Posts Tagged ‘dance’
Posted by terrepruitt on February 16, 2013
In Nia we have a lot of acronyms. Seems as if all groups do that. I know in the mortgage business there were many. I know in the world of computers there are a lot. That is just the way it is. In Nia some of ours are FAMSS, OLG, TBW, SEB, and BMES to name just a few. BMES stands for Body, Mind, Emotions, Spirit. We can call these voices or realms. I have recently posted about Spirit. It is not the religious type of spirit, but the school-type or the team-type. It is the part of you that — wheeee! — you just let out! The others are pretty easy to describe, but it is very interesting to allow them into all aspects of Nia. They are each separate and unto their own, yet they are all connected.
The body is the physical. How we move, what we sense. If we are open and listening to the body we can learn many things. I know that sometimes I hear but I don’t listen. I might “hear” my body tell me it is tired, but I don’t listen and do something about it because I am busy. It can “tell” me it is tired by how many mistakes I make while typing, or that I keep nodding off while doing something. But sometimes I don’t listen because I want to finish what I am doing. In dance we can hear our body, we can choose to listen and act upon what we hear or we can continue on. We could be moving a certain way and then feel pain (“hear”), and we can listen by giving that pain attention and tweaking our movement to remove the pain from our dance. Also we can just let the body dance and in doing so without thinking it often moves in ways that it needs without our interruption or interpretation.
The mind is a powerful voice. It can dictate our entire dance and life if we let it. In Nia we use our mind to provide imagery that allows us to move our bodies in a particular way, but it is important to turn the critical part of our minds off. We use our minds to progress us, not hold us back. Letting thoughts flow through the brain and keeping what is useful in the dance. Criticizing ourselves and others during Nia is not helpful or progressive. We do not avoid moving a certain way because it looks “bad” or “not pretty”. We do not avoid moving because people will think it is silly. We move in safe and harmonious ways to bring FAMSS to our bodies, to relax, to rejuvenate, to allow our inner child out to play, but we don’t criticize. We also practice turning off internal dialog or chatter. We let our bodies dance us and not think about our to-do list. We do use our minds when we dance, but we do not allow it to control our dance.
With our emotions we have an almost endless array of energy. We can play with the emotions in our dance and they can provide movement and force. While we dance we do not have to actually FEEL any of the emotions we call upon we just can ACT as if. How would you walk around if you were angry? Might you stomp? How would you walk if you were happy? Might you skip? How would you walk if you were distracted? Might you move slow or in an awkward pattern? Emotions are a great part of Nia because they are feelings and feelings can be felt and/or experienced without taking over. We can allow an emotion to happen or act as if, but in neither case does it have to control our dance.
As with many things in Nia this aspect or look at BMES is just one way to look at it. Just one way we can connect to BMES. Another way is with Nia Blue Belt Principle #3 where we use these realms to assist in teaching. Nia is deep like that. Many of the ideas, principles, “things”, can be separate and unto their own, yet they are all connected. 😉
Posted in Nia | Tagged: acronyms, AMSS, BMES, body, Body-Mind-Emotion-Spirit, dance, emotions, mind, mortgage business, Nia, Nia Blue Belt, Nia Blue Belt Principle #3, Nia Dance, OLG, realms, religious spirit, school spirit, SEB, spirit, TBW, team spirit | Leave a Comment »
Posted by terrepruitt on December 18, 2012
The Nia Blue Belt Principle #6 is hilarious. Ok, the principle itself is not hilarious it is just funny – to me – that it identifies something and names it. But that is what some of the principles do for me. The principles identify something that we do in everyday life. Or they connect dance, Nia, teaching to something that is commonly known or done. This is one of the principles that we – you, me, everyone – do all the time. We – you, me, everyone – probably didn’t call it “Split, Ellipt, Blend” with a tagline of “Crafting With Attention”. Basically the principle itself (Split, Ellipt, Blend) refers to attention. As I was writing this post, I typed that the tagline in this case refers to teaching Nia, but then I realized that, while yes, the whole principle is designed to enhance our Nia practice and teaching, – as do many of the Nia principles – it can apply to everyday life. So what is Split, Ellipt, Blend?
Well, as I said it has to do with attention, so in an everyday situation you split off your attention from others and focus on yourself, you focus 100% on another, and you blend it so your attention is on both. So sometimes you might be doing something and completely focused on yourself and what you are doing. You might not even notice other people or other things around you. You are 100% concentrating. Then you hear a loud voice and it is someone, your boss, your spouse, your child, coming towards you. They have something to tell you. So you stop what you are doing and you are 100% focused on them. You are listening. Once you understand the situation and realize that it is not an emergency requiring you to stop what you are doing you go back to what you were doing yet you carry on a conversation with the person talking to you.
Split into self. Ellipt into others. Blend with.
This is something we do in class as Nia teachers. We might completely concentrate on ourselves. Waiting to receive a pearl. Thinking about the moves. Sensing our body. Then we might focus on the class. Giving all our attention to what they are doing and how they are doing it. Doing a Joy check. Asking for sounds. Then our attention could be on both. We could be receiving information from the class as well as ourselves. The “Crafting With Attention” is us being aware of the split, ellipt, and blend. And how we use it.
A few things I have mentioned before, but will repeat again, “other” does not necessarily have to be another person. You could be splitting, ellipting, and blending with your own body, with the music, with the movements, with many things. And . . . this is just barely a scratch on the surface of the principle. This is just the broad overview and it is what I understood it to be about. There is ALWAYS deeper to go in Nia and the Nia principles. And sometimes the more I do, the more I see it differently. Sometimes, not always. So keep that in mind when I post again about The Nia Blue Belt Principle #6: Split, Ellipt, Blend, Crafting With Attention. (For a list of Nia Blue Belt Principles see Terre’s post The Joy of Being In Relationship With The Nia Blue Belt Principles .
With that quick explanation, can you see how split, ellipt, blend applies to more than just a Nia Teacher teaching a class? With an awareness of it, can you see how you can use it in different ways?
Posted in Blue Belt, Nia | Tagged: attention, Blend, dance, dance class, Ellipt, Nia Blue Belt, Nia class, Nia Dance, Nia pearls, Nia principles, Nia Teacher, SEB, Split, teaching Nia, The Nia Blue Belt Principle #6 | Leave a Comment »
Posted by terrepruitt on August 30, 2012
Now, I know that I’ve been doing the knee sweep a lot longer than I have been doing Nia. So it is true that Nia’s 52 moves are not necessarily unique to Nia, but they are part of the core of Nia. You will find a large portion of Nia’s 52 moves in every routine. There are correct ways to do them, but Nia allows for the body’s way and also, I believe Nia allows for the move to be incorporated into the dance. For instance, The Nia Technique book states that the starting position for a knee sweep is the sumo stance. I am sure that I have done a knee sweep from a sumo stance at one time, but the first dance that pops into my head where we do the knee sweep it is not from a sumo position. But the by the book (oh, yeah, that reminds me, “BUY THE BOOK!” 🙂 ), anyway, the by-the-book version of the knee sweep starts from a sumo position, complete with arms in ready position and everything. Then the body rises as you come up on one leg bringing the other leg up with a bent knee. The knee crosses the midline of the body, the opposite hand “pushes” the knee out. The knee swings out so the pelvis is open. Then the leg comes down and the foot lands on the earth. That is the knee sweep of Nia’s 52 moves.
The book does not indicate that when your foot comes down it is in the toes-to-the-front position, but that is how I teach it. I don’t want my students landing on their foot with their knee out to the side. If we are just doing knee sweeps as an exercise, maybe I would have them do that, because they would be aware of the torque in their hip, but probably not.
When I was first doing this move in Nia I was trying to do it as the book shows and as many of the people on the Nia instructional DVDs do and as the instructor does (whether it be Debbie Rosas or Carlos AyaRosas). And that was with the knee out to the side very wide. REALLY opening the pelvis. But when I did that I noticed a “something” – I don’t know what it was, but it was something – in my lower back. So I decided that opening my hip that wide and having my leg out that far was not MY body’s way, so I do not do that. I share with my students that I found the comfortable spot to be about as far as my forearms can reach. I “glue” my elbows to my sides and hold my forearms out to the side. As far as they can go is as far as I allow my knee to go. That is what works for me.
Some of the time that we are doing the knee sweep it is at the end of a “up-two-three-four (knee sweep), back-two-three-four (knee sweep)”. So that would not allow for the sumo position to be the start. Other times we are standing upright. As I said, I am sure I have done it from the sumo position because I bet it is in a routine I am not thinking of. But the ones I am thinking of it is done from a walking or standing position.
The amazing thing about the knee sweep is that it calls for the knee to cross the midline of the body. So that means that if you were doing a left knee sweep (with your left leg) your left knee would enter into the right hemisphere of your body. If you were doing a right knee sweep (with your right leg) your right knee would enter into the right hemisphere of your body. It is a great thing when your limbs cross the midline. It helps stimulate the brain. So there is a reason in many exercise routines and cardio classes that we have you do “cross overs”.
The knee sweep is one of those moves that requires balance. Since at one point you are standing on one leg, you will be able to improve your balance or practice what you have. Also the moving of the leg helps with that stability. Standing on one leg helps with strength and opening the hip helps with mobility and flexibility. The knee sweep of Nia’s 52 moves does a body and brain good!
Are you familiar with this move? Have you done it before in your exercise class? Did you give it a try?
Posted in 52 Moves (of Nia), Nia | Tagged: Cardio classes, cardio dance class, Carlos AyaRosas, cross the midline of the body, dance, Debbie Rosas, exercise routines, flexibility, improve balance, Knee Sweep, Mobility, my body's way, Nia, Nia instructional DVDs, Nia routine, Nia students, Nia's 52 Moves, stability, strength, Sumo Stance, the Nia Technique books | Leave a Comment »
Posted by terrepruitt on July 24, 2012
In Nia we use the clock a lot. We don’t actually USE the clock, but we use the idea of a clock face on the ground. When we are moving and dancing we often times refer to the hours on the face of the clock to indicate where to put our feet or move our body. I had mentioned this in my post about Katas. I find that it works well when I am learning the routines. I note the “o’clocks” on my bars. I find it works well when sharing the moves in my Nia classes. And I find that Nia students appreciate having a reference point. It REALLY helps me when there is an actually clock in the room in my line of site. I know that probably sounds silly because the reason we use a clock to assist in the dance is because it is something familiar and constant, but sometimes it just helps to be able to glance up and be able to say, “Step to one o’clock.” I use the clock a lot.
Often times our stepping isn’t exactly on an hour. Often times I feel as if it is BETWEEN the hours, say between one and two, but it is still a great reference point. As with many of our moves in Nia it could be that we are stepping on the foot we have placed at a specific hour or it could be that we are pointing or tapping on the hour. Using the hours of the clock as a reference can help prevent confusion when required to state which foot is being used. Since we are moving to music one does not always have time to state, “Cross your left foot to the right diagonal and stop.” And saying, “Left right diagonal” could be confusing, so it is nice to have a set “direction” by using the hours on a clock. So I can say, “Left at 1:00” and that is even more clear than saying either one of the instructions previously stated. It is clear that the left foot is to cross over and land at 1:00.
Also it seems to even work better than just saying the directional left and right. If I were to say, “Put your left foot out” I have not actually indicated WHERE to put your left foot, but when I say, “Left to 9:00” it is clear where the left foot should go when it goes “out”. Another example is a bow, it could be executed with the leg directly behind or crossed back so again the clock adds a greater level of instruction.
Of course, the participants in a dance exercise class are watching the instructor but giving them verbal instructions allows them to do it in their own body’s way instead of just trying to do it the exact way the teacher’s body is doing it. Some people might have a LARGE clock face on the ground on which they are dancing and other’s might have a smaller one. It all depends on where they leg reaches, but at least they know what direction.
In Nia there are even moves that refer to the clock. Within Nia’s 52 moves we have a “slow clock” and a “fast clock“. So as I said we use the clock or at least the idea of a clock a lot in a Nia class.
Makes Nia sounds easy, huh? It is. And it is fun. Find a class near you nianow.com or check out my Nia class schedule on my website (www.HelpYouWell.com).
Posted in Nia | Tagged: clock dance, clock face, dance, dance moves, fast clock, katas, looking at the clock, Nia class, Nia Class Schedule, Nia Dance, Nia katas, Nia participants, Nia routines, Nia students, Nia teachers, Nia's 52 Moves, NiaNow.com, slow clock, www.HelpYouWell.com | 4 Comments »
Posted by terrepruitt on June 2, 2012
Nia is the same as many things, the more you do it the more accustomed your body becomes to the movement. When you first try swinging a bat or a golf club it seems as if there are so many things to think about. The placement of your feet, the bend in your knees, the sinking of the hips, what your hands are doing, what your elbows are doing, where your chest is facing, to move or not to move your shoulders. Then there is your head, your eyes, and – oh yeah – the ball. So much to remember. Then as you practice you forget that you even were once
having to remember all that. You are able to just “let go” a bit and play the game. Dance exercise is the same way for some. There are moves in Nia that we do, the 52 moves. At first the body might be so busy trying to do it correctly it is not allowed to play, but once the moves are learned there is time to play. In a Nia routine a move is often repeated enough so it can be learned and then the play can begin. But there is still a technique, there is still a right way to do it in order to get the benefits from it as was the intention of having the move be a part of Nia.
One of the moves that I sometimes find challenging is the Squish Walk, the way Carlos AyaRosas (FKA Carlos Rosas), told us how to do it. I had thought it was rising on the ball of one foot, then squishing that foot down, then rising on the other ball of the foot, and alternating. The imagery is that of squishing oranges under the heels. I had thought it was one whole foot on the ground before bringing up the other, but that is not how he instructed us.
His instructions were to be on the both balls (of the feet) at the same time. Not all the way up on both feet but one heel HIGH and one lowering and switching like that. The foot that is flat on the ground (whole foot) is not there long because it comes right back up. I found this method much more challenging than the one foot down and the other foot up. The method Carlos had us do tends to work the calves and shins more than the other method.
The Nia Technique Book states one foot is down (whole foot on the ground) before bringing the other foot up. Both methods work the lower legs, improving strength and flexibility. Neither method is actually a walk. We are not progressing forward. Although the squishy movement could be incorporated into a walk.
With the method in the book, I usually use the image of high heeled shoes. Lift one heel as if you are showing off a new high heeled shoe. The concentration is on the lifted heel. Then switch heels. With the method Carlos taught I think more of oranges. The concentration, to me, is more on the squish.
In the Nia routine we have been doing this past month in my Nia Classes we do something they’ve dubbed the “double squish walk” which is rising at the same time on both balls of the feet. Then the squish is on bringing both heels down at the same time. Double Squish. I just call it up on the balls of your feet, since it doesn’t seem very squishy and it is not like either method.
I invite you to try both methods of the squish walk. Lift one foot onto the ball of the foot, then set it down and lift the other foot. Alternate. And try, lifting up on both balls of the feet, then start to lower one to ground, then alternate. It is as if in one method both feet end up on the ground and with the other method both feet end up on the balls of the feet. So fun, the different ways to do the moves yet, both ways are to help condition the lower legs to help “you move safely with different speeds and intensities”. In other words be sturdy on your feet as you move and dance through life!
Posted in 52 Moves (of Nia), Nia | Tagged: "double squish walk", ball of one foot, Carlos AyaRosas, Carlos Rosas, conditioning benefits, dance, dance exercise, dance practice, dance through life, flexibility, golf club, high heels shoes, improving strength, Nia, Nia Classes, Nia Practice, Nia routine, Nia Technique, Nia's 52 Moves, Squish Walk, squishing oranges, swinging a bat, The Nia Technique book | 4 Comments »
Posted by terrepruitt on February 23, 2010
When we do a Nia routine we set a focus and an intent. In my classes I set a class focus and intent but participants are always welcome to set their own. To focus on whatever they need at that moment. I am not sure if I have mentioned it before on my blog, but a focus and an intent can greatly alter the Nia routine. Recently I subbed a Nia class for another Nia teacher, in a different part of San Jose. I had planned and practiced the routine I wanted to teach. I had a feeling that the teacher had taught it because it is a new routine and a lot of teachers tend to start teaching those right away. When I arrived I announced to the class that I would be teaching Sexi. A few of the women, voiced some concerns. They mentioned that their shoulders hurt. They said that it was the routine that made their shoulders hurt.
Well, there is so much to be said about that. Nia is designed specifically NOT to hurt. So it could be that their shoulders had been pushed too hard, but not by the routine. 🙂 It could be that their shoulders weren’t injured but were just sore. Sometimes soreness, because it is a form of “pain”, is perceived as pain that one needs to be concerned about because there is an injury instead of just the “pain” that comes with moving a body part that has not been moved in a long time or has been moved in a way it is not accustomed to. And that is just a FEW things that can be said. At the beginning of a class where there is other classes that follow and a group of people to be attended it is not always possible to give each individual personal attention required—as they would get from a personal training session. So what I suggested was for them to NOT move so vigorously.
Before we started, I gave them the option of changing the routine. I would have gladly done a different Nia routine in order for them to have a good time in their workout and to not be doing a routine they were tired of or a routine they felt injured them. But they said that it was ok, I could do Sexi. And I was so happy, because I knew it would be different. I advised them that even though we were going to do the same routine, we were going to use a different focus.
The original focus of Sexi is the spine. When the spine is mentioned one thing people might think of is the back. Even though this routine employs many movements to move the spine, with the focus being the spine one might be thinking “back”.
Well, I changed the focus to the front. The focus I set forth was actually the Fourth Chakra, the Heart Chakra. And I read out of the Nia Technique Book, as Debbie Rosas is always encouraging us to do. The book states that this energy center is affected most by the motions of your rib cage and chest. With that information it moved the physical focus to the front.
So we danced Sexi. We danced Sexi sexy. Oh yeah. With our focus being the heart chakra and the intention being to allow a connection with love, compassion, joy, and sorrow–we danced.
While we danced I reminded the group to be aware of their shoulders and to try NOT to move them in the way that caused the pain. Afterwards, the ones that had voiced concerns said they were glad that we did it. They were able to do the same routine, but change the focus and therefore changing the routine. I love that about Nia. Because the focus is different the same routine is different. Because I am different the routine is different. Because the moves are basically the same, but the focus is different they were able to get an entirely different workout. Just another wonderful aspect of Nia.
Posted in Nia | Tagged: dance, Dance Workout, Debbie Rosas, focus and intent, fourth chakra, heart chakra, joy, Nia, Nia class, Nia Dance, Nia routine, Nia San Jose, Nia Technique, Nia Technique Book, Nia workout, personal training, San Jose Nia, San Jose Nia class, San Jose Nia Workout, San Jose Personal training, San Jose Workout, Sexi, Sexy, workout classes | 4 Comments »
Posted by terrepruitt on February 6, 2010
Nia is a technique that starts with fitness and ends with comprehensive healing of the body, mind, spirit, and emotions.
Nia is to exercise what holistic medicine is to health care. It has many different components that help many different conditions such as asthma, depression, and pregnancy. Nia is movement as medicine.
Nia is an advanced form of fusion fitness—the combining of classic movement forms. It encompasses the martial arts. The healing arts (including yoga), and dance. The combination creates a synergy that no isolated technique can match.
Nia is a cardiovascular program that uses whole-body, expressive, grounded movement, rather than repetitive jogging or lifting.
Nia is adaptable to every level of fitness, every age and type of body, even those with special limitations.
Nia is a worldwide fitness movement with more than twenty six years of technical advancement.
Nia is a non intimidating way of appreciating your body—indeed yourself—in class, or in the privacy of your own home.
Nia is effective and fun.
Nia is the Body’s Way, a new way of being and living in your body.
This information is taken from The Nia Technique book authored by Debbie Rosas and Carlos Rosas
Posted in Nia | Tagged: body's way, Body-mind, dance, health care, holistic exercise, Nia, Nia Dance, Nia fitness, Nia Technique, Yoga | 2 Comments »
Posted by terrepruitt on January 28, 2010
I am not a Twitter expert. I’ve said that before. I learn something everyday. I have learned a few things and I thought I would share them with you since some of the people that read this are actually new to Twitter.
Twitter allows 140 characters. My advice:
1—When you tweet a link to something, give a little explanation of what readers will find once they click that link. If not a description, some words that might give them a clue as to what kind of link it is. As an example, “I love animal videos.” or “Don’t you love dance videos?” or “Here’s an article on fitness.”
2—If you want to type something along with your link you might want to use something that shortens the link. I use TinyURL.com or bit.ly. The link can be copied into the site and the site shortens it for you, and you copy and past it into your tweet.
Some programs like HootSuite and TweetDeck have “shorten links” built into them. On HootSuite you have to copy the link into the field (highlighted in the picture in pink) and click “Shrink It’. With TweetDeck you can opt to have links shorten automatically (see the little box next to “Auto Shorten URLs?”).
HootSuite
TweetDeck
Which brings me to #3.
3—Sometimes you might not want to shorten a link. Sometimes I don’t like to shorten the link because the link itself helps explain what the user will see when they click on it. Or I want people to see the name of my blog (http://terrepruitt.com) or the name of my website (http://www.helpyouwell.com/). I think it is good to put the names out there so people can remember it.
I believe there are reasons to shorten and reason not to, but, if you never knew you could shorten you wouldn’t be making a decision for yourself, right? So I am sharing with you here.
4—Don’t send auto DMs* when someone follows you. Even when you try to make them look personal, they are not. Everyone knows it. Especially when you are following the person because they followed you first, then you get a DM that says, “I’ll follow you back.” Uh, yeah, right.
Anyway, these are just a couple of things that have come up recently with new Twitter users so I thought I would share it with you. What URL shortening program or site do you use? Are you an auto DMer? Thanks for stopping by.
*DM = Direct Message
Posted in Twitter | Tagged: animal videos, Auto DMs, dance, dance fitness, Direct Message, fitness, Help You Well, helpyouwell.com, Hootsuite, Terre Pruitt, TerrePruitt.com, TweetDeck, Twitter, Twitter expert | Leave a Comment »
Posted by terrepruitt on December 31, 2009
So here it is the end of the year. I have been blogging since March (2009). I have posted 130 times. This is 131. I thought I would end the year with a review of some of my favorites and according to the numbers some of your favorites too. Here they are, not in any order:
Lyrics Gone Wrong . . . I had entertained the idea of doing this once a month, but after the second month I ran out of songs to play with.
Interesting Picture – Marilyn Monroe Albert Einstein . . . I LOVE optical illusions and this one is a doosey.
Hummingbird Tongues . . . they still fascinate me and I am still surprising people with the fact that the birds have tongues and use them more than the beak is a straw. And usually they tongues dart in and out so fast it is a rare treat to catch it out for a picture. Yay!
A Poem Says A Lot . . . Fabulous! We Have Come To Be Danced . . .
Nia Belt System . . . Before you can move onto the next belt they say a year must pass. You do not have to get involved. It is a great workout without being involved with the belts. The belt system only comes into play if you care to get that involved in Nia. Nia’s belts mimic some Martial Arts; white, green, blue, brown, black. I am learning so much with my White Belt, I can see myself waiting at least another year before I move onto the next belt. There is so much to learn and enjoy in each belt, I am not in a hurry.
Say: “I Am Wonderful” . . . I like to say this, I like to hear this song. I like to remind people to go to iTunes each week to download the free song.
A Brief Look At Nia . . . still excited to share Nia with people. It is a great body-mind practice and a workout that can make you sweat yet not really feel like exercise. It is learning to follow the body’s way.
Wrapping Tips . . . WHAT? I was shocked that everyone did not read my blog. On Christmas Day and the day after the bags and bags and bags and bags of wrapping trash that I saw on the curbs just blew my mind. In this day and in these times, I was just utterly flabbergasted that people don’t re-use the wrappings. It amazed and saddened me.
My Favorite Mugs . . . so I found out that not everyone got my little joke. Ya know, back in the day (what day, I don’t know), they used to call faces mugs . . . get it now?
The Seven Cycles Of A Nia Workout . . . The workout has cycles, somewhat like Jazzercise. I like to share this aspect of Nia so people have an idea of what a workout class will be like. We set a focus and an intent, step in, warm up and move all the way through the cycles to the floor, and then we step out.
Well, thank you so much for joining me on my blog. I hope that you continue to read, I hope you enjoy and learn. I learn from your comments so keep them coming. Thank you for a great year. Here is to the NewYear.
But . . .before we jump into the New Year, share with me what your favorite post from my blog was? AND/OR give me ideas on what you would like to see posted in the New Year.
Posted in Misc | Tagged: Albert Einstein, Bay Area Workout, Belt System, Black Belt, blonde sex symbol, Blue Belt, body's way, Body-mind, body-mind practice, Brown Belt, Carlos Rosas, cats dancing, Christmas, Christmas Day, coffee mugs, cool down, cycles, dance, dancing cats, Debbie Rosas, exercise, floorplay, Free download, Free iTunes, free iTunes download, free song, Gary Go, gift bags, green, Green Belt, Healing exercise, Healing workout, health, heaven dance, Humming bird, Hummingbird, hummingbird pictures, Hummingbird tongue, I am wonderful, iTunes, Jazzercise, Jazzercise San Jose, Jewel Mathieson, lefty, Lyrics, March 2009, Marilyn Monroe, martial arts, Martial Arts Belt System, mind body, Mugs, Nia, Nia class, Nia exercise, Nia exercise class, Nia play, Nia Practice, Nia routine, Nia San Jose, Nia teachers, Nia Technique, Nia workout, Non-Impact Aerobics, Painted Glove, Personal Trainer, Poem, San Jose, San Jose exercise, San Jose Nia, San Jose Workout, San Jose Yoga, sanctuary, sex symbol, theory of relativity, tongue, warm-up, We Have Come To Be Danced, White Belt, Working Out, Workout cycles, workout routines, wrapping paper, Yoga | 4 Comments »
Posted by terrepruitt on December 19, 2009
Nia White Belt Principle #1 is The Joy of Movement. Debbie Rosas and Carlos Rosas were in the fitness industry back in the 1980’s when they felt the pull to do something different. From what I understand they didn’t know exactly what they were going to do. They just were seeing a lot of injuries in the aerobic industry and decided that working out in a way that injured one’s body was not the right way to be working out. They decided they wanted to workout in a way that allowed for honoring the body and for appreciating the body.
Debbie and Carlos did not just meet one day and decided to put a bunch of things together and “Voila! There is Nia!” . . . . it grew out of years of learning. As you look through information regarding Nia you can see some of the transformations it has gone through. Nothing big enough to make you think that it is not what it was when it start, but there are some changes. But one think that they found constant from the beginning was an incredible feeling of Joy.
They recognized that as a special element of Nia. They also recognized that as more of a sensation than a feeling. They determined that it was something that the body actually sensed when it was allowed to move as it was designed to do. Joy could be used as an energy to fuel the workout. Joy, as a body sensation can be called upon no matter what one is FEELING.
The Nia White Belt Manual explains how Joy is more of an attitude toward the body, and attitude toward life. When you sense this Universal Joy you work to stay connected to it.
In a workout or a dance you can actually choose to have Joy be your energy. Then you sense Joy as a sensation. While you are moving thoughts and feelings might come into your workout / dance, but ideally you are just noticing them but not dwelling on anyone in particular. And you are retaining the Joy.
You are encouraged to sustain the Joy and the way of moving that allows you to sense Joy. If you feel Joy slipping or that you are no longer sensing the Joy of Movement you can tweak what you are doing, the way you are doing it, to increase that sense of Joy.
During a Nia workout the teacher guides you through the moves of the routine, but it is up to you—the participant—to move in a way that brings you Joy.
If you remember anything about Nia, remember this: that the soul of Nia is the Joy of Movement. It is the physical celebration of the body.**
**Direct quote from The Nia Technique – White Belt Manual by Debbie Rosas and Carlos Rosas March 2001, V3
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