoga poses and Pilates moves.
Do you practice yoga? Do you practice Pilates?
Posted in Yoga/PiYo/Pilates | Tagged: agility, balance, Beachbody, ChaLEAN Extreme, Chalene Johnson, chanting, conscious movement, exercise programs, flexibility, Hip Hop Hustle, meditating, mind/body fitness, mind/body practices, Mobility, Nia, Nia class, Nia Dance, Nia five sensations, Pilates, PiYo class, PiYo manual, Powder Blue, Sanskrit terminology, spirituality, stability, strength, Turbo Jam, TurboFire, TurboKick, types of yoga, Western approach, Yoga, Yoga class, Yoga Pose, Yoga/PiYo/Pilates | 2 Comments »
Posted by terrepruitt on June 8, 2013
In Nia we often say while dancing, “Everybody sense your . . . ” (For more see: Nia White Belt Principle #13 Teaching What You Sense.) This is to help bring attention to specific body parts. It could be because we are doing a specific move and we want to have the student’s attention on that body part. It could be that we feel a body part just needs attention. It could be that we want the students to move in a different way. Sensing a body part though does not require movement of that part. If I were to say right now, “Everybody sense your hand.” I wouldn’t necessarily mean for you to move your hand. I mean for you to sense it. Recently on Facebook I posted, “EveryBODY sense your trachea!!!!!! Breathe . . . . . . . .” and one of my friends asked HOW? Fabulous question. How do you sense your trachea? No, really how do YOU sense your trachea? How do you sense any of your body parts?
As I said, sensing a body part does not necessarily mean moving it. It could, if that is how YOU bring attention to a part and if that is how YOU sense it. It could mean you LOOK at it. Maybe looking at it helps you sense it. It could mean you touch it because you want to cause it sensation so that you can sense it. There are many ways to sense a body part and we all have different ways of doing it. Some might start with closing their eyes and picturing it in their head. Some might just think of it and be able to sense it right away. Part of the practice is the discovery of how we sense different body parts.
For sensing your trachea I thought that one way an individual could do it was by breathing. That might help you sense your trachea. Sensing your breath coming in and out might help. Maybe coughing would help? Maybe meditating on it? Maybe touching it? There really are so many ways to do it and it is up to the individual. Sensing body parts could even take practice. Maybe each body part is different. Perhaps you can easily sense your hand without looking at it, moving it, or touching it, but since you might not often “sense your trachea” it could take a little bit of thought and practice. Again . . . . the wonderful journey that is Nia and sensing your body.
Often times we don’t even give a second thought to a body part, unless it is in pain. Unless it SCREAMS at us for attention we might never stop to listen to it. We might never stop to sense it. There are so many reasons to sense your body . . . I have already stated just a few that might come up while in a Nia Class. I am sure you can think of many others.
This is one of the things we do in Nia that can be carried out into life and as we like to call it as we “dance through life”. This is one of the things you can do that makes Nia “practice”. You can practice sensing your body parts throughout the day. Back to the “pain” part of attention . . . say you have pain in your knee, you are going to want to sense it as you move throughout your day so that you can move in a way as to not cause more pain. Another example if you’re wanting to straighten up your posture a little bit you might want to practice sensing your spine or your shoulders during your day. As I said, many reason to play with and practice sensing your body parts. And it really is an individual thing. You do it in your own way.
Starting with body parts you can see and touch might be a good place to start if you are needing a suggested starting point. That way looking or touching can be the beginning of the sensing journey. Either way, if you let yourself be open to it, I am sure you will find a way.
So how do YOU sense your trachea?
Posted in Nia | Tagged: Dancing, everyBODY, Facebook, Nia, Nia class, Nia Dance, Nia Practice, Nia students, Nia White Belt, Principle #13, Sense your, trachea | 2 Comments »
Posted by terrepruitt on May 9, 2013
I teach Nia. I actually like to say I lead Nia because to me teaching a dance is more instructive. What I think of as teaching is the type of class where the instructor demonstrates a step or two then the students do the steps a few times, then the instructor demonstrates more steps and the students practice them. Eventually the steps are strung together in a dance. But in my Nia cardio classes it is just lead follow. I do – you follow. I give verbal instructions and/or verbal guides but it is not the type of instructional class where I show you, then you do, then we practice and then we string all the steps together. So I guess it is not an “instructional” or “instructed” dance class. But I do teach by example. You follow my lead. In order to be a Nia teacher I had to take the Nia White Belt Intensive. I have talked about this before, but to review the White Belt is the first level of Nia. The White Belt Intensive is over 50 hours of instruction and is open to anyone. Individuals do not have to have the intent to teach. The Nia White Belt Intensive is about the body so anyone is welcome to join and learn. In order to be a Nia teacher there is an additional licensing fee. The fee is due annually and it includes four routines that we, as teachers, agree to learn per year. I was just looking at my DVDs. I have two routines that I have not learned. I have 19 that I have learned. I have been teaching almost four and half years so I am keeping up with the four per year schedule.
Now, I want to clarify that I have learned 19 routines. That means that I basically did the bars and have shared 19 routines with my students. That means I roughly know those 19 routines. I could stand up right now and lead you through some of them, but some of them I would have to look at my bars, and some of them I would have to study my bars. But I also feel I am better at just doing. While I want to do the routine as per the choreography, I am not as afraid as I once was to just DO the routine.
When I am preparing to do a different routine for my class sometimes I have a chance to practice and sometimes I don’t. I will look at my bars for each song. Sometimes I look at the first few lines and think, “Oh yeah, I know this one.” Then when I am leading it my body and my mind don’t remember it as well as I thought and I just dance through it, but then when I get home I look more closely at my bars or re-watch the DVD. It really is about moving and having fun. As long as we are moving and we are doing it close enough then it is good. Then, like I said, I come home to get the choreography better established in my head and body!
The routines I have learned are:
Alive – Carlos AyaRosas
Amethyst – Debbie Rosas
Aya – Carlos Rosas
Beyond – Debbie Rosas and Ann Christiansen
Birth – Debbie Rosas and Collaborators
Canta – Carlos Rosas
Clarity – Carlos Rosas
White Belt Dream Walker – Carlos Rosas
Earthsong – Carlos Rosas
Global Unity
Humanity – Carlos AyaRosas
Miracle – Carlos Rosas
Opal – Debbie Rosas
Passion – Debbie Rosas and Carlos Rosas
Sanjana – Debbie Rosas
San Medusa – Helen Terry
Sexi – Carlos Rosas
Velvet – Debbie Rosas
Vibe – Debbie Rosas
The names of the routines that I have on my shelf that I need to learn are Butterfly and Oshun. I just renewed so I have four routines that I need to pick out as my new routines. Picking routines is always a challenge because everyone has such different tastes. Some people LOVE, LOVE, LOVE some of the routines I have and I don’t love them. So for me it is a difficult decision. I try to pick routines that I think my students will like, but then that is just a guess. I know which ones they like out of the ones I teach because they request them often.
If you were just picking a routine from the name which one would you pick? As a Nia student which one out of this list is your favorite? What about Nia teachers, which is your favorite out of this list?
Posted in Nia | Tagged: Ann Christiansen, Canta, cardio class, cardio dance exercise, Carlos AyaRosas, Carlos Rosas, dance exercise, dance instructor, dance teacher, Debbie Rosas, Dream Walker, Earthsong, Global Unity, Nia, Nia bars, Nia choreography, Nia Dance, Nia DVDs, Nia licensing, Nia Practice, Nia routines, Nia stuents, Nia Teacher, Nia White Belt, Nia White Belt Intensive, Opal, Sanjana, Sexi | 10 Comments »
Posted by terrepruitt on March 23, 2013
Whether you do Nia, Zumba, yoga, Pilates, country western dance, motor-cycle race, play tennis, or just about anything there are the “Gods” or celebrities of the practice/dance/sport. Often the “Gods” or gurus are the masters or the top teachers, but sometimes it is the CREATOR himself/herself. That is when the event is really rockin’. That is when the events sell out or get so crowded it is crazy. Well, Nia is going through a lot of changes and they have been working for a couple of years training the top instructors to move up even further to become top trainers. The male of the male-female combo that created Nia, Carlos AyaRosas (FKA Carlos Rosas) retired a bit ago, so that left the female creator to continue on. She is coming to the San Francisco Bay Area . . . . . which is a rather large area. She is going to be in the North Bay, the East Bay, and the Peninsula. And it is going to be rockin’. She and a top trainer are going to be here.
April 2013
Debbie Rosas is the (co-)creator of Nia. Kevin VerEecke is a Nia Trainer. They are going to be in the San Francisco Bay Area in the beginning of April (2013). They are going to have seven classes. It is going to be incredible. Every thing has its superstars, its celebrities and these are ours. It is really exciting.
I took my Nia White Belt Intensive at the Nia Headquarters in Portland. The trainers doing the intensive were Debbie and Carlos. Plus they were here for a “Spirit of Nia” tour within the last four years. So I have met them both. I have never met Kevin.
I am excited that Debbie and Kevin will be here sharing the Nia experience. The classes that they are going to be doing are 52 Moves classes. While we have a basic set of 52 Moves we don’t typically do all 52 in every Nia Routine. We do many, but not usually all. In these classes they are going to lead us through all 52 Moves. There are going to be seven chances to check it out.
The first class that will be held will be with Keven VerEecke only in San Rafael. Then Friday’s classes, Saturday’s Classes, and Sunday’s Classes will be both Debbie and Kevin.
The flyer indicates that all classes will have a different playlist. I guess for some people that is important. I know Nia enough to know that all seven classes could be the same EXACT playlist yet all seven classes could be totally different. That is the beauty of Nia. And with two masters leading the dance it wouldn’t matter. BUT . . . the flyer does indicate all classes will have different play lists.
I hope you will take this opportunity. Nia is always fun, but when you have the creator up in front of a room full of people who are there to dance, move, and have fun there is no way you can experience anything but MAGIC.
Posted in Nia | Tagged: 52 Nia Moves, Bay Area, Carlos AyaRosas, Carlos Rosas, celebrities, country western dance, dance, Debbie Rosas, Kevin VerEecke, master teachers, motor-cycle race, Nia, Nia Dance, Nia Headquarters, Nia instructors, Nia Intensives, Nia routines, Nia San Jose, Nia teachers, Pilates, play tennis, Practice, San Francisco Bay Area, sport, Yoga, Zumba | 2 Comments »
Posted by terrepruitt on February 16, 2013
In Nia we have a lot of acronyms. Seems as if all groups do that. I know in the mortgage business there were many. I know in the world of computers there are a lot. That is just the way it is. In Nia some of ours are FAMSS, OLG, TBW, SEB, and BMES to name just a few. BMES stands for Body, Mind, Emotions, Spirit. We can call these voices or realms. I have recently posted about Spirit. It is not the religious type of spirit, but the school-type or the team-type. It is the part of you that — wheeee! — you just let out! The others are pretty easy to describe, but it is very interesting to allow them into all aspects of Nia. They are each separate and unto their own, yet they are all connected.
The body is the physical. How we move, what we sense. If we are open and listening to the body we can learn many things. I know that sometimes I hear but I don’t listen. I might “hear” my body tell me it is tired, but I don’t listen and do something about it because I am busy. It can “tell” me it is tired by how many mistakes I make while typing, or that I keep nodding off while doing something. But sometimes I don’t listen because I want to finish what I am doing. In dance we can hear our body, we can choose to listen and act upon what we hear or we can continue on. We could be moving a certain way and then feel pain (“hear”), and we can listen by giving that pain attention and tweaking our movement to remove the pain from our dance. Also we can just let the body dance and in doing so without thinking it often moves in ways that it needs without our interruption or interpretation.
The mind is a powerful voice. It can dictate our entire dance and life if we let it. In Nia we use our mind to provide imagery that allows us to move our bodies in a particular way, but it is important to turn the critical part of our minds off. We use our minds to progress us, not hold us back. Letting thoughts flow through the brain and keeping what is useful in the dance. Criticizing ourselves and others during Nia is not helpful or progressive. We do not avoid moving a certain way because it looks “bad” or “not pretty”. We do not avoid moving because people will think it is silly. We move in safe and harmonious ways to bring FAMSS to our bodies, to relax, to rejuvenate, to allow our inner child out to play, but we don’t criticize. We also practice turning off internal dialog or chatter. We let our bodies dance us and not think about our to-do list. We do use our minds when we dance, but we do not allow it to control our dance.
With our emotions we have an almost endless array of energy. We can play with the emotions in our dance and they can provide movement and force. While we dance we do not have to actually FEEL any of the emotions we call upon we just can ACT as if. How would you walk around if you were angry? Might you stomp? How would you walk if you were happy? Might you skip? How would you walk if you were distracted? Might you move slow or in an awkward pattern? Emotions are a great part of Nia because they are feelings and feelings can be felt and/or experienced without taking over. We can allow an emotion to happen or act as if, but in neither case does it have to control our dance.
As with many things in Nia this aspect or look at BMES is just one way to look at it. Just one way we can connect to BMES. Another way is with Nia Blue Belt Principle #3 where we use these realms to assist in teaching. Nia is deep like that. Many of the ideas, principles, “things”, can be separate and unto their own, yet they are all connected. 😉
Posted in Nia | Tagged: acronyms, AMSS, BMES, body, Body-Mind-Emotion-Spirit, dance, emotions, mind, mortgage business, Nia, Nia Blue Belt, Nia Blue Belt Principle #3, Nia Dance, OLG, realms, religious spirit, school spirit, SEB, spirit, TBW, team spirit | Leave a Comment »
Posted by terrepruitt on February 12, 2013
If you’ve read a post or two of mine you know there are many things I love about Nia. I think that Nia is a great workout, but I also think that a lot of the ideas, principles, values, and “things” can be used in everyday life. That is one reason why I share so many things about Nia here. I am working to get Nia out there so people know what it is, but I understand not everyone likes to do dance exercise as their type of workout, but there is a lot of Nia that can be applied to every day. Nia has a lot of ideas that can be applied to more than just the original place you hear it. For instance in the Nia White Belt, the manual states:
“New Ways – It Can Be a Stretch!
Some of this information may shake up your reality. Nia may disrupt your normal methods of doing, being and communicating. We do not intend to create disharmony or fear. We have no desire to aggressively challenge who you are, what you believe in, or what you stand for. The information we share with you is intended to assist you, inspire you, and to celebrate human potential.”
The Nia Technique – White Belt Manual March 2001, V3, page 1-5
I love that. I love that when taking a Nia intensive it is explained that you might come across new things. You might be shown a different way or something new, but they are not out to change you into what they believe, but to allow you to see something in a new way. All that is really asked of you is to have an open mind, heart, and body. It is even suggested not to examine or think about stuff too much. The belief is that you will get what you need when you need it. That is a great relief too because there is so much information it really takes the pressure off when it is understood that you will not get it all or remember it all upon first being exposed.
What is so tremendous is that this same information, this same philosophy can be brought into a Nia class. If you have never done Nia before the first time can be a surprise. It can surprise your senses, your body, your mind, your spirit. It can leave some people feeling a little unsure. I mean not every exercise class has you parting clouds, swimming in water, stepping in goo, and prancing like a pony. Some of this type of stuff can shake up someone’s reality. This type of movement might completely disrupt what they think of as normal methods of exercise. They might not be able to “get into” prancing like a pony. Prancing might not fit into their idea of exercise. But I know that if they have an openness of mind they will wake up the next day and realize that ponies get in a good work out. The “normal” methods of being might not have them pulsing their pelvis, shimmying their shoulders, or doing a sexy hip bump. Nia doesn’t want to make people uncomfortable with these things, but this type of movement is “normal” for the body by design. These moves aren’t meant to challenge you or what you believe in, they are meant to allow you to move your body as it was designed to move.
With the fun movements and ideas included in a Nia class it can easily inspire your and allow you to celebrate the human potential—to celebrate your body’s potential. This can kind of go along with my last post about spirit. It could be your spirit that lets you just let loose and gyrate those hips without fear. The idea here is to come to a Nia class with an open mind. Don’t let they way you’ve been taught exercise should be to keep you from experiencing something new. Don’t let fear of something unknown and/or different scare you off. Don’t think that just because it is unknown to you or different that the goal is to change you into something you are not. Just come and let your body move and let IT tell you what it thinks of Nia.
This week (February 10 through February 16, 2013) I am teaching EIGHT Nia classes. If you are local it would be GREAT to see you in at least one. They are at all different times on different days in many different places (most in San Jose, one in Santa Cruz). I bet there is one that would work for you: http://www.helpyouwell.com Also, in case you are not local or one of the eight doesn’t work for you check out Nianow.com. There are classes all over the world! Dare to dance?
Posted in Nia | Tagged: dance exercise, Dance Workout, exercise workout, Nia, Nia class, Nia classes in San Jose, Nia Dance, Nia Intensive, Nia principles, Nia San Jose, Nia Santa Cruz, Nia White Belt, Nia White Belt Manual, San Jose Nia, The Nia Technique | 2 Comments »
Posted by terrepruitt on February 9, 2013
Recently a Nia student came up to me after a Nia class to ask me a question. She said that she had talked to another woman about attending a Nia class but the woman didn’t want to because we said “Om!” My student asked me if Nia was religious. I shared with her what happened in the Nia White Belt Intensive I attended and my thoughts on it. What happened in the Nia White Belt Intensive I attended in December 2008, was Carlos Rosas asked one of the intensive participants what was in Nia. Her answer was “God.” Carlos said, “NO! There is no God in Nia!” I don’t know Carlos’ religious beliefs, if he has any, or how he feels about God or religion, but I think he was saying that there is no religion in Nia. It is not associated with any type of religion. It is meant for everyBODY and everyone and people of all faiths and all belief systems can participate and enjoy Nia. It truly is based on the design of the body. It is not based on ANY religion or God.
I personally feel that if you have God or any belief system in you then you will bring Him/it into whatever it is you are doing. But that is not a reflection on the event or activity. With any belief if you believe it you are going to carry it with you. So if you believe in God, Gods, Buddha, Allah, or whatever that will come with you into Nia. But Nia has none of that as a part of it. What Nia DOES have as a part of it is spirit. But that should not be confused with any type of religious spirit or supernatural spirit. Wiki states: “The English word spirit comes from the Latin spiritus, meaning ‘breath'”. And an online dictionary says: “The vital principle or animating force within living beings.” Yet some people often think of spirit as religious, as in the Holy Spirit, or otherworldly, as in ghostly spirits.
Because of that conversation I had with one of my students I had been thinking of this and in a class I said, “Let your spirit out.” And I noticed a few students stiffen. And I continued on, saying, “That is not to be meant religious or supernatural, I mean spirit as in ‘your school spirit’, when people say ‘show some school spirit no one gets all wiggy’. It’s like that. THAT type of spirit.” And I saw people relax. I saw some say, “Oh.” And then I saw some spirit.
I think of spirit as a passion or your inner child. It is the part of you that wants to slide down the banister, run up the down escalator, balance on a curb, jump in the puddles, take your shoes off and slide in stocking feet across the length of the mall, or say “WAAAAHOOOOO!” It is the breath that we often hold in. If your beliefs have your spirit saying or doing something in class then that is fine, but that is not to say that your beliefs are a part of Nia, that is a part of YOU that you bring to Nia.
The type of spirit you would have with school spirit, class spirit, and/or team spirit that is the spirit Nia calls upon and what Nia invites to be released in a Nia class. Let your inner essence dance and be free, don’t be afraid . . . . . . let go.
Posted in Nia | Tagged: Allah, Buddha, Carlos Rosas, class spirit, Free Dance, ghost, God, Holy Spirit, inner essence, Nia class, Nia Dance, Nia participant, Nia White Belt Intensive, religion, religious, school spirit, spirit, supernatural, team spirit | 7 Comments »
Posted by terrepruitt on February 5, 2013
I believe that in 2013 the training material for the Nia Blue Belt is going to change. While it is not changing significantly the change will be significant. 🙂 The ideas will remain the same, but the verbiage and way it is delivered will be updated. While I was attending the Nia Blue Belt Intensive in November of 2012 we were being shown the new slides. The word that was used most often — or that I remember most is – simplify. The idea was to simplify the training. The Nia Blue Belt principle #13 in the manual* shows it as Vertical Routines. We were told it is going to change to Conscious Transubstantiation with Creating a Vertical Body and Life as the tagline. Not a simplification to me, but . . . . there you have it.
I will state again as I have been stating in many of my posts about the Nia principles, what I am sharing is somewhat off the top of my head, what I remember being discussed and it barely scratches the surface of each principle. The principles are deep, I could write pages about them alone and the taglines add yet another dimension with even more information. Here I am just sharing a little portion, just one aspect. Now for the purpose of Nia, transubstantiation does not mean the bread and wine will change into the body of Christ. But Nia is using it to mean change and change the body. 🙂 So, maybe that is the tie in and the reason to use that word. Nia is using the term Conscious Transubstantiation to mean consciously change your body to match the body of the teacher.
This somewhat ties back to Nia Blue Principle #12, which is funny because that also helps explain the vertical portion. It is common for a participant in a lead follow type of dance exercise class to do the move and follow the leader trying to change at the exact moment the leader changes the move. Even if the leader is excellent at cueing the participant could feel rushed into the next move. Sometimes the participant is concentrating and doesn’t hear or see the next move only to look up and realize they are a step behind or not matching exactly so they rush to catch up and do what the teacher is doing. Well with the conscious change it’s ok not to rush to catch up. Get there when you can. No need to disturb the nervous system and interrupt the flow, just catch the next round or the next step. Consciously changing instead of rushing into the move because that is where you are “supposed” to be. Allowing yourself to change consciously allows for a smooth transition. While this is not exactly the same as Nia Blue Principle #12, it is similar in that you are not having to rush to the next move.
The “Vertical” means how things are connected and built upon one another. The Nia Blue Belt Principles are built upon and woven into the Nia White Belt Principles. Nia’s 52 Moves are built upon each other. The “vertical” routines speaks to the moves in the a kata and how we change from move to move, the songs in a routine and the transition between the two and even the bigger picture of routine to routine.
So . . . in a Nia class you are encouraged to move in your own body’s way and “get to” the next move in your own natural time. The idea is not to upset the body, mind, and spirit by feeling as if you are not doing it right because you are not RIGHT ON the mark of the change as it first happens, Conscious Transubstantiation. Take your time and enjoy the movement and the moment you are in. Allow yourself to change when you are ready enabling you to sense the “vertical-ness” of Nia so your workout can be one of Joy.
It might be a challenge to break the habit of interrupting your move to match the teacher when you notice the change, but you might be surprised at the effect it has on your body, mind, and spirit once you do get the hang of it. What do you think? Are you willing to give it a try?
*The Nia Technique – Blue Belt Manual August 206, V4.0
Posted in Blue Belt, Nia | Tagged: blood to wine, body, body of Christ, bread to body, Conscious Transubstantiation, dance exercise, Dance Workout, mind, Nia, Nia Blue Belt, Nia Blue Belt Intensive, Nia Blue Belt principle #13, Nia Dance, Nia workout, Nia's 52 Moves, to Nia Blue Principle #12, Vertical Routines | 2 Comments »
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