When I was younger I remember many people saying that “once you go to a chiropractor you always have to go”. Maybe you have heard that. I still hear people say that. Back when I was young I don’t think a lot of thought was given to that statement. I know I didn’t think about it much, I just had heard it so often I believed it was true. At one point in my life back then I considered myself to “have a bad back”. Being in so much pain once I found myself at a chiropractor. This was all a very long time ago so I don’t remember all the details. I guess they did SOMETHING to make me feel better because I left and must have felt ok. But before I left he prescribed something outrageous like I would need to visit him three or four times a week in order to take care of it. Again, fuzzy on the details, but I know I never went back to that guy. I do remember having medical insurance at the time that would pay for a portion of my visits if I visited a doctor on their list. So, I found one, I believe he was on the verge of retiring and was not interested in seeing people more than he really felt was necessary and he did not think I needed to be seen more than once a week. But I do remember that by the time my next appointment came around I was ready. I think my issue was, and still is, stress or tension. I don’t have a “bad back”. I hold my stress in my upper back. Well, after I had seen a chiropractor I came to believe the saying “once you go to a chiropractor you always have to go” is true. It is because that once you go and you get relief then you always want to feel that good so you “have to go”. But now I also know that there are a lot of things we can do ourselves to either bring relief or make sure we don’t get in a state where we need it in the first place.
One of the things I was doing back then was holding the phone in the crook of my neck and shoulder when talking on the phone. I worked in the mortgage business and like many businesses when you get a phone call you don’t stop working, you keep working because you are having to look at information while talking. After I had been to the doctor I decided I was not going to hold the phone like that any longer and every place I worked after that I got a headset. Ever since then I’ve had had headsets for my home phone, too. That ONE thing alone brought HUGE changes in my back. I never hold the phone in the crook of my neck and shoulder.
But occasionally I still allow the tension to rest in my back. I have been fortunate enough to have someone help me with my back when she is available, but she is not always available and so I try to work on it myself. As I said, I believe a lot of it is making sure we don’t allow our bodies to get into a state where it needs work, but that is not always possible, but there are still things we can do. If you have read a few of my posts you know I have a tendency to scrunch my shoulders up towards my ears. That is a major thing that causes my back to hurt, so I really work on keeping my shoulders down. Also, I work at sitting up straight, which is not easy for me because I like to sit on a leg folded under me.
Aside from plain ol’ not doing things that cause issues I have been doing some things that tend to help my back by keeping the muscles loose and the vertebrae lengthened and relaxed. Often the floorplay in Nia helps with keeping my back loose, but the Nia routine that I have been doing the past few weeks does not have that type of floorplay in it so I am doing other things. My old friend the Downward Facing Dog is a great help for opening the back and releasing the spine. Doing the Downward Facing Dog at least a dozen times as part of a sequence is a great help in keeping my back loose.
Also the Pyramid Pose/Intense Stretch Pose (Parsvottanasana), which I mentioned in my Muscles Used In Nia During Yoga-like Sequence post. When stretching the crown of the head out and over it really does a great job of creating space in the spine. Since my discomfort seems to manifest in my upper back, moves or poses that have me hanging over do a fantastic job of opening my cervical and thoracic spine.
Another “hanging” pose that I feel does a nice job of relaxing my joints and muscles is the simple fold. Just folding over and letting the body hang. Either the ragdoll or the forward fold. Doing both types of hangs, with a relaxed back and a straight back, works to create the sensation that I want – space, space, space, and more space in my spine. The space in my spine helps to relax the muscles that hold the tension.
As I was doing some side bends today, I actually heard my back crack. On each side I heard it crack. While I am not a fan of hearing my body snap, crackle, and pop, I take my back making that noise as the vertebrae getting back into place. When I can move my bones back into place and not have someone else do it, that makes me happy. It is what I have come to think of as self-healing. One of the side bends I have been doing consist of bending to the side while holding my arms over my head with my hands clasps. The other is holding my wrist as I bend.
So I am excited that I am working on my back myself. I have to say that I have not had back pain, tension, or even discomfort in the last two weeks. Yay. I know that I am not the only one that holds stress and tension in the back. So I was hoping sharing some of the things I have been doing to give me relief might help you too.
Do you have issues with your back? Do you hold stress in your back? What do you do to bring yourself and your back relief from your discomfort?
While Nia is not yoga nor is it a yoga class we do borrow from Yoga. We borrow some of the ideas and sometimes some of the poses. In one of the Nia routines we do the Warrior II (Virabhadrasana II). We do it both static where we just rest into it and we move in it, we bend our bent leg more and sink into it and come up. Then we do the Extended Side Angle Pose (Utthita Parsvakonasana), then a version of the lunge, which depending upon your body could be a variation of the Low Lunge (Anjaneyasana), or the High Lunge (Utthita Ashva Sanchalanasana), or the Warrior I (Virabhadrasana I) – all without the backbend. Then we straighten our leg into the Pyramid Pose/Intense Stretch Pose (Parsvottanasana). With these poses we are using a lot of muscles. The muscles can be challenged in strength, stability, and/or flexibility. It all depends are your body at that moment.
When we do the Warrior II pose in this Nia routine the arms are extended out to the sides, opposite from each other, the hips, torso, chest, and shoulders are facing the mirror/front, while one of the legs is bent at a 90 degree angle and the foot is in line with the arm. The other leg is straight and the foot is slightly turned with the toes pointed toward the body and the heel pointed away. Of course participants have the option of having the foot at a right angle, but for this dance it is led with a slight angle. Even with that slight variation it is working the glutes (all of them), the thigh muscles: inner, outer, hamstrings, and the quadriceps, and your calf muscles. And for some, like me, who have a habit of scrunching the shoulders, it works the rhomboids while holding up the arms and keeping the shoulder blades down and pulled back. This is true for many yoga poses, that is why it is so great for encouraging straight posture.
Then for our Extended Side Angle Pose the arm, on the same side as the bent leg, is lowered, forearm to the thigh, the opposite arm is raised towards the sky and extended to a position that puts the arm next to the ear. There are options to stay in this modified Extended Side Angle or to move to another modification by removing the forearm from the thigh and placing that hand on the earth next to the inside arch of the foot. With this pose the primary work is in the bent leg. It is another pose that works the hamstrings and thigh muscles. Through the back of the straight leg and all along that side of the body there is a wonderful stretch, which is greater and more wonderful the better the body is as keeping the shoulder blades down and the back straight (not leaning forward).
We then move into a lunge with many options. As with all movements in Nia the responsibility falls on the participant to decide what it is their body is able to do and needs to do at that moment. We start off by placing the hands on the ground and straightening the foot on the leg that was straight in the Extended Side Angle Pose to be parallel with the foot on the bent leg. Then gently bring the back leg down resting the knee on the ground. As I said, many options so many places to go from here. One can stay here in Low Lunge (Anjaneyasana), or do a moving lunge by moving up and down, or go to High Lunge (Utthita Ashva Sanchalanasana), or come into an extended Warrior Pose I (Virabhadrasana I) with the arms up but with a parallel back foot and a straight back. Here the body receives the benefit of a lunge no matter which one the body does. If doing the extended Warrior Pose I like pose, the glutes and thigh of the bent leg are getting a great deal of work, while the straight leg’s foot parallel to the other foot results in a slight change in the muscles being worked and stretched than with the angled foot position of a traditional Warrior I. The inner thigh gets less work while the work and stretch shifts almost entirely to the back of the leg, the hamstrings and calf. The arms extended up in the extended Warrior Pose I allows for work in the spinal extensors, deltoids, lats, and traps . . . . basically a lot of muscles in the back, including the ones that keep your shoulders down. With the crown of the head reaching towards the sky abs get a stretch too.
Moving from whichever lunge was done to the pyramid where the bent leg is straightened and the crown of the head is reaching over the leg while back is straight and chest is on or close to the straight leg. Of course, variations are offered and participants do what is right for their body to remain in the sensation of Joy. With this pose the sensation experienced is a great stretch. The leg to which the head/chest is close to get the largest stretch in the back. If the body is active with the leg and working to keep the knee cap up then the quadriceps will be engaged. The spine gets a nice stretch because the crown of the head is being reach over and down. The back leg might also feel a stretch in the hamstrings if the body is like many people’s and has tight hamstrings.
This is a small yoga-like sequence that we do as part of the cool down cycle of one of the Nia routines. Again, since Nia is not a Yoga class there are many options and variations that are offered that might not be part of a yoga class teaching strictly yoga. With all classes whether it be Nia, Yoga, Zumba, Jazzercise, whatever, the goal should be to give your body what it needs at that time. Bodies are constantly changing so the needs do too. The idea is not to force the body into a pose, but to allow the muscles and bones to sink into the pose, finding strength and flexibility along with openness in the joints and that constant sensation of Joy. This is a little review of movements that are Yoga or are very similar to Yoga, to explain some of the muscles we use in Nia.
Can you see how Nia can improve strength, stability, and flexibility?
I have posted about Nia FreeDance before. Nia FreeDance is meant to encourage creativity. In Nia routines sometimes we have entire songs that are FreeDance. Not all routines have an entire FreeDance song, but all routines have at least one part as FreeDance. The one part could be that our feet have choreography and our arms and hands are free to move. The creativity is released. As the 4th Principle of the Nia White Belt it can also be used as a tool to help a Nia teacher learn a routine and/or explore his or her practice. The principle has 8 stages. The third stage of FreeDance is Feelings and Emotions with a catch phrase of: Pretend, Fake It, Act As If. This is the stage where you pick an emotion and you act it out. This is not the same as stage 4 where you draw on the real you and you act out a story you have experienced, this stage is pretend.
The idea of stage 3 of Nia FreeDance is to pick an emotion, a feeling and then act it out. Pretend you are feeling that emotion at that moment. This would be practice or play outside of a class setting where you are doing a routine. So when using this tool as a way to grow and create you aren’t even expected to dance. The exercise is to pick an emotion act it out for a bit, then pick another emotion. Acting and explaining the feeling with your body in an exaggerated way. If it helps create a story in order to fake that emotion. It can be somewhat fun because normally when you are angry you probably would not throw yourself down on the floor and kick and scream, but when we are pretending to be angry and acting “as if” you can. You can throw an angry punch. You can run and jump for joy. You can do anything you would like and since it probably wouldn’t be something you would be “allowed” to do in society it tends to spur creativity. And this creativity gets your body moving in news ways. It gets your heart pumping. It gets your blood moving. It gets your joints juicy.
I used this stage not too long ago as the focus of a few of my Nia Classes and it turned out to be very interesting. So within the class setting we actually danced our pretend feelings and emotions. We continued on with the routine we were doing at the time, but we added our “act as if”. So it altered our movements a bit. We allowed ourselves to follow the emotion so as we were dancing steps and hand movements might have been changed, but we still danced. As I said it was interesting because my class did not want to act the “negative emotions”. Some had a difficult time with some of the ones we deem as “negative” or ones that go against one’s normal self. We danced: keeping a secret, letting a secret go, happy, loopy, light, jealous, worry, love, angry, masculine, annoyed, bashful, brave, calm, childlike, guilty, fearless, and more. We tend to assign negative and positive, but they just are . . .I think that we can look at an emotion and or a feeling and it can be neither, but as we live with it it could become one or the other. If we let it affect us in a negative way, then maybe it can be perceived as a negative emotion?
The Embody and Share portion of the Nia White Belt Manual states: “Emotions are energetic responses to our experiences. We must learn to deal with our emotions to keep ourselves free and unblocked.” So my thought process is, that if an emotion “blocks” us or causes us stress then we consider it negative.
People didn’t like the emotions they felt were negative. There was a tendency to not pick them from the list I had displayed. But I think they are good for exploring movement. So it’s fun to play with them all. Remembering it is pretend, we are faking being (whatever the emotion is that we chose), we are pretending.
Well, what do you think? I invite you to make a list of emotions and feelings, then put on some music. Pick an emotion/feeling from your list and move to it. Stay with it until you are ready to move on and then pick another one from your list. Do this for a few songs. You might be surprised at your movements. You will probably be able to create ways to move that you didn’t realize. When you are not thinking of your movements it allows your body to release and —- ahhhh! —- movement creativity. Go ahead, you can do it. Let us know how it goes!
Nia routines are choreographed movements to music. Nia’s choreography is pretty. In fact in many cases it is beautiful. Most Nia katas are based on the 52 Nia moves. Steps and moves have been carefully selected to fit with the music, for the most part. There are times when we are invited to just dance without a design. No matter the choreography we are always encouraged to dance in our own way–and that just might not be “pretty” to some people. The body — our bodies — the human body is put together in a specific way. Our parts are connected in a specific way. Movement is allowed and restricted by the way the body is constructed. Some bodies cannot move as was intended. Some bodies might have actual physical limitations that do not allow for soft, fluid, “pretty” movement. For some lifting their arm over their head might cause discomfort. It could be that they are not accustomed to lifting their arm that high so it might not be easy—at first. Some might have tight hamstrings or other muscles so their movement might be less than natural. But Nia is a journey, a practice. Over time the joints will loosen with practice and/or the muscles will become more flexible and be able to move with ease. It could become “pretty” or not. Nia might not be pretty, but it is authentic. It is not a performance. It is how our bodies move. Your body, my body, not the same body so we will move differently and it could be pretty or not. What I might think is pretty you might not. Let it be authentic.
Some bodies have other types of restrictions, could be mental or emotional. It could be, having been taught all her life “ladies” don’t move their hips “like that”, there is an automatic stop placed in her mind so her hips don’t thrust or gyrate. It could be that she thinks that movement is “ugly” so she won’t allow her body to do it. It could be that chipping away at that barrier will take time. And the learning might not be “pretty”. It might be choppy and not happen all at once. It could be that there is an emotion attached to a particular movement. An emotion can act as another type of mental block and not enable or allow the Nia participant to move as the body was designed. And that could, in turn, result in something that isn’t “pretty”. Nia might not be pretty, but it is authentic.
It could also be as previously mentioned — some have an idea of what moves are “pretty” and what moves are not, so for them maybe the “ugly” moves should be kept off of the dance floor, but Nia is not a performance. It is authentic movement of the body.
It could be an arm-raising, hair-whipping, sweat-dripping, face-reddening, body-jiggling, foot-stomping, voice-howling, eyes-crying, heart-softening, spirit-raising, mind-opening, body-moving dance exercise which, to some, just might not be pretty. It is not a show, it is not a performance it is a movement, it is a practice, it is a dance, it is an exercise, it is a workout, it is an experience, it is authentic. It is what you allow your body to do. It is what you want it to be. It is what you sense.
When we allow our bodies to move in an honest way we defer to the body’s intelligence. The body speaks to us, but we need to listen. It will tell us if what we are doing is causing pain so we can tweak the movement and move towards pleasure. Also we can learn which areas of our bodies would benefit from more flexibility or more strength if we listen. All the while, to someone who is expecting a performance this might appear “not pretty”. But to those who have experienced the freedom of listening to the body’s intelligence we see it as beautiful. We know there is a path, there is a journey.
I personally feel that it is beautiful when a participant moves to the music in a way that only s/he can move. Sometimes I might catch a glimpse of one of my Nia students and I have to remind myself that I too need to move according to the sense of the music because otherwise I would stop and watch. It is an amazing wonder to witness a surrender to the music. To some it might not be “pretty”, but it is truly beautiful. So dance your dance. Dance in your body’s way. Don’t judge. Don’t worry about if it is “pretty”. Movement is a glorious and beautiful gift to be enjoyed and not stifled. Let your movements be authentic and don’t worry about those who might think it is not pretty.
I never wanted an iPod or a cell phone until I started teaching Nia. After I got it, I realized how great it is to be able to create playlists from Nia routine music and not have to burn a CD. Same thing with a cell phone, I have a business so I have a cell phone. I don’t really need a cell phone, but a business does. A business needs to have a number to use for business. Which brings me to . . . when I first met my husband he was a “Mac” man. Always had been, always would be . . . . . until, that is, we moved in next door to a guy who gave us a computer that was not a Mac. Then all of a sudden my hubby had something new to learn. He decided to learn how to put computer components together to make a personal computer. He realized that he could buy all the parts and put it together for a lot less than a Mac costs. PLUS the money spent would allow him a machine that would be faster and more powerful than the least expensive Mac. So we got rid of our Macs. Then the iPhone came out. At about that time I was thinking about getting a cell phone and I would need something to play music AND . . . . it was a new toy for hubby to have. So we got iPhones and they stoked the burning embers of love for Apple that had never actually gone out in my hubby’s heart. THEN he started working at a Mac company . . . you know one of those companies whose computers are Macs and not the “other” ones. Then there is the iPad. (eyes rolling). Whenever I have a problem with either of my “i-s”, my hubby says, “Well did you flash it?”
When we first got our iPhones, they had a few issues or kinks, whatever you call them it would often not work properly. My husband being familiar with Macs figured out how to “Flash” the phone. He said it resets the parameter random access memory. This is the memory that is stored which allows the for quick start-up. Since my iPhone frequently went squirrelly back then, I got really used to doing it. I would do it probably at least once a week without being prompted. Then with one of the updates it went away. It either went away and then came back with another update or it changed. I actually think it went away, then came back different. The way the device responded when flashed was different so it seemed as if it was not going to actually do it. Whatever the actual case was, I got out of the habit. Plus the phone stopped being so buggy. So not only did it change so I thought the option of Flashing wasn’t there, I didn’t need to do it that often. So I forget that I can do it and sometimes need to do it.
Have you ever worked for a company that has an IT department? When you have a computer issue what is the first thing the IT department asks you to do or ask you if you did it? “Turn it off then turn it back on.” Right? And then even once you do that, if they have to come to your work area to work on the computer that is the first thing they will do again. So we are all used to turning electronics off than on again, right? That is the FIRST thing we do. Well, flashing it is not quite turning it off and then turning it on. It resets the PRAM.
Yesterday I wanted to listen to the music for a Nia routine for class, I plugged my little iHome Speaker into my iPad and it didn’t work. I rolled my eyes and thought, “Well so much for that.” I got my iPhone to see if the speaker worked with that. It did. So I plugged my earbuds into the iPad to see if they worked. They didn’t. So I just figured I broke it somehow. I mentioned it to my hubby when he was on his way home from work and he said, “Did you flash it?” I felt so silly for not having done it that I said, “Well, of course I did because that is always the first thing you ask.” And then I went on to say that I didn’t and I hung my head like a scolded puppy.
I forgot about it until today and guess what? Of course. I flashed the iPad and my speaker works. I got so caught up in telling my story that I almost forgot the point of this post—to tell you how to flash your phone. Sometimes the rewritable section of memory get to full or a little messed up so it needs to be reset. For the iPhone and the iPad, you hold the On/Off button down at the same time as the Home button. Hold them both down until the screen goes blank AND the Apple logo appears. Then let go and let the device do its thing. Then it will be ready to wake up again shortly. See if that works for you the next time your iPhone or iPad is acting buggy. I don’t know if works for the other iProducts. But it has always worked for mine . . . . . when I remember to do it. 🙂
Nia is a cardio dance workout. We turn on music and we dance. We have Nia routines that we do to certain music or we can put the patterns to different music. We are not limited to these two choices this is just an example. We dance to music, we have fun, we don’t even realize we are exercising. To me, it is “like” Zumba in that way. But Nia is a practice. Nia has different levels and each level has principles. If you choose to experience the different levels you can, but even if not the principles of Nia can be applied to the workout and to life. To me, Nia is like Yoga because of the fact that some of the “stuff” you do in a workout can be applied to life. Since the ideas and principles of Nia can be applied to life they are not necessarily “new”, most of it is not made up by the creators of Nia. Some of it you might recognize and have heard elsewhere. It is the way it is applied and put together. I have stated this before . . . that things are not new, so you aren’t imaging that. I do like to repeat it because a lot of people have not heard of Nia so they might think it is something new and “way out there”, but it is not, it is based on science and things you know. Some of the things I am learning are things that I have to continue to “practice”. 🙂
Here are a few of the things, in no particular order:
–It is ok not to be perfect. That is not really the way we state it when we talk about it, but I have started many posts with what we really say and maybe one day I will post one, but I am not ready to deal with the spam and odd comments I might receive from our actually verbiage of this same idea. But basically we don’t have to do things perfectly. Which is really great because there really is no such thing.
—The Four Engery Allies are always something I am having to practice. (Speak with impeccability / Don’t assume anything / Don’t take anything personally / Always do your best)
–Even silence is music. We actually practice listening for the silences in our music. A lot can happen in a silence, it could be a birthing place for something spectacular. Or it could just be a place of rest and calm. Either way it is sometimes something to look forward to.
–Natural Time is a gift. Moving and living in ones own natural time and not having to do everything by the clock that society runs on, is not always possible. There are some things you just have to do, so when there is an opportunity to move and live in natural time I take advantage of it and I consider it a treasured gift.
–Live in the moment. I am always doing one thing and thinking another. We live in a society of multi-tasking. It is celebrated and even rewarded, but it is not joyful nor rewarding. Sometimes I forget why I walked into a room because I started walking there to do something and then after the first two steps my brain has already jumped to the next task. So I arrive in the room thinking, “What am I doing here? I know what I want to do when I am done with why I came in here, but I don’t know why I am here.” So this is something I am always having to practice.
All of these things are things we learn in our Nia workout. We don’t have to dance perfect, we have our energy allies when we dance, silence can be part of our movement, we move in our own natural time, and we move in the moment and dance to the music. All of these things work in and off the dance floor. So Nia teaches me a lot and it continues to teach me.
Music is a great motivator. Often times it is used to set a mood. Sometimes we even use it to memorize things. I’ve been putting on Lady Gaga’s album, The Fame or Katy Perry’s Teenage Dream album to do my Ten Minute Workout to. Such fun songs on both the albums. As you know the workout is only ten minutes so I don’t get through much of either album during the workout. Somtimes I am in a middle of a song and I just say or I’ll do some additional sit ups or whatever I am sensing I want more of. If not, like when I’m in a hurry, I carry the music about with me.
I often listen to Nia music (music that we use for Nia routines) because I am always wanting to learn it better. Or I am trying to learn a new routine (and sometimes that takes me awhile). But I don’t like to do a timed set of exercises to Nia routine music because I get distracted and start doing the Nia choreography or something else pops into my head and I move those moves to see it they fit. I do the same thing with other music — dance to it — but at least if I am doing specific moves new/other moves don’t pop into my head as with Nia routines which are always in my head so they just kind come out. 🙂
So this is MY placeholder. I will be back to report that I did my workout. What about you? How are you doing with it? What is your favorite song(s) to workout to?
Ha! I am done. I was done awhile ago, but when I logged in to post I had a comment and I wanted to answer it. And as you can see it is longer than the original post. HA! I always do that when I comment. I do it on other people’s blog. My comment is longer than their post. Now I am doing it to myself!!!!
Well, anyway, today I did my little workout to Prince. What about you?
I believe that I have mentioned before Nia allows us—even encourages us—to do routines with different focuses. I know I have posted about focuses before. This past week I led my classes in the Nia routine called Sanjana. I believe this is a routine created by Debbie Rosas NKA Debbie Rosas-Stewart. It is an awesome routine (well, yeah . . . its Nia). I decided that I would do one of the nine movement forms per class. I know I have posted about Nia’s Nine Movement Forms before, too. I had used some of the movement forms previously with this routine, so I decided the ones we did this week would be ones I had not paired up with Sanjana. Monday in my San Jose Nia class we did the ideas of Moshe Feldenkrais. For Wednesdays Nia class in San Jose we utilized the energy of Tae Kwon Do. My Los Gatos class on Friday experienced Sanjana with the Modern Dance flair.
I love this about Nia. I love that doing the same routine, but doing it with different energies allows for different movement, different sensations. Each movement form has its own energy, that is how we apply them to a routine and come up with something unique. I chose Feldenkrais for Monday because often times participants are a bit sleepy on Monday mornings. Sometimes we prefer something that moves us but something more along the lines of a stretch or a healing art. It could be that too much was done over the weekend or not enough, so Mondays are a little different. With this conscious movement as our guide we were able to focus on the sensation of the body as we moved. The dance was conscious. We could concentrate on areas that needed attention, either from the over-use during the weekend or lack of use. Whatever the case, the idea is ease. Move with ease into one’s own power and strength. This is a gentle movement form but that does not mean it is not intense. We can still move our bodies to get a great strength and/or cardio workout when playing with the healing arts, but it is with greater awareness.
By the middle of the week, Wednesday’s class was perfect for Martial Arts. Nia students have “recovered” from the weekend so the whole body can be used. We have the strength to utilize the power of the Tae Kwon Do energy. The dance can be precise, by this time of the week. Two days are behind, only three are left (class is in the morning), the desire and focus needed to push on is there. Sanjana has great opportunity for dynamic ease to be exercised. There are katas that allow for the fluid moves of martial arts with dance, kicking, punching, blocking, and striking. In fact the “Exercises” listed in The Nia Technique White Belt Manual* under the Tae Kwon Do craft seems as if they were written expressly for Sanjana.
Friday, unknown to me at the time I planned my dance week, was a great day to do Modern Dance. With the tsunami that hit Japan over the night (Thursday night for us, Japan’s Friday) it was a great time for dance. Modern Dance calls you to express yourself. This movement form is one of imagination. You can be big and/or small, fast and/or slow, a tree, a rock, sand, water, air, even a feeling. People can truly dance whatever they want. So while we are still practicing our stances the feelings put into it are those of the participant. Movements led by me are executed by whatever sense is being experienced. Many people had different issues and feelings to work through. Even if some of those feelings were a celebration with the understanding that life is short and precious so we need to celebrate what we have while we have it. This form is that of balance–both on and off, flexibility, strength, power, drama, emotions . . . whatever fits. It was a great way to let our bodies move while our hearts went out to all that were affected.
Nia is awesome like that. We danced the same routine for all three classes this week. With each class it was different while we paired up the routine with different movement forms. While the movement forms were able supply the energy, the “feel”, the sensation that was required for the day.
(Thoughts and prayers go out to ALL that are/were/and will be affected by the earthquake in Japan on March 12, 2011 and the subsequent tsunami.)
I teach Nia in the San Francisco Bay Area. One thing I am trying to do is increase awareness of Nia and also, at the same time, increase my class sizes. So recently I hosted a Playshop in San Jose at the studio in Willow Glen where I hold my Nia classes. My topic for the Playshop was some of the 52 Moves of Nia. It was a success. I felt good about it, even though I put my students to work.
I had spent a day and a half or so preparing what moves I wanted to go over in the Playshop and what Nia katas from the various Nia routines I wanted to use in the Nia Class. I wanted the class routine to include all the various moves we explored in the Playshop. I spend a couple of days between doing other things reviewing to make certain I was comfortable with my presentation and to make certain I could get through it within the allotted time. So I was confident the Playshop and the Nia Class would go smooth. What I was nervous about was being able to get in and set up.
If you are a teacher of almost anything, you know that here is time needed to set up. Showing up early to set up and be ready to greet your students is not always possible with the time allowed in between workout classes. In exercise class situations sometimes there is NO time in between classes. They are scheduled to end on the hour and start at the same time. So I had scheduled 15 minutes in between, but there was still things that needed to be done and I wasn’t wanting to rush the class before us out.
So I came up with an idea . . . . now, I would bet I am not the only one to come up with this and I bet if I were to do minimum research I would find all the “Planning a workshop” information to tell me exactly this, but I am still going share it.
I realized that I could put my students to work! So I did. Most of the time people are more than willing to help. One of my students showed up really early—before me even. So I knew she was ready to do something. So I set her on one task. Then two of my students who I had been plotting to do this work all along were assigned tasks.
This assigning of tasks can also be connected to my post about “If You want something done right“. Because I had to be willing to “let go” and let my students do the tasks. And I have to say they did them beautifully. I was so proud. I was proud of myself for having thought of having them do it and I was proud of myself that I just let them do it. And I was especially proud that they did it so well. I believe they did better than I could have–it was awesome.
It was a great learning experience for me.
My hubby (thanks, Hubby!) also came to help. With him mopping the floor and some of my students setting up the room, I was able to concentrate on the participants coming in that needed to sign waivers and get settled. All of this allowed us to start on time . . . which allowed us to end on time — for the Playshop at least. The Nia routine I put together was a little longer than an hour so we went over on that. But all-in-all it was my students that allowed me to have a successful Playshop.
So today (July 31, 2010) was the Nia Jam and it was the third one that I have taught in. Cool. It was awesome. I just have to say, “Ahhhhhhhhhhh!” I know many of you feel this way because I see you post it in blogs, on Facebook, and in tweets. Just “Ahhhhhhhhhhh!” When you are with people doing what you love and they are doing it too! The Nia Jam was so beautiful and awesome. There were teachers from all over and we just danced—-and our students let us and they followed along. It was magical.
One of the creators of Nia is retiring at the end of this year. I must admit that I don’t really believe it (yes, probably denial). I mean, I believe he is leaving and I understand that, but I don’t believe that he will not be pulled back—by his own heart—into being involved somehow. I can understand that he is ready to move away from the day-to-day and all that it must involve, but I have hope that he will be doing it somehow. I picture him teaching in the city to which he is moving. I guess I will see.
The focus of the Nia Jam today was a celebration of Carlos AyaRosas. We did a jam using katas from his routines. Our intent was a thank you and a gathering of “Carlos” energy. I felt that we did a great job. I felt that our hearts were alive with gratitude for the dances he has created for us and for Nia. I felt there was a lot of “Carlos” energy! I have a feeling that he would have been honored and he would have been proud of us for sharing our love of Nia using his katas.
A Nia Jam is a great way to experience Nia. Teachers gather to co-teach. Once the music starts we just go. There is a trick sometimes to doing the microphone handoff, but it all works out in the end. Today is was joy, it was magic, it was fun, it was Nia. It was exactly what a jam should be. I like to think it is what Carlos had in mind when he created the katas we danced today.
Thank you, my Fabulous Nia Teachers. And thank you, Carlos for all that you have given to Nia.
Here is one song, this is not an example of Carlos’ choeography, because it is a Free Dance. I didn’t want to miss one minute of his dances. I could only bring myself to record a Free Dance. 🙂
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